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Julius Gold Collection

Guides to Special Collections in the Music Division
Library of Congress, Washington DC,  1992

Contents

Introduction Biographical Sketch Scope and Content Note Container List Writings Writings of Julius Gold Writings of others Correspondence General Correspondence with students Correspondence with family Correspondence with institutions regarding jobs, grants, fellowships Correspondence regarding acquiring and selling books and journals Promotion Programs Clippings Photographs Financial / Legal Papers Catalogs Printed music

Introduction

The Julius Gold Collection consists of the writings, correspondence, and other papers of teacher and musicologist Julius Gold (1884-1969). The collection was given to the Library in 1981 by Jacob Zeitlin of Zeitlin & Ver Brugge Booksellers in Los Angeles, California, who acquired the materials as part of Julius Gold's estate. Certain restrictions to the use or copying of the materials in this collection may apply. Linear feet of shelf space occupied: 9 Approximate number of items: 8,000 Number of Containers: 22

Biographical Sketch

1884 February 18 Born in St. Joseph, Missouri, of Russian-Polish parentage 1891 Family moves to San Francisco 1897 Studies violin with Sir Henry Heyman and Henry Holmes 1900-1905 Studies violin with Bernhard Listemann and Emile Sauret at the Chicago Musical College 1905-1910 Studies history and theory of music with Bernhard Ziehn 1910-1914 Professor of music at Drake University in Des Moines, Iowa 1914 Returns to San Francisco; plays violin with the San Francisco Symphony Orchestra until his resignation in 1937 1922 Plays violin with the San Francisco Opera Association until his resignation in 1937 1931 Summer Holds a lectureship at Stanford University: The Foundations of Music Art 1931-35 Professor of counterpoint and composition at Dominican College in San Rafael, California 1937- Private teaching and research 1969 January 29 Dies in California

Scope and Content Note

Julius Gold was a musicologist and teacher of both violin and music theory who was active in California in the first half of the 20th century. Having studied with the German theorist Bernhard Ziehn in Chicago from 1905-1910, Gold became an interpreter of Ziehn and one of his most avid apologists. Although his writings on Ziehn were never published, numerous typescripts of Gold's translations of and commentaries on Ziehn's writings are included in this collection. Gold also wrote extensively on the ecclesiastical modes, and the collection includes an abundance of writings and score examples both on modal doctrines and a wide variety of other subjects of music theory. The papers of Julius Gold span the period from 1858 to 1964, with the bulk of the material covering the years 1920-1955. In addition to the writings described above there is extensive correspondence, both with notable colleagues such as Hans Joachim Moser, Lloyd Hibberd, and John Alden Carpenter, and with a great many of Gold's students, including Winthrop Sargeant, Frank Fragale, Meredith Willson, and Isaac Stern. Gold collected music books, amassing a 10,000 volume research library, and included here is a body of correspondence addressing the acquisition and sale of books and music, both by Julius Gold himself and by his daughter's firm, Glen Gold Books and Music. A large selection of publishers' catalogs is also pertinent to Gold's book collecting activities. The remaining papers in the collection consist of promotion materials of Julius Gold and others, financial and legal papers, photographs, programs, and an assortment of printed music for the piano -- much of which may have belonged to Gold's wife, Janet Hale Gold, herself a pianist and a teacher of piano. Claudia Widgery, Music Specialist September 1992

Container List

WRITINGS Box Contents Writings of Julius Gold 1 General Contrapuntal inventions: Tonal studies in a variety of moods and motives The elements of musical composition The Musico-Lexicographic Collections of Julius Gold (from brown 3-ring notebook) Open sesame to musical knowledge Proposals for a new dictionary of music The tradition of patronage Biographical and personal Ecclesiastical modes The beginnings of medieval modal theory A brief bibliography of the history of modal doctrines Modal bibliography (from blue 3-ring notebook) Modal doctrines: A new perspective The newer knowledge of the modes Miscellaneous (typed and handwritten) OV 1 Score examples 2 Bernard Ziehn Prospectus for editing "The ecclesiastical modes" by Bernard Ziehn Ziehn's "Harmonie und Modulationslehre": A commentary Translation from Ziehn's "Harmonie- und Modulationslehre" Translation of Ziehn's "Uber die Kirchent"ne" Notes on Ziehn OV 1 Score examples 2 Music theory (typewritten; for handwritten and score examples of writings on these subjects, see oversize boxes OV 1 and OV 2) Canon Chords and Triads Enharmonics Harmony Instruments Intervals Modulation Musical compositions by others Polyphony Scales Symmetry 3 Miscellaneous (typewritten, handwritten, and 3x5 cards) 4 Miscellaneous (score examples; also 2 composition books containing handwritten notes on music theory and theoretical writings) OV 2 Score analysis (Chopin, Trois nocturnes, op. 9) 4 Proposals for teaching and study Comments on writings by others "Essays in musical analysis" by Donald Francis Tovey "Das Lebenswerk Bernhard Ziehn" by Hugo Leichentritt Review of unidentified work by Ziehn by [Edward] Mitchell Letters to the editor ("Life Magazine", "Musical Courier", "New York Times", "Saturday Review of Literature") Writings of others 5 Grant, John [Fionn]. "The Celtic lyre." [Preface and list of examples only] Hibberd, Lloyd, translator. "The church modes" by Bernhard Ziehn [excerpts only] Isaacson, Charles D. " Face to face with great musicians". New York, London: D. Appleton & Co., 1929. Leichentritt, Hugo. "Das Lebenswerk Bernhard Ziehns." Mitchell, Edward R. "Julius Gold and the teaching of music theory." """""". "Julius Gold: Master-musicologist." Moser, Hans Joachim. "Bernhard Ziehn". [Chapters 1-3] """""". "Epochs of musical history." [Excerpt from Introduction] """""". Introduction to "sber die Kirchent"ne" by Bernhard Ziehn. """""". Untitled article(s) for "Musik in Geschichte und Gegenwart". Offner, Herbert. "The modal aspects of Bach's chorale harmonization" (Master's thesis, University of California/Los Angeles, n.d.) Otterstrom, Thorwald. "The fugue," excerpt from "Manual of harmony (advanced)". """""". "Personal recollections of Bernhard Ziehn." Miscellaneous printed excerpts CORRESPONDENCE Box Contents 6 General Adler, Clarence Allen, James Turney Allen, Warren American Musicological Society Apel, Willi Bacon, Ernst Barker, Orville W. Barrymore, Lionel Bates, A. Cyril Berger, Isador Blake, J. P. (Art Publication Society) Blom, Eric Blume, Friedrich Boguslawski, Moissaye Borowski, Felix Bowhay, Arnold (Beverly Hills Unified School District) Breeze, Louisa Brother Leo Brune, Adolf Bukofzer, Manfred Calvocoressi, M. D. Cantor, Eddie Carpenter, John Alden Cesana, Otto Chicago Symphony Orchestra Chicago Tribune Clark, William Andrews, Jr. (Los Angeles Philharmonic) Colles, H. C. (Grove's Dictionary) Cowper, Holmes [see University of California, Berkeley] Craft, Robert Deutsch, Monroe [see Drake University] Downes, Olin Drake University Einstein, Alfred Elko (Nevada) Independent Elson, Louis C. Engel, Carl Engel, Gabriel 7 Foster Hall Collection Freer, Eleanor Everest Fulton, Muriel (Mrs. Mario Palmieri) Ganz, Rudolph Gehrkens, Karl W. Goldberg, Albert (Los Angeles Times music critic) Goldberg, Maurice Godowsky, Leopold Groshong, James W. Guggenheim Foundation Gunn, Glenn Dillard Hartford, Huntington Haydon, Glen Heller, Helen R. Hersholt, Jean Hertz, Alfred Heyman, Henry Hibberd, Lloyd Hill, William G. Hinrichsen, Max Hirsch, Paul Hofmann, Josef Holmes, Henry Hughes, Dom Anselm Irvine, Demar B. Jeppesen, Knud Jon s, Alberto Journal of Music Theory Kelley, Mrs. Edgar Stillman Kleffman, Ervin H. Krohn, Ernst C. Kurth, Ernst 8 Lait, Jack Lang, Paul Henry Leach, Rowland Leichentritt, Hugo Liebling, Leonard Lilienthal, T. and Jesse Lowinsky, Edward E. Luening, E. G. Macmillan Company Mason, Daniel Gregory Mason, Redfern Mathesius, Ebba McEwen, John B. Mendel, Arthur Merton, Felice (Mrs. Richard G.) Moore, Douglas Monteux, Pierre Morosco, Anthan Moser, Hans Joachim Music Library Association Nettl, Paul Olesen, Edith Olson, Claire C. Orriss, Herbert F. Otterstr"m, Thorwald Parlow, Kathleen Parsons, Louella O. Paterson, John A. Patterson, Frank Persinger, Louis Piston, Walter Pratt, Waldo Selden Purves-Smith, Claude 9 Reese, Gustav Regnery, Henry Remy, Alfred Rowher, Jens Rozsa, Miklos Rubsamen, Walter Russell, Rita and John Sachs, Curt Sarton, George Saunders, Richard Scanlon, John Thomas Schaeffer, Myron Schmulian, S. E. Scholes, Percy Shaw, George Bernard (transcripts) (also: correspondence regarding sale of Shaw letters) Silverman, Sol Slonimsky, Nicolas Sonneck, Oscar G. Sorabji, Kaikhosru S. Stock, Frederick A. Swain, Arthur B. Szigeti, Wanda Teschan, Elsa H. (Mrs. R. F.) Tobin, Richard M. Torossian, Berdsch University of California, Berkeley Upton, George P. Vincent, John Wagner, Peter Walter, Bruno Weber, Julius Rehn Werner, Eric Who's Who in Music Work Projects Administration Zeisler, Fannie Bloomfield Ziehn, Bernhard Ziehn, Emma Ziehn, Robert Zubryn, Emil Miscellaneous 10 Correspondence with students Barthelson, Joyce Campbell, Henry Cesana, Bruno Christensen, Dan Coleman, Corinne Copley, Frank Edmunds, John Ferguson, Allyn Firestone, Nathan Fragale, Frank Frost, Robert Garrett, Jack Gillingham, Harry Granat, Frank Hayes, Jack Herst, Jerome P. Hurbert, Stanley 11 Kimbell, Ray Kohanovich, Lydia Larew, Walter Mitchell, Edward R. Ocnoff, Edward 12 St. Edmunds, John Sargeant, Winthrop Sharp, Florence Sister Edmund Sister M. Dominic Stern, Isaac West, James Willson, Meredith Miscellaneous (A-L, M-Z, Unidentified) 13 Correspondence with family Gold, Glen (daughter) Gold, Leon (cousin) Gold, Jacob (uncle) Gold, Janet Hale (wife) Gold, Nathan (cousin) Ross, Anabel (Mrs. William D.) (sister-in-law) Weil, Jennifer (Mrs. Paul) (cousin) Unidentified Correspondence with institutions regarding jobs, grants, fellowships American Operatic Laboratory, Inc. Beverly Hills Unified School District California Council for Adult Education California Institute of Technology Carnegie Corporation of New York Carnegie Institution of Washington Cecil B. DeMille Productions Inc. Drake University Encyclopaedia Britannica Federal Music Project Fisk Teachers Agency Ford Foundation Guggenheim Foundation Immaculate Heart College Juilliard School of Music Kansas City Conservatory of Music Sol Lesser Productions, Inc. Los Angeles City College Los Angeles Conservatory of Music and Arts Loyola University Metro-Goldwyn-Mayer Pictures Mount Saint Mary's College Musical Courier Musical News National Institute of Music and Arts Paramount Pictures Corporation George Pepperdine College City of Philadelphia St. John's College San Francisco Chronicle San Francisco State Teachers College San Francisco Symphony Orchestra San Jose State College Stanford University Universal-International Pictures University of California, Los Angeles University of Chicago University of Colorado University of San Francisco University of Saskatchewan University of Southern California Warner Brothers Pictures, Inc. Miscellaneous 14 Correspondence regarding acquiring and selling books and journals (arranged alphabetically by correspondent): Julius Gold (4 folders) Glen Gold, Books & Music (3 folders) "Tradition" subscription requests PROMOTION Box Contents 14 Julius Gold (including printed fliers, brochures, placards, testimonials, etc.) [see also oversize box OV 4] Plan of a representative school for music study and research T'jan, Bookseller and Importer "Tradition": A magazine of musical inquiry Glen Gold, Books and Music Miscellaneous others PROGRAMS Box Contents 14 Programs of musical performance (1900-1964, undated) Programs of instruction (arranged alphabetically by institution) CLIPPINGS Box Contents 15 German periodicals Allgemeine Deutsche Musik-Zeitung (Allgemeine Musik Zeitung), 1878-1914 [see also oversize box OV 3 for 1860 issue] Allgemeine Musikalische Zeitung, 1820, 1868, 1871-73, 1877-78, 1880-81 Deutsche Tonk�nstler Zeitung (1910) Monatschrift f�r Gottesdienst und kirchliche Kunst, 1897-1898 Die Musik, 1915 OV 4 Musikalisches Wochenblatt, 1896 Musik Welt, 1881, undated 15 Neue Zeitschrift f�r Musik, 1887-1905 Unidentified [see also oversize box OV 3] Scrapbook (clippings and promotional material about Julius Gold and various students) OV 4-5 American periodicals PHOTOGRAPHS Box Contents 16 Julius Gold, alone and with others (See also oversize box OV 3) Glen Gold (daughter) and her house Others FINANCIAL / LEGAL PAPERS Box Contents Bills and receipts Glen Gold Books Residences Storage Miscellaneous Certificates, licenses, contracts Insurance Medical (correspondence, receipts) Musician's Union (membership cards, pamphlets, correspondence) Papers regarding sale of Gold's music library Tax Forms Federal (1934-1943, 1944-1953) City, County, State (1937-1943) CATALOGS Box Contents 17 Publishers American Institute of Musicology D. Appleton-Century Company Athenaeum Cremonense B"renreiter-Verlag C. H. Beck'sche Berlagsbuchhandlung The Bookfellows Books & Music Breitkopf & H"rtel Bureau of Musical Research Cambridge University Press El Colegio de Mexico Concordia Publishing House J. G. Cotta-Verlag Deutscher Musikliteratur Verlag Deutsche Verlags-Anstalt Oliver Ditson Company Ernst Eulenburg J. Fischer & Bro. Helen Gentry Gesellschaft f�r Musikforschung Ginn and Company Walter de Gruyter & Co. Wilhelm Hansen G. Henle Verlag Max Hesses Verlag Houghton Mifflin Company Insel Verlag Institut d'Estudis Catalans Institute of Renaissance and Baroque Music Wm. A. Kaun Music Company Ernst Klett Verlag Leo Liepmannssohn McGraw-Hill Book Company, Inc. G. and C. Merriam Co. Edition Merseburger Munksgaard Albert Nauck & Co. Martinus Nijhoff Henning Oppermann Oxford University Press Edition Peters Random House Reclam C. G. R"der William Edwin Rudge St. Martin's Press, Inc. B. Schott's S"hne Schweizerische Musikforschende Gesellschaft Smith College Steeger Verlag Edition Steingr"ber Universal Edition University of California Press University of Chicago Press Arno Volk Verlag Joseph Williams Ltd. Yale University Press Exhibitors Goodspeeds (Early English Engraved Portraits) Libraries Foster Hall Library of Congress PRINTED MUSIC Box Contents OV 3 Everest, C. The Sabbath, a work containing the most popular psalm and hymn tunes in general use. Philadelphia : Lee & Walker, 1873. Signed: Eleanor Warner Everest, 1887 Noted in pencil: Bernhard Ziehn notations, see pages 299, 317, 327. [Pages 223-384 have been cut out] Fragale, Frank. Sprightly flight. Set of parts. New York : Edition Musicus, 1943. Godowsky, Leopold, ed. Progressive series of music lessons for the use of conservatories, teachers and students. St. Louis, Missouri : Art Publication Society, 1913. Middelschulte, Wilhelm. Passacaglia (D moll) f�r die orgel. Leipzig : C. F. W. Siegel, 1901. Dedicated to Bernhard Ziehn. Piano scores by A. Arensky, C. P. E. Bach, J. S. Bach (2 piano), L. van Beethoven, Franz Bendel, Mathilde Bilbro (2 piano), Fr. von Esterhazy, Leopold Godowsky, Halfdan Kjerulf, Aug. Labitzky, Heinrich Lichner, Immanuel Liebich, Dorothy McGrath, Moritz Moszkowski, Ottorino Respighi (2 piano), Joachim Raff, Erno Rap,e, James H. Rogers, Robert Schumann, Trygve Torjussen, and Mortimer Wilson [alphabetically by composer; 3 folders] Piano/vocal scores by Buenta Carter, Palmer John Clark, Franco Leoni, Arthur Lee Mancebo, James H. Rogers, Meredith Willson, and Lawrence Zenda Fragments Miscellaneous
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