Sheet Music of the Week: Brave McClellan is Our Leader Now

The following is a guest post from Head of Acquisitions & Processing Denise Gallo.

Brave McClellan is our leader now, or Glory hallalujah and John Brown's song, arr. by Augustus Cull. Published in New York by Horace Waters in 1868.

After Southern troops defeated his army at the Battle of Bull Run on July 21, 1861, Abraham Lincoln realized that he would need someone dynamic to take charge, especially in efforts to protect Washington, D.C. and its surroundings. At 75, the current head of Union forces, General Winfield Scott, simply was no longer up to the task, so the President called on the one man who had consistently led the North to victory thus far – George B. McClellan. Traveling by train to Washington, McClellan was hailed by crowds along the way, finally entering the Capital more as the reigning victor rather than the Union’s hope.

McClellan bolstered defenses around the Nation’s Capital by forming the Army of the Potomac, assuming its command on 20 August. In November, he took charge of the entire Union Army when Scott retired. Yet McClellan’s tactics turned out to leave much to be desired. Lincoln grew more and more impatient at his habit of entrenching troops defensively but neglecting to use them to attack. The President’s frustration was palpable when, at a meeting at the White House the following January, he told advisors that “if McClellan is not going to use the Army anytime soon, I would like to borrow it.”

The parlor song “Brave McClellan is our leader now” reflects the initial optimism that the North felt when it appeared that they would surely be led to victory in his care. Although the text itself is repetitive and uninspired, the selection of the tune is telling: the refrain “Glory, glory Hallelujah” from the abolition hymn “John Brown’s Body.” At just about the same time, the same melody inspired a far more memorable version with Julia Ward Howe’s potent lyrics: “The Battle Hymn of the Republic.” While the former is remembered only in connection to McClellan’s narrative, the latter went on to become an anthem for the Union throughout the war and beyond.

Pic of the Week: An Evening with David Amram

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National Recording Registry – What Would You Add?

Yesterday, Librarian of Congress Dr. James Billington added 25 new sound recordings to the Library’s National Recording Registry. Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library’s National Recording Preservation Board, is tasked with selecting 25 recordings every year that are “culturally, historically, or aesthetically significant” …

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Country Music: It’s Good for What Ails You

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Happy Birthday, Copland!

Aaron Copland, eminent composer of 20th-century American music, was born 110 years ago yesterday, on November 14, 1900. Born in Brooklyn, New York, Aaron studied piano as a child and later studied with American composer and pianist Rubin Goldmark. In 1920, Copland traveled to Paris to study with renowned French composer, conductor and teacher Nadia …

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African-American History Month

Celebrate African-American History month with a presentation of  African-American Band Stocks on the Performing Arts Encyclopedia. This collection of “stock” arrangements – published orchestrations for instrumental groups – is written by some of the most important African-American composers of the early 20th century. Among those represented are J. Rosamond Johnson,  whose most famous song,  ”Lift Ev’ry Voice …

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