Office of Innovation and Improvement



Data.ED.gov is the Department's central location for historical grant information, access to raw data and links to data web sites.

Welcome to the Office of Innovation and Improvement (OII), headed by Assistant Deputy Secretary Jim Shelton. OII makes strategic investments in innovative educational programs and practices, and administers more than 25 discretionary grant programs managed by five program offices: Charter Schools Program, Improvement Programs, Parental Options and Information, Teacher Quality Programs, and the Investing in Innovation Programs. OII also serves as the Department’s liaison and resource to the nonpublic education community through the Office of Non-Public Education.


Department Awards $6.6 Million Grant to Support Arts Education

(September 19, 2012) The U.S. Department of Education today awarded a grant of $6,640,000 to the John F. Kennedy Center for the Performing Arts to implement and expand its efforts in arts education and arts integration at the national level. Beginning with the first year of a three-year program, this grant will allow all children access to the life-changing benefits of an arts education.

“The study of the arts can significantly boost student achievement, reduce discipline problems, and increase the odds that students will go on to graduate from college,” said U.S. Secretary of Education Arne Duncan. “Arts education is essential to stimulating the creativity and innovation that will prove critical to young Americans competing in a knowledge-based, global economy.”

It’s Arts in Education Week: Let’s Celebrate and Get to Work!

students dancing

As Arts in Education Week concludes, it is a time to recognize the importance of the arts a well-rounded education for all students. Through dance, music, theatre and the visual arts, young children explore the world through sight and sound, creative movement and drama. Through the arts, young persons acquire invaluable cognitive abilities and social skills — problem solving and perseverance to name only two — that prepare them for the rigors of college, careers, and life in the 21st century. We also know through research that arts-rich schools make for quality learning environments, heightening student engagement and correlating with increases in attendance and decreases in behavior problems, as well as short and long-term academic achievement, including pursuing higher education and college completion.

By 
   Posted in   

DREAM: Integrating the Arts to Increase Reading Proficiency

Students sit on the floor, attentively listening as the storyteller reads aloud. Several hands shoot up, without further prompting. Students took on the various roles in the story, dramatizing what they were reading and now they are talking about how acting out the story helped them feel the narrative and understand it better. Thoughtful answers to questions are given, prompting more discussion.

This is not just a teacher’s dream, but a real DREAM — the Developing Reading Education with Arts Methods (DREAM) project. Funded through the Arts in Education Model Development and Dissemination Grant Program (AEMDD) in OII, the four-year project uses visual arts and theater to teach students about reading and to improve how they read. 

i3 Project Directors Gather to Learn, Share, and Begin a New Project Year

Solving pressing education problems at scale, managing challenges posed by geography, engaging the community in school improvement, and sustaining reform efforts beyond federal project funding —these topics and more were tackled by i3 (Investing in Innovation) project directors and other key leaders who gathered in Washington, D.C., this past July. The i3 team held this second annual Project Directors Meeting on July 19-20, bringing together Department staff, i3 project directors and project personnel from the 2010 and 2011 grantee cohorts. Project evaluators and education leaders were also important contributors to this event. The event provided the grantees a range of experiences designed to assist them in their work as OII grantees and to help them build relationships with other i3 projects and personnel.

For those who received i3 support in FY 2011, the opportunity to get advice and guidance from their FY 2010 peers was invaluable. “It was especially great to hear that others were facing some of the same challenges I face,” said first-year project director Toria Williams of the Alliance for College-Ready Public Schools.

Drama and Theatre Educators Are Ready for the Next Act

picture of aate past presidents AATE past presidents reflected on 25 years of efforts to strengthen the role of drama and theatre in schools and the lives of children and youth in a special conference session. Pictured (front row, left to right) are Judith Kase-Cooper, Orlin Corey, Janet Rubin, Joe Juliano and (back row, left to right) Harold Oaks, Coleman Jennings, Joan Lazarus, Betsy Quinn, Kim Alan Wheetley. AATE Past President Rives Collins, not pictured, moderated the discussion. (photo courtesy of the Child Drama Collection, Arizona State University, Tempe, Az.) The theme of this year’s American Alliance for Theatre and Education (AATE) conference was “Looking Back and Charging Ahead.” On the one hand, the nearly 400 conference attendees recently gathered in Lexington, Ky., to celebrate the 25 years AATE has served its membership of teachers and teaching artists, postsecondary educators and researchers, youth theatre companies, playwrights, and advocates. The “looking back” portion included a special session at which a number of the association’s past presidents and other leaders shared stories of the quarter-century-long effort to keep the light shining on the importance of drama and theatre for children and youth. 

By the time I arrived on the second day of the conference, the emphasis had shifted to the present and future. My task was to share the recent findings of a nationwide survey of the conditions of arts education, one that also offered comparisons of those conditions of arts teaching and learning with data from 1999-2000—prior to the No Child Left Behind Act. My presentation would unfortunately remind attendees that between 2000 and 2010, the percentage of elementary schools offering instruction in drama and theatre had plummeted from 20 percent to four percent. At the secondary level, the drop was less dramatic but sobering just the same—less than half of secondary schools nationwide offered students the opportunity to study theatre. It’s hard to shine a light on what’s not on the stage.

Syndicate content

Notice of Language Assistance: English  |  español  |  中文: 繁體版  |  Việt-ngữ  |  한국어  |  Tagalog  |  Русский