Bob Fosse and Gwen Verdon Collection
Guides to Special Collections in the Music Division
Library of Congress, Washington DC, 1996
Contents
- Introduction
- Biographical Sketch
- Related Publications
- Scope and Content Note
- Container List:
Individual Production, Project, and Performance Files:
- ACTOR'S CHOICE; ROUND THE WONDROUS [Television] (Verdon)
- ALICE [Stage] (Verdon)
- ALIVE AND KICKING [Stage] (Verdon)
- ALL THAT JAZZ [Film] (Fosse)
- BELLS ARE RINGING [Stage] (Fosse)
- BIG DEAL [Stage] (Fosse)
- BURNT OFFERINGS [Film] (Fosse)
- CABARET [Film] (Fosse)
- CALL ME MISTER [Stage] (Fosse)
- CAN-CAN [Stage] (Verdon)
- CHICAGO [Stage] (Fosse and Verdon)
- CHILDREN! CHILDREN! [Stage] (Verdon)
- COCOON [AND COCOON: THE RETURN] [Film] (Verdon)
- THE CONQUERING HERO [Stage] (Fosse)
- THE COTTON CLUB [Film] (Verdon)
- DAMN YANKEES [Stage] (Fosse and Verdon)
- DAMN YANKEES [Film] (Fosse and Verdon)
- DANCE ME A SONG [Stage] (Fosse)
- DANCIN' [Stage] (Fosse)
- THE DANNY KAYE SHOW [Television] (Verdon)
- THE DINAH SHORE SHOW [Television] (Verdon)
- ENDINGS (Fosse)
- FUNNY GIRL (Fosse)
- THE GARRY MOORE SHOW (Fosse and Verdon)
- THE GIRL I LEFT HOME FOR (Verdon)
- HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING [Stage]
(Fosse)
- KISS ME KATE [Film] (Fosse)
- LEGS [Stage] (Verdon)
- LENNY [Film] (Fosse)
- LITTLE ME [Stage] (Fosse)
- THE LITTLE PRINCE [Film] (Fosse)
- LIZA WITH A Z [Television] (Fosse)
- LOVE LETTERS [Stage] (Verdon)
- THE MADWOMAN OF CHAILLOT [Stage] (Fosse)
- MAGNUM, P.I. [Television] (Verdon)
- MISSISSIPPI GAMBLER [Film] (Verdon)
- MY SISTER EILEEN [Stage] (Fosse)
- NEW GIRL IN TOWN [Stage] (Fosse and Verdon)
- ON A CLEAR DAY YOU CAN SEE FOREVER [Stage] (Fosse)
- ONCE UPON AN EASTERTIME [Television] (Verdon)
- THE PAJAMA GAME [Stage and Film] (Fosse)
- PAL JOEY [Various Productions] (Fosse)
- LE PETIT CAFE [Stage] (Fosse)
- PIPPIN [Stage] (Fosse)
- PLEASURES AND PALACES [Stage] (Fosse)
- THE RED MILL [Stage] (Verdon)
- REDHEAD [Stage] (Fosse and Verdon)
- THE SEASONS OF YOUTH [Television] (Fosse)
- STAR 80 [Film] (Fosse)
- STEAM HEAT [DANCE IN AMERICA: "Bob Fosse: STEAM HEAT"]
[Television]
- SWEET CHARITY [Stage] (Fosse and Verdon)
- SWEET CHARITY [Film] (Fosse)
- SWEET CHARITY [Revivals]
- THAT'S DANCING! [Film] (Fosse)
- THAT'S ENTERTAINMENT, PART II [Television] (Fosse)
- THIEVES [Stage and Film] (Fosse)
- VERNA [Stage] (Verdon)
- WALKING HAPPY [Stage] (Fosse)
- Fosse: Personal Papers and Career Miscellany
- Verdon: Career Miscellany
- Scrapbooks (Fosse and Verdon)
- Photographs
- Audiovisual Material
- Oversized Materials
- Scripts
- Playbills and Programs
- Magazines
The Bob Fosse and Gwen Verdon Collection was acquired by the Library
of Congress in 1992 through a gift made by Gwen Verdon. The Collection
consists of production, project and performance materials, including
scripts and set designs; business and personal papers and correspondence;
songbooks, printed music scores and choreographic notes; photographs,
posters and scrapbooks; and audiovisual materials. While the print
materials are held by the Music Division, the Collection's audio-visual
materials are housed in the Motion Picture, Broadcasting and Recorded
Sound Division (MBRS). Prior to the gift, and since the death of
Bob Fosse in 1987, Gwen Verdon served as the custodian of the Collection.
Certain restrictions as to the use or copying of the materials
in this collection may apply. Consult a Reference Librarian in the
Music Division for further information.
Approximate number of items: 54,840
Linear feet of shelf space occupied: 133 feet
Number of containers: 114
Biographical Sketch
Born in Chicago, Illinois, in 1927, Bob Fosse is known as one of musical
theater's greatest choreographers and directors. After appearing as
a dancer in such films as "Give A Girl A Break" and "Kiss Me Kate",
both 1953, Fosse established himself as a choreographer in his first
two Broadway shows, "The Pajama Game" (1954) and "Damn Yankees" (1955).
His choreography includes such
other classics as "New Girl in Town" (1957), "Redhead" (1959), "How to Succeed
in Business Without Really Trying" (1960), "Chicago" (1975), and "Dancin'" (1977).
Films directed and choreographed by
Fosse include "Sweet Charity" (1966), "Pippin" (1972), "Cabaret" (1973) and "All
That Jazz" (1979), a semi-autobiographical effort. Fosse appeared in and choreographed
the film "The Little Prince" (1974). He also directed the films "Lenny" (1974)
and "Star 80" (1983). In 1986, he directed and choreographed Big Deal, a Broadway
production which he also wrote.
Fosse's work earned him many awards including a Tony for "Pippin", an Oscar
for "Cabaret" and an Emmy for "Liza with a Z", all in the same year, making
him the first person ever to win the "triple crown" of the performing arts.
He also captured the Tony Award for "Pajama Game", "Damn Yankees", "Redhead", "Little
Me", "Sweet Charity", and "Dancin"', and won three Emmy Awards for his television
special, "Liza with a Z". Other awards include a Drama Desk award for "Pippin" and
a Donaldson Award for "Pajama Game".
Gwen Verdon, born in Los Angeles, California, in 1925, began her career as
a dancer and continued to play roles throughout her career that employed her
extraordinary dancing talents. She made her Broadway debut in "Alive and Kicking" in
1950, and is best known for her work in the Broadway productions of "Can-Can" (1953), "Damn
Yankees" (1955), "New Girl in Town" (1957), "Redhead" (1959), "Sweet Charity" (1966)
and "Chicago" (1975). Film appearances have included "On the Riviera" (1951), "Meet
Me After the Show" (1951), "David and Bathsheba" (1952), "Mississippi Gambler" (1953), "Damn
Yankees" (1958), "Cocoon I" (1986), "Cotton Club" (1984), and "Cocoon II" (1988).
Verdon has appeared in numerous television shows including "M*A*S*H", "Dear
John", "Webster", and "Magnum PI", where she earned an Emmy award nomination.
She was also a guest of the People's Republic of China, where she taught theater
dance to the Beijing Ballet Company, and has worked as a consultant for revivals
of several Fosse/Verdon shows.
Verdon is the recipient of many awards for her work. Her performances in "Can-Can", "Damn
Yankees", "New Girl in Town", and "Redhead" all earned her Tony Awards.
Fosse and Verdon were married in 1960 and had one daughter, Nicole Fosse,
also a professional dancer who appeared on Broadway in "Phantom of the Opera".
Although separated, Fosse and Verdon remained close friends and collaborators
until his death on the opening night of a revival of "Sweet Charity" at the
National Theater in Washington, DC, in 1987.
Related Publications
Chandler, James Winston. "The Function of the Choreographer in the
Development of the Conceptual Musical: An Examination of the
Work of Jerome Robbins, Bob Fosse, and Michael Bennett on
Broadway Between 1944 and 1981". Ann Arbor, MI: UMI
Dissertation Services, 1993.
Gargaro, Kenneth Vance. "The Work of Bob Fosse and the
Choreographer-directors in the Translation of Musicals to the
Screen". Ann Arbor, MI: University Microfilms International.
1980.
Gottfried, Martin. "All His Jazz: The Life and Death of Bob
Fosse". New York: Bantam Books. 1990.
Grubb, Kevin Boyd. "Razzle Dazzle: The Life and Work of Bob
Fosse". New York: St. Martin's Press. 1989.
Martin, Cheryl Annette. "Man on a Tightrope: The Dark Vision of
Bob Fosse." Master's thesis, University of Southern
California, 1985.
Prince, Harold. "Contradictions: Notes on Twenty-six Years in the
Theatre". New York: Dodd, Mead. 1974.
Sloan, Ronna Elaine. "Bob Fosse: An Analytic-critical Study".
Ann Arbor, MI: University Microfilms International. 1983
Scope and Content Note
The Bob Fosse and Gwen Verdon Collection is an extensive collection of multi-format
materials documenting the professional lives of two of America's most notable
artists of the twentieth century. The collection spans both careers from their
early
appearances and projects through Fosse's last work.
The collection consists of: production or project files; Fosse's personal
and professional papers and general files, correspondence, appointment books,
calendars and daily notes; career miscellany of Gwen Verdon; documentation
of awards given to both Fosse and Verdon; scrapbooks belonging to Fosse and
Verdon; photographs and slides; audio and visual recordings; and other miscellaneous
materials. Please note: the Contents list is not an index. When searching the
paper finding aid, all sections should be scanned by title. When using the
electronic version of the finding aid, search by title throughout the entire
document to locate all materials related to that title.
The production and project files include music materials, correspondence,
scripts, production materials, casting files, contracts, press reviews, newspaper
clippings, programs, and other documentation. Arrangement is alphabetical by
production name. Posters, handbills, artwork, printed music and music manuscripts,
research materials, and selected large format photos are cross- referenced
with the individual production files. Smaller format photos are arranged separately
by title or topic. Though the production files are marked as either "Fosse" or "Verdon" only
to identify the primary focus or credit; this does not preclude the involvement
of both parties in a production or project. There are other titles listed in
the career miscellany section and elsewhere that are not included in the project
files.
Fosse's personal papers and career miscellany include files on Fosse's family
and early life, his career as a serviceman in the United States Navy, obituaries,
personal tributes to Fosse, publicity information, and Fosse's own writings.
The general files include miscellaneous contracts and project files, as well
as general office files. General correspondence related to Bob Fosse consists
of drafts and copies of letters from Fosse, dating from 1960 to 1987, which
are arranged chronologically. Related materials include Fosse's appointment
books and calendars, and daily notes which consist mainly of phone lists and
daily calendar information.
Material in the collection, aside from that which is found in the production
files, pertaining specifically to Gwen Verdon is located in the Verdon: Career
Miscellany series. Included are awards, documentation of public appearances
and benefits pertaining to Fosse and Verdon, publicity materials, and other
miscellaneous items.
Scrapbooks belonging to both Fosse and Verdon which document their respective
careers contain clippings, photographs and memorabilia, and are in very fragile
condition.
The series of photographic material consists of professional and personal
images of Fosse and Verdon in the form of photographs, negatives, and slides.
These items are listed within the series but are not cross-referenced in the
production files to which they are related, or anywhere else within the finding
aid. The audiovisual materials in the Collection include record albums, audio
recording tapes, audio disc recordings, audio cassette tapes, compact discs,
videocassettes and films. There are also WNET/13 film and videotape materials
compiled during the production of a documentary on Bob Fosse, and related WNET
research which includes press books and photos. These photos are not cross-
referenced with the Photos files. All audiovisual materials are located in
the Motion Picture, Broadcasting, and Recorded Sound Division (MBRS) of the
Library of Congress and are subject to that Division's policies for use and
reproduction.
Oversized materials include posters, handbills, music sheets, photographs,
art, set designs, costume sketches, and large format magazines and newspaper
clippings. Materials pertaining to a specific show, or those which directly
relate to either Fosse or Verdon are cross-referenced in the production files
or the personal files.
The Miscellaneous materials consist of a variety of scripts, playbills and
programs; miscellaneous magazines, and a various books not related to Fosse
or Verdon productions. These are not cross-referenced within the individual
production files.
Binders, covers, frames and other supports have been removed from most items
because of their condition. Any identification they contained has been noted.
Certain items of historical significance, such as Fosse's "Cabaret" script
have been kept intact. Most covers have been stored separately at the end of
the box numbered series (example: Box 1D, "All That Jazz" script covers). Please
note: wherever possible, the original order of the materials has been maintained.
Mary E. Edsall, Dance Archivist
March 1996
Container List
Individual Production, Project, and Performance Files
ACTOR'S CHOICE: 'ROUND THE WONDROUS (Verdon)
Box 43A SCRIPT
"The Writings of Lewis Carroll," by David Novak;
read for WNDT/CH.13; reading script only; 61 pp.
ALICE (Verdon)
Box 43A PREMIERE
Souvenir program; invitation
NEWSPAPER CLIPPINGS
ALIVE AND KICKING (Verdon)
Box 43A NEWSPAPER CLIPPINGS
Box 43A PROGRAM
Playbill, Hershey Theatre, 1950
Box 43A MISCELLANEOUS
Playbill ad; 1 p. lyrics; ticket order blank
ALL THAT JAZZ (Fosse)
(FOSSE EDITING FILES)
[All the following files marked "Editing notes" contain handwritten
notes by Bob Fosse (and possibly assistants) on the editing of
particular scenes]
Box 3D Editing notes:
"Katie/Joe Bedroom, Sc. 38+"
Box 3D Editing notes:
"Dan demonstrates song, Sc. 33"
Box 3D Editing notes:
"Take Off (after "number")"
Box 3D Editing notes:
"Victoria: breakdown, Sc. 42"
Box 3D Editing notes:
"Rehearsal III, Joe walks out; Sc. 44A"
Box 3D Editing notes:
"Roy/Leland/Tony, Sc. 45"
Box 3D Editing notes:
"Take off, part I, Sc. 52"
Box 3D Editing notes:
"Take off, transition from parts 1-2, Sc. 52"
Box 3D Editing notes:
"Bob's notes for scene 52"
Box 3D Editing notes:
"1st rehearsal into menage"
Box 3D Editing notes:
"Flashback, nightclub, Sc. 22+"
Box 3D Editing notes:
"Any Seat rehearsal, Sc. 36AA"
Box 3D Editing notes:
"Joe's apt. (Debbie), Sc. 13/15/17"
Box 3D Editing notes:
"Will reading; Sc. 128"
Box 3D Editing notes:
"Projection Room, Sc. 12"
Box 3D Editing notes:
"Audition: lineup, producers, Murray,
Joe/Audrey/Michelle; Producers/Audrey, Joe/Audrey, Sc.
4/5/7/8/9/ (sic)"
Box 3D Editing notes:
"First cutting room, Sc. 11"
Box 3D Editing notes:
"Audition, Sc. 4"
Box 3D Editing notes:
"Morning wakeup"
Box 3D Editing notes:
"Limbo, NOT USED"
Box 3D Editing notes:
"Leslie Perry Review, Sc. 122"
Box 3D Editing notes:
"Lead In: Everything Old is New Again"
Box 3D Editing notes:
"Everything Old is New Again, Sc. 59"
Box 3D Editing notes:
"2nd O'Conner Flood, Sc. 129"
Box 3D Editing notes:
"Corridor, surgery team & Audrey/Katie, Sc. 130"
Box 3D Editing notes:
"Insurance/surgery, Sc. 134-141B"
Box 3D Editing notes:
"Hospital hallucination number, Sc. 143" (including lyric
sheet with light cues)
Box 3D Editing notes:
"Fiorello's Restaurant, Sc. 145"
Box 3D Editing notes:
"Heart attack after operation, Sc. 150/151/152"
Box 3D Editing notes:
"Old lady dying, Sc. 168"
Box 3D Editing notes:
"Bye Bye Life, Sc. 173"
Box 3D Editing notes:
"Michelle scene (Joe in BA)"
Box 3D Editing notes:
"Limbo - doctors, Sc. 127"
Box 3D Editing notes:
"Corridor: Ann/Max/Rackmil, angiogram, Sc. 125/126"
Box 3D Editing notes:
"Limbo: some people collect stamps, Sc. 82"
Box 3D Editing notes:
"Lighting stage (Bill/John/Jules), Sc. 82"
Box 3D Editing notes:
"Intercuts: Broadway Arts & hospital, Sc. 64-81"
Box 3D Editing notes:
"Examining room, Sc. 63"
Box 3D Editing notes:
"Book reading - cabs, 1st hospital"
ALL THAT JAZZ
(CASTING FILES)
[NOTE: the casting files contain photo/resumes, letters from
applicants and agents, and occasional notes on applicants]
Box 4A CASTING: General
Box 4A CASTING: General
Box 4B CASTING: General
Box 4B CASTING: General
Box 4D CASTING: General, "rejects"
Box 4D CASTING: General, "rejects"
Box 4E CASTING: General
Box 4C CASTING: "Women"
Box 4C CASTING: "Women"
Box 4C CASTING: "Women"
Box 4E CASTING: General
Box 4E CASTING: General
Box 4E CASTING: General
Box 5A CASTING: "Strippers"
Box 5A CASTING: "Young girls"
Box 5A CASTING: "Old women"
Box 5A CASTING: "Cafeteria people"
Box 5A CASTING: "Dancers, Take Off with Us"
Box 5A CASTING: "Character women, nurses, 25-35"
Box 5A CASTING: "Jonathan"
Box 5A CASTING: "Character women, nurses, 18-25"
Box 5A CASTING: "Character women over 35"
Box 5A CASTING: "Character men, 20-30"
Box 5A CASTING: "Boys"
Box 5B CASTING: "Men, 40-55"
Box 5B CASTING: "People to see"
Box 5B CASTING: "Men, 30-40"
Box 5B CASTING: "Studs"
Box 5B CASTING: Miscellaneous
Also contains audition schedules, contact lists
Box 5B CASTING: Fosse notes
Grey clip folder marked "Casting - ATJ - Fosse;"
audition schedules, notes, few photo/resumes,
suggestions from agents, character lists with
possible actors, extensive handwritten notes by Bob
Fosse
Box 5C CASTING: Fosse folder
White clip folder, including cast list,
photo/resumes,audition schedules and notes,
calendar pages, cast deal memos, film storage
inventory, set dressing inventory, casting notes,
publicity for South America, contact sheets for
cast and crew,shooting schedules, etc.
Box 5B SELECTED CAST
Resumes and photos, tagged with names, of those
actors and actresses selected for film
ALL THAT JAZZ
(GENERAL FILES)
Box 5C DEAL MEMOS
Cast deal memos, 1978; shooting schedule, #4
Box 5C CONTACT SHEETS
For ATJ AND DANCIN', staff, crew, locations
Box 5C TITLES
Including photos of graphics for "directed by BF"
Box 5C PUBLICITY
Cannes Film Festival statement; Columbia Pictures
preliminary production information, including bios
of Bob Fosse, motion picture stars, and crew;
miscellaneous, e.g. air dates for Ann Reinking
appearances
Box 6A TECH CREW RESUMES
Box 5C PRODUCTION MISCELLANEOUS
Memos, miscellaneous invoices re: Fosse personal
expenses; snapshot on set; 1976 Syosset Musical
Workshop Tribute to Fosse; "Tommy McCarthy post-
production schedule;" miscellaneous correspondence,
Fosse and Michael Shurtleff, 1976; 2 interesting
letters on casting leads between Shurtleff and
Fosse, 1978; 3/11/77 2 pp. letter (notable), from
Shurtleff to Bob Fosse, explaining the story of Joe
Gideon from his perspective; Columbia Pictures
correspondence re: marketing/publicity staff
introductions; inventories pricing cameras,
electrical supplies, Art Dept., wardrobe, etc.;
Giuseppe Rotunno letter 1978 to Fosse
Box 5D PRESS BOOK: Cannes
Large press clippings book, French, re: Palm d'Or,
Cannes
Box 5C BRAZIL/ARGENTINA PUBLICITY TOUR
Very miscellaneous notes
Box 6A BUDGET
Budget, undated, with ICM memo: "This is the one
we're using"; preliminary budgets, 5/6/77 and
5/9/77; delay cost estimates, 7/5/78 to 7/17/78
Box 5C FILM STORAGE INVENTORY
Box 6A FOREIGN
Updates on foreign film results
Box 6A MUSIC
Music rights and costs, revised, 1979 by scene; Bob
Fosse handwritten notes on music needed for film
Box 6A POSSIBLE CREW
Resumes for costume designers, PAs, asst.
directors, etc.; staff and crew contact list
Box 6A PRELIMINARY NOTES, FOSSE
Fosse file, including scene list, locations/sets,
script pages, quotes, possible dialogue, audition
schedules and notes; 1976 miscellaneous notes, from
friends and colleagues; extensive random notes,
e.g.: "Notes on latter part of ATJ, 6/19/76; list
of "possible events" in film; 1 script page,
listing dances and timings
Box 6A LEGAL/FINANCIAL
Letters re: credits on paid ads, 1978;
correspondence re: Richard Dreyfuss' breach of
contract; question of Paramount payment, 1977;
correspondence between DGA and Columbia Pictures on
credits billing
Box 6B MAGAZINE ARTICLES
CUE, 2/1/80: "The Importance of Being Roy," by
Cynthia Heimel; SCREEN, 5/17/80: "The Million
Dollar Backlot," by Sue Emmett and "The Tireless
Perfectionist," by David Aldredge, and "Cannes
Festival" report; PEOPLE, 3/3/90: "After three
coronaries and ical surgery, Bob Fosse puts his
heart and soul into ALL THAT JAZZ," by Barbara
Rowes; AFTER DARK, 2/80: "Fosse Reflects On Fosse,"
by Kenneth L. Geist (2 copies); PLAYBOY, 9/80:
"Interview: Roy Scheider"
Box 6B MAGAZINE ARTICLES
PLAYBOY, 3/80: "Movies;" AMERICAN FILM, 11/79:
"Life as a Long Rehearsal," by Bernard Drew (3
copies); LE NOUVEAU FILM FRANCAISE, 5/17/80: Cannes
- ALL THAT JAZZ report
Box 6B MAGAZINE ARTICLES
LIFE, 11/79: "Fosse's Ego Trip," by Chris Chase;
THE OBSERVER, 6/29/89: "Work, Women - and ALL THAT
JAZZ," by Goodman/Bygrave
Box 6B MAGAZINE ARTICLES
SUNDAY TIMES (London), "I Wanna Be a Dancin' Man"
(2 copies); NEWSWEEK, 12/24/79: "Dance of Death,"
by Jack Kroll (2 copies); MD: "Films" review
Box 6B PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 6B PRESS REVIEWS
Box 6B BRAZIL/ARGENTINA PRESS
Box 6C NEWSPAPER CLIPPINGS
Box 6C FOSSE: DANCE/MUSIC NOTES, MISCELLANEOUS
Few pages of notes (not Fosse) on ALL THAT JAZZ
dance; couple song sheets, Bob Fosse lyrics and
notes
Boxes 7C MUSIC
-7D
"Emile Charlap" envelope marked: "Allan Heim,
production parts, music" consisting of ozalid
arrangements of music for the film by Ralph Burns.
Some loose music material
Box 85G MISCELLANEOUS MUSIC
Box 6B PUBLICITY MATERIALS
Large format brochure: "For your consideration...
Academy Awards". One in color, one black and
white; inserts for trade magazines
Item 97A ALL THAT JAZZ POSTER
33x48 black and white German poster
ALL THAT JAZZ - PHOTOS
Box 7A PHOTOS
Josh Weiner's ALL THAT JAZZ contact sheet
Box 86A PHOTOS
12x19 color photo, Ann Reinking alone; 16x19 color
photo, Ann Reinking dancing (male dancer in
background)
Box 85B PHOTOS
Several miscellaneous large format casting photos
ALL THAT JAZZ - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script. Covers have been removed
for preservation concerns.]
Box 1A Screenplay, 8/3/76, green cover, blue dot
133 pp.; with revisions; unmarked
Box 1A Screenplay, 8/3/76, blue cover, blue dot
Marked "1st draft, Bob Fosse's script;" 133 pp.;
annotated
Box 1C Screenplay, 8/3/76, gold cover, blue dot
Marked "uncorrected 1st draft;" 133 pp. with
revisions; unmarked
Box 1C Screenplay, 8/3/76, brown cover
Marked # 15, 133 pp. with revised pages; very few
annotations
Box 1A Screenplay, revised, 10/1/76
126 pp.; unmarked
Box 1A Screenplay, revised, 10/1/76
Marked #5; 126 pp., unmarked; 1 page of notes
Box 1B Screenplay, revised, 10/1/76, black vinyl cover
126 pp.; few markings
Box 1B Screenplay, revised, 10/1/76, black vinyl cover
126 pp; unmarked
15 DUPLICATES of above, all in black vinyl covers
Box 1B Duplicates marked # 9 - 14
Box 1C Duplicates marked #16 - 21
Box 2A Duplicates marked #22 - 24
Box 2A Screenplay, revised, 10/1/76
Marked # 13; 126 pp; no annotations
Box 2A Screenplay, revised, 10/1/76
Marked # 13; 126 pp; several deletions
Box 2A Screenplay, revised, 10/1/76, black vinyl cover
126 pp.; few markings
Box 2A Screenplay, revised, 4/14/77
Marked # 11; 103 pp.; no annotation
Box 2A Screenplay, revised, 4/14/77
103 pp.; unmarked
Box 2B Screenplay, revised, 4/14/77, green vinyl cover
103 pp.; unmarked
Box 2B Screenplay, revised, 4/14/77, green vinyl cover
103 pp.; unmarked
Box 2B Screenplay, revised, 4/14/77, green vinyl cover
103 pp.; unmarked
Box 2B Screenplay, revised, 5/26/78
Marked # 32; 130 pp. with revisions; no annotation
Box 2B Screenplay, 6/26/78
Marked "Vicki, extra copy;" revised pages, 131
pp.; some annotation
Box 2B Screenplay, 6/26/78, black vinyl cover
revised pages, few annotations
Box 2D Director's script, 3/9/79, black 3 ring binder
Marked "ALL THAT JAZZ, 3/9/79, final lined script,
Bob Fosse;" continuity script
Box 2C Fosse script, 6/26/78
Original folder marked "Fosse's script;" 128 pp.
with revisions; heavily annotated; numerous loose
pages and other paper: revised crew and staff
lists, billing, "multiple camera days," script
notes, dancer list, revised staff and crew, Joe
Gideon character analysis by Paddy Chayevsky,
hospital scenes, music list, scene's list, cast
list. See box list for specific items.
Box 3A Script, undated
104 pp.; some annotation; staff and crew list
4/28/78; revised pages up to 5/16/78
Box 3A Script, undated
124 pp.; unmarked
Box 3A Script, undated
124 pp,; annotated
Box 3B Script, 2nd draft
From file marked "2nd draft, Fosse;" Bob Fosse and
other handwritten annotation: very extensive
changes; 150 pp.
Box 3B Fosse notebooks
Green composition notebook marked "Firebird -Rock,
ALL THAT JAZZ 1;" music and dance notes
Black composition notebook, unmarked, only 1 page
of notes and a couple clippings
Box 3B "1st script meeting, Fosse - Aurthur (sic), 7/1/76"
Typed notes from meeting; notes from Paddy
Chayevsky, 6/1/76
Box 3B Revised screenplay pages
150 pp.; very miscellaneous annotated drafts and
revisions
Box 3B "Script pages that have been retyped"
Old script pages, heavily annotated, some
handwritten notes
Box 3C Script draft
Handwritten
Box 3C Script draft
Mainly handwritten
Box 3C Script draft
Mainly handwritten; note: 46-48 seems to be written
by someone other than Bob Fosse
Box 3C "Script pages that have been retyped"
Annotated
Box 3C "Script, old pages, first draft"
Few annotations
Box 3C "Script, Bob Aurthur's old pages"
Annotated
Box 3C Revised script, 4/14/77
Marked #4; 103 pp.; no annotation
BELLS ARE RINGING (Fosse)
Box 43A PROGRAM
Shubert Theatre, July 1957
Box 43A LEGAL: CONTRACTS
8/2/56 Fosse agreement with Comden, Green, Styne
(original and photocopy); Bob Fosse and Theatre
Guild, choreography agreement; 10/27/56 Jerome
Robbins and Bob Fosse, for choreographic
collaboration; Tams-Witmark Music Library, 8/23/57;
7/15/57 British rights and royalties; 2/16/59, LA
Civic Light Opera, play rights and interests;
several letters regarding percentages and
miscellaneous
BIG DEAL (Fosse)
Box 8D PLAYBILLS
May 1986, Broadway Theatre (20 copies)
Box 8D PLAYBILLS
May 1986, Broadway Theatre (20 copies)
Box 8D PLAYBILLS, assorted
April 1986, Broadway Theatre (2 copies);June 1986,
Broadway Theatre; Feb. 1986, Shubert Theatre (3 copies);
March 1986, Shubert Theatre; PANORAMA (Boston weekly
guide) 2/10-23/86 (2 copies); Playbill, Jack Lawrence
Theatre, 4/86 (article on BIG DEAL)
Box 8C MAGAZINE REVIEWS
DANCE MAGAZINE, 7/86: "Fosse's Follies" by Kevin
Grubb; NEW YORK Magazine, 4/7/86: "Bob Fosse's New
BIG DEAL," by Kevin Kelly (3 copies); NEWSWEEK,
4/21/86: "Broadway Boogie Woogie," by Jack Kroll
Box 8C MAGAZINE REVIEWS
TIME, 4/21/86: "Slick, Sassy, Borrowed and Blue,"
by Wm. A. Henry III; VANITY FAIR, 4/86: "Glossy
Fosse," by Sylviane Gold; DANCE MAGAZINE, 8/86:
"Fosse and His Followers," by Kevin Grubb
Box 8A TECH NOTES, Shubert, Boston
All from March, with Bob Fosse notes
Box 8A TECH NOTES, Shubert, Boston
February and March, with Bob Fosse notes
Box 8A TECH NOTES, Broadway
April, some Bob Fosse notes
Box 8A TECH NOTES, Miscellaneous
Box 8A TECH NOTES, Miscellaneous
Box 8A TECH NOTES, Miscellaneous
Box 8B STAGE MANAGERS REPORTS
1986, very few
Box 8B BIG DEAL FILM SHOOT
Film shooting schedule, 1985; script pages for
scene to be shot
Box 8B BIG DEAL RUNNING ORDER
Running order, 1/20/86 (2 copies); annotated by Bob
Fosse, and a story board
Box 8B RESEARCH
News clippings, postcards, FDR Inaugural address,
1933; list of 1930s movie titles
Box 8B ACTOR'S EQUITY
1985 correspondence re: guidelines and regulations
Box 8B SCRIPT NOTES: Herb Gardner
Herb Gardner's notes (and transcript) on script;
also includes long memo from Bob Fosse's secretary,
dated 4/7; company phone list; dressing room list
Box 8B PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 8C NEWSPAPER CLIPPINGS
Box 8B CORRESPONDENCE, 1983: BIG DEAL ON MADONNA STREET
Italian film; correspondence re: rights acquisition
for Big Deal on Madonna Street: involves Stuart
Ostrow, Allen Deutsch, Bob Fosse, Giovanna Cau;
correspondence re: Peter Allen on music/lyrics
matters
Box 8B APPLICANTS FOR BOOK AND MUSIC
Applications, photo/resumes, correspondence
Box 8B CORRESPONDENCE, personal
Re: BIG DEAL: people's responses to show,
telegrams, letters; opening night correspondence
Box 8B CONTACT SHEETS
For company
Box 9B CASTING
10/23/85 auditions with Howard Feuer at Minskoff:
photo/resumes, memos, audition schedules, notes,
contact sheets, recommendations, character
assignments, etc.
Box 9B CASTING
Miscellaneous photo/resumes
Box 9B CASTING: "Possible YES, "A" file rejects"
Miscellaneous photo/resumes
Box 9B CASTING: "Finals 11/22/85"
Miscellaneous photo/resumes
Box 9B CASTING: audition cards
Box 9B CASTING: "Callbacks, Fri., 11/22/85"
Audition cards, photo/resumes, schedules, contact
sheets
Box 9B CASTING: "Finals, "B" file photo/resumes"
Box 9B CASTING: "Finals, "NO," photo/resumes"
Box 9B CASTING
General photo/resumes, letters
Box 9B CASTING: "#3, women outs"
Audition cards, Bob Fosse notes
Box 9B CASTING: "Polaroids and "A" file photo/resumes"
Box 8B PRODUCTION MISCELLANEOUS, including technical crew and
cast
Talent list for production budget; BIG DEAL reading
cast list, 1981; casting correspondence with Howard
Feuer; script assignments; film shoot/lyrics/dance
notes; Herb Gardner's 2nd verse of WHO's YR. LITTLE
WHOZIS?
Box 8B PRODUCTION CORRESPONDENCE
3/19/86 letter from Gerry Schoenfeld, Chairman of
the Board, Shubert Organization, to Bob Fosse
detailing their suggestions for changes, etc. in
show, 3 pp.
Box 9A LEGAL/FINANCIAL CORRESPONDENCE, 1969-86
1968, financial and rights agreements with writers,
producers, director, including Italian movie rights
correspondence; correspondence re contracts: Bob
Fosse - director/choreographer; copyright search
report, correspondence with David Begelman and Sam
Cohn; including some miscellaneous such as theatre
charges, Bob Fosse
Box 9A LEGAL: CONTRACTS (#1)
Bob Fosse contracts and drafts: production contract
with Shuberts; director services; choreography;
Riff Productions (executive producer services);
letter agreement; and explanatory letters between
Bob Fosse and ICM
Box 9A LEGAL: CONTRACTS (#2)
Production contract with Shuberts (duplicate);
memos re: Bob Fosse contracts; Dramatists Guild
correspondence; various contract revisions;
material on royalty participation; other
correspondence on various payments and advances
between Bob Fosse, ICM, et al
Box 8B CORRESPONDENCE: PUBLICITY
Correspondence with Bert Fink of Fred Nathan Public
Relations, and Lee Gross, re: publicity schedules
for BIG DEAL; some miscellaneous
Box 9A "DAILY CUTS & CHANGES"
February 14-21
Box 9A SCRIPT REVISIONS
Revised script pages with actor's assignments;
extensive files
Box 9A BOWS
Box 9A CORRESPONDENCE: Pete Hamill
Miscellaneous articles Hamill sent Bob Fosse for
possible BIG DEAL use
BIG DEAL MUSIC RESEARCH
[All from box marked same; titles in quotes are from original
folders]
Box 12A LYRICS" , green 3 ring binder
Lyrics with some annotations
Box 12A "SONG TITLES", blue 3 ring binder
Song titles with notes; correspondence with ASCAP
and ICM re: song rights; partial list of publishers
Box 12D "SONG TITLES, 20's - 30's - 40's"
Box 12A "BIG DEAL LYRICS"
Some annotation; information on Minskoff Theatre
rehearsal studios; description of main BIG DEAL
characters and several script pages
Box 12A "BIG DEAL SONGS"
Lyrics, some annotation
Box 12B "LYRIC SHEETS"
Some annotation
Box 12B MISCELLANEOUS SHEET MUSIC
Words and music; 1 page of lyric notes
Box 12B MISCELLANEOUS SHEET MUSIC
Same as above
Box 12C "SHEET MUSIC"
Box 12C SONG TITLES
Annotated; 1920-29; 1930-39
Box 12C "TUNES"
Box 12D "TUNES"
Box 12D "TUNES"
Box 12D "TUNES"
Box 12D "LYRICS"
Box 12D "LYRICS"
SONG BOOKS
Box 12E "70 Songs: 1920-40," Home Library Series
"The Swing Era: World's Greatest Hits of the 20's & 30's"
"STAR DUST and 40 Golden Era Hits"
"Great Songs of the 30's"
"First Time Ever: 650 Outstanding Songs"
"The Golden Era of Nostalgia Music, Vol. 4"
"Swing & the Big Band Era," Great Songs of the Century
Series
"Songs from the Golden Eras: 1930-49"
"1001 Jumbo Song Book"
BIG DEAL, MOUNTED PHOTOGRAPHS
[All shots of cast and scenes from production]
Box 96F 20x29, color, mounted on cardboard, man dancing with
shadow of a dollar sign
Box 95A 29x64, color, mounted on cardboard
Box 95B 64x29, color, mounted on cardboard
Box 95C 64x29 color, mounted on cardboard
Box 96B 43x29 color, mounted on cardboard
Box 96C 43x29 color, mounted on cardboard
Box 96D 48x21 color, mounted on cardboard
Box 96E 48x31 color, mounted on cardboard
BIG DEAL, SET MODEL
Box 98 36" L x 25" H x 28"W, model of set
BIG DEAL - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script. Covers have been removed.]
Box 66A Script, 1958 film, red cover
Translated from Italian movie directed by
Mario Monicelli, unmarked
Box 66A Script, early, red clip notebook
Undated, early annotated draft
Box 66A Script, 1st draft, 4/5/69
Inside marked by Bob Fosse: "Before selection of
composer; 111 pp.; annotated with revisions and
deletions
Box 66A Script, 1st draft, 7/1/69, black vinyl cover
166 pp.; unmarked
Box 66A Script, original
Marked "original;" undated, 157 pp.; some
annotations; cut-up, taped-up copy
Box 66A Script, early pages
50 pp. revised scenes; little annotation
Box 66A Screenplay, 1st draft - old pages
100 pp., miscellaneous; few annotations
Box 66A Script notes and pages
Several memos, Bob Fosse to David Picker, United
Artists, discussing script revisions; reactions to
readings of BIG DEAL (Robert Aurthur, David Shaw);
Paddy Chayevsky's notes; Bob Fosse correspondence
with Ray Stark; Bob Fosse handwritten notes
Box 66A Script, early drafts
Bob Fosse handwritten and typed notes, ideas,
drafts, very miscellaneous; fragile
Box 66B Script, 6/17/85
Note on title page, "June 17, 1985, Prepared for a
reading;" 137 pp., few revisions and deletions
Box 66B Rehearsal script, 12/85, black vinyl cover
133 pp.; unmarked
Box 66B Rehearsal script, 12/85, black vinyl cover
133 pp.; unmarked
Box 10A Rehearsal script, 12/85, master
This was marked, "Master rehearsal script,
12/18/85, sent to Studio Duplicating Services;" few
changes, deletions, additions; DRAFT; 137 pp.
Box 10A Rehearsal script, 12/85, master
Marked, "Master, 12/18/85, annotated; 137 pp.
Box 10B Rehearsal script, 12/85, Bob Fosse master, black paper 3
ring binder
With contact sheet, set and costume diagrams, light
cues, etc.; annotated by Bob Fosse; 132 pp. with
revisions; dance notes ; marked "Bob Fosse"
Box 10B Rehearsal script, 12/85, 3 ring black vinyl binder
Marked "Cathy Nicholas" on title page; tabbed
binder with calendar appointments, cues, contact
sheets, running order, technical shift plot,
production and rehearsal schedules, music, sound
effects, props; annotations; Bob Fosse banking
list; material on television commercial; tech
notes, Bob Fosse program biography
Box 10A Production script, 5/24/86
Marked "Master/Final" on original cover; corrected
copy, with dance diagrams; 133 pp.
Box 10B Rehearsal script, Bob Fosse, black vinyl 3 ring binder
Marked "B. Fosse, BIG DEAL old script; "extensively
annotated version of 6/17/85 script; has alternate
endings, calendar with Bob Fosse notes; photocopies
of stage plan
Box 10B Casting - sets, etc. notebook, Bob Fosse, blue vinyl 3
ring binder
Marked "Bob Fosse, casting - sets - costumes -
music - old pages - miscellaneous schedules - BIG
DEAL; including contact sheets, photo/resumes,
casting and audition information
Box 10B Script, purple vinyl cover
Early version of script; 89 pp.
Box 66B Fosse notebook
Composition book with a few pages of Bob Fosse
handwritten notes
Box 66B 1st draft, working script
Undated; 159 pp.; with list of possible numbers,
main characters; annotated - primarily cuts and
additions
Box 66B 1st draft, working script
Same as above, though both seem to be originals
Box 66B First draft 7/1/69
126 pp.; some annotation
Box 66B Script - Reading
Marked same; 157 pp.; annotated; includes list of
actors and notes on roles to be read for
Box 66B Script changes
Marked same; legal pad pages, paste ups and
handwritten pages; this is a partial script draft
in longhand
Box 66C Working Manuscript (1 of 2)
Marked same; extensively revised pages, annotated,
numerous handwritten draft pages
Box 66C Working Manuscript (2 of 2)
Same as above
Box 11B Fosse Notebook - "Ideas - Notes"
Marked same on cover; Mead composition notebook;
script and dance notes, etc., handwritten, not
extensive
Box 11B Fosse Notebook - "BIG DEAL - Act I"
Mead composition notebook, tabbed with song titles;
dance and music notes for several songs
Box 11B Fosse Notebook - "BIG DEAL - ACT II"
Mead composition notebook, tabbed with song titles;
dance and music notes for several songs
Box 11A Rehearsal script, 12/85, black vinyl cover
133 pp.; unmarked
Box 11A 1st draft screenplay, 7/1/69, black vinyl cover
166 pp.; very few deletions
Box 11A 1st draft screenplay, 7/1/69, black vinyl cover
166 pp.; annotated, mainly 1st act
Box 11C Combined stage reading and screenplay, black clip binder
118 pp.; unmarked
Box 11C Combined stage reading and screenplay, gold ICM paper
cover
118 pp.; unmarked
Box 11C Combined stage reading and screenplay, gold ICM paper
cover
118 pp.; unmarked
Box 11C Combined stage reading and screenplay, gold ICM paper
cover
118 pp.; unmarked
Box 11C Combined stage reading and screenplay, gold ICM paper
cover
118 pp.; annotated
Box 11C Combined stage reading and screenplay, gold ICM paper
cover
118 pp.; unmarked
Box 11C Combined stage reading and screenplay, gold ICM cover
Title page marked: "June 17, 1985, prepared for a
reading;" 137 pp.; some highlighted dialogue
Box 11C Script, "screen-stage combo", blue vinyl 3 ring binder
Marked same on cover; 157 pp.; very marked up;
undated
Box 11C Script, black 3 ring binder
Undated; 137 pp.; including "musical program"
sheets, musical breakdown by character; very few
notes, some revised pages.
Box 11A SIDES, red 3 ring binder
Marked same; contains tabbed script pages for
various characters
Box 11A SIDES/LYRICS, green 3 ring binder
Marked SIDES on cover and LYRICS on spine; contains
script pages with music/sound effect notes
Box 10A REVISED SCRIPT PAGES
Revised script pages, by scene
BURNT OFFERINGS (Fosse)
Box 13C CASTING
Photo/resumes; agency client lists
Box 13C CASTING
Photo/resumes; agency client lists
Box 13C CORRESPONDENCE
Bob Fosse handwritten drafts; miscellaneous
correspondence re: acquiring a house for the set;
memo to Larry Turman re: Barbara Streisand casting;
various memos, letters, progress reports, casting
suggestions, script discussions between Bob Fosse
and Turman of 20th Century-Fox, 1970's
Box 14D BUDGET
Production budget, 1970
Box 14D FINANCIAL: Fosse personal
Bob Fosse's CA travel expenses: hotel, airfare,
personal miscellaneous; few notes on BURNT
OFFERINGS' costs
Box 14D CASTING, including memos (1 of 2)
Photo/resumes and correspondence from prospective
actors and agents; Turman and Andrea Brandt memos
on casting; Bob Fosse notes on readings; interview
schedules with notes; lists of candidates and
possibilities; extensive
Box 14D CASTING, including memos (2 of 2)
Continuation of above file
Box 14D MISCELLANEOUS
Several Bob Fosse handwritten notes on costs,
locations, etc.; address list
BURNT OFFERINGS - SCRIPTS
Box 13A Screenplay, revised, orange paper cover
117 pp.; unmarked
Box 13A Screenplay, revised, orange paper cover
117 pp.; unmarked
Box 13A Screenplay, revised, orange paper cover
117 pp.; unmarked
Box 13A Screenplay, revised, orange paper cover
117 pp.; unmarked; has "sex operation" written in
pencil on title page
Box 13A Screenplay, revised, orange paper cover
115 pp.
Box 13A Screenplay, revised
Marked "Turman Notes" on cover; 117 pp.; annotation
by Lawrence Turman
Box 13A Screenplay, revised, yellow CMA paper cover
105 pp.; few annotations
Box 13B Screenplay, revised, brown spring binder
117 pp.; unmarked
Box 13B Screenplay
"BURNT OFFERINGS or How I Spent Our Summer;" "CBS
comments," 5/6/70, 3 pp. in front; 133 pp.; heavily
annotated, plus characters, possible cuts, notes on
art and set directors, and "movies to see"
Box 13A Screenplay, black paper cover
"BURNT OFFERINGS or How I Spent Our Summer;" 133
pp.; unmarked
Box 13B Screenplay, "rewrite", black spring binder
Cover marked "rewrite"; shooting script; 109
pp.;annotated
Box 13B Script pages
Annotated, cuts and dialogue changes; 35 pp.
Box 13B Script revisions, 5/12/70
Box 13B Script revisions, 5/12/70
duplicate
Box 13B Script revisions, 5/12/70
duplicate
Box 13B Script revisions, 5/12/70
duplicate
Box 13B "Script rewrites, 9-10/70"
20 pp.; few markings; letter from Robert Marasco,
11/20/70 re: script changes
Box 14D Fosse script notes
20 pp. handwritten; 1 p. typed Paddy Chayevsky
notes; 20th Century-Fox outline notes, 1969
CABARET (Fosse)
Box 16E MAGAZINE REVIEWS
NEW YORK, Feb. 21, 1972: "Best of Both Worlds," by
Judith Crist; L'UOMO VOGUE, June/July 1973: "Dal
Teatro al CABARET," "Il Volo Di Michael York," and
"Bob Fosse;" AFTER DARK, Feb. 1972: "Maybe This
Time - a photo preview of CABARET," by Neil
Applebaum; CHAPLIN 116, No.5 1972: "CABARET," by
Torsten Manns
Box 16E MAGAZINE REVIEWS
TIME, Feb. 28, 1972: "Liza - Fire, Air and a Touch
of Anguish," by Gerald Clarke (4 copies)
Box 16E MAGAZINE REVIEWS
NEWSWEEK, Feb. 28, 1972: "Liza Minnelli: A Star Is
Born," by S. K. Oberbeck (2 copies); TIME, April 9,
1973: " Hollywood's Revenge" (on CABARET Oscars);
LIFE, Feb. 4, 1972: "Liza" (2 copies)
Box 16F PRESS REVIEWS
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 16F NEWSPAPER CLIPPINGS
Box 16A UNIT LISTS
Box 16A LOCATION MEMOS, 1971
Location and set research
Box 16B CY FEUER
Correspondence from envelope marked "Cy Feuer,"
containing Bob Fosse's insurance application, Bob
Fosse hand-written notes and letter to Martin re:
production problems (pertaining to overheard Feuer
phone call); Cy Feuer correspondence, 1970-71, re:
script and score
Box 16B CASTING: Dancers, Germany
Audition schedules, memos, notes, lists of dancers
Box 16A COSTUMES
Costume/character/production number lists, 1971;
wardrobe memos
Box 16D LYRICS
Shooting and editing notes, and timing for these
lyrics, extensively annotated; "Cabaret," "Mein
Herr"
Box 16D LYRICS
Editing and shooting notes, "Maybe This Time," and
"Two Ladies"
Box 16D LYRICS
Lyric sheets, music notes, "Wilkommen," and
"Wilkommen Finale"
Box 16D LYRICS
Music notes, editing notes, "Tomorrow Belongs to
Me"
Box 16D LYRICS
Music notes, choreography notes, "If You Could See
Her Now," and "Money"
Box 16B SET DESIGNS
Set plot and memos, plus blueprint designs for
various sets
Box 16B PREVIEW CARDS
For 1972 Los Angeles and Anaheim previews
Box 16A RESEARCH, GERMANY
Postcards and photos for location, set and costume
research: Munich, Berlin, Hamburg
Box 16B CONTRACTS
Bob Fosse contract, 1970, and correspondence;
handwritten notes by Bob Fosse
Box 16B BUDGETS
German budgets, including formal 1970 complete
budget; CABARET costume count; ABC
interdepartmental memos, 1971 re: production
representatives and budget, associate producer
assignments; employment letter, unit publicist,
budget and shooting schedule for period vehicles;
memos on added costs, sets, mechanicals
Box 16A MEMORANDA, German Office
1971, miscellaneous informational office memos, re:
rehearsal rooms, expenses, staff/crew hiring;
preproduction research on photos and films;
information on dancers; cast and crew flight
schedules, etc.
Box 16B SHOOTING SCHEDULES
Breakdown sheets, based on 10/22/70 script
Box 16C CASTING
Memos, resumes, letters, photos
Box 16D SONGS AND NOTES
From file marked "Songs," annotated, revised lyric
sheets; extensive Bob Fosse drafts of lyrics
Box 16B FOSSE NOTES
"CABARET Ideas" notebook, with handwritten notes,
including cinematography and editing
Box 16B PREMIERE PROGRAM
Includes ad cut, and Spanish ad
Box 16B FOREIGN STAGE PRODUCTIONS
Programs: Theater An Der Wien, 1970-71; Det Danske
Teater, 1969-70
Box 16B FINANCIAL, Fosse personal expenses
London, Germany bills and receipts for hotels,
travel, meals, etc.; memos to Cy Feuer re: living
expenses, etc.
Box 16B CORRESPONDENCE, re: film crew and staff
1970 memos, correspondence and resumes, re:
cameramen, costume designers, director of
photography, editors, and so on; includes Bob Fosse
handwritten interview notes and Robert Surtees
correspondence
Box 16B CORRESPONDENCE, Fosse personal
Miscellaneous memos, Bob Fosse notes;
correspondence with Surtees, John Kobal on books,
hiring, etc.; pamphlet of CABARET sketches "It had
been a big pleasure to work for you... Ladies group
sextette;" miscellaneous banking, etc.
Box 16B LEGAL/FINANCIAL
1973-83: legal correspondence and statements,
including ABC's financial statements on CABARET;
1971 Writers Guild correspondence re: credit
arbitration; contractual payment schedules,
residuals, etc.
Box 16A - 16B
PRODUCTION MISCELLANEOUS
German vocabulary list; fact sheet on Munich,
flight schedules, Germany; hotel lists, contact
sheets; ABC letter, 1971 on editing schedule; G.
Unsworth, cameraman memo on filming concerns;
period vehicle/location lists; cast start/finish
schedule; London schedule; Germany brochure; Bob
Fosse "To Do" handwritten memo for Europe; Bob
Fosse handwritten note on Surtees; other
miscellaneous information and notes
Box 16A EDITING MISCELLANEOUS
Sequence breakdown/synopsis 7/11/90; musical
numbers and spots, with timing, 6/25/70
Box 16B SCRIPT NOTES (from friends)
From file marked "Friends' notes after reading
script," including comments from Neil Simon, Bob
Aurthur,Gwen Verdon; 10/6/70 letter from Cy Feuer
to W.E. Dodd (Allied Artists' president) on changes
in first draft screenplay suggested by Dodd; Bob
Fosse's script notes, typed and handwritten
Box 16B DIALOGUE REVISIONS
Notes on various script pages, much in Bob Fosse's
hand
Box 16B SCRIPT MISCELLANEOUS
Sequence breakdowns, musical numbers, locations,
and appropriate script pages
Box 16C CASTING
Letters, photo/resumes, correspondence, audition
schedules, memos
Box 85B PRESS CLIPPINGS BOOK
Post-Academy Awards; large format, 12x16, including
quotes, photos, other press
Box 85B CABARET PRESS
Extensive press reviews, all photocopies; 1972
Box 85F CABARET POSTERS
Color, Italian, 40x55, (1); Color, 27x41, (3
copies)
CABARET - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script.]
Box 15A Script, 1st draft, blue vinyl cover
Marked # 30; 129 pp.; no annotations
Box 15A Script, 1st draft revised, blue vinyl cover
Marked # 81; 129 pp.; no annotations
Box 15A Script, 1st draft revised
Marked # 82; 129 pp.; few annotations
Box 15A Script, 1st draft revised, "Rewrite as of 12/1"
Marked " # 20; "Rewrite as of 12/1;" 129 pp. with
sequence breakdown and footage count; photocopied
and original deletions, dialogue additions, etc.
Box 15A Script (partial), revised pages
100 pp., with Bob Fosse annotations
Box 15A Script, 1st draft (partial), revisions
Photocopied and original Bob Fosse annotations;
revisions; 57 pp.
Box 15A "Old pages from Fosse script"
Marked "Old stuff from Fosse script; 100 pp.; some
annotation by Bob Fosse
Box 15B Script draft, 3/6/70
102 pp., some annotation
Box 15B Script (partial), with revisions
Revised pages; 100 pp., with Bob Fosse annotations
Box 15C Final draft, 2/15/71, black spring binder
Marked "Bob Fosse," # 7; this is a shooting script,
with camera directions and setups, dialogue
additions and changes, handwritten annotations
Box 15C Bob Fosse Editing Notes, grey 3 ring binder
Marked "final draft, 15 Feb., 1971," and "script
notes, Trudy von Trotha;" with shooting and editing
information: soundtrack, camera, footage, etc.
CALL ME MISTER (Fosse)
Box 43A LEGAL
1946 Actors Equity contract, Bob Fosse
CAN-CAN (Verdon)
Box 43A PROGRAMS
4 different undated souvenir programs
Box 43A MAGAZINE REVIEWS
VOGUE, 10/15/53: "See the Pretty Petticoat;" TOPS,
4/54: "Tops in Theatre;" METROPOLITAN HOST Theatre
review, 5/16/53; SATURDAY REVIEW, 5/23/53: "Who
Threw the Overalls in Mr. Porter's Bouilla-
baisse," by Henry Hewes
Box 43A NEWSPAPER CLIPPINGS
Box 86D PRESS, Fragile
Fragile magazines (complete), magazine pages, and
newspaper clippings, bound to matte board, from:
A) CAN-CAN, 1953-54
B) CAN-CAN, 1953-54
C) CAN-CAN, pages from single fragile
scrapbook
D) CAN-CAN
Box 86A CAN-CAN ILLUSTRATION
Milton Marx caricature on illustration board,
13x18; black and white
CHICAGO (Fosse and Verdon)
Box 18A RESEARCH: The TRIBUNE and Chicago journalism
Book excerpts, photocopies, re: Chicago TRIBUNE in
1928, Chicago journalism, historical events in
Chicago, e.g. hangings, etc.
Box 18A RESEARCH: 1920-30
Photocopies of newspapers, 1922-23, on journalism
and crime
Box 18A RESEARCH: Beulah Annin
Articles on Beulah Annin and a few other
characters: cover sheets (listing specific stage
characters) and clippings pertaining to the actual
person who was the basis for the character; also,
notes on meetings with researchers
Box 18A RESEARCH: 1920's
Police files, newspaper clippings
Box 18A RESEARCH: Annin's police files and trial transcript
50 pp., including a letter from Ian Shearn,
researcher
Box 18A RESEARCH: Annin reportage
Cover letter from Alison Price, researcher, and
miscellaneous correspondence with researchers;
excerpts from news-clippings, trial transcripts and
reportage, 80 pp., including "Gene Siskel" research
Box 18G MAGAZINE REVIEWS
AFTERDARK, 6/75: "Gwen Verdon and CHICAGO: The
Reincarnation of Roxie Hart," by Clarke Taylor (3
copies); PEOPLE, 6/23/75: "ON STAGE: Separated but
still mated professionally, Gwen Verdon hoofs for
her ex;" CENTRE STAGE, 9-10/77: "Bob Fosse: From
Dancer to Director," by Lawrence O'Toole
Box 18G MAGAZINE REVIEWS
CUE, 7/7-13/75; CUE, 6/16-22/75: "All About Evil,"
by Marilyn Stasio; DANCE Magazine, 11/75: "Bob
Fosse's CHICAGO: Roxie's Razzle Dazzle and All That
Jazz," by Richard Philp; FOOTLIGHTS, 6/78: "Ladies
of the Evening: Gwen Verdon, Portrait by Peter
Michael Carlisle" (same, Chita Rivera, Portrait) (3
copies); VOGUE, 9/75: "People Are Talking About..,
CHICAGO, That Razzle Dazzle Musical," by Leo Lerman
Box 18F PROGRAMS
Playbill, Forrest Theatre, 1975 (autographed to Bob
Fosse from Paul Solen); playbill, 46th St. Theatre,
5/75; Stagebill (Chicago, IL) 4/78 (4 copies);
Playbills, 46th St. Theatre: 7/75, 6/77, 8/75,
3/77; Playbill, Colonial Theatre, 9/77
Box 18F PROGRAMS, international productions
Program and handbill: Teatro El Nacional, Buenos
Aires, 1977; programs only for the following:
Greece, 1982; Aarhus Theatre, 1976; Theater in
Freiburg, 1981; Abo Svenska Teater, Finland, 1976;
Teater Arena, Ghent, Belgium, 1980-81; Operett
Szinhaz, Hungary; Stadsteatern, 3/11/76 (European
premiere); Helsingin Kaupungin Teater (and
handbill); Det Danske Teater, 1976-77; Hamburger
Thalia Theater, 1977; Riksteatern, Sweden, 1976;
handbill: Arena Teater, Ghent, Belgium; handbill
and program: Ungdommens Teater, 1977
Box 18F PROGRAMS
The Hanna Theatre, Cleveland, 1978; Harrah's
Marina, Atlantic City, 1985; University of Akron,
Ohio program, autographed to Bob Fosse by Arlene
Fontana
Box 18F PROGRAM, 1927 production
From 2/21/27 play CHICAGO by Maurine Watkins,
staged by George Abbott, autographed by George
Abbott
Box 18C STAGE MANAGERS' REPORTS, 1975-78
Box 18D MUSIC
For "It," " Funny Honey," "Roxie," " Razzle
Dazzle," "We Both Reached for the Gun," "Loopin' on
the Loop," "Me & My Baby," "My Own Best Friend"
Box 19B PRESS REVIEWS, miscellaneous productions
Box 19B PRESS REVIEWS, foreign productions
Box 19B PRESS REVIEWS, 1973
Box 19B PRESS REVIEWS, 1975
Box 19B NEWSPAPER CLIPPINGS, 1975
Box 19B PRESS REVIEWS, 1977
Box 19B PRESS REVIEWS, 1978
Box 19B PRESS REVIEWS, 1978
Box 19B NEWSPAPER CLIPPINGS, 1978
Box 19B PRESS REVIEWS, 1979
Box 19B PRESS REVIEWS, 1985
Box 18C TECH NOTES, undated
Box 18B CASTING, 1974-75
Correspondence with Michael Shurtleff; audition
schedules; character lists; callback sheets;
photo/resumes and letters; audition lists with Bob
Fosse notes
Box 18B CASTING
Photo/resumes; audition cards; Bob Fosse notes
Box 18B CASTING, 1976-77
See above
Box 18B CASTING
Photo/resumes; undated correspondence
Box 18C TELEVISION COMMERCIALS
1975 correspondence re: commercial spots, plus
television schedule
Box 18C REHEARSAL AND PRODUCTION SCHEDULES
1974 and undated; including contact lists
Box 18C CORRESPONDENCE AND SCHEDULES, 1978
A few 1978 promotional schedules for Verdon and
Rivera
Box 18C LEGAL/FINANCIAL
1974 correspondence re: Bob Fosse production
contacts; royalty agreements and correspondence
about reductions in royalties, 1974-76; 1974
prospectus for CHICAGO Company; Verdon's 9/74
agreement with CHICAGO Co.; closing notice; file
covers 1974-82, but material is sparse after 1976
Box 18C FINANCIAL, 1974-79
Financial statements and budgets, 1974-79,
including estimated production costs, 1974, and
weekly operating budgets; assorted financial
statements for 1975, 1977
Box 18C CORRESPONDENCE, miscellaneous
Several theatre-goers' complaints
Box 18C CORRESPONDENCE, re: script
Fred Ebb's notes on script reviews, undated;
4/23/78 letter re: script reviews, with Bob Fosse
marginal notes
Box 18E PLAYSCRIPT
French's musical library publication of CHICAGO
script (3 copies)
Box 19B CALENDAR, 1986
"Hirschfeld's Broadway," including CHICAGO
caricature; CHICAGO publicity card
Box 17C CHICAGO (Watkins)
Playscript of Maurine Watkins play; photocopied
press clippings from original (Watkins) production
Items 97C, 97K
POSTERS AND HANDBILLS
Black and white, 17x24 photo of trade ad for film
(1); 16x27 1/2 color lobby poster from Det Danske
Teater (1); 41x59 color poster, 46th Street Theatre
Box 93B HANDBILL, Framed
14x21 color handbill, Abo Svenska Theatre, in clear
plastic modular frame
Box 86A HANDBILLS AND ILLUSTRATIONS
Single matte folder:
Handbill, color, 14x19, Alexander Theatre,
1977; Handbill, 16 1/2x23 1/2, color, Teater
Arena; Poster, 20x27 1/2 color, Operett
Szinhaz Drawing (reproduction), Verdon
dancing, by Mark Cote (2, same)
loose:
Caricature, on illustration board, by Mark
Cote; this is an original; there are copies
elsewhere
Box 85F SKETCH
12x15 pencil drawing by Graff, 1978, of Ann
Reinking and Liza Minnelli as Roxie Hart; mattted
in 20x23 frame
Box 86A PHOTOS
15x19, mounted black and white photos, both by
Murray Laden, one of Verdon, one of Verdon and
Chita Rivera
Box 87A FRAMED POSTER
16x20, color, 46th St. Theatre
CHICAGO - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script. Covers have been
removed.]
Box 17A Script, 1st draft
Marked # 39, "1st draft, 8/3/73; no annotations;
136 pp.
Box 17A Script, 1st draft, blue vinyl cover
Marked # 7, "1st draft, 8/3/73; no annotations; 136
pp.
Box 17A Script, 1st draft, blue vinyl cover
Marked # 40; "1st draft, 8/13/73 (?);" 136 pp.; no
annotations
Box 17A Script, black vinyl cover
Undated; no annotations; 106 pp. plus property list
Box 17A Script, black vinyl cover
Undated; no annotations; 106 pp. plus property list
Box 17A Script, black vinyl cover
106 pp. plus property list; annotated, with
handwritten dance notes on final page
Box 17A Rehearsal script, black spring binder marked "Gwen
Verdon," inside red binder
Marked # 26, "Rehearsal script, 10/21/74;" 134+
pp.; much handwritten notation, mainly 1st Act
Box 17B Rehearsal script, black spring binder
Marked "10/21/74;" handwritten notation, including
dance notes, etc.; 136+ pp.
Box 17B Rehearsal script, black clip binder
Marked 10/21/74; 71 pp., 1st Act only; unmarked
Box 17B Playscript, Watkins, wood-grain vinyl clip binder
"CHICAGO, A Play in 3 Acts," by Maurine Watkins;
103+ pp., including property plot, electrical plot,
sketches, annotations
Box 17B Script pages
Both Act I and II; 150+ pp.; some handwritten notes
Box 17B Script pages
Some revisions dating 3/8/75; handwritten notations
and changes
Box 17B Script
150 pp.; from folder marked "Script corrections,
4/7/75; annotated
Box 17B Script
98+ pp., marked "Script corrections;" has felt
marker and pencil notation
Box 17B "Old script pages"
Very assorted pages, including entire handwritten
pages; typed "outline;" important file, heavily
annotated
Box 17C Script
Marked # 99, "1st draft, 8/3/73;" 132 pp.; unmarked
Box 19A Script, brown vinyl 3 ring binder
Director's script, including rehearsal and
production schedules 2/24/75; tabbed by scenes;
with revisions and notations
Box 17C Playscript, Watkins
CHICAGO, by Maurine Watkins, 1927 (Alfred A.
Knopf); see also playscript in paper files, listed
elsewhere
AT MBRS RECORDING
Phono record,"CHICAGO Surprise 1975 - Happy
Holidays from Peter Howard"
Box 19A Script, Gwen Verdon
From discarded 3 ring binder; contains script,
revised pages, personal notes, clippings, etc.;
heavily annotated by Verdon
Box 17C Script, Gwen Verdon, corrected copy, black vinyl cover
Marked on title page: "Gwen Verdon corrected copy,
as of 1/20/78;" 106 pp.; some annotation
Box 17C Script, Act I
Assorted pages, Act I, with list of "small changes"
Box 17C Playscript, Watkins
CHICAGO, by Maurine Watkins
CHILDREN! CHILDREN! (Verdon)
Box 43A Script, revised 12/71, blue spring binder
Cover: Gwen Verdon imprint; marked "Revised,
12/71;" 95 pp.; extensively annotated
Box 43A Script miscellany, belongs with above script
Loose pages originally with above script, including
pages of script changes, many memo pad pages of
dialogue in Verdon's hand and others'; couple
letters re: script changes
Box 43C 2 sheets of music
Box 43A Script, revised 12/71
Marked same; 92 pp.; very few markings
Box 43C NEWSPAPER CLIPPINGS
Box 43A MAGAZINE REVIEWS
NEW YORK, 3/16/72: mention in "Best Bets"
Box 43A PROGRAMS
Playbills: Ritz Theatre, 2/72 (6 copies); Ritz
Theatre souvenir programs (4)
COCOON (AND COCOON: The Return) (Verdon)
Box 43A NEWSPAPER CLIPPINGS
Box 43A PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 43A MAGAZINE REVIEWS
NIGHT LIFE, 6/85: "Back on the Screen in This
Summer's COCOON: Gwen Verdon," by Jane Waldman (2
copies); GOLDEN YEARS, 11/88: "COCOON: The Return"
Box 43A PREMIERE PROGRAM
THE CONQUERING HERO (Fosse)
Box 43B Script, 1st draft
Marked #4, and "Robert Linden" on cover; title:
"The Hero;" these are two scripts taped together,
1st and 2nd acts; 78 pp. each act; few annotations
Box 43B CONTRACTS, 1960-61
Bob Fosse correspondence with MSC Artists; Bob
Fosse contract; correspondence with Producer's
Theatre; agreements re: rights to the Preston
Sturges property; MBPC (minimum basic production
contract) involving authorship; 4/6/60 Fosse letter
to Robert Freyer and Lawrence Carr outlining his
complaints about their professional relationships
(photocopy); miscellaneous; extensive file
Box 43B FOSSE NOTES
Notes on GOTCHA Ballet, War Ballet and others;
sketch for narrative of ballet; script page
excerpts, annotated; handwritten
choreography/music/dialogue notes by Bob Fosse -
Fosse's working notes; original folder title:
"Notes and Ballet narration (some scenes),
suggestions by Gelbart for campaign."
Box 43B LEGAL/ARBITRATION
Newspaper clippings on arbitration; legal papers on
R. Fosse vs Producers Theatre, Inc. 1960-61,
regarding Bob Fosse choreography; correspondence,
exhibits; 8/28/61 notice of award by American
Arbitration Association; Arbitrator's award - 6
cents - on note card, plus news clipping on award
Box 43B PROGRAM
National Theatre, 11/60
Box 43B FOSSE NOTEBOOK
Small (5x7) notebook containing handwritten notes,
"Hero" (and other)
Box 57C MUSIC
Music for "The Campaign"
THE COTTON CLUB (Verdon)
Box 43B PREMIERE PROGRAM
DAMN YANKEES (stage) (Fosse and Verdon)
Box 43B PROGRAMS
46th Street Theatre Playbill, 5/55, 5/56; 2
souvenir programs
Box 43B LEGAL
Bob Fosse choreography contract, with draft
material
Box 43B MAGAZINE REVIEWS
SATURDAY REVIEW, 5/21/55: "A Frank Marriedwell
Story," by Henry Hewes; NEWSWEEK, 5/16/55: "The
Bases Loaded;" TIME, 5/16/55: "New Musical in
Manhattan" (2 copies); THEATRE ARTS, 11/56: "The
Complete Text of DAMN YANKEES;" VOGUE, 5/15/55:
"People Are Talking About..."
Box 43B NEWSPAPER CLIPPINGS
Box 57C MUSIC
Music sheets for "Who's Got the Pain," "Brains and
Talent"
Box 86D PRESS, fragile
Fragile magazines (complete), magazine pages, and
newspaper clippings, bound to matte board, from:
DAMN YANKEES, pages from single fragile
scrapbook
DAMN YANKEES, 1955: magazines; 1974: clippings
DAMN YANKEES, 1955: clippings
DAMN YANKEES, 1955: clippings
Box 86D LOOSE:
VARIETY, 5/11/55: "Baseball B.O. Poison," page
one
BILLBOARD, 5/14/55
Box 86A PHOTOS, matte folder:
15x 19 1/2 black and white photo of Verdon in
"Whatever Lola Wants" costume (damaged)
Box 93A POSTERS:
Framed poster, 15x23, color, original, Verdon in
baseball shirt, 46th St. Theatre
Box 93A Framed poster, 15x23, color, original, Verdon in
"Whatever Lola Wants" costume, 46th St. Theatre
Box 86A MISCELLANEOUS
SPORTS ILLUSTRATED montage of magazine photos of
Verdon in baseball uniform, 16x19
DAMN YANKEES (film)
Box 43B LEGAL
1957 contract, Warner Bros. and Gwen Verdon; 1958
contract, Bob Fosse and Warner Bros.; contract
notes; single letter re: use of choreography in
another production
Box 43B NEWSPAPER CLIPPINGS
Box 43B AD CUTS, 2
Box 86A AD CUTS, 3, single matte folder
DAMN YANKEES (1974 revival)
Box 43B PROGRAMS
Arie Crown Music Theatre, Chicago, undated and
1972, multiple copies
Box 43B NEWS CLIPPINGS
Box 43C PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 43C PRESS, Fragile
Fragile clippings, bound to matte board, from: DAMN
YANKEES, 1974: clippings, bound with 1955 magazines
DANCE ME A SONG (Fosse)
Box 43B NEWSPAPER CLIPPINGS
Box 43B PROGRAM
Royale Theatre Playbill, 1/1950
DANCIN' (Fosse)
Box 85F HANDBILLS
2 handbills, 14x22, full color, Broadhurst Theatre
(1 on cardboard)
Box 97D POSTERS AND AD CUTS
Foreign DANCIN' posters: 15x22, color, Palais de
Congres, Paris; 16x23, color, Theatre Mogador,
Paris; 13 x 27 1/2 (not illustrated, handbill),
Teatro Comunale Bologna; 27x39, color, Teatro
Petruzzelli, 1983
Box 85A 2 sheets of ad cuts (mildewed)
THE DANNY KAYE SHOW (Verdon)
[Note: Verdon appeared on 7 episodes of The Danny Kaye Show between
1963 and 1965]
Box 43C NEWSPAPER CLIPPINGS, 1965
Box 43B MAGAZINE REVIEWS
DANCE Magazine, 11/64: "Turn on TV"
Box 43B LEGAL
Notes and 1 p. correspondence on contract draft
THE DINAH SHORE SHOW
Box 43B LEGAL
1959 contract, Bob Fosse choreography for "Erbie
Fitch's Twitch", from REDHEAD
ENDINGS (Fosse)
[Note: Title of the film is referred to both as ENDING and ENDINGS]
Boxes 14C CASTING
-14D
photo/resumes
Box 14C CASTING - "Possible people to see in NY"
photo/resumes
Box 14C CASTING - "People seen in NY"
photo/resumes
Box 14C CASTING - "People seen in CA"
photo/resumes
Box 14C CASTING - "People who have been seen"
photo/resumes
Box 14B CASTING - Fosse audition notes, blue cover notebook
Bob Fosse's notebook; has audition schedules, notes
on characters and actors; extensive
Box 14C CASTING - "CA"
Interview schedules and notes
Box 14C CASTING - "NY"
Interview schedules and notes
Box 14B FOSSE NOTEBOOK
Composition book marked "Ending;" contains notes by
Bob Fosse (handwritten) and others; plus clipping
on the book ENDING, loose news clippings on
hospices; Pete Hamill and Herb Gardner notes on
ENDING script; transcript of notes for film called
DYING; documentary shot list; Stuart Ostrow notes
on script; Robert Alan Aurthur's article, "Thoughts
on the Death of My Father"
Box 14B RESEARCH
Magazine clippings on book ENDING by Hilma
Wolitzer, on death, disease, dying; notes on the
movie DYING; brochures on hospitals and medical
centers; medical reports on myeloma disease;
questionnaires for physicians, including that of
8/26/76 meeting with physician in E. Hampton on
dying and ethics; outline/synopsis of ENDING by
script reader; notes on stages of death; clippings
on cancer treatments
Box 14B LEGAL, 1974-76
Correspondence re: agreement with Hilda Wolitzer;
R. A. Aurthur's agreement, 10/74 and revisions
(including memos to Ostrow on this); draft and
memos on Ostrow/Fosse agreement, 1975; CPA letter
to Ostrow on taxes
Box 14D PRODUCTION SCHEDULE AND BUDGET
2/5/76 shooting schedule and preliminary production
budget; cover memo, Steve Kesten
Box 14B PRODUCTION MISCELLANY
Script record; photo/resumes; letters; notes on
crew applicants
ENDING - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script]
[NOTE: initial scripts were titled ENDING; the revisions and final
are titled ENDINGS]
Box 13D Screenplay, 2nd draft revisions
Marked "9/4/75, 9/11/75;" 129 pp.; some annotation,
cuts, additions, etc.; ENDINGS
Box 13D Screenplay
Marked "9/4/75, 9/11/75;" 129 pp.; ENDINGS; partial
script carbon, not annotated, plus miscellaneous
heavily annotated revised pages; Bob Fosse/Aurthur
(?) notes on script; letter to Ostrow and Bob Fosse
from Aurthur (?), 1975, on script; documentary shot
list with revisions; Aurthur's (?) outline and
notes for meeting with Bob Fosse, 12/18/74; other
noted dated 12/75; this file contains extensive
material
Box 13D Screenplay, 2nd draft
Marked "94/75, 9/11/75," ENDINGS; 136 pp.;
photocopy with few markings
Box 13C Screenplay revisions
100 pp.; extensive revisions
Box 13D Screenplay, 11/11/75
Marked ENDING; 103 pp.; few changes, several loose
pages; photocopy
Box 14A Screenplay, 12/1/75
Marked #20; 105 pp.; few markings
Box 14A Screenplay, 12/1/75
Marked #6; 105 pp.; unmarked
Box 14A Screenplay, 12/1/75
Marked #2; 105 pp.; unmarked
Box 14A Screenplay, 12/1/75, purple cover
Marked #21; 105 pp.; unmarked except for Bob Fosse
notes on title page
Box 14A Screenplay, 2nd draft, pink folder
Seems to be 2 separate scripts; 1 = 132 pp.; 2 =
marked "2nd draft," is only 44 pp.; few annotations
on both
FUNNY GIRL (Fosse)
Box 44A Script, 9/6/63, yellow paper cover
36 pp.; unmarked
Box 44A Script, 9/6/63, yellow paper cover
36 pp.; unmarked
Box 44A Script, revised
Incomplete, mainly Act II; revised pages; unmarked;
undated; 36 pp.
Box 44A Script, Act II, blue and white paper cover
38 pp; unmarked
Box 44A Script, red paper cover
Acts I and II; 84 pp.; undated; some annotation,
Act II
Box 44A Script, 6/19/63, black cover
Act I only; 52 pp.; extensive annotations in Bob
Fosse's hand
Box 44A Script, Act I
Act I only; 22 pp.; revised pages dated 9/6/63;
unmarked
Box 44A "Script pages, old 2nd Act"
Annotated
Box 44A "Script pages, Act II revisions
Annotated
Box 44A Music
Music/song plot, that is, breakdown of songs by Act
and breakdown of numbers by characters; song
outline Act II; lyrics with notes
Box 44A "Ideas - old scenes - untyped lyrics, and some
correspondence"
From folder marked same; also includes old plot
synopsis
Box 44A "Extra lyrics"
From folder marked same; also, breakdown of numbers
by characters
Box 44A SET DESIGNS
Box 44A CASTING
One page audition schedule and notes; 2
photo/resumes
Box 44A CORRESPONDENCE
Bob Fosse handwritten 3 pp. letter draft, re: his
withdrawal from show; telegram 9/17/63 Ray Stark to
Bob Fosse re: same
Box 44A LEGAL
8/63 draft of Bob Fosse director/choreographer
agreement, with pages of notes; material on Bob
Fosse withdrawal, 9/63, from show, including
agreement, associated correspondence, and newspaper
clipping
Box 44A PROGRAM
Souvenir program; telegram re: premiere party
cancellation
THE GARRY MOORE SHOW (CBS TV)
(Fosse and Verdon)
Box 44A LEGAL
Fosse contract for dancing
Box 44A LEGAL
Verdon's appearance contract, CBS TV, 1965; 1963
correspondence, including draft agreement on JIMMY
DEAN SHOW (she turned this show down)
Box 57C MUSIC
THE GIRL I LEFT HOME FOR (Verdon)
Box 57C MUSIC, Miscellaneous
HOW TO SUCCEED IN BUSINESS
WITHOUT REALLY TRYING
(Fosse)
Box 44E PROGRAMS
46th Street Theatre Playbill, 11/5/62; souvenir
program
Box 44C NEWSPAPER CLIPPINGS, New York
Box 44C NEWSPAPER CLIPPINGS, Philadelphia
Box 44C NEWSPAPER CLIPPINGS, general
Box 44C Script, blue vinyl cover
Undated; 131 pp; Bob Fosse notes on staging, songs,
etc.
Box 44C Script
Marked "Bob Fosse #33 revised;" undated; 151 pp.;
with property list, costume plot; prop plot; light
and music cues; not annotated
Box 44C FINANCIAL, 1 of 2
Correspondence 1964-75, extensive; this is material
related to financial matters, primarily
negotiations and payments to Bob Fosse for US and
international productions of HOW TO SUCCEED; also
including some box office statements, NYC 1964 and
London Company; some Feuer/Martin correspondence
re: royalties and disagreements
Box 44C FINANCIAL, 2 of 2
Continuation of above
Box 44C PRESS REVIEWS
Including press book, 1961
Box 44C MISCELLANEOUS
Several rehearsal schedules for national company
Box 93A POSTER
Framed poster, 15x23, color, 46th St. Theatre
KISS ME KATE (Fosse)
Box 44C NEWSPAPER CLIPPINGS
Box 44C FINANCIAL
One royalty statement, 2/18/65
LEGS (Verdon)
Box 44C NEWSPAPER CLIPPINGS
Box 85F MISCELLANEOUS
11x14 poster board thank you card from LEGS cast to
Gwen Verdon
LENNY (Fosse) - PAPER
Box 20A CASTING - various male roles
photo/resumes
Box 20A CASTING - "Honey"
Bob Fosse notes and memos discussing various
actresses; casting suggestions from Juliet Taylor
Casting; interview/auditions schedules and notes;
polaroids, photo/resumes; correspondence - 1973;
extensive file
Box 20A CASTING - "Honey"
photo/resumes; polaroids
Box 20A CASTING - "Honey"
photo/resumes; polaroids; memos and letters
Box 20A CASTING - "Lenny"
photo/resumes; polaroids; memos and letters
Box 20A CASTING - general files
call back lists, 12/73; cast breakdown lists
11/20/73; memo, 12/3/73 on "dates and suggested
cast deals;" casting lists, McDermont Talent
Agency; audition notes, including Florida casting;
correspondence, Michael Shurtleff; resumes: crew
and cast; many casting suggestions and Bob Fosse
notes
Box 20A CREW LISTS
Box 20A MUSIC
Correspondence re: musical director/composer;
Herbie Hancock package; music: "Yesterday"
(Beatles)
Box 20B SCHEDULES: pre-production, shooting
Interiors list/by scene; shooting schedule 1/18/74;
preproduction: Dustin Hoffman and Valerie Perrine;
memo re: Geoffrey Unsworth; travel schedule; memo
re: Miami location survey
Box 20A CREW RESUMES
Resumes for positions of costume designer, art
director, production designer, production manager,
production assistants, film editor; agency
personnel lists; Bob Fosse notes
Box 20B LOCATIONS
Location lists: interiors/exteriors, clubs; memos;
Bob Fosse lists
Box 22A RESEARCH (A)
Note: these may be part of Lawrence Schiller
research. The Schiller list is filed in "Research -
Schiller (1 of 6)"
Photocopies of newspaper and magazine articles on
Lenny Bruce, including Albert Goldman's writing;
photocopies of book excerpts (including Paul
Krasner's autobiography, HOW A SATIRICAL EDITOR...)
with notes; SATURDAY REVIEW le, 1972; NEW YORKER,
1969; PLAYBOY, 1960's, etc.
Box 22A RESEARCH (B)
Note: these may be part of Lawrence Schiller
research. The Schiller list is filed in "Research -
Schiller (1 of 6)"
Additional photocopied clippings, 1959-72
Box 22A RESEARCH (C)
Note: these may be part of Lawrence Schiller
research. The Schiller list is filed in "Research -
Schiller (1 of 6)"
8x10 photo of Lenny Bruce billboard; Albert Goldman
articles, 1963-64 on Lenny Bruce; annotated
article,"Lenny and a Mother's Love," by Arthur
Bell; miscellaneous, including someone's notes on
Bruce and on the Schiller interviews; list of Lenny
Bruce tapes (2 copies)
Box 22A RESEARCH: court proceedings
Court proceedings, obscenity trials: summaries,
transcripts, and associated papers from 1956-
Box 22A RESEARCH: Lawrence Schiller (1 of 6)
The following 6 files are transcripts of interviews
done by Schiller, and documentation collected for
the book LENNY BRUCE (by Albert Goldman, "based on
the journalism of Lawrence Schiller). File # 1 of 6
contains a list explaining the interviewees'
relationship to Bruce, as well as the additional
documentation
Box 22A RESEARCH: Lawrence Schiller (2 of 6)
Box 22A RESEARCH: Lawrence Schiller (3 of 6)
Box 22A RESEARCH: Lawrence Schiller (4 of 6)
Box 22A RESEARCH: Lawrence Schiller (5 of 6)
Box 22A RESEARCH: Lawrence Schiller (6 of 6)
Box 20B FINANCIAL
Correspondence re: accounting, Movielab, 1974;
correspondence between David Licht and United
Artists re: United Artists' methods of billing and
payment on LENNY; LENNY financial statements,
5/29/76
Box 20B LEGAL: contracts
1973-78; 1974: film credit negotiations, title
layouts, correspondence re: profit distribution;
1973: Bob Fosse director's contract; Bob
Fosse/United Artists "financing and sale
agreements" re: LENNY, 1978
Box 20B LENNY (play) REVIEWS
Reviews of the O'Horgan-directed production of the
play LENNY
Box 20B CORRESPONDENCE
Letters from and promotional piece on Sally Marr
(Bruce's mother); 12/21/73 letter to Hoffman from
"Gloria," with information on Lenny Bruce;
correspondence re: appropriate research sources for
Bob Fosse and Dustin Hoffman; several long
letters, 1973, from Marvin Worth, 20th Century Fox
re: Marvin Worth's reaction to LENNY script (these
have Bob Fosse's marginal notes), and personal note
from Marvin Worth to Bob Fosse; note, from Julian
Barry to Bob Fosse; 1974: Worth at 20th Century-Fox
re: marketing exploitation of film (and photocopy
of same, with Bob Fosse's marginal notes
Box 20B PRODUCTION MISCELLANEOUS
Several personal letters re: casting; Miami street
map; several phone call lists and memos from Bob
Fosse's secretary; script record; screening guest
list with screening notes; cast/crew hiring
miscellany; list of office expenses, including
small billings; extras list, LA party; Bob Fosse
itinerary for 6/4/74
Box 22C NEWSPAPER CLIPPINGS
Contains newspaper clippings only
Box 22C PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 22A MAGAZINES
"Stamp Help Out! And Other Short Stories" by Lenny
Bruce: paperback publication
Box 22C MAGAZINES
NEW YORK, 12/16/74: "Bob Fosse Off His Toes," by
Paul Gardner (2 copies); NEW YORK, 1973: "The Real
Lenny Bruce is Alive and Well in Brooklyn," by
Albert Goldman; TIME, 12/16/74: "People" section
note on Valerie Perrine
Box 22C MAGAZINES
PEOPLE, 12/23/74: "After Talking Dirty in LENNY,
Dustin Hoffman Tries Directing," by Richard
Meryman; PEOPLE, 12/2/74: "Valerie Perrine of
LENNY, the Sex Goddess of the '70's," by Jim
Watters; NEW TIMES, 12/13/74: "The Irresistible
Rise of Lenny Bruce," by Frank Rich; FILMMAKERS
NEWSLETTER, Feb/75: "The Making of LENNY: An
Interview with Bob Fosse," (3 copies)
Box 20B MAGAZINES
VILLAGE VOICE, 11/21/74: "Will the Real Lenny Bruce
Please Stand Up," by Andrew Sarris; NEW YORK,
9/6/71: "Tonight at the Blue Angel: Lenny Bruce,"
by Albert Goldman
Box 22C MISCELLANEOUS CLIPPINGS (for research)
Newspaper and magazine clippings
Box 23D RESEARCH SLIDES
2 boxes of research slides for porno districts,
Boston
Box 86D PRESS, Oversized
NEW YORK NEWS Magazine, 1/26/75, (LENNY) "Valerie
Perrine: I'm No Grace Kelly," by Bob Lardine
Box 85F POSTERS
LENNY, black and white poster, 27x41, (2 copies)
Box 93A ADS, Framed
Framed black and white VARIETY page, 16x20, "Bob
Fosse, Best Director for LENNY"
Box 87A Framed 23x18 double page spread United Artists magazine
advertisement, listing Oscar nominations for LENNY, black
and white
Box 23E MISCELLANEOUS
5 1/2 x 7 1/2 framed drawing of Lenny Bruce
LENNY - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script]
Box 21A Screenplay, 1st draft
72 pp.; final pages: "some obligatory scenes"
Box 21A Screenplay, 1st draft
72 pp.; contains a small amount of handwritten
annotation (Bob Fosse and Julian Barry?)
Box 21A Screenplay, 1st draft, maroon vinyl cover
72 pp.; small amount of handwritten annotation
Box 21A Screenplay, July 26, 1973, black 3-ring binder
140 pp.; with heavy annotation, including cuts,
revisions, dialogue changes; Bob Fosse?
Box 21A Screenplay, 7/26/73
Marked "working script," 143 pp.; few annotations
(Bob Fosse)
Box 21A Screenplay, 7/26/73, red vinyl cover
Marked #7; 143 pp., few annotations
Box 21A Screenplay, 7/26/73
Marked # 13; 143 pp.; no annotations; pages missing
Box 21A Screenplay, 7/26/73
Marked # 31; 143 pp.; no annotations
Box 21B Screenplay, 7/26/73
143 pp.; no annotations
Box 21B Screenplay, 7/26/73
143 pp.; no annotations
Box 21B Screenplay, 7/26/73, red vinyl cover
143 pp.; no annotations
Box 21B Screenplay, 7/26/73, red vinyl cover
143 pp.; no annotations
Box 21B Screenplay, 7/26/73, red vinyl cover
143 pp.; no annotations
Box 21C Screenplay, 7/26/73, black spring binder
143 pp.; with revised pages; includes Bob Fosse
annotations, e.g. dialogue additions
Box 21C Screenplay, rehearsal draft, 12/8/73, black vinyl cover
128 pp.; no annotations
Box 21C Screenplay, Director's final draft, 1/5/74, black spring
binder
Cover marked "Fosse," inside page marked "Fosse
#1," annotated by Bob Fosse, including dialogue
changes, revised pages; 135 pp., with alternate
endings
Box 20C Screenplay, "old pages"
copy of first draft, 250 pp. with revised pages,
cuts, etc. from various script versions; both
originals and photocopies; many annotations,
including Bob Fosse and Julian Barry
Box 20C Screenplay, "old pages"
copy of first draft, 150-200 pp. with revised
pages, cuts, etc. from various script versions;
both originals and photocopies; many annotations,
including Bob Fosse and Julian Barry
Box 20C Screenplay, "old pages"
copy of first draft, 150-200 pp. with revised
pages, cuts, etc. from various script versions;
both originals and photocopies; many annotations,
including Bob Fosse and Julian Barry
Box 20C Screenplay, miscellaneous pages
100 pp.; annotated, including Bob Fosse and Julian
Barry notes
Box 20D Screenplay, miscellaneous pages
100-150 pp.; few annotations
Box 20C Screenplay materials
Very miscellaneous; 35-50 pp., including script
corrections and changes, a few editing notes, 1974;
script memos, 1973, David Picker to Bob Fosse;
script #4 revisions, etc.
Box 21C Fosse notebook
Composition notebook, with Bob Fosse handwritten
notes
Box 20D "Old script pages" (1)
Assorted; some annotations
Box 20D "Old script pages" (2)
Assorted; some annotations
Box 20D "Old script pages" (3)
Assorted; some annotations
Box 20D "Old script pages" (4)
Assorted; no annotations
Box 23A "Master script - Nick Sgarro", binder
Dated 1/5/74; marked "master script - Nick Sgarro"
on front page; 128 pp., including timing, notes,
with few annotations. Sgarro was script
supervisor.
Box 23A Screenplay, 7/26/73, maroon vinyl cover
143 pp.; no annotations
Box 23A Screenplay, 7/26/73, maroon vinyl cover
143 pp.; no annotations
Box 23A Screenplay, rehearsal draft, 12/8/73, black vinyl cover
128 pp.; no annotations
Box 23A Screenplay, rehearsal draft, 12/8/73, black vinyl cover
128 pp.; no annotations
Box 23B Screenplay, rehearsal draft, 12/8/73, black vinyl cover
128 pp.; no annotations
Box 23B Screenplay, revised rehearsal draft, 12/8/73
Marked "revisions up to date 1/2/74;" label on
black vinyl cover was "revised rehearsal draft,
1/2/74;" 128 pp. with revisions
Box 21C Fosse notebook
Box 23B Screenplay, first draft, maroon vinyl cover
72 pp.; very few notations
Box 23B Screenplay, revised draft, 11/13/70
120 pp.; grey paper cover marked: "No. 1;" unmarked
Box 23B Screenplay, first draft, 3/30/70, green paper cover
142 pp.; unmarked
Box 23B Screenplay
Marked both "#1" and "No. 3"on title page; 105 pp.;
unmarked
Box 23C Screenplay
Marked "Script No. 4" on title page, with Julian
Barry notes (photocopied) on title page; 105 pp.
with notation (photocopy)
Box 23C Screenplay, work in progress
Marked "work in progress" on title page, with
handwritten note to Bob Fosse signed "Julian;" 52
pp.; unmarked
Box 23C Screenplay
105+ pp. with revised pages; unmarked
Box 23C Screenplay, revised 2nd draft, 8/3/70
Marked "production # 8895" on yellow paper cover;
124 pp.; unmarked
Box 23C Screenplay, 2nd draft, 5/19/70, green paper cover
149 pp.; unmarked
LITTLE ME (Fosse)
Box 44E NEWSPAPER CLIPPINGS
Box 44D PRESS REVIEWS
Box 44C Script, 8/71, black vinyl cover
Marked # 21; 130 pp.; unmarked
Box 44D PROGRAM
Playbill, Lunt-Fontanne Theatre, 1/7/63
Box 44D MAGAZINE REVIEWS
THEATRE ARTS, 11/62: "The Seven Caesars," by
Richard and Betsy Gehman; THEATRE ARTS, 5/63, on
Tony Nominations; NEWSWEEK, 11/26/62 (cover): "Sid
Caesar: The Many Faces of LITTLE ME;" "Conquest of
the 7 Caesars," by Richard Lemon; DANCE Magazine,
6/63: "Lament for Broadway," by Leo Lerman
Box 44C FINANCIAL
1963-65, assorted royalty statements and associated
correspondence; 1963 financial statement for Hot
Spot Venture (LITTLE ME?)
Box 44C CASTING
Audition schedules and notes, callbacks, 1962
Box 44D FOSSE NOTEBOOK
Composition notebook, with handwritten notes,
including dance notes, production list; also legal
pad pages with notes on dances, stage business,
etc.
Boxes 44C LEGAL
-44D
1964 licensing agreement with Tams Witmark; Bob
Fosse's co-director and choreographer agreements,
various drafts, one signed, related correspondence
and notes; royalty agreements; agreements on
soundtrack album rights; Letter of Instructions;
British licensing agreements; agreement for the
original cast album with RCA; material on proposed
tour, etc.
Boxes 44C LEGAL
-44D
Continuation of #9
Box 93A POSTERS
Framed poster, 15x23, original, color, Lunt-
Fontanne Theatre
Artist's design paste-up, by Paul Bacon, 20x28
THE LITTLE PRINCE (Fosse)
Box 44D MAGAZINE REVIEWS
VARIETY, Japan, 1985 (2 different issues); SIGHT &
SOUND, Summer 1973 (cover)
Box 44E PRESS REVIEWS
Box 44E NEWSPAPER CLIPPINGS
Box 44D PRODUCTION MISCELLANEOUS
Unit list, editing notes
LIZA WITH A Z (Fosse)
Box 45A NEWSPAPER CLIPPINGS
Box 45A Script
Tabbed production script, with lyrics, props,
timing, etc.; annotated by Bob Fosse
Box 45A Script, 1st draft, 5/27/71
27 pp.; few notes
Box 45A FINANCIAL
Budget, LIZA WITH A Z account
Box 45A FOSSE NOTEBOOK
Composition notebook marked "LIZA TV" with dance
notes, music and lyric notes, etc.; not very
extensive
Box 45A CORRESPONDENCE
1 fan letter, 1973
LOVE LETTERS (Verdon)
Box 45A CORRESPONDENCE
Letter, 1990, from producer
THE MADWOMAN OF CHAILLOT (Fosse)
Box 45A MADWOMAN: MISCELLANEOUS
[Note: this is a project Bob Fosse began work on;
Jerry Alden cover letter and "concept, MADWOMAN of
CHAILLOT musical version 8/3/62;" outline; Bob
Fosse notes; producing manager's contract, Bob
Fosse and the Dramatists Guild, with letter 5/20/59
attached]
MAGNUM, PI (Verdon)
Box 45A Script, bound leather
Cover embossed "Resolutions" and Gwen Verdon;
dedication to Gwen Verdon from Tom Selleck,
"Thanks, 'mom';" 236 pp.; production date, 2/5/88
Box 45A NEWSPAPER CLIPPINGS
MISSISSIPPI GAMBLER (Verdon)
Box 45A NEWSPAPER CLIPPINGS
1 clipping with attached note
Box 86A MISCELLANEOUS
color advertisement from magazine, 9 1/2 x 12 1/2
MY SISTER EILEEN (Fosse)
Box 45A Script, bound leather
Embossed cover "MY SISTER EILEEN, BOB FOSSE;"
revised final draft screenplay, 10/4/54; frontpiece
8x10 black and white photo of Janet Leigh and Bob
Fosse, and 2nd inset 8x10 black and white photo of
3-shot with Bob Fosse; 218 pp.
Box 45A SONG SHEET
NEW GIRL IN TOWN (Fosse and Verdon)
Box 44E NEWSPAPER CLIPPINGS
Box 45B PROGRAMS
Playbill, 46th St. Theatre, 10/57
Box 45B FINANCIAL/LEGAL
1 letter 1/13/58 concerning royalty agreement on
possibly closing show; 9/27/56 Bob Fosse
choreography contract; 9/28/57 "summary statement
of receipts and disbursements;" 3/1/58 and 2/22/58
weekly financial statements
Box 57B MUSIC
Music sheets for "Ven I Valse"
Box 85B MISCELLANEOUS
Costume Sketch (1) Gwen Verdon, for NEW GIRL IN
TOWN
Box 93A POSTER
Framed poster, damaged, tape; 15x23, Oscar Liebman,
artist, color, 46th St. Theatre
ON A CLEAR DAY YOU CAN SEE FOREVER (Fosse)
Box 45B Script, 3/9/64
123 pp.; some annotation
Box 45B CASTING
Cast breakdown; audition schedule and notes, 1964;
note: some of this seemed to include LITTLE ME and
PLEASURES AND PALACES material
Box 45B LEGAL
1963 correspondence re: contracts; Bob Fosse draft
director/choreographer contract with attached
correspondence, notes, revisions, etc.
Box 45B FOSSE NOTEBOOK
Composition notebook marked "Clear Day & Odd
Ideas," including dance notes and character notes
ONCE UPON AN EASTERTIME (Verdon)
Box 45B NEWSPAPER CLIPPINGS
Note: show air date of 4/18/54, CBS
THE PAJAMA GAME (Fosse)
(Various stage productions and film version)
Box 45B CONTRACTS
Warner Bros. and Bob Fosse 1956 choreography
contract for motion picture; 1973 revival
choreography agreement; 1954 choreography agreement
for the play; MGM 1954 letter re: Bob Fosse's being
under contract to MGM when he left to do the play;
Bob Fosse letter to Jean Dalrymple re: reproduction
of Bob Fosse choreography in Lincoln Center
production; Bob Fosse letter, 1957 on summer stock
use of his choreography
Box 45B PROGRAMS
PlaybillS: Lunt-Fontanne Theatre, 12/73; St. James
Theatre, 8/55; souvenir program
Box 45B NEWSPAPER CLIPPINGS
Box 45B REVIVAL, 1973
7/73 letter to Sam Cohn re: percentages to be paid
in revival
Box 93A PAJAMA GAME
Framed poster, 15x23, color, Peter Arno design, St.
James Theatre
PAL JOEY (Fosse)
(Various Productions)
Box 45C SCRIPT, black paper cover
Undated; 78 pp.; fragile; very few markings
Box 45C SCRIPT, REVIVAL 1952, black cover
78 pp.; "Bob Fosse" written on title page; few
markings
Box 45B SCRIPT, REVIVAL 1952
78 pp.; no annotation
Box 45B O'HARA STORY
Photocopy of John O'Hara's PAL JOEY short story
Box 45C PROGRAMS
Roosevelt Playhouse, Miami (1 original, 4
photocopies); Playbills, City Center 5/27/63 (Bob
Fosse) (2 copies); City Center 5/29/61 (3 copies);
souvenir programs, City Center (Bob Fosse) (4
copies)
Box 45C LIBRETTO AND LYRICS
2 photocopies of Random House publication, 1952
Box 45C NEWSPAPER CLIPPINGS, 1961-63
Box 45C CONTRACT, 1963
City Center choreography agreement; standard Actors
Equity agreement
Box 45C CONTRACT, 1955
Bob Fosse, Actors Equity contract
Box 45C PRESS REVIEWS
Box 45C FOSSE: CHOREOGRAPHY NOTES
Handwritten, 6 pp.
Box 45C VOCAL SCORE
Published by Chappell & Co., Inc
Box 93A POSTERS
Framed poster, black and white photo, 10x14 (photo
size), of Viveca Lindfors and Fosse, by Alice
Jeffrey, 1965; in 17x21 frame
Item 96A 20x40 Foamcore mounted photo of Fosse young, in
robe
LE PETITE CAFE (Fosse)
Box 45C SCRIPT
2 very fragile pages, and 2 photocopies of a play
Bob Fosse wrote as a child
PIPPIN (Fosse)
Box 24E MUSIC
"Spread a Little Sunshine" (2); "Magic To Do"
Box 25C PLAYBILLS
Imperial Theatre: 1973: March, April, May, June;
Imperial Theatre: April 1976, December 1975,
October 1972 (2); Program, Kennedy Center,
September 1972
Box 25D MAGAZINE REVIEWS
THE NEW YORKER, Nov. 4, 1974: "Carolingian Razzle
Dazzle," by Brendan Gill (2 copies); TIME, Nov. 6,
1972: "Medieval Hippie," by T.E. Kalem (2)
Box 25D MAGAZINE REVIEWS
NEWSWEEK, Nov. 6, 1972, "Charley's Kid," by Jack
Kroll; LIFE, Nov. 17, 1972, "Happy Reign for
PIPPIN" (2 copies)
Box 25C SONGBOOK
PIPPIN "vocal selection"
Box 25D PRESS REVIEWS - 1972
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 25D NEWSPAPER CLIPPINGS - 1972
Newspaper clips only
Box 25D PRESS REVIEWS - 1978, Los Angeles
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 25D PRESS, Miscellaneous - 1973-82
Newspaper clippings
Box 25D NEWSPAPER CLIPPINGS - 1975
Box 25D PRESS REVIEWS - 1986
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 25D NEWSPAPER CLIPPINGS - 1972
Box 25D PRESS REVIEWS - 1978, Los Angeles
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 25D PRESS REVIEWS - 1972
Including radio and television transcripts,
magazine clips and photocopies of newspaper
clippings, etc.
Box 25A LEGAL/FINANCIAL
Bob Fosse contract, 3/3/72, with Stuart Ostrow;
legal correspondence, 197--72; prospectus, the
PIPPIN Co., 4/10/72; Limited Partnership Agreement,
PIPPIN Co., draft; 9/12/73, correspondence and
briefs, Schwartz-Ostrow (Alvin Deutsch is attorney
for Ostrow); 1973: pension and welfare payments,
London agreement; 1973-76: royalties information;
1974: TOFT, Lincoln Center agreement; 1971: draft,
Bob Fosse authors; 1971: contract draft for
direction/choreography
Box 24C DEPOSITION: Grove Entertainment vs. PIPPIN/Ostrow
313 pp. deposition of Bob Fosse, 5/13/76
Box 24C STUART OSTROW FOUNDATION, 1973-81 (1)
This material was boxed with PIPPIN. Primarily
1970's material: correspondence, theatre fact
sheets (Williamstown, Goodspeed, St. Clements),
Board of Directors' papers, fundraising, Musical
Theatre Lab (Kennedy Center) papers, budgets,
reports, hiring information, script lists, etc.
Box 24C STUART OSTROW FOUNDATION, 1973-81 (2)
Same as above
Box 24C STUART OSTROW FOUNDATION, 1973-81 (3)
Same as above
Box 25A RESEARCH
Photocopied book excerpts, including "Musical
Instruments of the Medieval Age"
Box 25B CASTING
Correspondence, Stuart Ostrow, Michael Shurtleff,
Bob Fosse, 1972-73; audition schedules, recall
lists, casting cards, etc.
Box 25B CASTING
Same as above; 1971-77
Box 25B CASTING
Same as above; plus polaroids
Box 25A STAGE MANAGER'S REPORTS, 1977
January- May 1977, December 1976
Box 25A TECH NOTES
For 2/3/76 and undated performances; 6/13/74 letter
from Bob Fosse to cast
Box 25A PIPPIN COMPANY FINANCIAL STATEMENTS
11/30/75, 12/28/75
Box 24C OSTROW FOUNDATION FINANCIAL STATEMENTS
Not related to PIPPIN; dated 1974, 75, 76, 78
Box 25A SHEEHAN TELE-SCENES (1)
Same as 27 below
Box 25A SHEEHAN TELE-SCENES (2)
Concerning television production; contact
sheet/cast list; 1981-82 correspondence between
David Sheehan and Bob Fosse, plus related
correspondence (e.g. DGA) including: production
concept, proposed production schedule, notes (not
Bob Fosse) on arrangements, terms, editing; 2/1/81
contract for options to PIPPIN (Hirson/Schwartz);
3/26/81 copy of final agreement Sheehan Tele-
Scenes/Hillard Elkins Organization (executive
producer); PIPPIN post-production editing schedule;
HOLLYWOOD REPORTER press; extensive Fosse notes;
program for Hamilton Place production of PIPPIN;
miscellany
Box 25C FAMILY HOME ENTERTAINMENT
Handbill ads for 1981 release of THE PIPPIN; 2 news
clippings re: auction of PIPPIN videotape rights,
and settlement between MCPS Video Industries vs.
David Sheehan Tele-scenes
Box 25A CORRESPONDENCE, including Opening Night, 1972
9/11/72 opening night: telegrams, personal notes,
also on subsequent performances
Box 25A VIENNA PRODUCTION
1973 correspondence re: Theater An Der Wein
production
Box 25A LAS VEGAS REVIEW
1973 draft agreement re: show
Box 25A PIPPIN PRODUCTION MISCELLANEOUS, 1971-75
1971 correspondence Bob Fosse to Ostrow; various
cast lists; set budget 8/7/72; stage moves for
cast; 12/29/71 tentative production schedule; lists
on characters, costume changes, set elements;
production schedule, London, 1973; Bob Fosse
memorial for Irene Ryan; correspondence 1977, Alvin
Deutsch and Bob Fosse re: revised script; 1973
Ostrow to Bob Fosse on PIPPIN motion picture; 1977
Deutsch to Bob Fosse on National Road tour, plus
travel schedule; memos on PIPPIN television
commercial and costs; job requests; Bob Fosse notes
on PIPPIN
Box 85F PIPPIN Poster and Art
Color poster, 41 x 64 1/2; photo montage of color
snapshots of cast members, 21 x 18 1/2, on suede
leather backing, handmade
Box 93A POSTERS
Framed poster, 15x23, color, Opera House at the
Kennedy Center
Framed poster, black and white, 16x22, Box 87B with
press quotes
PIPPIN - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script.]
Box 24A SCRIPT (REVISED)
Undated; marked # 26; with revisions dated 2/27/72;
some handwritten Bob Fosse annotation; 103 pp.
Box 24A SCRIPT, blue vinyl cover
Undated; 107 pp.; no annotations
Box 24A SCRIPT, blue vinyl cover
Undated; marked # 6; 107 pp.; no annotations
Box 24A REHEARSAL SCRIPT, 8/7/72, blue vinyl cover
Marked # 2, "Bob Fosse" written on title page;
contains revisions dated 8/22, 9/10; annotations by
Bob Fosse (and other), and diagram/sketches
Box 24A PRODUCTION SCRIPT, 10/23/72, blue vinyl cover
Marked "authorized version;" 96 pp. no annotation
Box 24A PRODUCTION SCRIPT, 10/23/72, blue vinyl cover
96 pp. no annotation
Box 24A PRODUCTION SCRIPT, 10/23/72
Marked "authorized version;" 96 pp. no annotation
Box 24A PRODUCTION SCRIPT, 10/23/72
Marked "authorized version;" 96 pp. no annotation
Box 24B PRODUCTION SCRIPT, 10/23/72
Marked "authorized version;" 96 pp.; with extensive
original and photocopied annotations; this would
seem to contain Bob Fosse's notes upon seeing the
play with an audience
Box 24B REHEARSAL SCRIPT, 8/7/72, red spring cover
Marked # 43, "Copy revised" and "Bob Fosse;" with
numerous revised pages, some original (not Bob
Fosse) and photocopied changes
Box 24B PRODUCTION SCRIPT, 4/1/76, black vinyl cover
Marked "authorized version;" 96 pp. no annotation
Box 24B SCRIPT REVISIONS
200+ revised script pages; handwritten annotations;
very miscellaneous
Box 24B SCRIPT PAGES AND REVISIONS
Early version with revisions and handwritten
annotations; pages marked "rough draft"; some of
this is from Roger Hirson and includes a note to
Bob Fosse from Roger Hirson on changes.
Box 24B SCRIPT REVISIONS
Assorted pages of script revisions; few
annotations; Bob Fosse note at front
Box 24B SCRIPT REVISIONS
More pages, multiple dates, some annotation
Box 24B PRODUCTION SCRIPT, 4/1/74
96 pp.; unmarked
PLEASURES AND PALACES (Fosse)
Box 46A PROGRAMS
Souvenir program
Box 46A NEWSPAPER CLIPPINGS
Including coverage of Bob Fosse's lawsuit on
choreography
Box 46A SCRIPT, 1/25/65
Marked "Bob Fosse;" extensively annotated
Box 46A FOSSE'S NOTEBOOK
With handwritten dance notes, etc.
Box 46A COSTUMES
Copies of Wittop's design sketches; costume
research from file marked "Fashions & Costumes"
Box 46A SCRIPT PAGES
Partial script, lots of revisions and annotation;
lyric sheets; note to Bob Fosse re: understudies
Box 46A CASTING
Audition schedules and notes (some of these marked
"Ex-Lover"; this was the original title)
Box 46A LEGAL/FINANCIAL
1964 draft contract and notes, Bob Fosse
director/choreographer; agreements with Music
Theatre International over net profits; many Jack
Perlman notes (Jack Perlman was Bob Fosse's
attorney); 1965 assistant choreographer contracts;
royalty and box office correspondence; proposed
Detroit production schedule
Box 85F POSTER
Color lithograph, 14x22, Fisher Theatre, Detroit
THE RED MILL (Verdon)
Box 58B PROGRAM
Souvenir program, 1940, Victor Herbert's THE RED
MILL, featuring the Broadbent Ballet Dancers, with
Gwen Verdon
REDHEAD (Fosse and Verdon)
Box 46B SCRIPT, red vinyl cover
Undated; 113 pp.; some annotation (Gwen Verdon's
copy?); list of musical numbers, lyrics
Box 46B NEWSPAPER CLIPPINGS, Philadelphia
Box 46B NEWSPAPER CLIPPINGS, New York and Washington, D.C.
Box 46B SONGSHEETS
"I Feel Merely Marvelous," "The Right Finger of My
Left Hand;"
Box 46B PROGRAMS
Playbills: 46th St. Theatre, 2/2/59 (2 copies),
1959, 5/18/59; Shubert Theatre, 3/60, 4/60;
National Theatre 1958 (59?); Shubert, Philadelphia;
Shubert, New Haven, 12/27/58 (world premiere);
handbills (3) from Arie Crown Theatre at McCormick
Place
Box 46B MAGAZINE REVIEWS
DANCE Magazine, 5/59: "Closeup of REDHEAD," by Leo
Lerman (2 copies); THIS WEEK (D.C.), 12/28/58 (2
copies); DANCE Magazine, 3/59: "At the Theatre," by
Leo Lerman
Box 46B CONTRACTS
Gwen Verdon's 1958 contract draft, extensive
changes and Perlman notes; Bob Fosse's 1958
contract, director/choreographer; miscellaneous
contracts, including Donald McKayle's for
additional choreography
Box 46B STATIONERY
REDHEAD-logo business envelopes; few thank you
notes
Box 46B McKAYLE vs. FOSSE
1959-60, extensive: Perlman notes, documentation
(such as Gwen Verdon's handwritten account of
events, "preparation for exam before trial," cross
examinations, summonses, interviews, etc.) and
general legal papers on McKayle vs. Fosse lawsuit
Box 46B McKAYLE vs FOSSE
Continuation of above file
Box 46B NEWSPAPER CLIPPINGS, general
Box 57E MUSIC
"Simply Marvelous," "I Feel Merely Marvelous,"
"Tom's Apartment," "Look Who's in Love," "'Erbie
Fitch's Dilemma," "Pickpocket Tango," "The Right
Finger of Me Left Hand"
Box 86D PRESS, Fragile
Fragile magazines (complete), magazine pages, and
newspaper clippings, bound to matte board, from:
REDHEAD, 1958-60
LIFE Magazine, 2/23/59: REDHEAD (Verdon)
cover(2 complete magazines)
Box 85F POSTERS
Color, 41x64, 46th St. Theatre
Box 93A POSTER, framed
Framed poster, 15x23, original, color, 46th St.
Theatre
Box 86A PHOTOS
REDHEAD (loose): 13x16 black and white mounted
photo of Verdon and Richard Kiley, by Murray Laden
THE SEASONS OF YOUTH (Fosse)
Box 46C NEWSPAPER CLIPPINGS
Note: Nov. 1/61 ABC television special
STAR 80 (Fosse)
Box 31C RESEARCH: interviews with Hugh Hefner...
Transcripts of interviews, Cushner, Hefner, and
"random details from notebooks"
Box 31C RESEARCH: Hefner and PLAYBOY, Stratten Enterprises, etc.
Also including research material on Peter
Bogdanovich; photocopied photos of Playboy Mansion
interiors, and of Hefner
Box 31D RESEARCH: Press about Stratten's death
Box 31E RESEARCH: VILLAGE VOICE/PLAYBOY, and Nash stories
Teresa Carpenter's VOICE Stratten story, PLAYBOY
article, and excerpt from Jay Robert Nash, "Murder
Among the Mighty"
Box 31C RESEARCH: Hugh Hefner and Paul Snider clippings
Box 31C RESEARCH: PLAYBOY correspondence
1980 interoffice PLAYBOY correspondence, mixture of
personal and professional; correspondence from
Hefner re: writing of the Stratten tribute
Box 31C RESEARCH: Hefner photos
Box 42E NEGATIVES:
Assorted black and white, color photos of Hefner
Box 31C MISCELLANEOUS SOURCE MATERIAL: research/legal
Ladd Co. interoffice memo, 1981, attached to
extensive Bob Fosse letter (to Sam Cohn) re: source
material for STAR 80; 2 outlines of "Dorothy
Stratten Project;" Bob Fosse to Cohn, 1981,
documenting sources; Bob Fosse handwritten drafts
and notes on sources; few pieces miscellaneous
correspondence re: STAR 80; clipping on Stratten
Story (Television); several script pages
Box 31C SOURCE MATERIAL: research/legal
1981-82, correspondence between Cohn, Bob Fosse,
Ladd Co., and law offices of Rosenfeld, Meyer and
Susman documenting sources, legal questions,
procedures etc.; Ladd Co. memos on possible cuts;
extensive file
Box 31B PHOTOS: lists
Lists, including Bob Fosse notes, on photography
needed for film, e.g. montage shots
Box 31B LEGAL: contracts and budgets
Draft copy of Bob Fosse contract for story,
screenplay and directing services, 9/22/81; Sven
Nykvist loanout agreement; cover sheet, Casilli
release form; agreement, Bob Fosse and Ladd Co.,
2/3/82; Bob Fosse and Teresa Carpenter agreement,
12/1/80; Bob Fosse's final cut agreement with Ladd
Co., 1/19/82; Ladd Co. re: rights to Carpenter's
story, 2/10/82; Bob Fosse/Ladd Co. agreements,
story, screenplay, directing, executive producer,
1982, with Bob Fosse's handwritten notes; VILLAGE
VOICE quitclaim on Carpenter story; releases and
payments for videocassettes (tapes of Stratten);
some Bob Fosse personal expense miscellaneous;
Hemingway expense miscellaneous; 10/28/82 STAR 80
cost report
Box 31B SHOOTING SCHEDULES
Vancouver; also shooting schedule with set, cast
and props description
Box 31B CALL SHEETS
Box 31B IMMIGRATION AND ACCOMMODATIONS, VANCOUVER
Ladd Co. memos for cast/crew work and
accommodations in Canada
Box 31B CONTACT LISTS
Staff, crew, cast, including Vancouver
Box 31B MISCELLANEOUS LOCATION LISTS, SHOOTING SCHEDULES AND
TRAVEL INFORMATION
Canadian location lists, surveys, shooting
schedules, travel memos
Box 31B FOSSE: HOUSES
Correspondence and miscellany re: possible Bob
Fosse residences throughout filmmaking
Box 35A PRODUCTION MISCELLANY
Brochure, Vancouver; Bob Fosse's jury summons;
miscellaneous interoffice memos; videocassette
research lists; memo re: Vancouver police
procedures; list of Hemingway polaroid montage
poses
Box 31B SET BLUEPRINTS
Box 31B INTEROFFICE MEMOS AND CORRESPONDENCE
Memos, Ladd Co., Bob Fosse; 1982 calendar; blank
release forms, maps, phone call lists;
miscellaneous production schedules; appointment
schedules, etc.
Box 31C RESEARCH: Stratten and Snider autopsy reports
Autopsy, medical, and case reports
Box 31D RESEARCH: Dorothy Stratten press
Prior to death
Box 31B LEGAL: contracts, releases, etc.
Interview releases; Bob Fosse film director deal
memos; DGA memos; staff and crew loanout
agreements; list of signed contracts; Bob Fosse and
K. Meyers letters to Kanter, Ladd Co. re: script
changes; Bob Fosse's letter to Peternella Eldridge
(Stratten's mother) offering payment to family;
1981 PLAYBOY attorney correspondence re: PLAYBOY
trademark; correspondence legal services billing;
KOJAK footage clearance; employment agreements, Bob
Fosse, cast and crew; collective agreement with
Canadian DGA, Teamsters and others; RF Productions
Canadian registration
Box 35A EUROPEAN TRIP: Fosse
2/7/84, 2/20/84, schedules, brochures for Bob
Fosse's publicity tours; interview schedules, phone
numbers, etc.
Box 35A LOS ANGELES TRIP: Fosse
Information on research trip for film; phone lists,
notes, Academy Players Directory, etc.
Box 35C TITLES AND CREDITS
DGA correspondence re: credits, 1983; main titles,
etc. with legal requirements; yellow "Fosse"
notebook with notes on titles, spotting, and music
spotting notes by reel
Box 31C RESEARCH: notes on Hefner/PLAYBOY,(Cis Rundle)
Letters and notes on PLAYBOY Mansion activities and
lifestyle by Cis Rundle to Bob Fosse
Box 35B MUSIC
Blue notebook "Top albums and singles, 1978, 79,
80; 1 Billboard Publications/research notebook
Box 35B MUSIC
2 Billboard Publications/research notebooks
Box 35B PREMIERE
Press clipping; benefit invitation and thank you to
Bob Fosse from Postgraduate Center for Mental
Health (premiere beneficiary); 3 premiere souvenir
programs
Box 35B SCREENINGS
Memos, guest lists, theatre lists, screening
schedules; screening notes (for editing)
Box 31B "PATTI JAMES NOTES"
James was Bob Fosse's California assistant; phone
lists; cast/crew lists for PERSONAL BEST;
information on photographer Mario Casilli
Box 35A PUBLICITY: production notes
Biographies; standard press stories on actors,
locations, etc; Ladd Co. publicity
Box 35A PUBLICITY
Extensive; interview schedules; interviewer lists;
memos, Lee Gross, Ladd Co.; Bob Fosse letter to
Mariel Hemingway on publicity
Box 31D RESEARCH: Stratten, "Saturday Show"
Excerpt from interview transcript
Box 35A CORRESPONDENCE
Miscellaneous: from critics; personal notes,
telegrams; some Bob Fosse/Ladd Co. correspondence
about film stock; Roger Rees/Bob Fosse
correspondence on immigration matters; inquiries
from individuals hoping to work as consultants on
film; fan mail, reactions to film; WGA letter on
withdrawal of WGA/Warner Bros. case, 1984
Box 35A EDITING NOTES
Bob Fosse's extensive, handwritten editing notes
Box 35A EDITING NOTES
Bob Fosse's extensive, handwritten editing notes
Box 35B SCREENING NOTES
Bob Fosse's handwritten notes, typed transcript
Box 35A CORRESPONDENCE, SPECIAL
Bogdanovich memo 3/5/82 to Bob Pawsner re: STAR 80;
Louise Hoogstraten (Stratten's sister) letter to
Bob Fosse 8/29/83 and Bob Fosse letter draft
response; Bob Fosse draft, special screening
invitation to unknown person
Box 35C STAR 80 - TELEVISION VERSION
Lists of possible cuts for Television version of
film
Box 35A LOOPING
From Sound One, including voice over info - cue
sheets, schedules, etc.
Box 35A CONTINUITY
Continuity/reels, from folder dated 5/10/83
Box 35B MUSIC TIMING SHEETS
Bob Fosse's tabbed notebook of music timing sheets,
with some notes
Box 35B MUSIC, MISCELLANEOUS
Music department inventory; sheet music; annotated
lyric sheets; Ladd Co. memos on song quotes,
licensing fees; music spotting notes by reel; song
sheets
Box 31C RESEARCH: AUTOS
Brochures on various cars
Box 35C CASTING, notebook
Brown cover; including cast list, interview
schedule and notes
Box 35C CASTING - "LA"
Cast lists, audition/interview schedules, audition
scripts; Eric Roberts biography
Box 35D CASTING - "Audition scenes"
For leads
Box 35D CASTING - "Eileen, open call"
Studio 54, 3/11/82; photo/resumes
Box 35D CASTING - "Playboy"
Men and women, photo/resumes, polaroids
Box 35D CASTING - "General"
Cast list, women and men audition schedules,
audition scenes, photo/resumes
Box 35D CASTING - "General"
Same as above
Box 34A CASTING - "Comic"
Photo/resumes
Box 34A CASTING - "Eileen, NY"
Photo/resumes
Box 34A CASTING - "Faye or Betty, maybe"
Photo/resumes
Box 34A CASTING - "Aram"
Photo/resumes
Box 34A CASTING - "Mark, Joey, Makeup Lady"
Audition scenes
Box 34A CASTING
Photo/resumes
Box 34A CASTING - "Off bulletin board in Fosse's office"
Photos and information on actors and actresses cast
Box 34A CASTING - "Roy, Pete Rose, Bobo, Phil Wass, Vince"
Audition scenes, photo/resumes
Box 34A CASTING - "DQ blonde"
Photo/resumes
Box 34A CASTING - "Charlie, Geber/NY men"
Photo/resumes
Box 34A CASTING - "Fineman"
Photo/resumes
Box 34A CASTING - "Mark"
Photo/resumes
Box 34A CASTING - "Female emcee"
Photo/resumes
Box 34A CASTING - "Hefner"
Photo/resumes
Box 34B CASTING - "NY women/Dorothy"
Photo/resumes
Box 34B CASTING - "CA women/Dorothy"
Photo/resumes
Box 34B CASTING - "Paul/NY"
Photo/resumes
Box 34B CASTING - "Paul/California men"
Photo/resumes
Box 34B CASTING - "TOOTSIE girls"
Photocopied resumes from Dustin Hoffman
Box 34B CASTING - "Football player jock"
Photo/resumes
Box 34B CASTING -"Mrs. Hoogstraten"
Photo/resumes
Box 34B CASTING - "Interviewer"
Photo/resumes
Box 34B CASTING - "George"
Photo/resumes
Box 34B CASTING - "Meg"
Photo/resumes
Box 34B CASTING - "Principal"
Photo/resumes
Box 34B CASTING - "Eileen, CA"
Photo/resumes
Box 34B CASTING - "Eileen, callbacks/NY/CA"
Photo/resumes
Box 34B CASTING - "Possible Eileens"
Photo/resumes and polaroids
Box 34C CASTING - "NO, Eileens"
Photo/resumes and polaroids
Box 34C CASTING - "Calder"
Photo/resumes
Box 34C CASTING - "NY supporting actors"
Photo/resumes
Box 34C CASTING - "Possible, no specific role"
Photo/resumes
Box 34C CASTING - "YES/CA"
Photo/resumes
Box 34C CASTING - "Unsolicited resumes"
Photo/resumes
Box 34C CASTING - "California casting"
Audition schedules, photo/resumes
Box 35C CASTING - "Cast/crew"
Audition/interview schedules
Box 35D CASTING - General
Photo/resumes, polaroids, audition schedules,
notes, correspondence, some snapshots
Box 35D CASTING - General
Photo/resumes, polaroids, audition schedules,
notes, correspondence, some snapshots
Box 35D CASTING - "Eileen"
Audition cards
Box 35D CASTING - "CA, Wednesday"
Photo/resumes, polaroids
Box 35D CASTING - "CA, Thursday"
Photo/resumes, polaroids
Box 36D NEWSPAPER CLIPPINGS
Box 36C PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 36B TRADE ADS
For Academy Award and other nominations
Box 36B TRADE ADS
For Academy Award and other nominations
Box 36D FOREIGN PRESS REVIEWS
Box 36D PROMOTION AND PUBLICITY
Interview requests; Bob Fosse publicity itinerary;
screening lists, promo/publications list;
correspondence re: various publicity proposals for
film; marketing ideas; critics' post-screening
comments
Box 36C MAGAZINE REVIEWS
LIFE, 11/83 (1st run copy): "Making Over Mariel,"
by Cyndi Stivers; ROLLING STONE, 1/19/84: "Bob
Fosse's Follies," by Barry Rehfeld (2 copies)
Box 36C MAGAZINE REVIEWS
NEWSWEEK, 11/14/83: "An American Sleaze Tragedy,"
by Jack Kroll (2 copies); TIME, 1/2/84, "Best of
1983 Review;" PEOPLE, 12/5/83: "Cliff Robertson,"
by Michelle Green
Box 36C MAGAZINE REVIEWS
TIME, 11/14/83: "A Centerfold Tragedy of Manners,"
by Richard Schickel (3 copies)
Box 36C MAGAZINE REVIEWS
LA REVUE DU CINEMA, 3/84: "Bob Fosse," by Jacques
Valot; THE CABLE GUIDE, 11/84: "Bob Fosse" (3
copies); The Arts Magazine, CHICAGO TRIBUNE,
11/6/83: "Who Killed Playmate Dorothy Stratten?" by
Gene Siskel
Box 31D RESEARCH - Stratten
Playmate of the Year promotional package; photos
and clips from Stratten's PLAYBOY articles
Box 31D RESEARCH - Stratten
High school yearbook and directory
2, listing Dorothy Hoogstraten
Box 31D MARIEL HEMINGWAY - publicity
PLAYBOY article, using photos
Box 36A PHOTOS - Stratten/Casilli
Photocopies of Mario Casilli's shots of Stratten as
Playmate of the Year
Box 36A PHOTOS - Stratten/Snider
Numerous snapshots (some photocopies) of Paul
Snider and Stratten - personal snaps
Box 36A PHOTOS - Casilli/Vaughan miscellaneous
Photos and polaroids shot by Mario Casilli and
Steve Vaughan
Box 86B LOCATION PHOTOS, CA
Large format black and white, taped together
Box 35A PHOTO LISTS AND OLD PACKING INVENTORIES
Box 36A PRESS KIT
Includes photos, biographies, production
information
Box 35E MUSIC
Box 36B TRADE AD
Mounted on Foamcore
Box 85F TRADE AD
Laminated press quotes, 7x13
Item 97I POSTERS AND PHOTO PROOFS
STAR 80: color 1 sheet, 27x41, of Mariel Hemingway
with daisy; 10 sheets of color proofs of Mariel
Hemingway as Dorothy Stratten, reproducing her
PLAYBOY poses and cover, 23x36 each; color photo of
Mariel Hemingway POLAROID montage, 20x24
Box 85A, Item 97J
POSTERS (damaged)
NOTE: these were damaged by mildew; they've been
packaged together. 23x62 French STAR 80 posters,
(2; 1 is autographed to "Steve" by Bob Fosse);
47x64 French posters (2, 1 with minimal damage);
15x21 French handbill (1); French STAR 80 press kit
(1); 2 press clippings
Box 86B HANDBILL AND TRADE AD
Mounted black white film ad, 16x20; STAR 80 15x21
handbill, color; 12x18 trade ad
STAR 80, 15x21, handbill, color; 12x18, trade ad
Item 94 PLASTER BUST, Hemingway
Life size plaster bust of Mariel Hemingway, created
for death scene
Boxes 41C RESEARCH, Magazines
-41G
Various PLAYBOY, PENTHOUSE, and other magazines of
this genre used for STAR 80 research have been
packed in these boxes, where additional space was
available
STAR 80 PHOTO MATERIALS
[NOTE: the STAR 80 files contain extensive photographic materials
produced both by Mario Casilli, who shot the PLAYBOY photos for the
film, and by Steven Vaughan, who was the film's still photography.
Because of the quantity of materials, they are listed separately
from the other general photo files]
Boxes 42A PHOTOS, NEGATIVE, AND MISCELLANEOUS
-42E
"Shoebox:"
contains small group of Casilli 4x5 black and white
negatives; one box of polaroids (extensive); group
of indexed Casilli 4x5 negatives, color, and black
and white; snapshots of Cliff Robertson as Hugh
Hefner; envelope marked "Hefner magazine dupes,
personal photos and dupes, etc.;" 1 packing list
for Casilli work (for indexed negatives?)
Assorted Vaughan/Casilli slides
10 copies of "fake" PLAYBOY "Playmate of the Year,
1980" issues, with Mariel Hemingway replacing
Dorothy Stratten
Archival file folders of:
Steve Vaughan's work, mainly Vancouver
Mario Casilli's work
Elliot Marks' work-these are mainly color photos,
various formats, including contact
sheets
From file folder taped shut (Bob Fosse note on
envelope):" Mariel/Stratten, selected black and
white, color shots"
Box 41F PHOTOS AND RESEARCH MISCELLANEOUS
PLAYBOY magazines, various, used for research;
includes some Stratten issues; several copies of
"Playmate of the Year, 1980" with Hemingway as
Stratten; hanging files of Vaughan and Casilli
black and white, and color photos, indexed; blank
"Playmate of the Year 1980" file folders. Casilli's
removed.
Box 39A PHOTOS AND RESEARCH MISCELLANEOUS
-39C
Casilli, Marks and Vaughan photos and contact
sheets
PLAYBOY magazines, various, used for research;
includes some Stratten issues; Casilli reject
slides; Vaughan Vancouver negatives
Box 38A SLIDES
-38I
Vaughan and Casilli reject slides (box originally
labeled #5).
Box 40A SLIDES AND RESEARCH MISCELLANEOUS
-40B,41A
Reject slides; PLAYBOYS and assorted magazines used
for research
Box 37A PHOTOGRAPHY, MISCELLANEOUS
-37F
4 blue oversized 3 ring binders containing Steve
Vaughan's contact sheets for: scenes from the film,
production shots, etc.
1 blue cloth 3 ring binder containing production
notes on Casilli photos and polaroids; includes
notes and numbered slides.
2 oversized black scrapbooks of clothing ads and
other clippings from PLAYBOY and assorted
magazines, for research.
STAR 80 - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script.]
Box 32A Script, 1st draft, 5/7/81
1st page marked "Names & changes missing;" few
annotations; 166 pp.
Box 32A "Pages from 1st draft of script, 5/7/81"
Script with revised pages; many notes and
additional pages; 20 pp.
Box 32A Script, 1st draft, 5/7/81
1st page marked "Names & changes missing;"unmarked;
166 pp.
Box 32A Script, 1st draft, 5/7/81
166 pp.
Box 32A Screenplay, 10/81, tan Ladd Co. cover
Marked "H.F., uncorrected" on title page; 150 pp.;
unmarked
Box 32B Screenplay, 10/81, red 3 ring binder
159 pp.; unmarked
Box 32B Screenplay, 1/82
159 pp.; timing notes on title page; some
annotations
Box 32B Screenplay, 1/82, green cover
159 pp.; unmarked
Box 32B Screenplay, tan Ladd Co. cover
159 pp.; undated; title page missing; unmarked
Box 32B Script, "old pages"
Many revisions, annotations
Box 32B Script, "old pages"
Many revisions, annotations
Box 32B Script, "old pages & Fosse notes"
Extensive; including lots of notes and ideas, old
script pages; draft letter in Bob Fosse's hand to
"Jay" re: real names of characters in STAR 80,
including source information; much of this file in
writing other than Bob Fosse's hand
Box 32B Script revisions
Packed with 6/7/82 script; 200 pp.; very
miscellaneous; some notes and annotation
Box 32B Script, 6/7/82, revisions
150 pp.; very few markings
Box 31A Script, 1/82
Partial?; 159 pp., with inserted notes, otherwise,
few markings
Box 31A Screenplay, "old copy"
From envelope marked same; 82 pp.; very few
annotations
Box 31A Script outline
Script and story outlines for "Dorothy Stratten
Project"
Box 31A Fosse notebook and notes
black composition notebook marked "Notes - Dialogue
- Moments - HB;" handwritten; including some script
scenes, list of photos needed for film
Box 31A Script, "outpages from rehearsal week"
Annotated
Box 31A "Quotes for Dorothy's photo sessions scenes"
Box 31A "Quotes for Dorothy's interview"
Box 31A "Ideas, improvised dialog"
From envelope marked same; including script
revisions, partial story board, dialogue from
various scenes, some handwritten material; many
script pages and revisions; also includes partial
script draft and notes, numbered 1-5, handwritten
and typed
Box 31A "Dorothy Stratten Project: Outline, Herb's notes"
19 pp. outline with handwritten notes by Herb
(Gardner?)
Box 31A "Old pages, Fosse script, January"
Old pages, annotated
Box 33A Screenplay, 1st draft, 5/7/81, dark brown 3 ring binder
157+ pp.; original cover label: "STAR 80 -
Rehearsal Script;" annotated; scene outline
Box 33A Screenplay, 1st draft, 5/7/81, brown 3 ring binder
Original cover label: "STAR 80 Working Script;" 166
pp.; revisions, annotations
Box 33A "Fosse: Ideas, Schedules, Legal, Addresses, etc.", black
3 ring binder
Original cover label marked same; including
handwritten 6 pp. letter from Herb (Gardner) with
dialogue for the Playboy Mansion party scenes;
tabbed binder with sections for script ideas, crew
lists, casting material, etc.; legal material
involves possible Bogdanovich and Hoogstraten
litigation; much on Carpenter sources
Box 33A Continuity script, black 3 ring binder
-33B
Complete continuity script, with dialogue, camera,
etc.
Box 31B Locations research, black 3 ring binder
Original cover label marked same; contains
reference photos: snapshots of locations,
California, New York, Canada
Box 33B Screenplay, 6/7/82, black 3 ring binder
Striped label: STAR 80; 145 pp.; shot/scene
breakdowns
Box 31B Revised shooting schedules, 2/14/82, 2/19/82, 3/5/82
Box 31B Script, 1st draft, 5/7/81, brown cover)
Marked "OK but penciled changes;" 157 pp.;
annotated
Miscellaneous, shooting and editing
Assorted, scene print lists, location lists, Bob
Fosse notes, etc.
STEAM HEAT
(WNET/13 DANCE IN AMERICA documentary on Bob Fosse)
Box 46C NEWSPAPER CLIPPINGS
Box 46C PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 46C MAGAZINE REVIEWS
NINE (KETC Magazine), 2/90: "All That Jazz," by
Mary Wagner (2 copies); NEW YORK, 2/20/90: mention
in Television section
Box 46C MISCELLANEOUS
2 preview invitations
SWEET CHARITY (stage)
(Fosse and Verdon)
["Stage" refers to the original stage production. The film version
is listed separately, as are revivals]
Box 29D MAGAZINE REVIEWS
30E
LIFE, March 25, 1966; IMPRESARIO, December, 1965:
"Verdon Is Back - and SWEET CHARITY has her!" by
Florence Semon
Box 30D PRESS REVIEWS
-30E
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 30D NEWSPAPER CLIPPINGS
-30E
Contains newspaper clippings only, 1965
Box 26C LEGAL CORRESPONDENCE, 1964-66
Correspondence, Jack Perlman, 1964, re: CHARITY
financial negotiations; assistant choreographer
agreement with Robert Tucker, 1965; correspondence
related to various agreements, with Columbia
Records, Fellini, Fields, Coleman, Nancy
Enterprises, etc.; correspondence re: subsidiary
rights, credit negotiations, royalties, foreign
rights, national company proposal, Random House
publication rights, CHARITY - England, Australia,
Las Vegas; 12/22/65 partnership agreement for "The
Small World of Charity;" 9/14/65 Gwen Verdon/Fryer,
Carr and Harris contract etc.
Box 26C LEGAL CORRESPONDENCE, 1967-69
Correspondence re: Caesar's Palace - Las Vegas
CHARITY; Ed Sullivan Show, 1967; royalty problems
with CHARITY, London, Australia, New York; Greek
Theatre, LA; Fellini agreements; Tams-Witmark Music
Library, etc.
Box 26C FINANCIAL, 1966-67
Australian admissions and royalties record, 8/67;
financial condition reports (Hollender and Shapiro)
for CHARITY Company, 6/67, Las Vegas and NY; box
office statements, Palace Theatre, NY, 3-4-5/66;
balance sheet 6/67; financial condition statements,
Las Vegas, NY for 10/67; 3 pp. documenting minor
expenses; summary of operations sheets for National
Tour, 10/67
Box 26C MARTIN CHARNIN vs. FRYER, CARR AND HARRIS, INC.
Correspondence from Jack Perlman re: Charnin vs.
Fryer, Carr and Harris, Inc., CHARITY Company and
Robert Fosse, 1966-69, including release form ($1)
dated 12/71; 2 copies of the cross examination of
Bob Fosse in this case, 3/69, 6/69; 7/67 legal pad
notes, handwritten (Perlman): "Fosse account of
Events;" Drama Bookshop bill with Bob Fosse note:
"Jack - very important...don't lose" (pertains to
case; 2 pp. handwritten Bob Fosse notes
Box 26F COSTUMES
8x10 photos of costume sketches for most
characters, 30, marked "IN" and "OUT"
Box 26F COSTUMES
8x10 photos of costume sketches for most
characters, 30, marked "IN" and "OUT"
Box 26D LYRICS - DIRECTOR'S
Tabbed lyric sheets with Bob Fosse notes, cuts,
revisions, etc.
Box 26F COSTUME PLOT
Black 3 ring binder with photos of sketches,
10/27/65, costume plot with notes and item lists
Box 26E SHEET MUSIC
2 are autographed by Simon, Coleman, Fields: "If My
Friends...," "Poor Everybody Else;" also: "Where Am
I Going," "Big Spender," "Too Many Tomorrows,"
"Baby, Dream Your Dream," "You Should See Yourself"
Box 26F SHEET MUSIC
"You Should See Yourself" (2 copies); "If My
Friends..." (2 copies)
Box 26D CORRESPONDENCE, Opening Night
1/29/66; extensive telegrams and correspondence
Box 26D MISCELLANEOUS
Telegram announcing tour of NYC company; note on
1967 program; Bob Fosse itinerary for Miami tour;
costume list from Eaves-Brooks Costume Company,
undated; 2 programs from Banshees award to Bob
Hope, 4/26/66, featuring dances from CHARITY
Box 30C PREMIERE
2 souvenir programs, 2 opening night tickets
Box 26D PROGRAMS
30C
Playbills: Shubert Theatre, 12/66 (2 copies),
Palace Theatre, 6/67; Stagebills: Palace Theatre,
1/67, 2/67, 2/66 (3 copies), 9/66, 10/66
Box 57C SONGBOOK
Songbook, "SWEET CHARITY: Vocal Selections"
Box 86A MISCELLANEOUS
Sketch, 12 1/2 x 18,"Dear Ms. Charity ...," by Bob
Costello
Box 86B HANDBILL
SWEET CHARITY (stage), 15x22, color, Theatre de la
Music production
Box 93A POSTER
Framed poster, 15x23, original, color, Verdon,
Palace Theatre
SWEET CHARITY (stage) - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script.]
[NOTE: Also check "SWEET CHARITY (revivals) - scripts" for Las
Vegas, 1967, version]
Box 26A Script, "Original Two Act Version..."
Marked "Original 2 Act Version, before Simon," and
"Book by Bert Louis," dated 7/10/65; 143 pp.,
carbon and originals (?), with handwritten
annotations; also marked "Bob's original script for
SWEET CHARITY"
Box 26A Script, early "Fosse version"
Marked # 24, "Gwen Verdon, Fosse Version, "Book by
Bert Louis;" 135 pp., very few annotations, but
includes notes such as "This is to be
musicalized..."
Box 26A Script, revised 8/65
Carbon; 75 pp.; Act One only; no annotations
Box 26A Script, Act Two, draft
62 pp., Act Two; some annotation; carbon
Box 26A Script, Neil Simon's 1st draft, grey binder
Marked "Doc's 1st draft;" incomplete, mainly 2nd
Act, few annotations
Box 26A Script, Neil Simon's 1st Act revisions, red folder
Marked same and "Revised, Aug. 1965;" unmarked;
ALSO: miscellaneous - character list for "New Act
I," staff directory, tentative production schedule
8/24/65, dancer list, "conceivable running order,"
"possible numbers, both songs & dances," some
lyrics; ALSO: red folder marked "Extra Pages," "I
don't know where they belong," containing assorted
unmarked script pages
Box 26A Script, first cuts, orange vinyl cover
Marked "First Cuts" "Bob Fosse" and # 62, "Book by
Neil Simon; 119 pp.; few annotations
Box 26A Script, green cover
Marked "Book by Neil Simon," # 51, "Broadway
Version;" 119 pp.; no annotations
Box 26A Script, green cover
Marked "Book by Neil Simon," # 51 (sic), "Broadway
Version;" 119 pp.; no annotations
Box 26A Script, green cover
Marked "Book by Neil Simon," # 51 (sic), "Broadway
Version;" 119 pp.; no annotations
Box 26B Production script, Paul Phillips, black spring binder
Marked # 8; Phillips was stage manager; tabbed
script with all acts marked, including tech plot,
light cues, etc., annotated; and file folder marked
"(Paul Phillips) advance materials for SWEET
CHARITY" includes xeroxed photos, prop list,
running order, staff directory
Box 30B Fosse's Notebook
Containing handwritten choreography notes, etc.
Box 26A Fosse Notes
This has some CHARITY filmscript pages, but also
has notes attached to various drafts: A) "Early
notes on show called Dance Hall before seeing
CABIRIA" B) "Translation of Spanish Man in (?)
Charnin didn't get" C) "Misc. notes on CHARITY;"
These notes are in Bob Fosse's hand
Box 27A Script, orange vinyl cover
Title paged marked "old, #80;" 119 pp.; unmarked;
undated
Box 27A Script, red vinyl cover
Marked #1; 126 pp.; unmarked; including cast of
characters, synopsis of scenes, musical numbers,
etc.
Box 27A Script, red vinyl cover
Marked #26; 126 pp.; unmarked; including cast of
characters, synopsis of scenes, musical numbers,
etc.
Box 27A Script, red vinyl cover
126 pp.; unmarked; including cast of characters,
synopsis of scenes, musical numbers, etc.
Box 27A Script, blue vinyl cover
126 pp.; unmarked; including cast of characters,
synopsis of scenes, musical numbers, etc.
Box 27A Script, Tams-Witmark Music Library, maroon vinyl cover
126 pp.; no notation; labeled "Property of Tams-
Witmark Music Library on cover
SWEET CHARITY (film)
Box 30D MAGAZINE REVIEWS
LOOK, 7/9/68: "SWEET CHARITY" by Jack Hamilton (2
copies); DANCE MAGAZINE, 2/69: "Bob Fosse
Translates SWEET CHARITY from Stage to Screen," by
Viola Hegyi Swisher (2 copies); MOTION PICTURE
HERALD, 6/68: "On the Set of SWEET CHARITY," by Tom
Gray; DANCE MAGAZINE, 7/69: "SWEET CHARITY," by
Maria Harriton (cut out); TODAY'S CINEMA, 2/24/69:
"How Fosse Went To Hollywood," by John Ware; KINE
WEEKLY (UK), 2/22/69: SWEET CHARITY review, by
Graham Clarke
Box 30C PREVIEW PROGRAM
Box 30E NEWSPAPER CLIPPINGS
Box 30D PRESS REVIEWS
This category includes transcripts of radio and
television coverage, as well as print reviews
Box 30E NEWSPAPER CLIPPINGS, FRANCE
Box 30A LEGAL CORRESPONDENCE, 1966-68
Correspondence re: motion picture rights, Fellini
(NIGHTS OF CABIRIA), and De Laurentiis; extensive
correspondence on the Universal Pictures rights
purchase; correspondence re: agreements with
Fields, Simon, Bob Fosse; copy of procedure re:
distribution of monies with respect to motion
picture rights for CHARITY; correspondence re:
associate producer (Bob Fosse) with Universal
Pictures; correspondence re: music rights
Box 30A STEP OUTLINE
I.A.L. Diamond, 7/28/67 (2 copies)
Box 30A LOCATIONS RESEARCH, NYC
Postcards and brochures; extensive photo file
stored elsewhere
Box 30A PREVIEW CARDS
Phoenix, AZ 12/6/68; Chicago, IL 12/7/68
Box 30A MISCELLANEOUS
Correspondence, personal congratulations; Schiller
interview with Gwen Verdon and Bob Fosse; undated
Bob Fosse biography; correspondence from the
Association Francaise de la Critique protesting cut
version of film from Universal, May 1969; staff and
crew list, etc.
AT MBRS RECORDING
4/23/68 phonodisc recording of "I'm a Brass Band
rehearsal (film?)
Box 27E CLAPBOARD
Universal City Studios, 6/15/68, autographed by
crew
SWEET CHARITY (Film) - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script]
Box 30A Screenplay, 1st draft, 8/8/67, red cover
Marked "1st draft screenplay by I.A.L. Diamond
(Scenes 1 through 87) 8/8/67;" 27 pp.; few
annotations
Box 30A Screenplay, 1st draft, 8/17/67, yellow cover
Marked "1st draft screenplay by I.A.L. Diamond,
Scenes 1 through 75, revised 8/17/67;" 51 pp.,
annotations
Box 30A Screenplay, 1st draft, 11/16/67, green cover
By Peter Stone; 84 pp.; some annotations
Box 30A Screenplay, 1st draft, 11/28/67, "Director", green
Universal Studios cover
Marked "Director" on cover; by Peter Stone; with
Bob Fosse notes and markings; 146 pp.
Box 30A Screenplay, 1st draft, 11/28/67, green Universal Studios
cover
Unmarked copy; 146 pp.
Box 27C Final screenplay, "Director's," 1/17/68, black 3 ring
binder
Marked on cover: "Script, Mr. Fosse;" 140 pp., with
revised pages; some annotation
Box 30B Synopsis, Notes, NIGHTS OF CABIRIA
4/67 synopsis of the film NIGHTS OF CABIRIA;
synopsis of SWEET CHARITY, by Neil Simon; notes
(typed) to Bob Fosse from Robert Arthur on film
editing; script pages, dialogue, revisions, and
extensive annotations, with extensive Bob Fosse
handwritten versions and notes. NOTE: This file
contains some material pertaining to the original
stage production, but was kept intact as Fosse had
filed it
Box 30B Screenplay, 1st draft 9/28/67, blue spring binder: THE
CAROL BURNETT SHOW, Gwen Verdon)
By Peter Stone; 122 pp; some annotations;
Box 30B Fosse's Notes, blue spring binder: SWEET CHARITY - DER
FUHRER
Bob Fosse's notebook, important, containing
shooting notes, general notes (location lists,
construction schedules, etc); lyrics, camera shots,
estimated footage; interoffice memos; shooting
schedules, score information, staff and crew lists;
movement/dance notes; partial storyboard, and so
on.
SWEET CHARITY (film) - NOTEBOOKS
(These belong with the scripts)
Box 30B Director's Notebook
"Banner Line" composition notebook, with only a few
pages of Bob Fosse's writing; includes some loose
memo pad sheets
Box 30B Music notes, green paper cover
Editing notes for music, dated 7/30/68
Box 30B Musical numbers, blue cover
Shooting script for musical numbers, with a few Bob
Fosse notes
Box 30B Casting, blue cover
Cast list with character/actor names and contact
sheets
Box 30B CHARITY - "Oscar", blue cover
Role outline, Bob Fosse dialogue ideas, etc. on
Oscar section of film; note to reader from Bob
Fosse at front.
Box 30B CHARITY - "Oscar", blue cover
Original (# 5 is duplicate), with a few handwritten
annotations
Box 30B CHARITY - "Movie Star", blue cover
Outline, Bob Fosse idea for dialogue, etc. on
particular character
Box 30B Endings - miscellaneous versions, blue cover
Script pages, draft pages, revisions, some Bob
Fosse annotations
Box 30B Endings - revised versions
Script pages from final screenplay, dated 1/17/68;
with revised endings and alternate endings dated
8/1/68
SWEET CHARITY (revivals)
[NOTE: check dates on these files for productions which are not
properly revivals, but which belong with the original stage
production (on tour)]
Box 29D PRESS REVIEWS
1985-86; this category includes transcripts of
radio and television coverage, as well as print
reviews
Box 29D NEWSPAPER CLIPPINGS
1985-86; Debbie Allen, Ann Reinking
Box 29D PRESS REVIEWS
1987; Donna McKechnie, Philadelphia
Box 29D NEWSPAPER CLIPPINGS
1987; Donna McKechnie, Toronto
Box 29D PRESS REVIEWS
1987; Donna McKechnie, Toronto
Box 29C CASTING, 5/7/87 - "Nikki-Ursala"
Audition schedules, photo/resumes
Box 29C CASTING, 5/13/87 - "Herman"
Herman audition script
Box 29C CASTING, 5/27/87 - Equity Female Dancers
Audition schedules, with notes
Box 29C CASTING, 4/23/87 - "Oscar, Nikki, Ursala, Herman"
Audition schedules, notes, photo/resumes
Box 29C CASTING, 4/30/87 - "Nikki, Ursala, Herman"
Audition schedules, notes, photo/resumes
Box 29C CASTING, 12/5/86 - "Ursala, Big Daddy"
Audition schedules, notes, photo/resumes
Box 29C CASTING, 2/19/87, 2/5/87 - "Oscar"
Audition schedules, notes, photo/resumes
Box 29C CASTING, 8/19/86 - 2nd swing call
Audition schedules, notes, photo/resumes
Box 29C CASTING, 7/29/86 - "Herman"
Audition schedules, photo/resumes, notes
Box 29A CORRESPONDENCE, 1985 - L.A. Opening
Telegrams, letters, notes, etc.
Box 29A NATIONAL TOUR, Toronto, 1987
Cast and crew contact sheets, June and July weekly
schedules
Box 29A NATIONAL TOUR, Toronto, 1987 - Tech notes
Technical notes and color photos, set design
Box 29A NATIONAL TOUR, Toronto, 1987 - Miscellaneous
Fan and personal letters and notes; casting list
and updates, staff lists, Bob Fosse rough
itinerary; Stagebill and playbill corrections;
dresser note forms, information on studio
availability, etc.
Box 29A NATIONAL TOUR, Philadelphia, 1987
PHILADELPHIA INQUIRER ad, photocopy; tour policy
memo; weekly September schedule; itinerary 9/1-9/3;
1 letter of resignation
Box 29A STAGE MANAGER'S REPORTS, 1985-87
Box 29B CASTING, 1984-87
Audition schedules, notes, memos, photo/resumes
Box 29B CASTING
Audition schedules, notes, casting cards
Box 29B CASTING, National Company, 1987
Male dancer alternates; audition notes,
photo/resumes, casting cards
Box 29B CASTING, National Company - New dancers
Casting cards, notes, photo/resumes
Box 29B CASTING, National Company
Female dancer alternates, 3rd; photo/resumes,
polaroids, notes
Box 29B CASTING, National Company
Female dancer alternates, 2nd; same as 25
Box 29B CASTING, National Company
Female dancer alternates, 1st; photo/resumes,
polaroids; notes, ranking list of alternates
Box 29A TECH NOTES
Undated, some April 1986
Box 29A CORRESPONDENCE AND MISCELLANEOUS, 1984-87
Mainly personal congratulations and thanks on
CHARITY shows; including a few small production
miscellaneous, e.g. playbill corrections, minor
bills; also 1984 correspondence re: book
publication with Random House; 1985 Orpheum Theatre
subscription gross potential sheets; 3/21/86
tentative production schedule; 1/31/87 royalty
proposal formula
Box 29A PRODUCTION SCHEDULES, 1985-86
Rehearsal and production schedules
Box 29 PUBLICITY, 1985-87
Also contains some correspondence re: critics and
interviews, plus copies of Los Angeles ads
Box 29B CAST AND CREW CONTACT SHEETS
1985 - Debbie Allen show
Box 29A PUBLICITY, Toronto, 1987
Publicity schedules
AT MBRS MUSIC, San Francisco
Script pages, correspondence, notes, and 2 cassette
tapes (located at Motion Picture, Broadcasting, and
Recorded Sound Division), all re: "Rhythm of Life"
Box 29A PROGRAMS, Miscellaneous
Greek Theatre, Los Angeles, 1967; Theatre de la
Musique, undated; St. Paul Civic Opera Association,
undated; Lido Program, with SWEET CHARITY, 1977?
Box 29D MAGAZINE REVIEWS
PERFORMING ARTS, July 1985: program for SWEET
CHARITY with Debbie Allen (2 copies)
Box 28D PROGRAMS
Playbills: Minskoff Theatre, Debbie Allen, April
1986 (18 copies); same, May 1986 (1 copy)
Box 28D PROGRAMS
Playbills: Minskoff Theatre, Ann Reinking, Dec 1986
(20 copies)
Box 28D PROGRAMS
Royal Alexandria Theatre (Canada), 1985; The
National Theatre (Washington, D.C., 9/87; both
Donna McKechnie
Box 97B POSTER
Large - 51' in height, black and white computer
printout reproduction of the "Big Spender" girls
photo
SWEET CHARITY (revivals) - SCRIPTS
[NOTE: identifications such as "Director's final draft," or
"rehearsal draft," are taken directly from the scripts themselves,
as are dates. Scripts may be duplicates. The terms "annotated,"
"notations," "markings" refer not only to commentary written on the
scripts, but also any cuts, revisions, dialogue changes, etc., that
have been marked on a particular script. Covers have been removed,
unless marked.]
[NOTE: several scripts, which are not properly "revivals," are
included here. NB: the dates. The following scripts are numbered
and lettered to distinguish them from the other SWEET CHARITY
scripts.]
Box 28A Script, Las Vegas, 1/67, red cover
Marked "Las Vegas edition, Jan. 1967" and "This
version arranged for the Caesar's Palace production
which opened Dec. 29, 1966;" 80 pp., unmarked
Box 28A Script, Las Vegas, 1/67, "ICM" gold paper cover
4 duplicate copies of above
Box 28A Script, Las Vegas, "cut version", blue cover
82 pp., some handwritten annotation
Box 28A Script, Las Vegas, "Mr. Fosse cut script"
Marked #10, "This roughly matches published
version;" 119 pp.; cuts marked
Box 28B Rehearsal script, 1985 revival, blue vinyl cover
118 pp.; unmarked
Box 28B Rehearsal script, 1985 revival, blue vinyl cover
118 pp.; unmarked
Box 28B Rehearsal script, 1985 revival, blue vinyl cover
118 pp.; marked "Fosse" inside; several pages of
foreign language annotation
Box 28B Rehearsal script, 1985 revival, black vinyl cover
118 pp.; marked "playing version, Nov. 1986;" no
annotations; 2 copies
Box 28B Rehearsal script, 1985 revival, black vinyl cover
118 pp.; marked "playing version, Nov. 1986;"
several small dialogue changes marked
Box 28B Rehearsal script, 1985 revival, black vinyl cover
118 pp.; marked "playing version, Nov. 1986;" no
annotations
Box 28C Rehearsal script, 1985 revival, black vinyl cover
118 pp.; marked "playing version, Nov. 1986;" no
annotations
Box 28C Rehearsal script, 1985 revival, black vinyl cover
118 pp.; marked "playing version, Nov. 1986;" no
annotations
Box 28C Rehearsal script, 1985 revival, blue fabric 3 ring binder
118 pp.; Bob Fosse's script: Bob Fosse annotations,
dialogue changes, deletions, etc.
Box 27A Rehearsal script, 1985 revival, blue vinyl cover
118 pp.; unmarked
Box 27B Rehearsal script, 1985 revival, blue vinyl cover
Marked "Balcar Monobloc 800 W" (?) inside;
annotated with light cues; 117 pp.
Box 27B Rehearsal scripts, 1985 revival
-22A
Marked "Playing version Nov. 1986 (sic); 118 pp.;
clean
Box 27C Rehearsal scripts, 1985 revival
-24A
Same as above
THAT'S DANCING!
Box 46C PROGRAMS
2 souvenir programs, MGM, 1985
THAT'S ENTERTAINMENT, Part II
Box 46C PRESS REVIEW
Note: film includes a clip on Bob Fosse
THIEVES (Fosse)
Box 46C PROGRAM
Note: Fosse made film appearance, but this is a
stage playbill: Broadhurst Theatre, 7/74]
Box 46C Screenplay, black vinyl cover
110 pp.; unmarked
Box 93A POSTERS/PHOTOS
20x24, black and white closeup photo of Bob Fosse
in character, mounted on Foamcore; 20x24, black and
white medium shot photo of Bob Fosse in character,
mounted on Foamcore
Box 85F PHOTO
Framed black and white mounted photo of Bob Fosse
by Louis Goldman, 14 1/2 x 20 (9 1/2 x 14 photo
size), with inscription by Louis Goldman
VERNA (Verdon)
Box 46C SCRIPT
Story, "Verna," by Paul Gallico; and 20 pp.of
extensive Gwen Verdon notes, her synopsis and
commentary; this was never produced
WALKING HAPPY (Fosse)
Box 46C PROGRAM
Lunt-Fontanne Theatre, 11/66
Box 46C LEGAL/FINANCIAL, 1966-68
Correspondence re: royalties; Bob Fosse 4/67
director/choreographer agreement; Perlman notes and
miscellaneous: amateur and stock rights, subsidiary
rights, London production, other optioning, etc.
BOB FOSSE PERSONAL PAPERS AND CAREER MISCELLANY
Box 52B Early family genealogy
Including 1986 letter from classmate with yearbook
clipping and photo of Bob Fosse
Box 86E Front page of THE AMUNDSEN LOG, 10/5/44 (Amundsen High
School, Chicago), with banner: "Bob Fosse President"
Box 52B Bob Fosse, Military service papers, 1946
Box 52B Bob Fosse, biographies
Box 52B, Bob Fosse obituaries
52A
Box 52A Fosse, Palace Theatre Memorial program
Box 52A Correspondence re: documentary STEAM HEAT, WNET/13
production
Box 60F Correspondence re: biography: ALL HIS JAZZ (Martin
Gottfried, 1990--see RELATED PUBLICATIONS);
Correspondence to Gwen Verdon re: book; news clippings
AWARDS
Awards, miscellaneous certificates/notifications:
[NOTES: statuettes, medals, plaques, etc. are not included with
this collection; this list includes only papers material such as
nomination certificates, and is not comprehensive]
Box 52E Scholastic Magazine Bellringer award, SWEET CHARITY, 1969
Box 52B FOCUS award (Datsun), 1981
Box 52B Disabled American Veterans certificate, certifying Bob
Fosse as a charter member of the DAV Commanders Club, for
"devotion and generosity"
Box 52B IAHD award, 1981
Box 86A 8th International Film Festival of India, 1981,
certificate of participation, ALL THAT JAZZ
Box 52B Marquis Who's Who Publications Board, for publication in
WHO'S WHO 1976/77
Box 52B Drama League (correspondence) re: "Outstanding
Achievement in Musical Theatre," 1986
Box 52B STEREO REVIEW Magazine award, CHICAGO album, 1975 DEA
(Dance Educators of America) (correspondence) re: ALL
THAT JAZZ award, 1980
Box 52B Wisdom Hall of Fame nomination
Box 52B Polish award, KABARET, 1974
Box 52B Outer Circle Critics award, 1973, for PIPPIN direction
Box 52B Hollywood Foreign Press Association, for Best Director,
CABARET, 1972
Box 86A George Foster Peabody Radio and Television Award, 1973,
to NBC/LIZA WITH A Z, program only, (award certificate
boxed separately)
Box 52B Magazine cover, DANCE Magazine 4/63, listing annual award
winners, including Bob Fosse
Box 52A Mr. Abbott, 1986: "For lifetime achievement in the
Theatre," (presented by the Stage Directors and
Choreographers Workshop Foundation)
Programs only
Box 52A Mr. Abbott, 1986
Additional programs, flyer, and guest list
Box 52A Mr. Abbott, Miscellaneous
1987 (Mike Nichols) and 1988 (Agnes de Mille) Mr.
Abbott programs
Box 52A Academy Award
Nomination certificates; HOLLYWOOD REPORTER 3/26/80
trade ads for ALL THAT JAZZ nominations
Box 52A Astaire Award, 1986: "For the Best in Broadway
Choreography" (presented by the Anglo-American
Contemporary Dance Foundation); co-award with Peter
Martins
2 programs; letter from committee; NY TIMES
clipping
Box 52A Capezio Dance Award, 1987
2 clippings, letter from committee
Box 52A DGA nominations (Directors Guild of America)
1975 program listing nominees; 1972 DGA nomination
for LIZA WITH A Z
Box 52A Drama Desk
Nomination and award certificates: 1972, award for
PIPPIN choreography; 1977 nomination for DANCIN'
choreography; 1972 award for PIPPIN direction;
nominations, 1985, for BIG DEAL direction and
choreography, 1985-86 SWEET CHARITY, for
outstanding direction of a musical
Box 52A Emmy
3 nomination certificates for LIZA WITH A Z,
1972/73 (for outstanding achievement in
choreography, outstanding single program in variety
and pop music, and to Bob Fosse for outstanding
directorial achievement
Box 7E, Palme d'Or, Cannes Film Festival: 1980, ALL THAT JAZZ
52A
2 Film Festival programs, directory, and several
miscellaneous items
Box 52A Lion of the Performing Arts, 1987 (presented by the New
York Public Library)
1 piece of correspondence
Moscow 1990
SOVIET FILM Magazine, postcards, small souvenirs,
interview with Gwen Verdon and translation
Box 52A Players Club Tribute, 1975: "Taps for Fosse"
Program; press clipping from Players Bulletin
Box 52A Star 1988 (presented by the Theatre Collection Council,
Museum of the City of New York)
Quarterly publication with article on award
Box 52A Theatre Hall of Fame (American Theatre Critics
Association)
1979 program
Box 52A Tony
52B
Announcement cards for (2) PIPPIN, Best
Choreography, Best Direction; Playbill from the
ceremony; Playbill from choreography award,
DANCIN', 1978
Box 52A Tony Nominations: Certificates of nomination
52B for:
Best Director, Musical, 1972-73, PIPPIN
Best Choreographer, 1972-73, PIPPIN
Best Book of a Musical, 1975-76, CHICAGO, Bob Fosse
and Fred Ebb
Best Director, Musical, 1975-76, CHICAGO
Best Choreographer, 1976-76, CHICAGO
Outstanding Choreography, 1977-78, DANCIN'
Best Director, Musical 1977-78, DANCIN'
Best Director, Musical, 1985-86, BIG DEAL
Outstanding Choreography, 1985-86, BIG DEAL
Outstanding Book of a Musical, 1985-86, BIG DEAL
Best Book of a Musical, 1985-86, BIG DEAL
Box 52B Program for 1964 Tony ceremony, Bob Fosse nomination for
PAL JOEY; invitation for 1980 ceremony; 1981 and 1982
Tony programs; Playbill for 1986 Tonys
Box 52B Tony 1976
Correspondence only
Box 52B "Triple Crown," 1973
"Answered" correspondence on winning the Tony,
Emmy, and Academy awards
Box 52B "Triple Crown," 1973
"Unanswered" correspondence on winning the Tony,
Emmy, and Academy awards
Box 52D
52E "Triple Crown," 1973
Magazine reviews: PENTHOUSE, 1/74: "Except for Bob
Fosse," by Lionel Chetwynd (2 copies); ACTION (DGA
Magazine), 5-6/73: "Honors & Directors;" (4
copies); HOLLYWOOD REPORTER advertisement, 7/3/73:
"What Directors Are Saying"
Box 52D, "Triple Crown," 1973
52E
Newspaper and magazine clippings
Box 52C "Broadway and the Tony Awards," by James C. Jewell
Published dissertation
PUBLICITY FILES
[NOTE: these files contain assorted articles focused primarily on
the life and career of Bob Fosse, though current productions may be
mentioned, and contain useful biographical information. For
publicity on specific productions, check individual show files]
Box 52D Bob Fosse, publicity: 1950s
Bob Fosse, publicity: 1960s
Bob Fosse, publicity: 1970s
Bob Fosse, publicity: 1970s
Newspaper clippings only
Bob Fosse, publicity: 1980s
Bob Fosse, publicity: 1980s
Newspaper clippings only
Box 86D Bob Fosse, publicity files, fragile
General magazines and clippings, bound to matte
board
Box 52C "Bob Fosse: An Analytic - Critical Study," by Ronna
Elaine Sloan
Unpublished 1983 CUNY dissertation
Box 52E Fosse, publicity: magazine articles
Playbill: "Broadway Babies;" AFTER DARK, 6/72: "The
Many Facets of Bob Fosse," by Glenn Loney; PLAYBOY:
"Betting on Kim (Basinger) Personally," by Bruce
Williamson
Box 57H THE HAMPTONS, 8/1/86: "The Dancin' Man (Bob Fosse)," by
Dick Anderson
Box 86A CMA (Creative Management Associates)
Ad honoring Bob Fosse for his "Triple Crown"
ENDORSEMENTS AND PRESENTATIONS:
Box 52D HORIZON advertising endorsement
Ad cuts
Box 52D United Telecom advertisement, 1985
Copy of ad
Box 86A Mitsubishi ad featuring Bob Fosse, black and white, 13x18
Box 53A Ruby Awards presentation to Bette Midler, 1973
AFTER DARK Magazine, 6/73, sponsors
Box 53A Night of 100 Stars benefit participant, 1985
Program
Box 53A Tony Awards presentation, 1987
Correspondence from Don Mischer Productions
FOSSE WRITING FILES
[NOTE: this is very miscellaneous, undated and sometimes
unidentified]
Box 53B Notebook, "Odd Ideas"
Brown "National" composition book, with handwritten
notes; also, small black ring binder listing
miscellaneous ideas
Box 53B Notebook, miscellaneous writing
"Penrite" composition book, marked "Odd" on front
cover, handwritten notes with news clippings
Box 53B Undated writing
10 sheets of handwritten material, including "Coda
for a Dancer" and "The Dirty Young Man on his
Flying Trapeze;" also, several pieces - short story
(written upon hearing of Joan McCracken's
death),film ideas, vocabulary list, identified by
Gwen Verdon notes
Box 53B "Future Projects & Ideas"
Notes for "Dirty Jokes" piece; "Ladies Man,"
"Meeting with Prince;" newsclippings, costume
ideas, etc.
MISCELLANEOUS
Box 52B "Special papers and miscellaneous" file
Telegram from Anya and Harold Arlen, 1966;
telegram, Fosse to Verdon, CHICAGO opening night,
San Francisco, 1/27/78; 2 newspaper crossword
puzzles, featuring Fosse name; PLAYBOY letter,
7/6/73, turning down Bob Fosse as interview
subject; Note: These "stray" items were not
originally filed with correspondence
Box 54G Fosse, Miscellaneous: "Your Place in the Cosmos: An Index
to Stars and People"
Listing Bob Fosse's star
Box 86A Caricature of Bob Fosse and scenes from shows, on
illustration board, by Mark Cote
FOSSE GENERAL FILES
MISCELLANEOUS CONTRACTS, PROJECTS, OFFICE FILES, ETC.
(Including Gwen Verdon contracts where noted)
[NOTE: much of the following is general office files, such as phone
lists and casting magazines]
Box 51A MCA Artists vs. Robert Fosse, 1962-64 (1 of 3)
Extensive and varied correspondence and legal
documents pertaining to lawsuit over MCA
representation of Bob Fosse
Box 51A Correspondence, Jack Perlman
1962-70, from the point where Jack Perlman took
over from MCA Artists (Jack Perlman was Bob Fosse's
attorney); extensive and varied file, much
handwritten, on matters such as SWEET CHARITY,
script offers, etc.
Box 51A MGM contracts, 1951-53
Employment contracts and correspondence with
MGM/Loews, Inc., 1951-53
Box 51A "The Gay Girls"
6/54 contract for Bob Fosse with Columbia Pictures
for choreography and dance direction of this motion
picture
Box 51A "The Girls Against the Boys"
10/1959, Bob Fosse contract for staging and
directing the musical revue
Box 51A "Copper and Brass"
9/1957 contract for Bob Fosse; this was a play Bob
Fosse edited
Box 51A CMA - David Begelman contracts, 1969-73
Bob Fosse's agreements, 1969, '72, '73, with
Creative Management Associates
Box 51A General Artists agreements (Gwen Verdon)
1964 and undated representation agreements and
related correspondence
Box 51A Union materials
Bank forms; DGA memoranda, 1973, re: negotiations
with the Association of Motion Pictures and
Television Producers; collective bargaining and
royalty cuts rules - Society of Stage Directors and
Choreographers, 1962; etc.
Box 51B Weegee Project, Stuart Ostrow, 1984
Ostrow correspondence about proposed project;
photocopy of NAKED CITY, by Weegee
Box 51B "Atlantic City" script, blue paper cover
Marked "First draft & Notes"; by Jack Heifner
Box 51B "Atlantic City" miscellaneous
Pete Hamill outline; several letters between
Heifner and Stuart Ostrow, 1981-84; lyric sheets;
from envelope marked "Atlantic City - Cy Coleman"
Box 51B Winchell Project
Extensive photocopied press clippings on Walter
Winchell
Box 51B GRIND, Ben Vereen, 1985
Press clippings on GRIND; Bob Fosse's dance notes
Box 51C Contact sheets
Telephone/address list for various shows
Box 51C 1977 calendar, annotated
Box 51E MILLIMETER '77, "Directors '77" issue
Box 51E DANCE Magazine Annual 1975
Box 51E FACE INTERNATIONAL
Casting guide
Box 51C "Phone Book - old pages"
This file and the following four contain records of
incoming and outgoing phone calls, and some notes
and memos; generally undated
Box 51C Phone lists and memos
Box 51E Casting, general, 1980s
Photo/resumes, correspondence
Box 51D The Laundry
Bob Fosse was part owner of this restaurant;
newsclippings on opening
Box 51D Michael Bennett: obituary
Box 51D Paddy Chayevsky: correspondence
Box 51D Paddy Chayevsky: general
Press clippings, playbills, theatre reviews,
obituaries
Box 51D Paddy Chayevsky: funeral service
Box 51D Stuart Ostrow Foundation, 1977
1977 Board of Directors meeting agenda; various
foundation reports, e.g. fundraising, Musical
Theatre Lab, etc.
Box 51D Ann Reinking
Press clippings
Box 51D Miscellaneous paper
Couple script outlines, Drama Bookstore brochures
FOSSE: CORRESPONDENCE, GENERAL
[NOTE: The bulk of this material was originally stored together in
letter file boxes, ordered chronologically. (This material was
tored separately from the "General Files" listed above.) The
following is a list of dates; there are usually several file
folders of correspondence per year listed. This is primarily
professional correspondence, and contains many carbons and
photocopies of Bob Fosse letters and memos]
Box 47A Undated
Box 47A 1960-65
Box 47A 1966
Box 47A 1967
no 1968 or 1969
Box 47A 1970
Box 47A 1971
Box 47A 1972
Box 47A 1973
Box 47B 1974
Box 47B 1975
Box 47D 1976
Box 47C Oversized correspondence
Box 48A 1977
Box 48A 1978
Box 48A 1979
Box 48B, 1980
49A
Box 49A 1981
Box 49A, 1982
49B
Box 49B, 1983
49C
Box 49C 1984
no 1985
Box 49D Oversized correspondence
Box 50A 1986
Including file on "Jules Fisher - Russian Project"
Box 50A 1987
Box 50B Oversized correspondence
Box 50C Miscellaneous
APPOINTMENT BOOKS/CALENDARS
Box 55G 1966 Executive Almanac, brown paper cover
Box 55G 1967-68 Week-at-a-glance Appointment Book, maroon cover
Box 55G 1969 Diary, red cover
Box 55G 1970 Diary, black cover
DAILY NOTES (PHONE LISTS) AND CALENDARS
(FOSSE)
[NOTE: Daily Notes or Phone Lists contain incoming and outgoing
phone calls and notes; calendars are annotated]
Box 54D Phone Lists, 1/81-4/81, blue notebook
Phone Lists, 4/81-8/81, blue notebook
Phone Lists, 9/81-12/1, blue notebook
Box 54E Daily Notes, 1982, black 3 ring binder
Daily Notes, 1983, black 3 ring binder
Daily Notes, 1984, brown 3 ring binder
Daily Notes, 1985, black 3 ring binder
Daily Notes, 1986, black 3 ring binder
Daily Notes, 1987, black 3 ring binder
Box 54A CALENDARS: 1976, 1977, 1980 (2), 1981, 1982 (2), 1983
54D (2), 1984 (2), 1985 (2), 1986 (2)
With appointments and notes
Box 54D MONTHLY PLANNERS: 1975, 1976, 1982 (2)
GWEN VERDON CAREER MISCELLANY
Box 53C Bio
General correspondence, 1980's
Actor's Fund, 1985
Lifetime membership
American Dance Machine--articles
Booth Theatre Library
Items on permanent loan, 1989 deposit paper
Charity functions
Various programs
China, teaching dance
ASIA Magazines, Chinese magazines, CHICAGO program
for Imperial Theatre, miscellaneous newsclippings
on China
John Drew Theatre benefit: THE NUTCRACKER
Programs and audition cards
"A Divertissement of Dancers," Lincoln Center benefit
Script and program
Box 57A Peter Gennaro/Gwen Verdon Benefit
-57B
Conductor's score from show medley, and parts
Houston Ballet, 1978
Press clippings; 4 programs
Little Theatre, 1959
Press clippings
Milliken Breakfast Show
Press clippings; 1974 program
National Ballet Benefit, 1973
Press clippings
Players Club
Playbill, 1989; press clipping
Ritz Theatre
Letter with Ritz tickets; dedication program (Gwen
Verdon was speaker); brochure
"Salute to Neil Simon", 1988
Magazine article
"Star Spangled Gala," 1976, Lincoln Center benefit
Program; Gwen Verdon and Chita Rivera performing
CHICAGO piece
Paul Taylor benefit, 1981, Gwen Verdon, Nureyev and
Baryshnikov
Press clippings
Theatre programs, miscellaneous, 1990
Tony Awards presentation, 1987
Press clippings
"Tribute to George Abbott," 1990
Program
Ziegfeld Club, 1973
Program
AWARDS, TRIBUTES, HONORS
[Statuettes, plaques, etc. are not included in this collection,
although numerous certificates are. See also "Awards" series]
Box 53D Certificates of Appreciation from: Screen Actors Guild;
Center for Learning Disabilities; Suffolk County (for
Brookhaven Theatre Dance Guild work); Chamber Ballet,
1982
Clipping
Box 86A Hamilton College, Honorary Doctorate, to Gwen Verdon
Certificate
Box 86A FILM DAILY, 1958, "Filmdom's Famous Fives," to Gwen
Verdon
Certificate
Box 86A Newspaper Guild of New York, 1959 Page One Award to Gwen
Verdon for REDHEAD
Certificate
Box 86A Interfest, 1990, award to Gwen Verdon
Certificate
Box 53D Tribute, American Cancer Society: "Gwen Verdon Week,"
Culver City, CA, 1960
Box 53D Emmy nominations: 1987, MAGNUM PI for "Infinity and Jelly
Donuts
Certificate and correspondence
Box 53D 1989, STEAM HEAT documentary, for "contributions to an
outstanding informational special"
Certificate
Box 53D Governor's Award (NY State), 1989
Program, correspondence, and press clippings
Box 53D Hamilton College Honorary Degree, 1988
Doctor of Humane Letters; correspondence and
college brochure
Box 53D Howe School (Culver City, CA) Tribute, 1990
Press clippings
Box 53D "Lambs' Spring Gambol," 1981, honoring Gwen Verdon
Program and 3 flyers
Box 53D Lion of the Performing Arts award, 1988, New York Public
Library
1989 program; "tribute" book: "Images of the
Dance," by Lillian Moore
Box 53D Postgraduate Center for Mental Health: "A Gala Musical
Tribute to Gwen Verdon and Cy Coleman"
1985 Playbill
Box 53D Southern Rep Tribute to Gwen Verdon
Program, brochure, menus, newsclippings
Box 53D Theatre Hall of Fame, 1981
Membership Scroll of Honor, programs
Box 53D Tony nominations
Certificate for CHICAGO, 1975-76
Box 53D "Tony Babies," 1981 - publicity re: past Tony award
winners
Press clipping
PUBLICITY FILES
[NOTE: these files contain assorted articles focused primarily on
the life and career of Verdon, though current productions may be
mentioned, and contain useful biographical information. For
publicity on specific productions, check individual show files]
Box 53E Publicity: 1950's; 60's; 70's; 80's
Box 53E Publicity: magazine articles
Re: MANHATTAN
Publicity: magazine articles
THEATRE WEEK,8/6/90: "Gwen Verdon and All That
Jazz," by Michael Buckley; THEATRE WEEK, 6/20/90,
Letter to the Editor re: preceding article; "New
York Scene" (by Marriott Marquis), Spring 1985
Box 57H THE HAMPTONS, 7/4/86: "Gwen Verdon Does a Number - On
Critics and Producers," by Dick Anderson
3 copies
Box 53E Verdon, interviews
SPOTLIGHT! 1984, correspondence with Ryan Keating,
host, and several snapshots of Gwen Verdon on show
Box 86A PHOTOS
Gwen Verdon; 16x18 black and white (some color
added) photo of Gwen Verdon dancing (damaged)
Gwen Verdon; 3 (fragile, damaged) mounted black and
white photos, 10x13, 10 1/2 x 12 1/2, 10 1/2 x 12,
all by Marcus Blechman, early career publicity
Allan Jones; black and white 8x10 photo of Allan
Jones, mounted with autograph to Gwen Verdon
Barney Martin; black and white photo by Martha
Swope, with 1976 autograph, including 8x10
cardboard piece, with note: "To Gwen, I love you I
love you, Barney"
Box 85F MISCELLANEOUS
Thank you to Gwen Verdon from workshop students
Written on computer paper
Box 85B Costume Sketches, Gwen Verdon
From unidentified television show, (2)
MISCELLANEOUS MATERIAL RELATED TO BOB FOSSE AND GWEN VERDON
Box 57C, SHEET MUSIC (Oversized)
57G
MISCELLANEOUS: "Bubbles Was a Cheerleader," "Let Me
Entertain You," "The Category Stomp," "The Girl I
Left Home For"(music Gwen Verdon recorded on the
album)
Box 57F DANCE Magazine
"Jack Cole" series by Glenn Loney, 1/83, 2/83,
3/83, 4/83, 5/83, 6/83, 8/83,9/83, 11/83, 12/83,
1/84
SCRAPBOOKS (FOSSE, VERDON)
[NOTE: the designation "Fosse" or "Verdon" scrapbook marks the
SUBJECT of the scrapbook, not necessarily the creator. All
scrapbooks are extremely fragile]
Box 55A Scrapbook, Fosse - fragile; black embossed cover with
Dutch boy and girl with "Scrapbook"
1948-1950; clippings scrapbook, many undated;
includes CALL ME MISTER, MAKE MINE MANHATTAN, etc.;
Bob Fosse and Mary Ann Niles dance reviews;
includes DANCE ME A SONG, 1950 press reviews
Box 55B Scrapbook, Verdon - fragile; red embossed cover with
gold squares pattern
Clippings scrapbook of CAN-CAN, DAMN YANKEES, NEW
GIRL IN TOWN, REDHEAD, etc.; includes playbills
Box 55C Scrapbook, Verdon - fragile; green embossed cover with
gold borders
NEW GIRL IN TOWN, including playbills and press
Box 55D Scrapbook, Verdon - fragile; green embossed cover with
gold borders
REDHEAD, including playbills and press
Box 56A Scrapbook, Fosse - fragile; blue cover with embossed
scissors
Clippings scrapbook of CALL ME MISTER and other;
1946-48; black and white photo of Bob Fosse and
Mary Ann Niles on title page
Box 56B Scrapbook, Fosse - fragile; brown cover with embossed
scissors
1938-45; HOOK, LINE AND SINKER, MAKE MINE
MANHATTAN, PAL JOEY, and others; Bob Fosse high
school, Riff Brothers, and Navy material, including
photos and ads as well as clippings; script pages
with notes for THREE'S A CROWD; important
documentation
Box 56C Scrapbook, Fosse; light orange cover with embossed
scissors
Photos, posters and handbills, press clippings on
HOOK, LINE, AND SINKER, CALL ME MISTER, and others
including later material; Joan McCracken press
Box 56D Scrapbook; dark orange scrapbook with embossed scissors
Clippings: photos of dancers in various poses
Box 56E Scrapbook; green cover with gold bars and "Scrapbook"
Clippings: photos of dancers in various poses
Box 56F Scrapbook, Fosse; navy blue cover
1952-1960; title page article: "Bob Fosse: Triple
Threat;" including KISS ME KATE, PAJAMA GAME, DAMN
YANKEES, REDHEAD; includes playbills and clippings
Box 56G Scrapbook, Fosse; stars and stripes cover
1972-73; clippings, telegrams etc. on 1973 "Triple
Crown," SWEET CHARITY, LIZA WITH A Z, CABARET
Box 58A, Miscellaneous dance programs and brochures
58B
Box 58A, Miscellaneous souvenir film programs
58B
PHOTOGRAPHS
[NOTE: Photos are arranged by, and related to: production or
project; Fosse/Verdon individual files; Fosse/Verdon combined
photos; personal shots; and miscellaneous. Color slides, poster
slides and negatives are included. "Duplicate" entries are
intentional; they pertain to different photos]
THE AFFAIRS OF DOBIE GILLIS
Box 59A Photograph: 8x10, black and white, 1
Fosse and 3 other leads, publicity shot;
ALIVE AND KICKING
Box 59A Photograph: 5x7, black and white, 1
By Will Rapport of the dance: "The Reason for
Divorce is Marriage," featuring Jack Cole and
others
Box 59A Photograph: 5x7, black and white, 1
By Fred Fehl of the dance: "Cole Scuttle Blues,"
1951, at the Winter Garden, featuring Gwen Verdon
and Marie Grosscup
Box 59A Photograph: 5x7, black and white, 1
By Will Rapport of the dance: "The Reason for
Divorce is Marriage," 1951, at the Winter Garden,
featuring Jack Cole and Gwen Verdon
Box 59A Photographs: 5x7, black and white, 5
By Fred Fehl of the dance: "Dove's Blues," 1951,
featuring Gwen Verdon, Jack Cole and others
Box 59A Photograph: 5x7, black and white, 1
By Will Rapport of the dance: "Dove's Blues," dress
rehearsal, featuring Gwen Verdon, Jack Cole, and
Marie Grosscup
ALL THAT JAZZ
Box 59A Photographs: 3 1/2 x 5, color, 4
Of Ann Reinking; duplicates of same shot
Box 60D Photographs: 4x5, color, 3
Various head shots of Roy Scheider
Box 60D Photo contact prints: color, 2
Dance photos: Leland Palmer in studio, etc.
Box 59A Photographs and negative: 8x10, color, 10
File: "Fosse Portraits"; excellent prints of Bob
Fosse directing Leland Palmer, Roy Scheider
(several), dancers, crew, Bob Fosse at camera,
publicity stills (and 1 8x10 negative for publicity
still)
Box 59A Photographs: assorted sizes, color
20 Color contact prints, and 1 4x8 of Sandahl
Bergman; very small prints of Ann Reinking, Erzebet
Foldi, Roy Scheider, dancers and others in scenes
from film
Box 59A Photographs: contact prints, 8x10s, color, 16
Portraits: Roy Scheider, Ann Reinking, Erzebet
Foldi, in costume; several stills: Ann Reinking and
Erzebet Foldi dancing, Joe's apartment, Airotica
dance, shots of Ann Reinking leaping, several small
format photos of Roy Scheider
Box 59A Photographs: 8x10 snapshots, black and white, 14
Bob Fosse showing steps to dancers; Erzebet Foldi,
Leland Palmer and Michael Bennett (some of these
are casting photos of Leland Palmer and Michael
Bennett, not film stills); casting: Ann Reinking;
numerous informal shots of Roy Scheider and Erzebet
Foldi; publicity shot: Jessica Lange; Bob Fosse
directing Roy Scheider; ALL THAT JAZZ ad; an
autographed "joke" photo from Roy Scheider to Bob
Fosse
Box 59A Photographs: contact sheets, black and white, 5
File: "Cannes" (Cannes Film Festival)
Box 59A Photographs: 8x10, black and white, 10
File: "Research" hospital and cafeteria photos
Box 59A Photographs: 8x10, black and white, 4
File: "Festivals"; shots of Bob Fosse and others at
various festivals
Box 86E Photographs: 11x14, color, 3; 11x14, black and white, 2)
Color: Roy Scheider in role 2; portrait shot of
Scheider and Erzebet Foldi 1; black and white: ALL
THAT JAZZ in neon lights, 2
Box 60A Photographs: 8x10, black and white, 50
South American film festivals photos
BIG DEAL
Box 59A Photographs: 8x10, black and white, 7
4 stage stills, assorted: Devine/Derricks, male
leads, dancers; 1 opening night photo of Bob Fosse
and leads; 1 still, Bill Robinson research; 1
casting shot of Cleavant Derricks
BURNT OFFERINGS
Box 59A Photographs: snapshots, color, 5
House used in film, exterior shots
CABARET
Box 60D Photograph: 4x5, black and white, 1
Joel Grey onstage with female dancers
Box 60D Photographs: snapshots, color, 2
Gorilla costume, made up
Box 59A Photographs: 7x7, black and white, 4
From file: "Locations"; German streets and
buildings
Box 59A Photographs: 8x10, black and white, 9
Film stills/publicity stills including Michael
York, Marisa Berenson, Liza Minnelli, Joel Grey
(all leads); publicity still of Joel Grey with
Cabaret girls; Joel Grey with gorilla
Box 59A Photographs: 12 x 9 1/2, black and white, 2
Production still of Bob Fosse and Geoffrey
Unsworrth, and of Bob Fosse directing
Box 59A Photograph: 9x11, black and white, 1
Bob Fosse portrait, sitting on box with negative
Box 86E Photograph: 9x12, color, 1
Bob Fosse directing Minnelli - the camera is behind
Bob Fosse, he's gesturing with his hands, on
Munichset
Box 86E Photograph: 9x14, black and white, 1
Liza Minnelli, in still from another film, perhaps
"...Junie Moon;" (casting file shot?)
CALL ME MISTER
Box 59A Photograph: 8x10, black and white, 1
By Leo Friedman; 3 shot, including Fosse in
uniform, autographed by "Joe and Ira"
Box 59A Photograph: 7 1/2 x 8, black and white, 1
Fosse dancing
Box 59E Photograph and negative: snapshot, black and white, 1
Fosse, Mary Ann Niles and unidentified in front of
marquee
Box 59E Photograph and negative: 7 1/2 x 7 1/2, black and white,
1
Fosse in uniform
Box 59A Photographs: 5x7, black and white, 1
Fosse, Robert Sheerer, Cliff Ferre and unidentified
female dancer
CAN-CAN
Box 60D Photographs: 5x7, black and white, 7
By Fred Fehl (6); by Will Rapport (1); various
scenes from CAN-CAN, each featuring Gwen Verdon
Box 59A Transparencies: 4x5 (several smaller), color, 20
From file: "LIFE Magazine, color transparencies"
shots of Gwen Verdon as "Eve" and several LIFE
shots of Gwen Verdon in gown
Box 59A Photograph: 8x10, black and white, 1
Gwen Verdon making up in dressing room
Box 59A Photograph: 5x6, black and white, 1
Gwen Verdon as "Eve"
Box 59A Photograph: 8x10, black and white, 1
Duplicate publicity shots, portraits in striped
blouse
Box 59A Photograph: 8x10, black and white, 1
Publicity: Gwen Verdon eating a hot dog
CHICAGO (VARIOUS PRODUCTIONS)
Box 60D, Photographs and negatives: snapshots, color, 25
59E
CHICAGO research (jail facilities), including
negatives
Box 60D Photographs: 5x7, color, 3
CHICAGO, Gwen Verdon backstage; stage still; Gwen
Verdon and Chita Rivera
Box 60D Photographs: snapshots, color, 2
1 duplicate of Gwen Verdon backstage; 2nd backstage
shot
Box 60D Photographs: 5x7, color, 2
Cast shots (each different), 1978 tour, backstage,
informal
Box 59A Photographs: 8x8, black and white, 10
Gwen Verdon, personal; Gwen Verdon and women from
cast, primarily Chita Rivera, in informal "fooling
around" shots
Box 59A Photographs: snapshots, color, 10
Informal; Gwen Verdon as Roxie; various family,
friends and cast shots
Box 59A Photographs: 8x10, black and white, 8
CHICAGO party, mainly shots of Gwen Verdon and
Nicole Fosse
Box 59A Photographs: 8x10, black and white, 6
Series of Gwen Verdon and Chita Rivera dancing
Box 59A Photographs: 8x10, black and white, 3
Bird's eye view of stage and orchestra (1);
publicity portrait, informal, Gwen Verdon, (1);
autographed still, Jerry Orbach to Bob Fosse (1)
Box 59A Slides: color, 12
Research: "Ian's slides of Beulah Annin's address"
exteriors (Ian: researcher)
Box 59A Photographs: 8x10, black and white, 14
"Opening Night Party,": contact sheets, general
shots (9), Gwen Verdon and Nicole Fosse (3), Gwen
Verdon (2), Nicole and Bob Fosse dancing (1)
Box 85B Photograph: 11x14, black and white, 1
Chita Rivera and Gwen Verdon
Box 59A Photographs: 8x10, black and white, 1
Gwen Verdon, Chita Rivera and Liza Minnelli
performing NOWADAYS at Kander and Ebb Tribute
(including smaller color snapshot)
Box 59A Photographs: 8x10, color, 1
Cast and some crew (and Gwen Verdon), from tour,
informal
Box 59A Photographs
Box 59E (and) Negative: 8x10, black and white, 3
Ann Reinking as Roxie, autographed to Bob Fosse; L.
Nemetz as Velma, autographed; negative of Nemetz
and Reinking (1)
COCOON
Box 59A Photographs: 8x10, black and white, 5
Different publicity portraits of Gwen Verdon (3);
publicity shot of Gwen Verdon in film, as dance
instructor (1); publicity shot of Gwen Verdon and
Don Ameche (1)
Box 59A Photographs: 8x10, color, 2
Cast shot; cast and crew
Box 59A Photograph: snapshot, color, 1
Verdon in character
COCOON II
Box 60D Photograph: Snapshot, color, 1
Gwen Verdon and 4 men at wrap party for film
THE CONQUERING HERO
Box 59A Photograph: 8x10, black and white, 1
Bob Fosse rehearsing dancers in studio; 8x10 photo
box
THE CONQUERING HERO
Box 86C2 Photographs: 11x14, black and white, 33
By Pat Ferrier; terrific series (few duplicates)
photographed over a period: Bob Fosse at
rehearsals. Many shots include actors and
actresses, but the focus is Bob Fosse. Some have
been used for publicity
DAMN YANKEES (STAGE, ORIGINAL PRODUCTION)
Box 60D Photographs: 5x7, black and white, 20
By Fred Fehl, all from original production, various
scenes, all with Gwen Verdon (and other leads); few
duplicates; excellent quality; including photo used
for poster
Box 60D Photographs: 5x7 (several smaller), black and white, 32
By Will Rapport; note on back of one photo
identifies it as an out-of-town production; these
photos do not all include Gwen Verdon; they show a
broad range of players and scenes; the quality is
not as good as Fehl's
Box 59A Photographs: 8x10, black and white, 11
Different shots of Gwen Verdon and Stephan Douglass
in "Whatever Lola Wants" (3); Different shots of
Gwen Verdon and Stephen Douglass (in costume, in
recording studio, publicity shots for show
recording) (3); Gwen Verdon crouching on stage, in
baseball uniform (also show recording still) (1);
2nd recording session series: Gwen Verdon alone
(2), and Gwen Verdon, Stephen Douglass, Walston (4)
Box 59A Photographs: 8x10, black and white, 5
Publicity: baseball team (1); cast photos (2); Gwen
Verdon alone, Gwen Verdon with 2 others, publicity
shots for Signet Portable Library (3)
Box 86E Photographs: various formats, black and white, 5
LIFE Magazine photographer: damaged print, Bob
Fosse rehearsing cast (he's striding with head in
hands), (1), 9 x 13 1/2; SUN-TIMES, Leo Friedman:
different scenes of Gwen Verdon and Ray Walston (2,
10x13); Leo Friedman: different shots marked
"YANKEES in New Haven tryout. This ballet was cut
and replaced by WHO'S GOT THE PAIN," Gwen Verdon
with gorilla in one shot, dancing with group in the
other (2, 9x13 and 10 1/2 x 13 1/2); Leo Friedman:
different shots of Stephen Douglass and Gwen Verdon
in LOLA number (2), 10x13
Box 86E Photographs: 10x12, black and white, 1
Bob Fosse, Gwen Verdon, group at the Tony Awards
Box 86E Photograph: 8x13, black and white, 1
Retouched "Lola" (Gwen Verdon) portrait, used for
publicity
DAMN YANKEES (FILM)
Box 60D Photographs: 4x5, black and white, 1
Bob Fosse, posing in a striped shirt and hat
Box 60D Photographs: 8x10, black and white, 2
Publicity shots, Gwen Verdon: head shot; dancing:
"Two Lost Souls"
DAMN YANKEES (revival)
Box 60D Photographs: 4x5, black and white, 50
Excellent quality, primarily various scenes with
Gwen Verdon, Jerry Lanning, and Ray Walston
Box 59A Photograph: 8x10, black and white, 1
Gwen Verdon and Jerry Lanning
DAMN YANKEES (MISCELLANEOUS)
Box 59A Photographs: 8x10, black and white, 7
Different shots of men at work, during recording of
cast album (2); Gwen Verdon and Bob Fosse in
Malibu, during DAMN YANKEES period, Gwen Verdon and
Bob Fosse (3), Bob Fosse (1); contact sheets,
Malibu photo session (1)
Box 59A Transparency: 5x7, color, 1
Gwen Verdon leaping to make catch in baseball
uniform
DANCE ME A SONG
Box 60D Photographs: 5x7, black and white, 2
By Will Rapport; 2 different shots of Bob Fosse,
Bob Scheerer and Cliff Ferre dancing
DANCIN'
Box 60D Slide: color, 1
A poster (?) sketch of dancers in various poses,
with DANCIN' - BOB FOSSE, logo, signed " Marx"
(Marcia Marx Bennett?)
Box 59A Photographs: 8x10, black and white, 2
By Martha Swope; Ann Reinking (with other dancers),
rehearsing; Bob Fosse, half kneeling, directing
three dancers
Box 59A Photographs: 7x10, black and white, 2
By Martha Swope; Bob Fosse and original DANCIN'
company; Bob Fosse crouching, rehearsing dancers
Box 59A Photograph: 7x10, black and white, 1
By Lene Costello; Gwen Verdon and DANCIN' company
by reflecting pool
Box 59A Photograph: 7x10, black and white, 1
By Lene Costello; dancers' footwear by pool,
companion to above shot
Box 59A Photograph: 8x10, black and white, 1
Original DANCIN' company
Box 86E Photographs: 11x14, black and white, 4
By Lene Costello; 2 shots, and duplicates of each
of DANCIN' cast, informal
THE DANNY KAYE SHOW
Box 59A Photographs: 8x10, 7x9, black and white, 9
Danny Kaye and Gwen Verdon photos from a series of
7 different sketches or skits, some dated 1963.
Several were shot during musical/dance numbers;
several are simply posed; included are 2 shots of
Danny Kaye and Gwen Verdon in suit and leotard with
straw boaters
THE DICK CAVETT SHOW (Verdon)
Box 59A Photograph: 8x10, black and white, 1
By Roger Greenawalt; Gwen Verdon and Dick Cavett
laughing, seated on directors' chairs
THE DICK CAVETT SHOW (Fosse)
Box 59A Photographs: 8x10, black and white, 2
Shots from Cavett's interview of Bob Fosse; 1
closeup of Bob Fosse, one 2 shot of Bob Fosse and
Dick Cavett laughing
ENDINGS
Box 60D Photographs: 5x7, black and white, 50
Location research, primarily hospital/hospice
interiors and exteriors
Box 59B Photographs: 8x10, black and white, 4
Location research, primarily contact sheets of
hospital interiors and exteriors
THE GARRY MOORE SHOW, 1961
Box 59B Photographs: 8x10, black and white, 11
By J. Peter Happel; 11 different shots of Gwen
Verdon in various skits, dances, musical numbers,
etc. Includes shots of Gwen Verdon with Garry
Moore, dancers, Carol Burnett, Julie Andrews and
others
THE GARRY MOORE SHOW, 1962
Box 59B Photographs: 8x10, black and white, 7
By J. Peter Happel and Hal McKusick; 3 different
numbers from the show, 2 including Bob Fosse, Gwen
Verdon and Carol Burnett in chef's uniforms, and 4
from the Gwen Verdon/Bob Fosse DANCIN' MAN number
(the MAN photos were shot by Hal McKusick)
THE GARRY MOORE SHOW, 1963
Box 59B Photographs: 8x10, black and white, 13
By J. Peter Happel and Friedman-Abeles; series of
stills from different sketches, musical and dance
numbers. All feature Gwen Verdon; some include Dru
Davis, Marie Lake, Carol Burnett, Julie Andrews,
Jerry Stiller, et al
THE GARRY MOORE SHOW, 1964
Box 59B Photographs: 8x10, black and white, 7
By J. Peter Happel; series of stills from different
sketches, musical and dance numbers, including
Theatre of the Deaf performers
GENTLEMEN MARRY BRUNETTES (LOCATION)
Box 60D Photographs: 4x5 (and smaller), black and white, 18
Paris: Versailles exteriors (7); several shots of
Jeanne Crain and Jane Russell dancing; Gwen Verdon
and Jack Cole at the Rodin Museum; Gwen Verdon and
Billy Trivilla (designer) at the Rodin Museum; 1
interior, Rodin Museum; Gwen Verdon and Jane
Russell; 2 informal shots, 1 with Gwen Verdon
Box 59B Photographs: Contact sheet shots, black and white, 3
Paris, 1954: contact sheets (cut up) of Gwen Verdon
in costume, with stars. The dance number pictured
in stills was cut
Box 60D Photographs: 3 1/2 x 5, black and white, 5
Gwen Verdon in costume and performing film number
(which was cut from film)
Box 60D Photographs: 3 1/2 x 3 1/2, black and white, 1
Gwen Verdon making up, seated on chair, in costume
GIVE A GIRL A BREAK
Box 60D Photographs: 4x5, black and white, 1
Bob Fosse, Gower Champion and Kurt Kasznar in joke
pose with 3 dogs, 1952
Box 60D Photographs: 4x5, black and white, 1
Wardrobe still, Bob Fosse as "Dowdy"
Box 59B Photographs: 8x10, color, 1
MGM publicity still (reproduction), Bob Fosse, Kurt
Kasznar and Gower Champion
Box 86E Lobby card: 11x14, color, 1
Lobby card: Bob Fosse, Gower Champion, and Debbie
Reynolds
LEGS
Box 59B Photographs: 8x10, color, 1
Publicity shot closeup of Gwen Verdon
LENNY
Box 59B Photographs: snapshots, black and white, 20; 8x10, black
and white, 9
RESEARCH: personal snapshots (re-shot from photos)
of Lenny Bruce, as child, performing, in court,
with Honey, mug shot, etc.; 3 location shots,
Chinese restaurant; 2 contact sheets of Lenny Bruce
in performance; 4 exterior shots of Lenny Bruce's
home
Box 59B Photographs: 8x10, black and white, 4
3 duplicate shots of Bob Fosse, in denim shirt with
viewfinder around his neck; 1 of Bob Fosse giving
Dustin Hoffman direction in courtroom scene
Box 59B Photographs: 8x10, black and white, 9
New York theatres: theatre lines at marquees
featuring LENNY (8); 1 page stat of various press
quotes
THE LITTLE PRINCE
Box 60D Photographs: snapshots, color, 5
Feb. 1973, Bob Fosse, director and crew at work,
informal shots
Box 60D Photographs: 5x7, black and white, 15
Informal production shots, mainly of Bob Fosse
working out his movements in the tree; not very
good quality photographs
Box 60D Photographs
Box 59E (and) Negatives: 8x10, black and white, 15
Single series of Bob Fosse publicity shots,
closeups, profile smoking cigar; 8x10 negative of
same shot
Box 60D Photographs: 8x10, black and white, 20
Series of Paramount publicity shots: Bob Fosse in
tree, dancing, Bob Fosse and Steve Warner (Prince),
with snake, etc.
Box 86C Photographs
Box 59E (and) Negatives: 14x11, black and white, 50
Extensive, high quality stills, production shots,
and informal shots of Bob Fosse choreographing and
dancing his Snake Dance: plotting dance moves,
speaking with director and actor, etc. Broad range
of shots, with numerous duplicates. 1 4x5 negative
of publicity still, Bob Fosse in a tree. Also
includes familiar silhouette shot of Bob Fosse
dancing
MAKE MINE MANHATTAN
Box 60D Photographs: 5x7, black and white, 4
By Will Rapport; Bob Fosse and others dancing (Bob
Fosse is the focus of each shot), 1 leaping Bob
Fosse shot
Box 60D Photograph: 4x5, black and white, 1
Bob Fosse in mid air leap over another dancer, with
cast in background
MAGNUM, P.I.
Box 59B Photograph: 8x10, color, 1
Publicity shot of MAGNUM "family"
THE MIKE DOUGLAS SHOW
Box 59B Photograph: 8x10, black and white, 1
Autographed photo of Mike Douglas
Box 53D Photo Album
From Gwen Verdon appearance on show
MISSISSIPPI GAMBLER
Box 59B Photographs: 8x10, black and white, 7
Different publicity shots of Gwen Verdon dancing
(3); Film still and dupe, Gwen Verdon in
foreground, with balcony and 3 shot behind her;
film still, Gwen Verdon dancing with 4 black men
(1)
MY SISTER EILEEN
Box 59B Photographs: 8x10, black and white, 8
Columbia Pictures publicity and film stills: 4
separate shots of Janet Leigh and Bob Fosse in
performance (1 - dancing together), 1 shot of Bob
Fosse and Tommy Ball dancing, 1 2-shot closeup of
Leigh and Bob Fosse; 2 publicity shots of Bob Fosse
in polka dot bow tie
MILIKEN SHOW, BOBBY MORSE AND GWEN VERDON
Box 59B Photograph: 8x10, black and white, 1
Closeup of Gwen Verdon and Robert Morse
NEW GIRL IN TOWN
Box 60D Photographs: 5x7, black and white, 15
By Will Rapport; various scenes, all featuring Gwen
Verdon (she appears solo in some)
Box 60D Photographs: 5x7, black and white, 2
By Fred Fehl; Gwen Verdon in both, 1 with nearly
complete cast; excellent quality
Box 60D Photographs: 4x5 (and 2 contact prints), black and white,
9
Assorted stills, Gwen Verdon only, in various
costumes and scenes
Box 59B Photographs: 8x10, black and white, 5
By Friedman-Abeles (Gwen Verdon and Bob Fosse shots
only). Rehearsal: Series of 3 different Gwen
Verdon/Bob Fosse dancing shots, 2 with Bob Fosse
and other dancers
Box 59B Photographs: 8x10, black and white, 5
"Matt's Dream Ballet" (1); "Check Apron Ball" (1);
Gwen Verdon, George Wallace, Cameron Prud'homme,
series from single scene (3) by A. E. Lynch
Box 59B Photograph: 8x10, black and white, 1
By A. E. Lynch; publicity: marquee at night
Box 59B Photograph: 8x10, black and white, 1
By Susan Sherman; publicity: Gwen Verdon and
"marionette" at Easter Bonnet Teatable Fashion
Show, Waldorf
Box 59B Photograph: 5x7, color, 1
Publicity: Gwen Verdon in costume
Box 85B Photograph: 11x14, black and white, 1
By Friedman-Abeles; rehearsal shot of Gwen Verdon
and Bob Fosse (used in publicity), includes other
dancers in background
Box 86E Photographs: 10 x 13 1/2 to 11x14, black and white, 18
By Friedman-Abeles; series of publicity shots for
NEW GIRL: Gwen Verdon and George Wallace on the
docks of NYC, includes Gwen Verdon cooking, Gwen
Verdon with longshoremen in bar, Gwen Verdon
dancing on the docks, etc.
THE PAJAMA GAME (LONDON)
Box 59B Photographs: 8x10, black and white, 3
Elizabeth Seal, rehearsal, different shots
PAL JOEY (LINDFORS AND BRUCE)
Box 60D Photographs: 5x7, black and white, 11
By Fred Fehl; featuring various scenes and players:
Lester Wilson, Viveca Lindfors and Carol Bruce (Bob
Fosse is also in each shot); excellent quality
PAL JOEY (MISCELLANEOUS)
Box 60D Photographs: 4x5 (and snapshot), black and white, 2
Gwen Verdon and Bob Fosse, informal shot, in
Wallingford, CT, while Bob Fosse was doing PAL JOEY
Box 60D Photograph: 4x5, black and white, 1
By Will Rapport; on stage: Carol Bruce and Bob
Fosse
Box 60D Photograph: snapshot, color, 1
Bob Fosse and the Dano Sisters
Box 59B Photographs: 8x10, black and white, 7
Various productions: Different shots of Bob Fosse
in performance, a) with Carol Bruce, b) leaping
over other dancers, c) dancing alone (3), all by J.
Peter Happel; Fosse making up in striped dressing
gown, 1966 (by Arthur Todd) (1); 1963: Gwen Verdon
and Bob Fosse (1); Verdon and other PAL JOEY cast
member (she was visiting in Wallingford, CT (1);
Fosse in performance, with attached news clipping
"Bob Fosse the best of all possible Joeys"
THE PERRY COMO SHOW
Box 59B Photographs: 8x10, black and white, 2
By Friedman-Abeles; 2 different performance shots,
of Gwen Verdon, Perry Como and others around piano,
with guitars
PIPPIN
Box 59B Photographs: 8x10, black and white, 9
Various scenes from the show, including performance
shots of Ben Vereen, Jon Rubinstein, Leland Palmer,
Jill Clayburgh, Irene Ryan and Eric Berry
Box 86E Photograph: 11x14, black and white, 1
Full length photo of Leland Palmer
REDHEAD
Box 60D Photographs: 5x7, black and white, 16
By Fred Fehl; various scenes, all featuring Gwen
Verdon, but including Richard Kiley and other cast
members; excellent quality
Box 60D Photographs: 5x7, black and white, 7
By Fred Fehl; Gwen Verdon performing "Erbie Fitch's
Twitch"
Box 60D Photographs: 5x7, black and white, 9
Rehearsal: including Bob Fosse and Gwen Verdon;
also tour rehearsal
Box 60D Photographs: snapshots, black and white, 30
Assorted scenes from production
Box 59B Photographs: 8x10, black and white, 13
By Vandamm; stills from various dances and scenes,
including full cast and shots of Gwen Verdon and
Richard Kiley. Several publicity shots of Gwen
Verdon alone (including red shoes costume and
poster shot) and with Kiley (12 by Vandamm); 1 NY
DAILY NEWS shot of Bob Fosse, Gwen Verdon, Richard
Kiley and Tony Awards
Box 86E Photographs: 10 1/2 x 13 1/2, black and white, 4
From envelope marked "Orchestra Rehearsal and
Pickpocket Tango;" Orchestra rehearsal:
Verdon/Fosse, rear silhouette surveying orchestra
(1); Bob Fosse and composer Albert Hague (1); Gwen
Verdon singing, with Jerry Blackton, Dorothy
Fields, Albert Hague (1); different shots of Bob
Fosse, Gwen Verdon and Bill Guski rehearsing
"Pickpocket Tango" (2)
Box 86E Photographs: 11x14, color, 2
Linda Bartlett; production shots, each featuring
Gwen Verdon, 1 seated drinking, 1 three shot
Box 86E SUNDAY NEWS Magazine: 11x14, color, 1
Laminated page of SUNDAY NEWS Magazine, 7/19/59,
featuring photos from REDHEAD, with text
STAR 80
Box 59E Negative: 3x4, color, 1
By Steve Vaughan; negative of Bob Fosse gesturing
with hands at the sides of his head (used for
publicity)
Box 59C Photograph: 8x10, black and white, 1
By Stephen Vaughan; Bob Fosse, with viewfinder and
cap, sitting on the edge of a bathtub
Box 59E Negatives: 8x10, color, 2
Negative of Mariel Hemingway/Dorothy Stratten
poster used in film
Box 60A Photographs: 8x10, black and white, 100-125
Film stills from box marked "STAR 80: stills Bob
Fosse did not approve for publicity," wide
assortment, including photos of Bob Fosse
SWEET CHARITY (STAGE)
Box 86E Photographs: 9 1/2x13 1/2 to 11x12, black and white, 4
By Al Stewart; stills from several different
scenes, each featuring Gwen Verdon (very
chiaroscuro), and one enlargement of still
Box 86E Photographs: 9x13, black and white, 2
By Mark Kauffman (LIFE); photos of Gwen Verdon in
dressing gown, seated, "After the show, 1966"
Box 86E Photographs: 11x 14, black and white, 4
By Friedman-Abeles; 2 separate shots for production
publicity, each with duplicate: a) Charity: twisted
foot, hand on hip, finger in mouth; b) backwards
glance, hand on hip (poster)
Box 59C Photographs: 8x10, black and white, 3
By Friedman-Abeles; Gwen Verdon, Helen Gallagher,
and Thelma Oliver (1); "If My Friends," (2); Gwen
Verdon in trench coat (1)
Box 59C Photographs: 7x9, 4x8, black and white, 3
7x9: Gwen Verdon and flowerpot, Gwen Verdon
glancing upward; 4x8 (mounted): Gwen Verdon
sniffing flower
Box 59C Photographs: 8x10 and contact sheets, black and white, 10
Publicity: photos done for special benefit CHARITY
performance for the Actor's Fund, including Gwen
Verdon with the following: Carol Channing, Sean
Connery, Ricky and David Nelson (and wives), and
unidentified (7); 2 contact sheets with some of the
same shots and Gwen Verdon and Bob Hope; Paul
Phillips painting Gwen Verdon's "Charlie" heart on
arm (1)
Box 59C Photographs: 8x10, black and white, 4
By Friedman-Abeles; publicity: Gwen Verdon and
unidentified newspaper critic; Gwen Verdon posing
with Talmage Tours staff; duplicates (2), Palace
Theatre marquee; 8x10 photo box
Box 59C Photographs: 7x9, black and white, 6
The Ed Sullivan Show: different shots of Gwen
Verdon performing, "If My Friends..."; 8x10 photo
box
Box 59C Photographs: 8x10, black and white, 19; 4x5 negative
Opening Night: Press photo, Gwen Verdon and Bob
Fosse opening night party, Waldorf, single series;
negative of same photo
Box 59C Photographs: 8x10, black and white, 16
By Friedman-Abeles and Bela Cseh Opening Night:
different shots of people congratulating Bob Fosse
and Gen Verdon (a couple Cseh prints); 3 different
shots of Gwen Verdon, Bob Fosse, and James Henaghan
(Gwen Verdon's son)
Box 59C Photograph 8x10, black and white, 1
Publicity: Verdon as Charity (poster series?)
Box 85B Photographs: 11x14, black and white, 3; 10x13, black and
white, 2
Ringling Bros. Circus, publicity: 11x14: Gwen
Verdon waving from atop an elephant (who's wearing
a CHARITY banner) (3 duplicates); 10x13: same
series, with unidentified man in shot (1), and
unidentified man next to elephant
Box 59C Photographs: 8x10, black and white, 3
Ringling Bros.: 2 of the same shot, Gwen Verdon
atop elephant; Gwen Verdon and Ringling Bros.
representative; these are publicity shots
SWEET CHARITY (FILM)
Box 60D Photographs: snapshots, color, 75
Location research, New York; some of these include
Bob Fosse
Box 60E Negative: 3x4, black and white, 1
Fosse demonstrates dance steps to Shirley MacLaine
Box 59C Photographs: 8x10, black and white, 15
Location research: NYC interiors and exteriors
Box 59C Photographs: 8x10, black and white, 4
Rehearsal: Bob Fosse drinking coffee and dangling
viewfinder (1); Bob Fosse with viewfinder (1); Bob
Fosse and Shirley MacLaine (1); Bob Fosse
demonstrating dance steps to MacLaine (1)
Box 59C Photograph: 5x7, color, 1
Robert Surtees and Bob Fosse at camera, outdoor
shot
Box 85B Photographs: 11x14, black and white, 25
Many by Larry Barbier (Universal Pictures); 3
separate matte folders marked "production stills,"
not in sequence: Bob Fosse setting up shots,
directing Shirley MacLaine, between scenes, filming
dances ("Frug") with Gwen Verdon assisting, general
"director" shots - Bob Fosse on stepladder, giving
directions to unseen crew, at the camera, with crew
on street and in lake.
Bob Fosse directing Shirley MacLaine, in dance hall
and on the street; Shirley MacLaine alone.
Gwen Verdon and Sammy Davis, Jr. recording "Big
Daddy;" Bob Fosse directing "Brass Band" on sets,
outdoors, etc.
Single photo of Gwen Verdon, Shirley MacLaine and
Nicole Fosse.
2 duplicate shots of Gwen Verdon, Bob Fosse,
Shirley MacLaine, and Paddy Chayefsky and son
Box 85B Photographs: 11x14, black and white, 12
Some by Larry Barbier (Universal Pictures); matte
folder marked "film stills," several shots from
"Rich Kids Frug" (4); "Brass Band" with Shirley
MacLaine (1); Shirley Maclaine on rooftop (2);
several with Sammy Davis and Shirley MacLaine;
Chita Rivera (1)
Box 85B Photographs: 10 x 13 1/2, black and white, 6
"Fosse rehearsing MacLaine:" series from 5
different negatives of Bob Fosse showing Shirley
MacLaine dance steps; focus is on Bob Fosse,
Shirley MacLaine is partially visible (from rear)
in several shots, Gwen Verdon is partially visible
(from rear) in several shots
Box 85B Photographs: 11x14, black and white, 4
By Larry Barbier (Universal Pictures); matte folder
marked "Fosse, Verdon, Simon:" 3 separate photos (1
dupe) of Neil Simon and daughters, Bob Fosse and
Gwen Verdon (visiting set?)
Box 60D Photographs: snapshots, color, 5
File, Personal: Trip to Italy Bob Fosse with Neil
Simon's family, taken when Bob Fosse visited Simon
in Italy to persuade him to work on SWEET CHARITY;
photos of Bob Fosse at airport and with Joan Simon
and daughter at tourist spots
SWEET CHARITY (REVIVALS)
Box 59C Photographs: 8x10, black and white, 5
3 different shots of Debbie Allen posing with cast
members; 1 shot of Bob Fosse, Cy Coleman, Allen,
Gwen Verdon and unidentified; 1 shot of Gwen Verdon
and Debbie Allen rehearsing, 1984
Box 59C Photograph: 5x7, color, 1; 9x7, black and white, 2
5x7 of Gwen Verdon and female cast; 9x7 shots of
Juliet Prowse performing with 2 others in Las Vegas
Box 86E Photographs: 11x14, black and white, 2
By Robert Kalfus (NY POST); Revival, Debbie Allen:
Cast, Cy Coleman, Debbie Allen, Bob Fosse at piano,
1986; Debbie Allen, Bob Fosse, and Gwen Verdon,
1986
SWEET CHARITY (FOREIGN STAGE)
Box 59C Photographs: 7x9 1/2, black and white, 10
By Jean Daniel Cadinot; French production, various
scenes; one autographed photo
WATUSI, 1953
Box 59D Photographs: contact sheets, black and white, 2
Contact sheet for 4x5 negatives (4 shots each), and
duplicate, of Gwen Verdon performing in costume
BOB FOSSE
FOSSE, Personal - Childhood and Family
Box 60A Photographs: 5x7, black and white, 2
Bob Fosse's parents, wedding day (sepia toned);
Cyril Fosse and his mother
Box 60A Photographs
Box 60E (and) negative: 8x10, black and white, 8
Bob Fosse and: nieces and nephews (?) (2); family
group around a "first birthday" cake (1); Fosse
family (with boys in military uniform), duplicate
and negative (2); Cyril, older, with family group
(and duplicate) (2); Wedding Day, including young
Bob (1)
Box 60A Photographs: snapshots, black and white and color, 4
Bob Fosse and other small children in bathing
suits; Cyril Fosse, Bob Fosse and Pat Fosse playing
horsey; Bob Fosse in young man's "He-Man" pose in
trunks on beach; Fosse (in his 20's?), with family
(color snapshot)
Box 60E Negatives: 4x5, black and white, 2
Bob Fosse as young child (1); Bobby on horse (1)
Box 60A Photographs
Box 60E (and) Negatives: 8x10, black and white
(1) 8x10 Bob Fosse photo, grade school, with 4x5
negative; (1) 8x10 formal (high school graduation?)
photo, black and white tinted
Box 60D Photograph: 1 x 1/2, black and white, 1
Cut-out high school photo of Bob Fosse
Box 60D Photograph: 5x7, sepia toned, 1
Seems to be Bob Fosse's high school yearbook photos
Box 60D Photographs: 3x4 1/2, black and white, 1
Snapshot of Bob Fosse in Amundsen High letter
sweater, with Lucille Fosse (sister in law); dated
12/6/42
Box 60E Negative: 4x5, black and white, 1
Bob Fosse family group, with young adult Bob
kneeling in front row
Box 60D Photographs: 3 1/2x3 1/2, black and white, 1
Possibly a Fosse family school graduation (dated
6/59, which means it's not Bob Fosse's)
Box 60D Photographs: 3 1/2x2 1/2, color, 1
Fosse (20's?) sitting on a couch with his mother
and father
Box 60D Photographs: snapshots, color, 5
Photos of Cyril Fosse and his second wife, newly
wed; snapshot print date is 7/61 (Bob Fosse's
father)
FOSSE, Early Dance and Performance
Box 60D Photographs: 5 1/2x7, black and white, 11
Bob Fosse in a series of poses with a dark haired
girl; these were taken during a 1 Act play at the
Chicago Academy of Theatre Arts (Bob Fosse alone,
duplicates, 4; series of 4 different poses with
girl and duplicates, 7
Box 60D Photographs: 4x3, black and white, 1
Young Bob Fosse at barre of dance studio with 7
girl dancers
Box 60A Photographs: 8x10, black and white, 5
The Riff Brothers (?) with female dancers (2
separate shots), note on back: "age 15, studied
ballet;" original photo and duplicate, young Bobby
with top hat; Bob performing, microphone in
foreground, autographed by Morris B. Sachs
Box 60A Photographs
Box 60E (and) negatives: 5x7, snapshots, black and white
Young Fosse and girl dancers (from rear) (1
snapshot and negative); 5x7, sepia toned, young Bob
Fosse performing before group with "Welcome Home"
sign behind them (photo and neg); 5x7, Bob Fosse
performing, high school age, nightclub (1)
FOSSE, the Riff Brothers
Box 60A Photographs: 8x10, black and white, 11
5 different shots of the Riff Brothers, all posed
publicity shots, some full length, others closer
(duplicates)
Box 60A Photographs: 5x7, black and white, 1
The Riff Brothers with a WGN radio microphone
FOSSE, First Choreography Job
Box 60A Photographs
60E (and) Negative: 8x10, 5x7, black and white, 28
Young Bob Fosse instructing girls holding fans: the
original is a 5x7 print, there's an 8x10 negative,
and 25 poor quality duplicates; 8x10 original photo
of Bob Fosse, with bandaged hand, standing in dance
studio next to a girl holding fan
FOSSE, Navy
Box 60A Photographs: 8x10, black and white, 3
Bob Fosse and others performing
Box 60D Photograph: 3 1/2x5, black and white, 1
Bob Fosse and friends (Bobby Beers, Bill Nalle), in
uniform, "taking a stroll in Honolulu" (Bob Fosse
ID on back)
FOSSE, Joan McCracken
Box 60A Photographs: 8x10, black and white, 4
By Maurice Seymour, Vandamm; autographed (to
"Cindy") publicity still, by Maurice Seymour; ca.
1952 publicity shot; publicity shot; "Bloomer Girl"
still; Vandamm "Oklahoma!" shot; several magazine
clippings (to be refiled)
FOSSE, Early Professional, unidentified
Box 60A Photographs: 8x10, black and white, 5
Single shot and duplicates from Bob Fosse play (?);
Bob Fosse in stage makeup, posed with a group of
actors and actresses (Gwen Verdon was unable to
identify this photo)
FOSSE, MGM Publicity, 1950's
Box 60A Photographs: 8x10, black and white, 20
3 separate publicity portraits of Bob Fosse, with
numerous duplicates
Box 60A Photographs: 8x10, black and white, 15
Single series and duplicates, Bob Fosse posing with
legs cross and walking stick
FOSSE, Portraits and Publicity
Box 86E Photographs: 11x14, black and white, 30
By Britain Hill; series of 3 different shots of Bob
Fosse, seated, with "OH WOW" poster in background
Box 85B Photographs: 11x14, color, 2
By Steve Vaughan; STAR 80 portrait: duplicates, Bob
Fosse with cigarette in mouth and hands thrown up
next to his head
Box 85B Photograph 11x14, black and white, 1
By Mike Tighe; mounted image, 6x7, Bob Fosse,
seated, with leg up, 1975
Box 85B Photograph: 9x14, black and white, 1
Undated head shot of Bob Fosse wearing sunglasses
Box 85B Photograph: 11x14, black and white, 1
By Mary Ellen Mark; full length portrait of Bob
Fosse in cutoffs and sunglasses, smoking and
holding wine glass; used for "Mr. Abbott" program
Box 60A Photographs: 8x10, 5x7, black and white, color, 10
Miscellaneous shots of Bob Fosse from the mid-
1970's on, being interviewed or directing
PHOTOS--AWARDS
FOSSE, Columbia College, 1973
Box 60A Photographs: 8x10, black and white, 6
Bob Fosse speaking at ceremony (honorary doctorate)
(1); Bob Fosse with academicians (5)
Box 60A Photographs: 5x7, black and white, 4
Bob Fosse speaking at ceremony, all same shot, with
statuette: "BF: Honorary doctorate of arts,
Columbia College, Chicago, 6/8/73
Box 60A Photograph: 5x7, black and white 1
Rosa Parks and Bob Fosse
FOSSE, Awards
Box 60A Photographs: 8x10, black and white, and color, 6
Bob Fosse at award ceremonies and parties, Dance
Educators of America, Tony, and unidentified
FOSSE, Academy Award, 1972
Box 60A Photographs
60E (and) negative: 8x10, black and white, 2
Bob Fosse with Oscar (including 8x10 negative); Bob
Fosse with Oscar, making acceptance speech
FOSSE, Astaire Award
Box 60A Photographs: 8x10, black and white, 3
Bob Fosse, Ginger Rogers and awards group (1); Bob
Fosse and Debbie Allen (1); party shot (1)
FOSSE, Star Award
Box 60A Photographs: 5x7, black and white, 2
Gwen Verdon receiving posthumous Star Award for Bob
Fosse: Ann Reinking, Gwen Verdon and Shirley
MacLaine; Gwen Verdon and Star Award group
FOSSE, New York Heart Ball, 1983
Box 60A Photographs: 8x10, black and white, 8
Bob Fosse and others (including Cy Coleman), at
award ceremony and party
FOSSE, Ruby Awards
Box 60A Photographs: 8x10, black and white, 3; 5x7, black and
white, 1
By Ron Galella, Louis Peres, et al; Bob Fosse and
Bette Midler (4); Bob Fosse presented her with a
Ruby Award for AFTER DARK Magazine
FOSSE, Personal, Miscellaneous
Box 60A Photographs: Miscellaneous formats, black and white,
color
Box 85B Photographs
From "Julie Hagerty" file: Bob Fosse and Julie
Hagerty at restaurant (2); 8x10, color, modeling
shot of Hagerty (1); 9x12, color, modeling shot
(1); modeling brochure on Hagerty
Box 60A Photographs: 8x10, black and white, 4
Shots from Herb Gardner's wedding party: Herb
Gardner and Bob Fosse (3); Paddy Chayefsky and Ann
Reinking (1)
Box 60D Photograph: snapshot, color, 1
Bob Fosse and Buddy Hackett
Box 60A Photographs: 5x7, color, 2; 5x7, black and white, 3
Color: Bob Fosse, Chita Rivera and others (2); 1
each: Bob Fosse and Gilda Radner, Bob Fosse at a
party, Bob Fosse and Alan Alda
FOSSE, Miscellaneous
Box 60A Photographs: 8x10, black and white, 6; 8x10 and snapshot,
color, 2
Color: RUE DE LA FOSSE signplate (8x10), LES
FOSSETTES sign (snapshot); black and white: young
Liza Minnelli with Gene Kelly; Bob Fosse and Gene
Kelly; Joey Heatherton (Gwen Verdon notation on
back); Gwen Verdon and Bob Fosse on unidentified
opening night; Bob Fosse and Neil Simon (SWEET
CHARITY or LITTLE ME); Bob Fosse, Cy Coleman, and
unidentified boxer
Box 60A Photograph: 7x9, black and white, 1
Still of Fred Astaire dancing, autographed by Fred
Astaire to Bob Fosse
Box 60A Photograph: 8x10, black and white, 1
George Abbott and Bob Fosse, at rehearsal
MISCELLANEOUS (Not Fosse or Verdon)
Box 60B Photographs: 8x10, black and white
Separate stills, Marlon Brando, George Murphy, Fred
Astaire (autographed), Joan McCracken, and other
notable people; Bob Fosse at Tony Awards
GWEN VERDON
VERDON, Childhood and Family
Box 59D Photographs: various formats, black and white, 6
7x9: Gertrude Verdon (mother), as young woman, plus
duplicate (2); 8x10: Gertrude Verdon, older (1),
Gwen and Gertrude Verdon, with car (1); 5x7: photo
of wedding (Verdon's father is included in the
wedding party) (1), plus ID chart; 5x7: portrait of
Verdon's grandfather (?) (1)
Box 59D Photographs
Box 59E (and) Negatives: 8x10, black and white, 15
Childhood, single series: Verdon as little girl,
photographed outdoors, used as "Tony Baby"
publicity shot; 2 originals, 1 8x10 negative,
numerous duplicate photos
Box 59D Photographs: 8x10, black and white, 4; 3 1/2x5, black and
white, 2
2 different shots, 1936?, Gwen Verdon and Ginger
Fisher (8x10); Gwen Verdon at 3 or 4 (small size,
and 2 8x10 copies of photo from same series); 3 1/2
x 5 photo of Gwen Verdon at age 6
VERDON, Personal (teens)
Box 60D Photographs: 4x5, black and white, 2
Gwen Verdon at 16 yrs., with mother; Gwen Verdon
(photo cropped), seated, 15 years
VERDON AND DEL VALLE DANCE TEAM
Box 60D Photographs: snapshot, black and white, 1
Gabriel Del Valle and Gwen Verdon (15 yrs. old), at
the El Lehon (?) Hotel, Bakersfield, CA; publicity
shot
Box 59D Photographs: 8x10, black and white, 2
By Bob Dunn; publicity shots of Gwen Verdon and
Gabriel Del Valle dancing together
VERDON, Jack Cole and Gwen Verdon, Nightclubs
Box 59D Photographs: 8x10, black and white, 8
By Maurice Seymour and Ray Fisher
Jack Cole, Gwen Verdon and Nita Bieber in 4
different shots of dances (plus several duplicates)
- not all 3 dancers are in each shot
Box 59D Photographs: 8x10, black and white, 3
By Marcus Blechman and Ray Fisher; 2 publicity
shots, Gwen Verdon; 1 dance shot, Gwen Verdon
Box 59D Photographs: 7 1/2 x 8 1/2, black and white, 2
By Ben and Sid Ross; Gwen Verdon and Jack Cole,
separate dances
VERDON, Jack Cole
Box 59D Photographs and drawings: 8x10, black and white, color,
3
Reproductions of Hirschfeld caricatures of Jack
Cole (2); color shot of Jack Cole in costume,
dancing
JACK COLE (Harkness, 1974)
Box 60D Photographs: 4 x 5 1/2, black and white, 30
By Dorothy Beskind; these all show Jack Cole
teaching dance; all taken from an album marked
"Jack Cole, Harkness, 1971-72, East Indian Class"
Box 60D Photographs: 4 x 5 1/2, black and white, 27
By Dorothy Beskind; these all show Jack Cole
teaching dance; all taken from an album marked
"Jack Cole, Harkness, 1971-72, Preparation to Move
Class"
VERDON, Miscellaneous Professional Appearances
Box 59D Photographs: 8x10, black and white, 7
Houston Ballet: Gwen Verdon and Ben Stevenson,
Tango
Box 59D Photograph: 8x10, color, 1
From: "File: M.A.S.H. (Television)"; Gwen Verdon
and several cast members: "MASH, the last season"
Box 60D Snapshot: color, 1
From: "File: Television Show (Bag lady)"; Michael
Schultz (director) with Gwen Verdon in costume as
bag lady for unidentified television show
Box 85B Photograph: 11x14, black and white, 1
By Carroll Seghers II; Gwen Verdon and Chita Rivera
performing in top hat and tails
Box 60D Photographs: 8x10, black and white, 2
Gwen Verdon on skates, wearing a fur (fashion show
on ice, promoting furs); Gwen Verdon seated with
group, including "Pegeen," for an unidentified
radio talk show
Box 59D Contact Sheets: 8x10, black and white, 3
Gwen Verdon (and other models) at unidentified
fashion show, on runway
Box 59D Photograph: 8x10, black and white, 1
From file: "Gwen Verdon and Jack Benny";
unidentified event, Gwen Verdon and Jack Benny
Box 59D Photograph: 8x10, black and white, 1
Gwen Verdon and Leonard Probst on the stage of the
Palace Theatre the day they started tearing it down
to restore for legit show
VERDON, Miscellaneous, including Benefits
Box 86E Photographs: 11x14, black and white, 7
Various photographers including Murray Laden:
mounted photo, Gwen Verdon in glasses and straw hat
(1); Ra Cantu: Gwen Verdon (and woman pianist)
performing for the Bedside Network, Lyons VA
Hospital, 1965 (3), and damaged print, same series,
Gwen Verdon holding "Bedside Network Songbook" (1);
Pat Ferrier: Elizabeth Seal and Gwen Verdon
performing in a Postgraduate Center for Mental
Health benefit, 1 of Seal alone, 2 of Seal and Gwen
Verdon
Box 59D Photographs, 8x10, black and white, 5
From file: "Poster Boy Series"; single series, Gwen
Verdon at Central Park West home with poster boy
(unidentified affiliation)
Box 59D Photograph: 8x10, color, 1
From: file: "Little Theatre of the Deaf"; Gwen
Verdon on stage
Box 59D Photographs: 8x10, black and white, 5
Series from Bedside Network Award ceremony,
honoring Martha Raye; Gwen Verdon presenting award
Box 59D Photographs: 8x10, black and white, 7
Gwen Verdon, Bedside Network (1); John Drew Theatre
Benefit, East Hampton: Gwen Verdon and Gary Chryst
(1); Honi Coles and Gwen Verdon, Harlem dance
benefit (1); Gwen Verdon at Variety Club party for
children (1); Gwen Verdon and Alfred Drake, Players
Club (1); Gwen Verdon and Dick Clark, Cerebral
Palsy telethon (1)
Box 59D Photograph: 5x7, black and white, 1
Gwen Verdon and others, Lincoln Center Library
benefit auction
Box 59D Photograph: 6 1/2x8, black and white, 1
Gwen Verdon, Michel Baryshnikov and Rudolph Nureyev
at Paul Taylor Benefit, 1981
VERDON, Teaching Workshop, 1981
Box 59D Photographs: 8x10, black and white, 4
Different shots of Gwen Verdon instructing students
at 1981 teaching workshop, Colgate Community
College
Box 85B Photographs: 14x17, black and white, 2
Mounted photos of Gwen Verdon instructing, Colgate
Community College Teaching Workshop: Gwen Verdon
alone, Gwen Verdon working with a dancer
VERDON, China
Box 59B Photographs: Assorted formats, black and white, color
20 photos of Gwen Verdon teaching dance in China,
traveling and socializing with Ben Stevenson,
Houston Ballet; several; photographs of the Chinese
performance
VERDON, AWARDS
VERDON, "Culver City Day"
Box 60D Photographs: snapshots, color, 3
Gwen Verdon with various people (including former
schoolteachers); Gwen Verdon is being honored with
her own "Culver City Day"
VERDON, Awards: Lion of the Performing Arts
Box 59D Photographs: 8x10, black and white, 2
Gwen Verdon being honored by the New York Public
Library: shot of award recipients, Gwen Verdon
included; Gwen Verdon and Alvin Ailey
VERDON, Awards: Miss Ziegfeld, 1973
Box 59D Photographs: 8x10, black and white, 2; 5x7, black and
white, color, 2; snapshots, color, 2
Gwen Verdon receiving crown (2, 8x10); crowning
ceremony (2, 5x7, black and white); Gwen Verdon
crowned, holding bouquet (5x7, color); 2 color
snapshots of Miss Ziegfeld (Gwen Verdon) and
dancers
VERDON, Tribute (Gwen Verdon and Cy Coleman)
Box 59D Photographs: 8x10, black and white, 13
Gwen Verdon and Cy Coleman honored by the
Postgraduate Center for Mental Health; includes
excellent photos of Gwen Verdon, Bob Fosse, and
Nicole Fosse; Gwen Verdon and Jacques D'Amboise;
Gwen Verdon and Shirley MacLaine, et al
Box 59D Photographs: 8x10, black and white, 4
NY State Governor's Award (?) (1); unidentified,
with Jerry Lanning (2); unidentified, with Ingrid
Bergman (1)
VERDON, Awards: Hamilton College
Box 59D Photographs: 8x10, black and white, 2
By Bill Ray; Gwen Verdon accepting award (2
different shots), for Honorary Doctorate of Letters
VERDON, Publicity, Early
Box 59D Photographs: 8x10, black and white, 3
Different shots of curly haired Gwen Verdon, age
16? (2); Gwen Verdon on her 21st birthday (1)
VERDON, Publicity: LIFE Magazine
Box 59D Photographs: 8x10, black and white, 2
2 shots of Gwen Verdon making up for photograph as
Harlequin (LIFE cover)
Box 60B Transparencies: 5x7, color, 6
Gwen Verdon in various Harlequin poses
VERDON, Portraits (Seymour Linden series)
Box 59D Photographs, contact sheets,
59E (and) Negatives: 8x10, black and white
Portraits (2); contact sheets of informal shots,
some including dog (4); 3 8x10 black and white
negatives
VERDON, Portraits (cat series)
Box 59D Photographs: 8x10, black and white, 13
Single series of Gwen Verdon with cats
VERDON, Publicity, 1959
Box 60D Contact sheets: black and white
By Ormond Gigli; cut-up contact sheets, 17
different shots of Gwen Verdon posing, done at the
time of REDHEAD
VERDON, Publicity (single series, Central Park West)
Box 59D Contact sheets: black and white, 3
Informal shots of Gwen Verdon at home, Central Park
West apartment
VERDON, Publicity Portraits
Box 59D Photographs
Box 59E (and) Negative: 8x10, black and white, 10
Mainly black and white publicity photos ranging
from at the time of DAMN YANKEES to 1990's (10
different shots); 8x11 black and white negative of
1950's publicity photo (includes print)
VERDON, Personal Miscellaneous
Box 59D Photographs: 8x10, 8x8, color
Shots of Gwen Verdon and friends
Box 60D Photographs: snapshot, color 1
Gwen Verdon and Sanford Meisner
BOB FOSSE AND GWEN VERDON
BOB FOSSE AND GWEN VERDON, John F. Kennedy Performance
Box 60A Photographs: 8x10, black and white, 6
Performance in London: 2 shots at airport,
including Richard Adler and Sally Ann Howes; John
F. Kennedy and Gwen Verdon; John F. Kennedy with
Bob Fosse and Gwen Verdon
FOSSE AND VERDON, Tony Awards, 1987
Box 60A Photographs: 8x10, black and white, 5
Bob Fosse speaking (and duplicates); Bob Fosse and
Gwen Verdon (and duplicates), presenting 1987 Tony
Awards
PERSONAL PHOTOS:
Box 60A Photographs: 8x10, black and white, 8
4 different shots of Gwen Verdon and Bob Fosse, at
East Hampton, 1980
Box 60A Photographs: 5x7, color, 6
From file: "Miscellaneous Parties": Arnold
Weissburg party: Gwen Verdon with Norman Mailer,
Lee Radziwill, Vivian Leigh, Tony Perkins and
others; Gwen Verdon and Bob Fosse
Box 60A Photographs: 8x10, color, 3; 8x10, black and white, 1
Several shots of Gwen Verdon and Bob Fosse in
color; 1 shot, black and white, unidentified
parties
Box 60A Photographs: 7 1/2x9 1/2, black and white, 2
Around the time of REDHEAD: Gwen Verdon with horse,
Bob Fosse with horse
Box 60A Photographs: 8x10, black and white, 5
Various shots from 1961 trip to Montego Bay,
Jamaica, including 2 of Gwen Verdon and Bob Fosse
playing darts
COLOR SLIDES
Box 60C CABARET (4)
Also 35mm negatives
CHICAGO (16)
Set designs
COCOON (3)
DAMN YANKEES
Bob Fosse and Gwen Verdon
THE LITTLE PRINCE (19)
PIPPIN (10)
REDHEAD (13)
Not original production
STAR 80 (15)
FOSSE (2)
Portraits
FOSSE AND VERDON (4)
Tony Awards (Bob Fosse, Gwen Verdon and Trevor Nunn
NEGATIVES, 8x10
Box 60B BIG DEAL: Poster
CHICAGO
Gwen Verdon
CHICAGO
Gwen Verdon and Chita Rivera
DAMN YANKEES: Poster
Original, Gwen Verdon in baseball uniform
REDHEAD
Erbie Fitch, Gwen Verdon
SWEET CHARITY: Poster
Gwen Verdon reclining
POSTER SLIDES
Box 60C BIG DEAL (3)
CHICAGO (14)
LITTLE ME (4)
PIPPIN (13)
REDHEAD (3)
SWEET CHARITY (3)
Gwen Verdon, looking over her shoulder
SWEET CHARITY (3)
Gwen Verdon, reclining
RECORD ALBUMS, AUDIO RECORDING TAPES, AUDIO DISC RECORDINGS
AUDIO CASSETTE TAPES, AND COMPACT DISCS
[NOTE: These materials are located in the Motion Picture,
Broadcasting, and Recorded Sound Division (MBRS) of the Library of
Congress. As available, MARC record numbers are indicated next to
each record album, audio recording tape, audio disc recording,
audio cassette tape or compact disc]
[NOTE: audio disc recordings are demo/rehearsal/personal disc
recordings not released commercially]
[NOTE: these are NOT cross referenced with individual productions]
ALL THAT JAZZ FILES
1) Booth Colman, actor, :30 spot for casting [audio recording
tape]
ALL THAT JAZZ [Casablanca original motion picture soundtrack]
[record album]
ANNIE [Columbia, original motion picture soundtrack, Albert
Finney/Carol Burnett/Ann Reinking], 1982] [record album]
ATLANTIC CITY [note script listed elsewhere] [cassette tape]
"Ballad # 3, Ballad # 4, Arnold Schwarzwald" [audio recording
disc]
BELLS ARE RINGING [Columbia original cast recording, Judy
Holliday] [record album]
BELLS ARE RINGING [Columbia digitally remastered from the original
master tapes, Judy Holliday, 1956] [CD]
BIG DEAL: Tony Awards, "Beat Me Daddy" [cassette tape]
CABARET [ABC original sound track recording, Liza Minnelli/Michael
York/Joel Grey, 1972] [record album]
CABARET [these were with misc. CABARET files]:
1) "Introspection," Mike Alterman [audio recording tape]
2) "Earth," Acts I & II [audio recording tape]
3) "Ben Vereen: 'Play Piper Play, etc.'" [audio recording
tape]
CAN-CAN [Capitol, original Broadway cast recording, Lilo/Peter
Cookson/Gwen Verdon] [record album]
CARMEN CAVALLARO, The Poet of the Piano, Medleys from SWEET
CHARITY, FINIAN'S RAINBOW, FUNNY GIRL, STAR [Decca] [record
album]
CHICAGO [Arista original cast album, Gwen Verdon/Chita
Rivera/Jerry Orbach, 1975] [record album - 3 copies]
CHICAGO AND ALL THAT JAZZ, Lee Konitz Big Band Jazz of the Broadway
Hit Musical [Groove Merchant, 1975] [record album]
CHICAGO [only handwritten ID, not commercial tape] [cassette tape]
CHICAGO, "Montage, :60" produced by Elaine Thompson [audio
recording tape]
CHICAGO, "I Love You" [audio recording tape]
CHICAGO, ACT I & ACT II [2 separate tapes], Aarhus Theatre, Denmark
production, 9-10/76 [cassette tapes]
DAMN YANKEES [RCA original soundtrack recording, Gwen Verdon/Tab
Hunter/Ray Walston, 1958] [record album]
DAMN YANKEES [RCA original cast recording, Gwen Verdon/Stephen
Douglass/Ray Walston] [Gwen Verdon: Baseball uniform cover]
[record album]
DAMN YANKEES [RCA original cast recording, Gwen Verdon/Stephen
Douglass/Ray Walston, 1955] [record album, CD]
DAMN YANKEES, rehearsal tape?, songs listed on box, undated [audio
recording tape]
DAMN YANKEES [marked # R9250-1] [audio recording disc]
DANNY KAYE SHOW, Gwen Verdon, "Downtown" [audio recording tape]
EATING RAOUL [note script listed elsewhere] [audio cassette tape]
ED SULLIVAN SHOW, Gwen Verdon, 2/1/790 [audio recording tape]
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM [Capitol original
Broadway cast recording, Jack Cole, choreography] [record
album]
THE GIRL I LEFT HOME FOR [RCA, Gwen Verdon, 1956] [record album]
THE GIRLS AGAINST THE BOYS [Capitol] [45 rpm. record]
GIVE A GIRL A BREAK, "In Our United States," Bob Fosse [labeled
"Nola studios" [audio recording disc]
GIVE A GIRL A BREAK, "In Our United States," Bob Fosse [MGM, marked
"Rehearsal" 8/15/53?"] [audio recording disc]
"Gwen Verdon" [Anne Auchland (?) interview] [audio cassette tape]
"Gwen Verdon" [labeled (topmost# in series) # F2PB - 8026] [2
audio recording discs]
GWEN VERDON PREPARES TO MOVE [Kimbo Educational, 1973] [2
brochures, record album missing]
HAPPY BIRTHDAY, MR. ABBOTT! Act I, Act 2 [2 cassette tapes]
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING [RCA original
Broadway cast recording, Robert Morse/Rudy Vallee] [record
album - 2 copies]
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING [UA original
motion picture recording, Robert Morse/Rudy Vallee] [record
album]
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (Ray Ellis and
His Orchestra Play Frank Loesser's Music) [RCA, 1961] [record
album]
"I Wanna Be A Dancin' Man" Verdon - Fosse [audio disc recording]
JAMAICA [RCA original cast album, Jack Cole, choreographer, 1957]
[record album]
JONATHAN WINTERS SHOW, "Sweet Talk," Gwen Verdon, air 9/25/68
[audio recording tape]
KISMET [Columbia original Broadway cast, Jack Cole, choreography,
1953] [record album]
KISS ME KATE [MGM recording from film soundtrack, Kathryn
Grayson/Howard Keel] [record album]
LITTLE ME [RCA original Broadway cast recording, Sid
Caesar/Virginia, 1962] [record album]
LITTLE ME [RCA, original Broadway cast recording, Sid
Caesar/Virginia Martin] [record album]
LIZA WITH A Z [Columbia, 1972] [record album]
LIZA WITH A Z [Columbia, 1972] [8 track cassette tape]
LYLE, LYLE CROCODILE, Read by Gwen Verdon [Caedmon, 1969] [record
album]
ME AND JULIET [RCA original cast recording, Isabel Bigley/Joan
McCracken] [record album]
THE MERRY WIDOW, Songs by Fernando Lamas [MGM, recorded from the
motion picture soundtrack] [record album]
NEW GIRL IN TOWN [RCA original cast recording, Gwen Verdon/Thelma
Ritter/George Wallace, 1957] [record album - 2 copies]
"On the Other Side of the Tracks, Tony Bennett" [audio recording
disc]
THE PAJAMA GAME [Columbia digitally remastered, John Raitt/Janis
Paige/Eddie Foy, Jr.] [CD]
THE PAJAMA GAME [Columbia original cast album, John Raitt/Janis
Paige/Eddie Foy, Jr.] [record album]
PAL JOEY [Columbia digitally remastered from original master,
Vivienne Segal/Harold Lang, 1950] [CD]
PAL JOEY [That's Entertainment Records, original 1980 London cast,
Sian Phillips/Denis Lawson] [record album]
PIPPIN [Motown original Broadway cast album, John Rubinstein/Ben
Vereen, 1972] [CD]
PIPPIN [Motown original cast album, 1972] [record album]
PLEASURES AND PALACES, Demos [audio disc recording]
REDHEAD [RCA original cast recording, Gwen Verdon/Richard Kiley,
1959] [record album - 2 copies]
REDHEAD, The Rex Stewart Quintet [Design] [record album]
REDHEAD, Selections from, Hill Bowen and His Orchestra [RCA Camden,
1959] [record album]
[REDHEAD] LA PELI ROJA [Mexican] [RCA, Armando Calvo/Virma
Gonzalez] [record album]
[REDHEAD] Meyer Davis Plays REDHEAD for Dancing [RCA, 1959]
[record album - 2 copies, one autographed by Meyer Davis]
REDHEAD [listing from box]:
1) "It Doesn't Take a Minute"
2) "Love and ? Don't Mix"
3) "Two Faces in the Dark"
4) "You Love I"
5) "Simpson Sisters"
6) "What Has She Got"
7) "Dream in a Fog"
8) "Just For Once"
9) "Tom & Wedding Band"
10) "You're My Cup of Tea"
[audio recording tape]
REDHEAD, "We Love's Ye, Jimey," Gwen Verdon [audio recording disc]
REDHEAD (?), "Just For Once," Gwen Verdon [audio recording disc]
REDHEAD, "The Right Finger of Me Left Hand," Gwen Verdon [audio
recording disc - 2 copies]
REDHEAD (?), "It Doesn't Take a Minute," Gwen Verdon [audio
recording disc]
REDHEAD, 5/2/58, 6 songs [listed on box], "Property of Dorothy
Fields," [audio recording tape]
RELAXATION - THE KEY TO LIFE [Kimbo, 1972] [record album, brochure]
SHADES OF TODAY, Pat Williams [including "Bubbles Was A
Cheerleader" [MGM] [record album]
"The Song of Christmas," Gwen Verdon [audio recording disc]
THE STORY OF FERDINAND, Gwen Verdon Reading [Caedmon, 1971]
[record album]
"Sunny & Very Good Year, Bill Bogart & Ron Parker" [audio recording
disc]
SWEET CHARITY [Columbia original Broadway cast recording, Gwen
Verdon] [record album - 2 copies, CD]
SWEET CHARITY [Decca original soundtrack album of the motion
picture, Shirley MacLaine/Sammy Davis, Jr.] [record album - 2
copies]
SWEET CHARITY, Debbie Allen as Charity [EMI Broadway cast album,
1986] [record album, cassette tape]
MUSIC FROM SWEET CHARITY, Sammy Kaye and His Orchestra [Decca]
[record album]
SWEET CHARITY, Opening Night [This seems to be a dupe of "Opening
Night at the Palace, the New Musical Comedy Hit, A Special On-
the-scene Report from The Palace Opening and Cast Party at the
Waldorf" by Radio Personality Fred Robbins]; Side B has "The
Girl I Left Home For", Gwen Verdon [audio cassette tape]
SWEET CHARITY, rehearsal ?, [listing from box];
1) "Charity's Theme"
2) "You Should See Yourself"
3) "Soliloquy -Raincheck"
[audio recording tape]
"SWEET CHARITY" [labeled # 02013] [audio disc recording]
SWEET CHARITY, "BIG SPENDER" [labeled # 02013, 1/31/68] [audio
disc recording]
SWEET CHARITY, "Rich Man's Frug" [labeled # 02013] [audio disc
recording]
SWEET CHARITY, "Rich Man's Frug" Part II, Part III [labeled #
02013] [audio disc recording]
SWEET CHARITY [labeled only # 02013] [audio disc recording]
SWEET CHARITY, "Big Spender" [labeled # 02013, 2/2/68] [audio disc
recording]
SWEET CHARITY [labeled "Notable Music, Lida Music"] [audio disc
recording - 2 copies]
SWEET CHARITY, "It's A Nice Face" [labeled #02013, 4/30/68] [audio
disc recording]
SWEET CHARITY, "Where Am I Going & Tag" [labeled #02013, 4/24/68]
[audio disc recording]
"Tears of Joy" Frank Loesser [audio disc recording]
AUDIO CASSETTE TAPES FROM CASE MARKED
"Submissions and Miscellaneous"
[NOTE: these are not cross referenced with individual shows]
1) IT'S RAINING MEN [Paul Jarbara Demo]
2) LOVE ME AGAIN [Rita Coolidge]
3) PINK FLOYD/LED ZEPPLIN
4) LIZA/MEIN HERR
5) NOT LABELED
6) PIANO ?? demo??
7) JED FEUER
8) TONY WEBSTER SONGS
9) DEDICATION TO "Love Is" [cassette 31]
10) THE MUSICAL: THE MODEL
11) HERB ALPERT: "Wild Romance;" THE POINTER SISTERS: "Contact"
12) SAY YOU, SAY ME [Lionel Richie]
AUDIO CASSETTE TAPES FROM CASE MARKED
"Submissions":
1) LECTURE; OCTOBER GROUP
2) RITE OF SPRING; ALLEN HERMAN PRODUCTIONS
3) JAZZICAL [Mike Garson]
4) STEVE ALLEN SONGS, VOL. IV
5) GERARD KENNY SONGS FOR BOB FOSSE
6) JONI (?) GROVES/ COMMERCIAL DEMOS
7) PEECH BOYS; RAY PARKER; BAZZ; GRACE JONES
8) HAPPY BIRTHDAY TO ME [Hugh Martin and Timothy Gray]
9) WILLPOWER
10) JACK WEST
11) THE LION, THE WITCH AND THE WARDROBE [Tierney-Drachman]
12) VAUDEVILLE MEMORIES [Jeff Steele]
AUDIO CASSETTE TAPES FROM CASE MARKED
"Miscellaneous, including Chayefsky Emmy Tribute and Interviews"
1) WILBUR STUMP/INTERVIEW; PERFORMANCE
2) same
3) EMMY AWARD TRIBUTE TO PADDY CHAYEFSKY
4) INTERVIEW 5/15/86 WITH GRUBB
5) FOSSE/NYU FILMMAKERS
6) FREDERICK GAYMON/TOM BAUMGARTNER
7) TIM COLLINS; INTERVIEW/PERFORMANCE
8) CHARLOTTE AND HAROLD GREENE
9) CASSETTE #3: "Down Home Diddley Dum" to "Mabel"
10) PERCUSSION IV
AUDIO CASSETTE TAPES FROM BOX MARKED
"Show, Research, Miscellaneous"
1) MONOLOGUE: TAG STANDUP
2) SONGS BY BOB CHRISTIANSON
3) LENNY BRUCE IS OUT AGAIN
4) GRAND OPENING [Spencer/Calloway]
5) THE BEST OF LENNY BRUCE
6) INTROSPECTION/MIKE ALTERMAN
7) CHICAGO, 1974: Announcement of Bob's Illness
8) WHO'S SORRY NOW
9) CHRISTMAS SONGS
10) HEAT: MUSIC, 1986
11) not labeled
12) not labeled
13) JOYCE FORD: 6 tapes
14) LENNY BRUCE INTERVIEWS
15) LENNY BRUCE: THE BERKELEY CONCERT
16) THINGS ARE GETTING BETTER [Van Joyce]
17) not labeled
18) "JOE'S SONG" DEMO [Jeffrey Townsend]
19) "AFTER YOU'VE GONE" [Benny Goodman]
20) LENNY BRUCE: THANK YOU, MASKED MAN
21) LENNY BRUCE IN CONCERT
22) LENNY BRUCE: AMERICAN
23) ESSENTIAL LENNY BRUCE POLITICS
24) MAHOGANNY #1
25) MAHOGANNY #2
26) MAHOGANNY #3
27) MEPHISTOPHELES
28) PIPPIN COMMERCIAL
29) KEN LAUB MUSIC
30) SHEL SILVERSTEIN; THE DEVIL & BILLY MARKHAM; BILLY MARKHAM'S
DREAM
31) MIKE SHURTLEFF
32) ALL THAT JAZZ: STAND-UP MONOLOGUE
33) JENNIFER O'NEIL
34) THE RAGTIME BLUES
35) SIRENS
36) not labeled
37) EDITED BACH
38) not labeled
39) SONY DEMO CASSETTE
40) TV COMMERCIAL
41) '76 ARRANGEMENT
42) not labeled
AUDIO CASSETTE TAPES FROM BOX MARKED
"ALL THAT JAZZ, DANCIN', SWEET CHARITY"
1) ALL THAT JAZZ: ALL SELECTED TAKES
2) RHYTHM OF LIFE: ORIGINAL CAST
3) SWEET CHARITY I: LA CHANDLER PAVILION 8/17/85 MATINEE
4) ALL THAT JAZZ: ALL SELECTED TAKES
5) ALL THAT JAZZ: TAKE OFF WITH US...ETC.
6) ALL THAT JAZZ: 13-41;42-60, all takes
7) ALL THAT JAZZ: TAKE OFF WITH US, INTERLUDE, ETC.
8) ALL THAT JAZZ: BYE, BYE LIFE
9) ALL THAT JAZZ: HOSPITAL MEDLEY, PARTS 2,3,4
10) THERE'S NO BUSINESS ...[ETHEL MERMAN]
11) ALL THAT JAZZ: HOSPITAL MEDLEY, PART 1 11/23/78
12) ACT III
13) SWEET CHARITY II: SAT. MAT., 8/17/85
14) SWEET CHARITY: I'M THE BRAVEST INDIVIDUAL
15) LINDA CLIFFORD; IF MY FRIENDS COULD SEE ME NOW
16) ALL THAT JAZZ: MEDLEY: AFTER YOU'RE GONE, ETC.]
AUDIO CASSETTES FROM BOX MARKED
"STAR 80, LITTLE ME, GRIND, GOODBYE PEOPLE,
I'M NOT RAPPAPORT, STAR 80"
1) GRIND 1
2) GRIND II
3) LITTLE ME: THE BACKSTAGE STORY
4) SONG & DANCE, NOV. 85, ACT II
5) STAR 80: UNDERSCORE
6) LADD CO: STAR 80
7) THE FOSSE/REES TAPE, 12/31/81
8) STAR 80, French, Warner-Columbia
8) I'M NOT RAPPAPORT
9) GOODBYE PEOPLE, MUSIC CUES
10) GOODBYE PEOPLE, 5/4/79
11) EDITING ROOM, SOUND
12) I'M NOT RAPPAPORT, ACT I
13) STAR 80, Editing, Television soundtrack
AUDIO CASSETTE TAPES FROM BOX MARKED
"BIG DEAL Research"
1) ROMAN DICARE
2) COOKIE VAN HOUSE/LOUIE ANDERSON
3) DEE CULLIN
4) LLOYD PRITCHARD/REX PUREFOY
5) FREDERICK GAYMON/TOM BAUMGARTNER
6) ERWIN LAITALA/TED DENESHA
7) J.D. STEELE GOSPEL SINGERS/GARY NEAL (BARKER)
8) MATTHEW KIRBY/KIRBY PLAYING DULCIMER
[Including duplicates of above:]
1) FLASH BULBS IGNITING
2) GRANDFATHER CLOCK
3) WATCH TICKING I
4) BIG DEAL/:30 SCRATCH TRACK
5) MAKING WHOOPEE [Ray Charles]
6) WELL GIT IT
7) GET IT [TROMBONE]
8) IKE
9) ARE YOU HAVING ANY FUN
10) LORETTA DEVINE VOCAL DEMO
11) NOT LABELED
12) HARRY
AUDIO CASSETTE TAPES FROM CASES MARKED
"BIG DEAL Research"
1) CHARLIE MY BOY
2) COURTROOM RAP
3) AIN'T WE GOT FUN
4) RUMBLE
5) SITTIN' ON TOP
6) AIN'T WE GOT FUN/STOPTIME
7) BUTTON UP
8) HAPPY DAYS
9) DIG DEAL 2/18/86
10) REHEARSAL RUN-THROUGH
11) AIN'T WE GOT FUN
12) RAP
13) I GOT A FEELIN'
14) RAINBOW RIDER II/AIN'T SHE SWEET
1) FOR NO GOOD REASON
2) GIGOLO
3) CHERRIES
4) PICK YOURSELF UP
5) SCRATCH SONG DEMOS
6) CHICAGO [STREETCAR]
7) FOR NO GOOD
8) BEAT ME UPDATE 11/8
9) FOR NO GOOD REASON
10) ROB. SOUNDS 1
11) MUSIC GOES 'ROUND
12) ME AND MY SHADOW
13) T'AINT 1 & 3
14) AIN'T WE GOT
15) WH0-ZIS
1) ME AND MY SHADOW/T'AINT WHAT CHA DO
2) ME AND MY SHADOW/T'AINT WHAT CHA DO
3) CAMERA STEALING/BEAT ME DADDY/WELL GIT IT
4) PETER ALLEN: SONG HE WROTE FOR BIG DEAL
5) FINGER-RHYTHMS
6) ROBBERY [RHYTHM]
7) MUSIC GOES II
8) WESTSIDE RUMBLE
9) DADDY
10) BEAT ME [VOCAL]
11) SYNTH PERCUSSION
12) HARRY
13) AIN'T WE GOT FUN/TAP DANCE
14) BEAT ME BREAKDOWN
15) AIN'T - SOUND TRACKS
1) BIG DEAL/2 SPOTS/BOSTON
2) HAPPY DAYS
3) BEAT ME DADDY! :30
4) NEW BEAT ME, PART III
5) NEW CAMERA
6) ROBBERY TO END OF BOWS
7) EVERYBODY - BABY - NEW VERSIONS
8) BEAT ME [IMPROV] AND NEW BEAT ME
9) NOW'S THE TIME
10) ROBBERY
11) MILLION DOLLAR
12) BEAT ME REVISED
13) AIN'T SHE [POPCORN]
14) SHADOWS [RHYTHM]
15) ROBBERY 2/12
16) ROOSEVELT FIRST INAUGURAL ADDRESS 3/4/33
VIDEOCASSETTE TAPES, GENERAL
[NOTE: all materials are located in the Motion Picture,
Broadcasting, and Recorded Sound Division (MBRS) of the Library of
Congress. As available, MARC record numbers are indicated next to
each videocassette tape]
[NOTE: unless otherwise marked, these are all VHS format
videocassettes. Identification has been taken from labels. The
following are not necessarily grouped by their relation to a
particular production, but alphabetically, according to labeling]
[NOTE: Several pieces of correspondence and title lists pertaining
to videotapes are filed elsewhere]
[NOTE: these videocassette tapes are NOT cross referenced with
individual productions]
ALL THAT JAZZ [marked 3/4/85, television version, "property of
Columbia Pictures-BF"]
ALL THAT JAZZ [20th Century-Fox; RT: 123) (2 copies)
DEBBIE ALLEN PRESENTATION, 2/8/85 [3/4"]; LC Record #95-514438
THE AMERICAN DANCE MACHINE: A Celebration of Broadway Dance
FRED ASTAIRE SPECIAL and SWING TIME
AT THE MOVIES, Program # 209:review of STAR 80 [3/4"]
BEAT ME DADDY, Tony Awards
BELMONT COMMERCIAL (Gwen Verdon); LC Record #95-514365
BIG DEAL, #1
BIG DEAL, # 2
BIG DEAL: "Where There's Smoke" [:30]; LC Record #95-514672
BIG DEAL: "Where There's Smoke" [4/24/86]
BIG DEAL, compilation of rehearsal stories [WABC-TV/Ch. 7;
CNN/Showbiz Today; Entertainment Tonight]
BIG DEAL Boston TV Coverage: Entertainment Tonite opening night
feature; WCVB-TV: Review and feature; WBZ-TV, Review and
feature; WNEV-TV, Review and feature; WCVB-TV, "Good Day
Boston," with Loretta Devine; WBZ-TV "Live on Four" with
Cleavant Derricks; WGBH-TV, "10 PM News," Kevin Kelly
interview with Bob Fosse; WCVB-TV: "Good Day Boston" with Alan
Weeks, WCVB-TV, "City Line with Loretta Devine and Alan Weeks
BIG DEAL ON MADONNA STREET; LC Record #95-514673
"BROADWAY! A Musical History with Ron Husman" Demo tape
"BROADWAY! A Musical History," Vol. 1-5, 5 tapes
CABARET [commercial release] [3 copies]
CABARET [MGM/CBS]
THE CANNES SHOW, 1980; THE OSCAR RACE, 1980 [3/4"]
CHICAGO, Ash Ledonne Fisher, Vol. 1, 4/26/85
CHICAGO, Gwen and Chita [Gwen Verdon and Chita Rivera, television
commercial]; LC Record #95-514269
CHICAGO, television commercial; LC Record #95-514270
CHICAGO, television commercial; LC Record #95-514355
THE CLOWNS, Fellini
COLE, Jack: Jack Cole Film Dances
"Cool Hand Luke," Dr. Pepper, 5/8/81, Gwen Verdon; LC Record #95-
514433
"Cool Hand Luke, 5/8/81; LC Record #95-514919
DAMN YANKEES [Warner Home Video]
Dance "Enamoranzia"; LC Record #95-514267
DANCE IN AMERICA: "Romeo and Juliet," San Francisco Ballet
DANCE NUMBERS BY AMERICAN CHOREOGRAPHERS [Gwen Verdon's tape]
Includes the following excerpts:
OKLAHOMA! [Agnes de Mille:
Dream ballet excerpts
(Film - 1955)
(Television Special - 1979)
Biography of Jerome Robbins
FANCY FREE - excerpt (1980)
WEST SIDE STORY (film, 1961)
Dance at the Gym
Cool
7 BRIDES FOR 7 BROTHERS
(Michael Kidd) (film, 1954)
Hoedown
HELLO, DOLLY! (Michael Kidd, 1969)
Dancing
ON THE RIVIERA (Jack Cole, 1951)
Finale
KISS ME KATE (Pan Hermes and Bob Fosse) (film, 1953)
From This Moment On
MY SISTER EILEEN (Bob Fosse, 1955)
Alley Dance
Give Me a Band
PAJAMA GAME (Bob Fosse, 1958)
Steam Heat
DAMN YANKEES (Bob Fosse, 1958
Mambo
Two Lost Souls
LES GIRLS (Jack Cole, 1957)
Why Am I So Gone...?
CABARET (Bob Fosse, 1972)
Mein Herr
MOVIE, MOVIE (Michael Kidd, 1977)
Torchin' for Bill
SHOWSTOPPERS - A CHORUS LINE (Michael Bennett, television,
1980)
Music and the Mirror
THE LITTLE PRINCE (Bob Fosse, 1974)
Snake in the Grass
DANCIN' (Bob Fosse, 1977)
Sing Sing Sing
ALL THAT JAZZ (Bob Fosse, 1979)
On Broadway
Everything Old Is New Again
DAVID AND BATHSHEBA
DAVID AND BATHSHEBA [CBS Fox]
DEAR JOHN 3/9/89
DERRICKS, Cleavant, "Moscow on the Hudson" [excerpts]
DICK CAVETT SHOW, with Bob Fosse (2 half hour programs)
THE DINAH SHORE SHOW [Nicole Fosse, Gwen Verdon]
DOROTHY STRATTEN: THE UNTOLD STORY
FAME [1015 The Center]
THE FARMER TAKES A WIFE, 1953
FERRY, David: Audition tape [3/4"]
"BOB FOSSE: STEAM HEAT," WNET/Thirteen, Great Performances, Dance
in America, Episode # 1541, 1/25/90
FOSSE, London Television
FOSSE: Various Dances
FOSSE DANCES: KISS ME KATE; GIVE A GIRL A BREAK; MY SISTER EILEEN
? "Fox Rock" [3/4"]
FROM RAQUEL [WELCH] WITH LOVE [3/4"]
GIBB, Andy - segments: From Olivia Newton-John special and hosting
"The Midnight Special," Bob Fosse presentation [3/4"]
GIMME A BREAK [Gwen Verdon]
GOOD MORNING, NY, Peter Bogdanovich interview (at 361 ft.)
HALL, Arsenio, audition tape [3/4"]
Hall of Fame, Television
HAMILTON PLACE THEATRE, 5/81, selected interior shots [3/4"]
HANG UP THE PHONE, directed by Howie Deutsch, 4/19/84 [3/4"]
HELLO HOLLYWOOD: Bob Fosse (Italian, 2/1/88)
HELLO HOLLYWOOD, Bob Fosse, 3/24/81
HELLO HOLLYWOOD, Bob Fosse, 4/23/81
HELLO HOLLYWOOD, QUI BROADWAY, RAI Italian television [3/4"]
BOB HOPE SPECIAL, 10/14/68 [Gwen Verdon dances; original reel #4]
[3/4"]; LC Record #95-514453
HOTEL, 5/18/89
HUBBARD STREET DANCE, 6/14/85
INVITATION TO THE WEDDING, Part 1 of 2 [3/4" tape]
INVITATION TO THE WEDDING, Part 2 of 2 [3/4" tape]
ISLAND dailies [reels 40, 41, 43, 44, 45, MOS reels 42. 46. 47
Pic/Tk]
KEVIN KELLY - Bob Fosse, 2/24/86
KIDS, INC., show #216, starring Gwen Verdon: "Grandma Won't You
Dance With Me"
LEGS, ABC TV movie [Beta]
LENNY, with Wilhemina label
LENNY [Bob Fosse, 8/25/80]
LENNY [United Artists]
LENNY, Part I [3/4"]
LENNY, Part II [3/4"]
LIFE ON EARTH, Episode 12
LIVE AT FIVE, Mariel Hemingway Interview [52 ft.- 85 ft.] (Same
tape as TODAY SHOW with Bob Fosse)
LIZA WITH A Z, 1/5/87
LIZA WITH A Z [film to tape transfer, 11/13/89]
LOVE CONNECTION II
LOVE CONNECTION III
MAGNUM, PI [10/31/85 (1039 ft.); 2/11/89]
MAGNUM, PI [final]
M*A*S*H, guest star Gwen Verdon: "That's Show Biz"; LC Record #95-
514919
MEISNER, SANDY, Documentary [excerpts]
MOTOWN RETURNS TO THE APOLLO [NBC TV, May, 1985]:
000: opening
5.30: Medley - Tall, Tan, Teasin'
18.50: Gregory Hines
23.25: Tap - film clips
26.35: Hoofers
MUSIC OF THE BIG BANDS
MUSIC MOVES ME, Ann Reinking and Gary Chryst; Liza Minnelli
interview
MY WICKED WICKED WAYS [TV movie]
NIGHT OF 100 STARS, performance date 2/17/85 [2 copies]
NOXEMA SHAVING CREAM COMMERCIAL, with Farah Fawcett; LC Record #95-
514364
ON STAGE AMERICA [starts at 165', Ben Veeren segment ends at 242']
ONE OF A KIND SHOW, Frankie Klein and Manuel Arte
PAUL'S CASE (American Short Stories Series), with Eric Roberts
[audition material for STAR 80) [3/4"]
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 1,
9/19/85
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 2,
9/19/85
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 3,
9/19/85
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 4,
9/19/85
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 5,
9/19/85
PENNIES FROM HEAVEN, Producer's Circle, Parts 1 and 2, Episode 6,
9/19/85
PIPPIN, the University of Michigan
PIPPIN, "Gisela, Fastrada" (Gisela is a German nightclub) [3/4"]
PIPPIN: His Life and Times, Sheehan-Tele-Scenes, 1981
PIPPIN presentation, David Sheehan, 9/81
PIPPIN presentation, David Sheehan, 9/81
NOTE: the following 3/4" videotapes are editing materials for the
Sheehan-Tele-Scenes production (information is taken directly from
labels):
PIPPIN, Part 1 of 2, Address code [3/4"]
PIPPIN, Part 2 of 2, Address code [3/4"]
PIPPIN, Part II, with Fosse fixes by Doby/Acito, 12/9/81 [3/4"]
PIPPIN, Part II, with Fosse fixes by Doby/Acito, 12/9/81 [3/4"]
PIPPIN, 11/1/81 [3/4"]
PIPPIN, Part I, Final as of 11/22/81 [3/4"]
FAST LANE LIVING, Final, 4/3/81 [marked Sheehan Telescenes, "yet
another cutting style"] [3/4"]
PIPPIN, Part I, Final, 11/19/81 [3/4"]
PIPPIN, K. Doby's work [including Doby's letter to Bob Fosse]
[3/4"]
PIPPIN, Act I off line, master, 9/14/81 [3/4"]
PIPPIN, first hour, 10/7/81 [3/4"]
PIPPIN, 10/8/81, 1" on line with off line inserts [3/4"]
PIPPIN, Part I out takes, excerpt of pull-ups [3/4"]
PIPPIN Finale, 12/9/81, according to Bob Fosse notes executed by
Doby and Acito [3/4"]
PIPPIN, 9/2/81, Scene 1, 2nd cut [3/4"]
PIPPIN, 10/30/81, Right Track and Finale [3/4"]
PIPPIN, 8/30/81, 1st cut, open title sequence and Magic to do,
corner of the sky [3/4"]
Playmate Video Magazine Interview [VHS]
REINKING, Ann, Casting, 11/3/75 [3/4"]; LC Record #95-514676
REINKING, Ann, Demo Tape, 30 min., 1/11/83 [3/4"]; LC Record #95-
514675
RICHIE, Lionel, "Dancing on the Ceiling," dir: Stanley Donen
JEROME ROBBINS, Live from Studio 8H, 7/2/198? OTHER DANCES (3
numbers from 3 FOR THE SHOW, Jack Cole; Grable)
RICHARD ROMANUS, "Ten Speed and Brown Shoe," audition tape [3/4"]
SATURDAY Show, Miss Playmate and Miss USA [3/4"]
GENE SHALIT Interview with Bob Fosse, 1/19/85 [and LOVE CONNECTION
IV]
GENE SHALIT Interview with Eric Roberts [3/4"]
Barbara Sharma Demo Tape
DAVID SHEEHAN, 3/24/81
DAVID SHEEHAN, Cannes [3/4"]
SHOWDANCE, the BBC Late Show, 1991
SHOWTIME, November TAKE ONE Profile of Bob Fosse, interviewer:
Laura Davis [3/4 "]
SHOWTIME IN CANNES, with David Sheehan, 1980 [3/4"]
SHOWTIME IN CANNES, Bob Fosse, 8/25/80
SHOWTIME IN HOLLYWOOD #2, David Sheehan, 10/80 [3/4"]
SHOWTIME IN HOLLYWOOD #3, David Sheehan, 12/15/80 [3/4"]
SHOWTIME IN HOLLYWOOD #6, David Sheehan with Bob Fosse, Jane Fonda,
Candice Bergen, Ann Reinking [3/4"]
SHOWTIME IN HOLLYWOOD #22, David Sheehan [3/4"]
JOEL SIEGEL, Oscars, 4/14/80 [3/4"]
JOEL SIEGEL, Oscar Show, Bob Fosse, 8/25/80
SMITH, Norman: "Reel Life" [3/4"]
THE SOUTH BANK SHOW, Bob Fosse, 3/26/81
SPOTLIGHT! [Gwen Verdon, Guest]
SRO: Paris CABARET, 11/7/80 [3/4"]
Star Award, Michael Bennett, 1988 ["Reflections" by Bob Avian,
Presentation Version]
Star Award, Bob Fosse, 1988: "Reflections, by Gwen Verdon"
STAR 80 [Ladd/Warner]
STAR 80: WABC-TV, ABC NET, GOOD MORNING AMERICA [3/4"]
STAR 80, "Music cues for recording sessions" (4) [3/4"] marked on
cover "for re-recording, use as blanks]
STAR 80, "Trailer composite, 8/25/83"
STAR 80, Casting: Tracy and Kirsten [3/4"]
STAR 80, Casting: N.Y. "Betty:" Sheila Kennedy, Courtney Carrington
[VHS]
STAR 80, Casting: NY "Betty:" Sheila Kennedy, Courtney Carrington
[3/4"]
STAR 80, Casting: Jennifer Coofe (Betty) [3/4"]
STAR 80, "Eileen" casting, 4/13/82 (2) [3/4] (tape label reads
"Tracie & Nicole, 4/13/82")
STAR 80, Casting, "Eileen" Test, Central Park, Quogue, with Lisa
STAR 80, Casting, "Eileen" Test, Nicole's interview and Kathy, #3,
4/13/82 [3/4"]
STAR 80, Casting, "Eileen" Test, Kathy cont., #4, 4/13/82 [3/4"]
STAR 80, rough cut videotape edit, part 1
STAR 80, rough cut videotape edit, part 2
STAR 80, Edited Version, Temp Music, and Full 3 Min. Version
[3/4"]
STAR 80, Mariel Hemingway Interview, 9:00 am, 2/3/82;
Hefner Interview Ch. 7/ABC, 7:30, 2/2/82
STAR 80, WNBC-TV, NBC NET, TODAY, Nov. 16, Wed., 7am [3/4"]
STAR 80: Clips 40-45; publicity clips, "New" [3/4"]
STAR 80: Television excerpts, 40-46, "Old" [3/4"]
STAR 80: Television excerpts, 10/22/83 [VHS]
"Steps," Dr. Pepper, 5/8/81, Gwen Verdon
STRATTEN, Dorothy, 5/6/82, Canadian Television
STRATTEN, Dorothy: BCTV [3/4"]
STRATTEN, Dorothy: BCTV News: "Playmate Murdered," and "Stratten
Film" [3/4"]
STRATTEN, Dorothy: 1980 Playboy Playmate of the Year Press Luncheon
STRATTEN, Dorothy: 1980 Playmate of the Year Press Luncheon, with
time code [3/4"]
STRATTEN, Dorothy: TONITE SHOW segment [3/4"]
SWEENEY TODD, Part 1, [3/4"]
SWEENEY TODD, Part 2, 3/12/82 [3/4"]
SWEENEY TODD, Part 3, [3/4"]
SWEET CHARITY, Part 1, Steve David
SWEET CHARITY, Part 2, Steve David
Backstage at SWEET CHARITY, 1986; LC Record #95-514778
SWEET CHARITY, PBS version
SWEET CHARITY - 1
SWEET CHARITY, Minskoff Theatre, 10/27/86 [:30, SWEET CHARITY; :10
SWEET CHARITY]; LC Record #95-514704
SWEET CHARITY (Bob Fosse, reel 1, 5/22/85)
1) "Big Spender"
2) "Frug"
3) "If My Friends Could See Me Now"
4) "There's Gotta Be Something Better Than This"
SWEET CHARITY (Bob Fosse, reel 2, 5/22/85)
1) "Rhythm of Life"
2) "Brass Band"
3) "I Love to Cry at Weddings"
SWEET CHARITY Commercial [30 sec]; Brass Band [10 sec]; [Macy's
Parade]; LC Record #95-514772
"Taste the Music" Frank Langella audition tape [ALL THAT JAZZ]
[3/4"]; LC Record #95-514358, #95-514357, #95-514359
THE TEMPEST, 5/27/80; LC Record #95-514268
THAT'S ENTERTAINMENT, Part II [MGM/CBS] (2)
THIEVES
TODAY SHOW, Bob Fosse interview [5.5 ft.-49 ft.] (tape also
including Mariel Hemingway on LIVE AT FIVE)
TOMORROW Show, Dorothy Stratten [after 400 ft.]
Tony Awards, Bob Fosse and Gwen Verdon
Tony Awards, Bob Fosse, 1980, American Theatre Wing
Tony Awards, 1986
TRAPPER, 3/30/85 [TRAPPER 0-607; Bill Boggs, 608-659]
TV HALL OF FAME
Unidentified [3/4"]
VASQUEZ, Antonia: Pfizer/Coty, Emeraude, "One Man, One Fragrance"
[3/4"]; LC Record #95-514362
"Verdon"
VERDON [Bob Fosse, 3/24/81]
GWEN VERDON'S DANCE NUMBERS [Bob Fosse, 3/31/81]
VIEWPOINT: "Cameras, Courts, Justice," 5/24/84, Part 1 [3/4"]
VIEWPOINT: "Cameras, Courts, Justice," 5/24/84, Part 2 [3/4"]
CRAIG WASSON, "Nights at O'Rears" audition tape [3/4"]
CRAIG WASSON, "Four Friends" audition tape [3/4"]
WEBSTER, 1/10/86; EQUALIZER, 2/19/86; WEBSTER
YORK, Michael: Screen test [3/4"]
WNET/13 FILM AND VIDEOTAPE MATERIALS
[USED FOR "BOB FOSSE: STEAM HEAT"]
[NOTE: all materials are located in the Motion Picture,
Broadcasting, and Recorded Sound Division (MBRS) of the Library of
Congress. As available, MARC record numbers are indicated next to
each film, video, or sound recording]
[NOTE: all information is taken from labeling on the materials
themselves; these materials are not cross listed with individual
productions]
WNET/THIRTEEN, GREAT PERFORMANCES
DANCE IN AMERICA: BOB FOSSE
VARIOUS DANCE ROUTINES
[3/4 in. videocassette, master]; LC Record #95-514847
BREAKFAST TIME "BOB FOSSE"
[3/4 in. videocassette]
ENTERTAINMENT TONIGHT:
FOSSE OBIT FOOTAGE [label on tape;
label on case also says "BIG DEAL outtakes"]
[3/4 in. videocassette, KCS-20]; LC Record #95-514674
#1
BOB FOSSE: AMERICAN EXPRESS COMMERCIAL
[1 in. videotape]; LC Record #95-514356
PIPPIN COMMERCIAL (Through ADO)
[1 in. videotape]
#211
ENTERTAINMENT TONIGHT:
BOB FOSSE SEGMENTS
[4 cut spots]
[1 in. videotape]
#211B
DANCE IN AMERICA: BOB FOSSE: STEAM HEAT
ENTERTAINMENT TONIGHT - 4 cut segments
B-Roll, Split audio tracks, 1/16/90
[1 in. videotape]
#7
WOGAN: BOB FOSSE INTERVIEW
[1 in. videotape]
#9
FOSSE/MEISER
DANCE IN AMERICA
workpic transfer w/audio & Nagra audio only
[1 in. videotape]
#10
9/10/85 AM: FOSSE ON LENNY
9/24/87 PM: FOSSE OBIT
[1 in. videotape]
#13
SWEET CHARITY, featurette, Part 1 of 3
[1 in. videotape, film transfer master]
#14
CAVALCADE OF STARS
[1 in. videotape]
#18
AFFAIRS OF DOBIE GILLIS,
GIVE A GIRL A BREAK
[clip reel]
[1 in. videotape]
#47
PAJAMA GAME: Clip
[1 in. videotape]
#33
THE LITTLE PRINCE, SWEET CHARITY, CABARET,
[SECTIONS FROM LASERDISC]
[1 in. videotape]
# 49
DAMN YANKEES: SELECTED CLIPS
[1 in. videotape]
#50
MY SISTER EILEEN: SELECTED CLIPS
[1 in. videotape]
#70
TOMORROW SHOW: BOB FOSSE
[1 in. videotape]
DANCIN': DANCIN' ROAD SHOW
:30
[1 in. videotape]
#210
SINGLE TAPE:
BOB FOSSE STEAM HEAT
1) Title test
2) DANCIN'
3) CHICAGO commercial
[1 in. videotape]
#40
SINGLE TAPE:
KISS ME KATE, INDIAN DANCE, SHOELESS JOE, SENIOR LOCO, ALL THAT
JAZZ
[1 in. videotape]
From box marked: "I INCH VIDEOTAPE, GWEN VERDON & NICOLE FOSSE
INTERVIEW, 9/89, FILM TO TAPE":
Green FUJI videotape cases numbered 20-30 [11 cases]
#4
YOUR HIT PARADE, 10/7/50
[1 in. videotape]
#5
WE THE PEOPLE, 11/24/50
[1 in. videotape]
#16
BURNS AND ALLEN
[1 in. videotape]
#17
GARRY MOORE SHOW
[1 in. videotape]
#48
STAR 80
TRAILER
[1 in. videotape]
From box marked "#1, FILM NEG, Camera A, Interview with Gwen Verdon
and Nicole Fosse, 9/89;" and 16 mm film negatives
From box marked "#2, FILM NEG, Camera B, Interview with Gwen Verdon
and Nicole Fosse, 9/89;" and 16mm film negatives
DANCE IN AMERICA audio tape:
1) Audiotape of Gwen Verdon Interview, 9/6/89, Roll #1
2) "Raw Audio" of Gwen Verdon Interview, 9/6/89, Roll #2
3) "Raw Audio" of Gwen Verdon Interview, 9/6/89, Roll #3
4) "Raw Audio" of Gwen Verdon Interview, 9/6/89, Roll #4
5) "Raw Audio" of Gwen Verdon Interview, 9/7/89, Roll #5
6) "Raw Audio" of Gwen Verdon Interview, 9/7/89, Roll #6
7) "Raw Audio" of Gwen Verdon Interview, 9/7/89, Roll #7
8) "Raw Audio" of Gwen Verdon Interview, 9/7/89, Roll #8
WNET/13 RESEARCH: PRESS BOOKS
Box 82A 1) FOSSE: TRANSCRIPTS
Re: Fred Astaire
Boston BIG DEAL footage
Capezio Award
Dance Magazine Award
Dick Cavett Show
Nicole Fosse Interview
Re: Sanford Meisner
Joel Siegel Interview
Sheehan Interviews
SWEET CHARITY Featurette
Shalit Interview
STAR 80 Trailer
SWEET CHARITY Palace opening
Tomorrow Show
Gwen Verdon Interview
Terry Wogan Show (BBC)
WNET/13 RESEARCH: PHOTOS
Box 60D 1) Assorted photographs printed for WNET use: Bob
Fosse and Gwen Verdon professional/personal
miscellaneous, primarily black and white, 8x10,
including stills from HOW TO SUCCEED IN BUSINESS,
NEW GIRL IN TOWN, BELLS ARE RINGING, REDHEAD, PAL
JOEY, ALL THAT JAZZ, and photos of Fosse, Joan
McCracken, et al.
FILM, GENERAL
(Including film picture and soundtrack elements)
[NOTE: all materials are located in the Motion Picture,
Broadcasting, and Recorded Sound Division (MBRS) of the Library of
Congress. As available, MARC record numbers are indicated next to
each film, video, or sound recording]
[NOTE: identifications on film elements have been taken from
leaders and cans; these materials are not cross referenced with
individual productions]
FILM PRINTS, MISCELLANEOUS:
FOSSE MEMORIAL, Stanley Donen [can, 16mm]
FOSSE MEMORIAL, 2 of 3 [35mm film case]
FOSSE MEMORIAL, 3 of 3 [35mm film case]
CABARET [16mm film case]
LENNY [16mm film case]
PERSON TO PERSON, Gwen Verdon [can, 16mm]
THE LITTLE PRINCE
1) THE LITTLE PRINCE: SNAKE DANCE, Scene 160, Dupe Mag
Soundtrack, 592 ft., 35mm
2) THE LITTLE PRINCE: SNAKE DANCE, black and white dupe action
for the above track, 35mm
UNIDENTIFIED
1) Marked Universal, Prod. # 53124, B Neg, 8/30/79, Reel 1
2) Marked Universal, Prod. # 50917, B Neg, 11/16/78
TELEVISION COMMERCIALS, VARIOUS
16mm film clips for commercials:
1) CHICAGO #3, Billy's Girls
2) PIPPIN, 1 1/2 min version
3) CHICAGO #2, Gwen Verdon and Chita Rivera
4) CHICAGO, Jazz :30
5) Fosse, American Express
6) PIPPIN II
7) PIPPIN, Dance, color :60
8) 8mm film from Peter Turgeon (?)
9) 16mm color film on reel - Ben Vereen at head, PIPPIN?
ADDITIONAL AUDIO TAPES
1) Audio tape: EVERYTHING OLD IS NEW AGAIN
2) Audio tape: Peter Allen songs
STAR 80 [35mm prints, in carrying cases]
1) STAR 80, Reels 4, 5, 6, marked "Back Up #1, 8/26/83"
2) STAR 80, Reels 4, 5, 6, marked "interneg check print, 8/8/83"
3) STAR 80, Reels 1, 2, 3, marked " #2 Preferred Print, 8/16/83"
4) STAR 80, Reel 6, marked "Back Up print" [single reel case]
5) STAR 80, Reels 1, 2, 3, marked "#1 Back Print, 8/26/83"
6) STAR 80, Reels 1, 2, 3,, marked "NY Back Up Print"[film needs
cleaning; one badly rusted reel]
7) STAR 80, Reels 4, 5 marked "Back Up Only, do not screen"
8) STAR 80, Reels 1, 2, 3, marked "interneg check print, 8/8/83"
9) STAR 80, Reels 4, 5, 6, marked "NY Back Up Print
STAR 80
Reel 6, "Wet gate reel" [in box, 35mm]
Reel 6, "non-splice" [can, 35mm]
Reel 6, "splice" [can, 35mm]
STAR 80 FILM ELEMENTS
1) Scene 76, Carnival, Paul and Eileen, A Cam, B Negative, PIX
2) WILD TRACK
3) Scene 76, Wild Tack, Eileen's dialogue
4) Scene 77, August Playmate, Hugh Hefner, Dorothy Stratten,
picture track
5) Scene 76, Look at Me, B cam, B negative
6) Scene 76, Look at Me, B cam, B negative
STAR 80 FILM ELEMENTS
Reel 6, FXB (35mm picture track)
Reel 6, DIAL X (35mm picture and soundtrack)
Reel 6, FX D [35mm picture track]
Reel 6, FX A [35mm picture track]
Reel 6, DUB DIA C [35mm picture and soundtrack]
STAR 80 FILM ELEMENTS
Reel 6, FXC R-6
Reel 6, FXH R-6
Reel 6, FXI R-6
Reel 4, Music 6
Reel 6, Dub Dia A
Reel 6, Dia D
Reel 6, Dia B
Reel 6, Dia C
Reel 6, Pix
Reel 6, Pix (sic)
Reel 6, Dia A
Reel 6, Dub Dia B
STAR 80 FILM ELEMENTS
Reel 6, FXE R-6
Reel 6, FXF, R-6
Reel 9?, Backup Pix
Reel 5, Music, 2B
Reel 5, Music, 2A
Reel 5, Music 1
Reel 5, Music 4
Reel 5, Music 3
Reel 5, Music 5
Reel 5, Music 6
Reel 5, Music 7
Unidentified
STAR 80 FILM ELEMENTS
Reel 6, FXG
Reel 5, C trk, magnetic stripe
Reel 5, D trk, magnetic stripe
Reel 5, A trk, magnetic stripe
Reel 5, B trk, magnetic stripe (music)
R3AB ?
Reel 5, MX Dupe Pic 2/25/83
Reel 5, FXF
Reel 5, FXC
Reel 5, FXE
Reel 5, FXH
Reel 5, FXG
STAR 80 FILM ELEMENTS
Reel 5, FXB
Reel 5, FXA
Reel 5, FXD
Reel 5, Dia A
Reel 5, Dia C
Reel 5, Dub Dia A
Reel 5, Dia Y
Reel 5, Dia X
Reel 5, Dia B
Reel 5, Dub Dia B
Reel 5, Dub Dia C
STAR 80 MUSIC
1) PLAYBACK, SOOKIE SOOKIE
2) PLAYBACK, WE'VE ONLY JUST BEGUN
3) PLAYBACK, ONE WAY OR ANOTHER
4) WILD TRACK: BLACK EYED BLUES [Joe Cocker]
5) PLAYBACK, DO I DO
6) PLAYBACK, ADAGIO IN G [Albinoni]
STAR 80 MUSIC REELS
1) PLAYBACK: YMCA
2) PLAYBACK: LOVE'S THEME
3) PLAYBACK: TUBULAR BELLS
4) PLAYBACK: BARTOK CONCERTO FOR ORCHESTRA
5) PLAYBACK: LAY DOWN SALLY [mansion, Scene 90]
6) PLAYBACK: UP ON CRIPPLE CREEK [mansion, Scene 90]
MISCELLANEOUS
[Including STAR 80 and THE LITTLE PRINCE]
1) TWO TIME CHARLIE [can, 8mm]
2) TAKE ALL OF ME, Count Basie [Audio tape, in can]
3) 16mm soundtrack labeled "Synch, Jump cut"
4) 16mm color film (release print) segment, labeled "sound fill,"
but is part of a Montgomery Clift film
5) 16mm black and white film clips, labeled "trims," unidentified
6) 16mm black and white film clips, labeled "outtakes"
unidentified
7) Unidentified audio tape, no label
8) MISCELLANEOUS can containing audio tape: "Traffic, Children
Playing, Baby Crying," few feet of STAR 80 titles few feet of
STAR 80 slides, audio tape labeled "Waters? trims")
9) Small can, 16mm black and white film, labeled "Trims, Jumpcut"
10) THE LITTLE PRINCE - 35mm audio and picture for Bob Fosse dance
sequence
OVERSIZED ITEMS
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
SHEET MUSIC (Oversized)
Box 57C THE CONQUERING HERO
"The Campaign"
Box 57C DAMN YANKEES
"Who's Got the Pain," "Brains and Talent"
Box 57C THE GARRY MOORE SHOW
Sheet music used in the show
Box 57C NEW GIRL IN TOWN
"Ven I Valse"
Box 57C SWEET CHARITY
Songbook, "SWEET CHARITY: Vocal Selections"
Box 57E REDHEAD
"Simply Marvelous," " I Feel Merely Marvelous,"
"Tom's Apartment," "Look Who's in Love," "'Erbie
Fitch's Dilemma," "Pickpocket Tango," "The Right
Finger of Me Left Hand"
Box 57C, MISCELLANEOUS
57G
"Bubbles Was a Cheerleader," "Let Me Entertain
You," "The Category Stomp," "The Girl I Left Home
For" (music Gwen Verdon recorded on the album)
Box 57A, PETER GENNARO/GWEN VERDON BENEFIT
57B
This is a mixture of the Peter Gennaro/Gwen Verdon
music used for a performance at the restored Heinz
Hall in Pittsburgh, PA
MISCELLANEOUS--Fosse/Verdon
Box 57H THE HAMPTONS, 7/4/86: "Gwen Verdon Does a Number - On
Critics and Producers"
By Dick Anderson, 3 copies
Box 57H THE HAMPTONS, 8/1/86: "The Dancin' Man (Bob Fosse)"
By Dick Anderson
Box 57H DANCE Magazine, "Jack Cole"
Series by Glenn Loney, 1/83, 2/83, 3/83, 4/83,
5/83, 6/83, 8/83,9/83, 11/83, 12/83, 1/84
Box 7B SCRAPBOOK
Clippings scrapbook on Bert Williams
MISCELLANEOUS--Posters, handbills, etc.
[NOTE: these items are cross referenced with individual production
files where applicable]
Box 97A ALL THAT JAZZ
33x48 black and white German poster
Box 96F BIG DEAL
20x29 color poster, mounted on cardboard
Items 95A BIG DEAL
-95C
29x64 color reproductions of cast, mounted on
cardboard
Box 87A CHICAGO
16x27 1/2 color lobby poster from Det Danske Teater
Box 87B CHICAGO
41x59 color poster, 46th Street Theatre
Box 97D DANCIN'
Foreign DANCIN' posters: 15x22, color, Palais de
Congres, Paris; 16x23, color, Theatre Mogador,
Paris; 13 x 27 1/2 (not illustrated, handbill),
Teatro Comunale Bologna; 27x39, color, Teatro
Petruzzelli, 1983
Box 97J STAR 80
Color 1 sheet, 27x41, of Mariel Hemingway with
daisy
Box 97I STAR 80
10 sheets of color proofs of Mariel Hemingway as
Dorothy Stratten, reproducing her PLAYBOY poses and
cover; 23x36 each
Box 97J STAR 80
Color photo (printed in negative) of Mariel
Hemingway POLAROID montage; 20x24
Box 97B SWEET CHARITY
Large - 51 in./height, black and white computer
printout reproduction of the "Big Spender" girls
photo
MISCELLANEOUS
(Not pertaining to Bob Fosse or Gwen Verdon)
Box 97E ERT�
24x32 color poster for Grosvenor Gallery
Box 97E FOX GRAPHIC ORIGINALS
40x25 poster of dancers in tuxedos on piano keys
Box 97E NIGHT OF 100 STARS
Color, 29 1/2x50
Box 97E SLEIGHT OF HAND
One sheet color poster, Cort Theatre, signed by
J.C. Suares (designer)
OVERSIZED PHOTO BOX 86A
(Unless otherwise noted)
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
ALL THAT JAZZ, 12x19 color photo; 16x19 color photo
Ann Reinking dancing (alone); Ann Reinking dancing
(male dancer in background)
CAN-CAN, 13x18 black and white
Milton Marx caricature on illustration board
CHICAGO
Handbill, color, 14x19, Alexander Theatre, 1977;
Handbill, 16 1/2 x 23 1/2, color, Teater Arena;
Poster, 20 x 27 1/2 color, Operett Szinhaz Drawing
(reproduction), Gwen Verdon dancing, by Mark Cote
(2, same)
CHICAGO, 15x19, mounted black and white photos
By Murray Laden, one of Gwen Verdon, one of Gwen
Verdon and Chita Rivera
CHICAGO, caricature, on illustration board
By Mark Cote; this is an original; there are copies
elsewhere
DAMN YANKEES, 15 x 19 1/2 black and white photo
Gwen Verdon in "Whatever Lola Wants" costume
(damaged)
DAMN YANKEES, 16x19 photo montage
SPORTS ILLUSTRATED montage of magazine photos of
Gwen Verdon in baseball uniform
THE MISSISSIPPI GAMBLER, 9 1/2x12 1/2 color advertisement
Advertisement from magazine
REDHEAD, 13x16 black and white mounted photo
Gwen Verdon and Richard Kiley, by Murray Laden
Box 86B STAR 80, 16x20 black and white advertisement
Film advertisement
Box 86B SWEET CHARITY (stage), sketch, 12 1/2 x 18
"Dear Ms. Charity ...," by Bob Costello
Box 86B Various productions
DAMN YANKEES (film)
3 large ad cuts
SWEET CHARITY (stage), 15x22, color
Theatre de la Music production
STAR 80
15x21, handbill, color; 12x18, trade ad
Box 86A Fosse
Caricature of Bob Fosse and scenes from shows, on
illustration board, by Mark Cote
Fosse, 13x18, black and white ad
Mitsubishi ad of Bob Fosse
Verdon, 16x18 black and white (some color added) photo
Gwen Verdon dancing (damaged)
Verdon, 3 (fragile, damaged) mounted black and white
photos, 10x13, 10 1/2 x 12 1/2, 10 1/2 x 12
By Marcus Blechman, early career publicity
Allan Jones, black and white 8x10 photo
Allan Jones; mounted with autograph to Gwen Verdon
Barney Martin, black and white mounted photo
Barney Martin, with autograph, "To Mary...4/24/76,"
photo by Martha Swope; 8x10 cardboard piece, with
note: "To Gwen, I love you I love you, Barney"
Box 86A AWARD CERTIFICATES
Hamilton College, Honorary Doctorate, to Gwen
Verdon
FILM DAILY, 1958, "Filmdom's Famous Fives," to Gwen
Verdon
Newspaper Guild of New York, 1959 Page One Award to
Gwen Verdon for REDHEAD
Interfest, 1990, award to Gwen Verdon
George Foster Peabody Broadcasting Award, 1972, to
Bob Fosse for LIZA WITH A Z
8th International Film Festival of India, 1981,
certificate of participation, for ALL THAT JAZZ
CMA (Creative Management Associates) ad honoring
Bob Fosse for his "Triple Crown"
OVERSIZED PHOTO BOX 85B
(Unless otherwise noted)
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
Box 85B ALL THAT JAZZ
Several miscellaneous large-format casting photos
Box 85C CABARET: press reviews
Extensive; photocopies; 1972
CABARET: press book
Post-Academy Awards; including review quotes,
photos, other press
Box 85B Costume Sketches, Gwen Verdon:
NEW GIRL IN TOWN (1); from unidentified television
show (2)
Box 85B Location research: 2 contact sheets
Unidentified
Box 85B PHOTOGRAPHS, large format
see PHOTO FILES
Box 85B CHICAGO: photograph, 11x14, black and white
Chita Rivera and Gwen Verdon
Box 85B NEW GIRL IN TOWN: photograph, 11x14, black and white
By Friedman-Abeles; rehearsal shot of Gwen Verdon
and Bob Fosse (used in publicity), including other
dancers in background
Box 85B SWEET CHARITY (stage): Ringling Bros. Circus;
photographs, 11x14, black and white, 3
10x13, black and white, 2 11x14
Gwen Verdon waving from atop an elephant (who's
wearing a CHARITY banner) (3 duplicates); 10x13:
same series, with unidentified man in shot (1), and
unidentified man next to elephant
Box 85B SWEET CHARITY (film): photographs, 11x14, black and
white, 25
Many by Larry Barbier (Universal Pictures); 3
separate matte folders marked "production stills,"
not in sequence: Bob Fosse setting up shots,
directing Shirley MacLaine, between scenes, filming
dances ("Frug") with Gwen Verdon assisting, general
"director" shots - Bob Fosse on stepladder, giving
directions to unseen crew, at the camera, with crew
on street and in lake.
Bob Fosse directing Shirley MacLaine, in dance hall
and on the street; Shirley MacLaine alone.
Gwen Verdon and Sammy Davis, Jr. recording "Big
Daddy;" Bob Fosse directing "Brass Band" on sets,
outdoors, etc.
Single photo of Gwen Verdon, Shirley MacLaine and
Nicole Fosse.
2 duplicate shots of Gwen Verdon, Bob Fosse,
Shirley MacLaine, and Paddy Chayefsky and son.
Box 85B SWEET CHARITY (film): photographs, 11x14, black and
white, 12
Some by Larry Barbier (Universal Pictures); matte
folder marked "film stills," several shots from
"Rich Kids Frug" (4); "Brass Band" with Shirley
MacLaine (1); Shirley MacLaine on rooftop (2);
several with Sammy Davis and Shirley MacLaine;
Chita Rivera (1)
Box 85B SWEET CHARITY (film): photographs, 10 x 13 1/2, black and
white, 6
"Fosse rehearsing MacLaine:" series from 5
different negatives of Bob Fosse showing Shirley
MacLaine dance steps; focus is on Bob Fosse,
Shirley MacLaine is partially visible (from rear)
in several, Gwen Verdon is partially visible (from
rear) in several
Box 85B SWEET CHARITY (film): 11x14, black and white, 4
By Larry Barbier (Universal Pictures); matte folder
marked "Fosse, Verdon, Simon:" 3 separate photos (1
dupe) of Neil Simon and daughters, Bob Fosse and
Gwen Verdon (visiting set?)
Box 85B BOB FOSSE, Miscellaneous
Box 85B Portraits: photographs, 11x14, color, 2
By Steve Vaughan; STAR 80 portrait: duplicates, Bob
Fosse with cigarette in mouth and hands thrown up
next to his head
Box 85B Photograph: 11x14, black and white, 1
By Mike Tighe; mounted image, 6x7, Bob Fosse,
seated, with leg up, 1975
Box 85B Photograph, 9x14, black and white, 1
Undated head shot of Bob Fosse wearing sunglasses
Box 85B Photograph, 11x14, black and white, 1
By Mary Ellen Mark; full length portrait of Bob
Fosse in cutoffs and sunglasses, smoking and
holding wine glass; used for "Mr. Abbott" program
Box 85B GWEN VERDON, Miscellaneous
Box 85B Photograph, 11x14, black and white, 1
By Carroll Seghers II; Gwen Verdon and Chita Rivera
performing in top hat and tails
Box 85B Photographs, 14x17, black and white, 2
Mounted photos of Gwen Verdon instructing, Colgate
Community College Teaching Workshop: Gwen Verdon
alone, Gwen Verdon working with a dancer
OVERSIZED BOX 86C
Box 86C1 THE CONQUERING HERO
Photographs, 11x14, black and white, 33
By Pat Ferrier; terrific series (few duplicates)
photographed over a period: Bob Fosse at
rehearsals. Many shots include actors and
actresses, but the focus is Bob Fosse. Some have
been used for publicity
Box 86C2 THE LITTLE PRINCE
Photographs and negatives, 14x11, black and white, 50
Extensive, high quality stills, production shots,
and informals of Bob Fosse choreographing and
dancing his Snake Dance: plotting dance moves,
speaking with director and actor, etc. Broad range
of shots, with numerous duplicates. 1 4x5 negative
of publicity still, Bob Fosse in tree. Also
includes familiar silhouette shot of Bob Fosse
dancing
OVERSIZED CLIPPINGS BOX 86D
(Unless otherwise noted)
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
Fragile magazines (complete), magazine pages, and newspaper
clippings, bound to matte board, from:
CAN-CAN
1953-54
CAN-CAN
Pages from single fragile scrapbook
DAMN YANKEES
Pages from single fragile scrapbook
DAMN YANKEES
1955: magazines; 1974: clippings
DAMN YANKEES
1955: clippings
DAMN YANKEES
1955: clippings
REDHEAD, 1958-60
BOB FOSSE
Fragile general magazines and clippings
LIFE Magazine
2/23/59: REDHEAD (Gwen Verdon) cover (2 complete
magazines
VARIETY
5/11/55: "Baseball B.O. Poison," page one
BILLBOARD, 5/14/55
NEW YORK NEWS Magazine
1/26/75, (LENNY) "Valerie Perrine: I'm No Grace Kelly,"
by Bob Lardine
OVERSIZED BOX 86E
(Unless otherwise noted)
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
FOSSE
Front page of THE AMUNDSEN LOG, 10/5/44 (Amundsen High
School, Chicago), with banner: "Bob Fosse President"
MINNELLI, LIZA
Matted black and white photo in 14 x17 frame
PHOTOGRAPHS
Large format; see PHOTO FILES
Box 86E BOB FOSSE, Portraits: photographs, 11x14, black and
white, 3
By Britain Hill; series of 3 different shots of Bob
Fosse, seated, with "OH WOW" poster in background
Box 86E GWEN VERDON, Miscellaneous, (including benefits);
photographs, 11x14, black and white, 7
Various photographers including Murray Laden:
mounted photo, Gwen Verdon in glasses and straw hat
(1); Ra Cantu: Gwen Verdon (and woman pianist)
performing for the Bedside Network, Lyons VA
Hospital, 1965 (3), and damaged print, same series,
Gwen Verdon holding "Bedside Network Songbook" (1);
Pat Ferrier: Elizabeth Seal and Gwen Verdon
performing in a Postgraduate Center for Mental
Health benefit, 1 of Seal alone, 2 of Seal and Gwen
Verdon
Box 86E REDHEAD, Rehearsal; photographs, 10 1/2 x 13 1/2, black
and white, 4
From envelope marked "Orchestra Rehearsal and
Pickpocket Tango;" Orchestra rehearsal: Gwen
Verdon/Bob Fosse, rear silhouette surveying
orchestra (1); Bob Fosse and composer Albert Hague
(1); Gwen Verdon singing, with Jerry Blackton,
Dorothy Fields, Albert Hague (1); different shots
of Bob Fosse, Gwen Verdon and Bill Guski rehearsing
"Pickpocket Tango" (2)
Box 86E REDHEAD, photograph, 11x14, color, 2
By Linda Bartlett, production shots, each featuring
Gwen Verdon, 1 seated drinking, 1 three shot
Box 86E SUNDAY NEWS Magazine, 11x14, color, laminated page, 1
Laminated page of SUNDAY NEWS Magazine, 7/19/59,
featuring photos from REDHEAD, with text
Box 86E ALL THAT JAZZ, photographs, 11x14, color, 3; 11x14, black
and white, 2
Color: Roy Scheider in role (2); portrait shot of
Roy Scheider and Erzebet Foldi (1); black and
white: ALL THAT JAZZ in neon lights (2)
Box 86E CABARET, photograph, 9x12, color, 1
Fosse directing Minnelli - the camera is behind
Fosse, he's gesturing with his hands, Munich set
Box 86E Photograph, 9x14, black and white
Liza Minnelli, in still from another film, perhaps
"...Junie Moon;" casting file shot?
Box 86E DAMN YANKEES (stage), photographs, various formats, black
and white, 5
LIFE Magazine photographer: damaged print, Bob
Fosse rehearsing cast (he's striding with head in
hands) (1, 9 x 13 1/2); SUN-TIMES, Leo Friedman:
different scenes of Gwen Verdon and Ray Walston (2,
10x13); Leo Friedman: different shots marked
"YANKEES in New Haven tryout. This piece was cut
and replaced by WHO'S GOT THE PAIN," Gwen Verdon
with gorilla in one shot, dancing with group in the
other (2, 9x13 and 10 1/2 x 13 1/2); Leo Friedman:
different shots of Stephen Douglass and Gwen Verdon
in LOLA number (2, 10x13)
Box 86E DAMN YANKEES (stage), photographs, 10x12, black and
white, 1
Bob Fosse, Gwen Verdon, group at the Tony Awards
Box 86E DAMN YANKEES, photograph, 8x13, black and white 1
Retouched "Lola" Verdon portrait, used for
publicity
Box 86E DANCIN', photographs, 11x14, black and white, 4
By Lene Costello; 2 shots, and duplicates of each
of DANCIN' cast, informal
Box 86E GIVE A GIRL A BREAK, lobby card, 11x14, color, 1
Lobby card: Bob Fosse, Gower Champion, and Debbie
Reynolds
Box 86E PIPPIN, photograph, 11x14, black and white, 1
Full length photo of Leland Palmer
Box 86E NEW GIRL IN TOWN, photographs, 10 x 13 1/2 to 11x14,
black and white, 18
By Friedman-Abeles; series of publicity shots for
NEW GIRL: Gwen Verdon and George Wallace on the
docks of NYC, including Gwen Verdon cooking, Gwen
Verdon with longshoremen in bar, Gwen Verdon
dancing on the docks, etc.
Box 86E SWEET CHARITY (stage), photographs, 9 1/2 x 13 1/2 to
11x12, black and white, 4
By Al Stewart; stills from several different
scenes, each featuring Gwen Verdon (very
chiaroscuro), and one enlargement of still
Box 86E Photographs, 9x13, black and white, 2
By Mark Kauffman (LIFE); photos of Gwen Verdon in
dressing gown, seated, "After the show, 1966"
Box 86E Photographs, 11x 14, black and white, 4
By Friedman-Abeles; 2 separate shots for production
publicity, each with duplicate: a) Charity: twisted
foot, hand on hip, finger in mouth; b) backwards
glance, hand on hip (poster)
Box 86E SWEET CHARITY (revival - Debbie Allen), photographs,
11x14, black and white, 2
By Robert Kalfus (NY POST); cast, Cy Coleman,
Debbie Allen, Bob Fosse at piano, 1986; Debbie
Allen, Bob Fosse, and Gwen Verdon, 1986
OVERSIZED POSTER BOX 85D
(Unless otherwise noted)
[NOTE: these items are crossed referenced with individual
production files where applicable, and also with Bob Fosse and Gwen
Verdon personal files where applicable]
CABARET, posters
Color, 40x55, Italian
Color, 27x41, 3 copies
CHICAGO, 12x15 pencil drawing, matted in 20x23 frame
By Graff, 1978, of Ann Reinking and Liza Minnelli
as Roxie Hart
DANCIN', 2 handbills, 14 x22, full color
Broadhurst Theatre (1 on cardboard)
BOB FOSSE, MISCELLANEOUS, costume sketches, 16x24
"I am your Bobby doll,"
LEGS, 11x14 poster board
Thank you card from LEGS cast to GWEN VERDON
LENNY, black and white poster, 27x41, 2
MAN OF LA MANCHA, 14x22 window card, color
Anta Washington Square Theatre
PIPPIN, color poster, 41x64 1/2
Photo montage of color snapshots of cast members,
21x18 1/2, on suede backing, handmade
PLEASURES AND PALACES, color lithograph, 14x22
Fisher Theatre, Detroit
REDHEAD, color poster, 41x64
46th St. Theatre
Box 85A STAR 80, laminated press quotes, 7x13
Box 85A POSTERS
(NOTE: these were damaged by mildew; they've been
packaged together):
23x62 French STAR 80 posters; (2; 1 is autographed
to "Steve" by Bob Fosse); 47x64 French posters (2,
1 with minimal damage); 15x21 French handbill (1);
French STAR 80 press kit (1); 2 press clippings
Box 85D THIEVES, black and white mounted photo, 14 1/2x20, 9 1/2x
14 -photo size
Photo of Bob Fosse by Louis Goldman, with
inscription by Louis Goldman
Box 85D GWEN VERDON, MISCELLANEOUS
Thank you to Gwen Verdon from students (teaching
workshop), on computer paper
Box 57A, VERDON, MISCELLANEOUS
57B
Peter Gennaro/Gwen Verdon Benefit conductor's score
from show medley
Box 57G GWEN VERDON, MISCELLANEOUS
"Bubbles Was a Cheerleader" conductor's score
Box 7 ALL THAT JAZZ
Sheet music
Box 85E, STAR 80
85F
Sheet music
FRAMED POSTERS, MOUNTED PHOTOS, ETC.
[NOTE: these items are crossed referenced with individual
production files where applicable]
Box 96F BIG DEAL, 20x29 color poster
Man dancing, with shadow of a dollar bill sign,
mounted on cardboard
BIG DEAL, 29x64, color
Reproduction of cast, mounted on cardboard
Boxes 95A, 95B, 95C, posters
BIG DEAL, 2 64x29 color posters
Mounted on cardboard; 2 different shots of cast
Boxes 95A, 95B, 95C, posters
BIG DEAL, 2 43x29 color posters
Mounted on cardboard; 2 different shots of cast
Boxes 96B, 96C, posters
BIG DEAL, 48x21 color poster
Mounted on cardboard
Box 96E, posters
BIG DEAL, 48x31 color poster
Mounted on cardboard
Box 96D, posters
Box 87A CHICAGO, 14x21 color handbill
Abo Svenska Theatre, in clear plastic modular frame
Box 87A CHICAGO, framed poster, 16x20, color
46th St. Theatre
Box 93A DAMN YANKEES #1, framed poster, 15x23, color
Original, Gwen Verdon in baseball shirt, 46th St.
Theatre
Box 93A DAMN YANKEES #2, framed poster, 15x23, color
Original, Gwen Verdon in "Whatever Lola Wants"
costume, 46th St. Theatre
Box 93A HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, framed
poster, 15x23, color
46th St. Theatre
Box 87A LENNY, framed black and white magazine page, 16x20
From VARIETY; "Bob Fosse, Best Director for LENNY"
Box 87A LENNY, framed, 23x18, black and white, double page ad
United Artists double page spread magazine ad,
listing Oscar nominations for LENNY, black and
white
Box 93A LITTLE ME, framed color poster, 15x23
Original; Lunt Fontanne Theatre
Box 93B LITTLE ME, artist's design paste-up, 20x28
By Paul Bacon
Box 93A NEW GIRL IN TOWN, framed color poster, 15x23
By Oscar Liebman (artist); 46th St. Theatre;
damaged and taped
Box 93A PAJAMA GAME, framed poster, 15x23, color
Peter Arno design, St. James Theatre
Box 93A PAL JOEY, framed poster, black and white photo, 10x14--
photo size; in 17x21 frame
Viveca Lindfors and Bob Fosse, by Alice Jeffrey,
1965
Box 96A PAL JOEY, 20x40 Foamcore mounted photo
Young Bob Fosse in robe
Box 87A PIPPIN, framed poster, 15x23, color
Opera House at the Kennedy Center
Box 87A PIPPIN, framed poster, black and white, 16x22
With press quotes
Box 93A REDHEAD, framed poster, 15x23, color
Original, 46th St. Theatre
Box 93A SWEET CHARITY, framed poster, 15x23, color
Original, Gwen Verdon, Palace Theatre
Box 93A THIEVES, 20x24, black and white photo
Bob Fosse in character, mounted on Foamcore
Box 93A THIEVES, 20x24, black and white photo
Bob Fosse in character, mounted on Foamcore
Box 87A SET SKETCH, 23x18
Unidentified, drawing room, signed by artist
Box 112 FILM FEST, BERLIN, framed poster, 33x46
From the 34th International Berlin Film Fest, 1984
SCRIPTS, MISCELLANEOUS
[Primarily material sent to Bob Fosse on spec, or colleagues' and
friends' projects, also includes articles and manuscripts]
Box 61A 5-6-7-8: A Sort of Musical Comedy
Stan Cutler
THE ADVERSARY
Edward H. Schmitt
AMERICA WAS
Jack Heifner
AMERIKA
Yoram Porat and Shlomo Gronich
ANNIE
Carol Sobieski
ANY DAY NOW
Michael Nolin and David Engelbach
AURORE, The Early Life of George Sand
Carroll Baker
AWAY OUT
William Saroyan
BECKY!
Berny Stringle
BLUE MOVIE
Terry Southern
Box 61B BOJANGLES
Samm-Art Williams; 2
THE CHAMPEEN
Melvin Van Peebles
CHAPLIN
Colin Welland
DESERT ROSE
Larry McMurtry, book draft
CHILDREN OF PARADISE
Marcel Carne
DOUBLE JEOPARDY
David Shaw
Box 61C EATING RAOUL, The Musical
Paul Bartel
ELAINE MAY MUSICAL
EUDORA AND THE ZEBRA
Mary C. Noble
FIREBIRD
Nieman Chiffre-Nul
FORMERLY BERMAN'S
Alan King
THE GOODBYE PEOPLE
Herb Gardner (2)
HANG-UPS
Leslie Bricusse
HEADMISTRESS
Henry Denker
Box 61D HUNDREDS OF GIRLS (?)
I LOVE MY WIFE
Michael Stewart
JAZZ BABIES
Larry Gelbart
JAZZ DANCING, uncorrected bound proofs
Robert Audrey
THE LATE GREAT CREATURE
Peter Stone
Box 61E LIBBY HOLMAN
Jon Bradshaw
LIFE CYCLE
Roderick Taylor
LIFE'S PROMISES
W. Peter Bradford
LIGHT A PENNY CANDLE
Jack Dunphy
LIVES OF THE POETS
E.L. Doctorow
Box 61F THE LIVING END
Frank Galati
MACK THE KNIFE
Alan Howard
MIRRORS, 2: book and screenplay
James Lipton
MUSIC IS MY MISTRESS
Berny Stringle
THE NAME OF A SOUP
Elaine May
Box 63A ON THE RIVIERA
Richard Clarke
ONE NIGHT STAND
Herb Gardner
THE PETRIFIED FOREST (?)
PICASSO AND HIS FRIENDS
Ralph Herrmanns
RAGTIME
E.L. Doctorow
ST. JAMES ELK
John McTiernan
SATURDAY NIGHT
Julius J. Epstein and Philip G. Epstein
SILENCE
David Rayfiel
Box 63B STOMPING GROUND
Denis Hamill and John Hamill
TREVOR
John Bowen
TREVOR
Robert Goldman
UNTITLED
David Shaw
Box 63C UNTITLED SCREENPLAY
Norman Steinberg
VIVA!, A Musical Adventure
Felicia Bauer and Matt Dubey
WHITE DOG
Romain Gary (article)
WORLD'S FAIR
E.L. Doctorow
YES INDEED!
Avery Corman
YONDERLAND
Natasha Ronay
PLAYBILLS AND PROGRAMS
(Not directly related to Bob Fosse or Gwen Verdon's work)
Box 58A AFTER THE FALL
ALL OVER TOWN
AMERICAN PASSION (2)
AS IS
BALLET RUSSE DE MONTECARLO
BETRAYAL
BINGO
BROADWAY BOUND
CANDIDE
CATS
THE CHANGING ROOM
CHILDREN OF A LESSER GOD
THE COLORED MUSEUM
DIVISION STREET
DOCTOR JAZZ
DREAM GIRLS
ENCORE AWARDS, 1985 PROGRAM
EVITA (2)
FOLLIES
FOOLS
THE GOODBYE PEOPLE
THE GOOD DOCTOR
GOODTIME CHARLEY
JOEL HALL DANCERS
MARVIN HAMLISCH (MUSICAL TRIBUTE)
HAY FEVER
THE HOUSE OF BLUE LEAVES
I'M NOT RAPPAPORT
IRENE
JACKIE MASON'S "The World According to Me!"
JEROME ROBBIN'S BROADWAY
JESUS CHRIST SUPERSTAR
THE MAGIC SHOW
LIZA MINNELLI IN CONCERT
THE MOONY SHAPIRO SONGBOOK
ANN REINKING/MUSIC MOVES ME
Box 58B THE NEW DRAMATIST'S SPRING LUNCHEON, 4/13/84
NINE
NO WAY TO TREAT A LADY
NUREYEV AND FRIENDS
ONE MORE SONG/ONE MORE DANCE (3)
ORPHANS
OVER THERE!
PEG
THE RED MILL
THE RINK
ROSE
SINGIN' IN THE RAIN
THE SUNSHINE BOYS
TANGO ARGENTINA
TSCHAIKOVSKY FESTIVAL, NYC BALLET, 1981 (2)
UN TRAGEDIE DE CARMEN
TRIBUTE
TRIBUTE TO PAVLOVA
WELCOME TO THE CLUB
THE WIZ
Box 58C PROGRAMS, MISCELLANEOUS
1989 ENCORE AWARDS 25TH ANNIVERSARY (ARTS BUSINESS
COUNCIL)
FILM: "BODY DOUBLE"
FILM: "THE FALCON AND THE SNOWMAN"
FILM: "THE KILLING FIELDS"
NEW YORK CITY BALLET TCHAIKOVSKY FESTIVAL 1981
NEW YORK CITY BALLET 1981
FILM: "ROXANNE"
SCHOOL OF THE AMERICAN BALLET
"TRIBUTE TO PAVLOVA" PENDLETON FESTIVAL BALLET
FILM: "2010"
MISCELLANEOUS MAGAZINES
(Including some dance articles, and articles on colleagues or co-
stars, but otherwise not directly related to Bob Fosse or Gwen
Verdon)
AFTER DARK, 3/69
ESQUIRE, 4/74
ESQUIRE, 5/75
ESQUIRE, 6/75
ESQUIRE, 8/86
LIFE, 2/25/72
LIFE, 3/3/72
LIFE, 11/3/72
LIFE, Special Report, 1974
NEW YORK TIMES Magazine, 1/1/84
NEW YORKER, 2/21/25 (reprint)
NEW YORKER, 5/22/89
ROLLING STONE, 3/15/84
SHOW, 11/63
TEMPO (Italy), 8/1/70
VANITY FAIR, 11/85
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