INSTRUCTIONAL CASSETTE RECORDINGS CATALOG 2003 Music and Musicians Contents This catalog is an annotated guide to instructional music cassettes available as of July 2002. It is divided into eighteen sections whose titles generally indicate the contents of each section. Thus, "Appreciation" gathers together cassettes dealing with the appreciation of music. The "Courses" section contains cassette titles that bear on learning how to sing and play various instruments. And the "Opera" section has numerous cassettes on particular operas or facets of a composer's opera output. Any title may be ordered by contacting: Music Section National Library Service for the Blind and Physically Handicapped Library of Congress Washington, DC 20542 1-800-424-8567 nlsm@loc.gov Learning to Listen Appreciation 1 Biography 8 Composers 8 Conductors 19 Educators 19 Performers 19 Songwriters 33 History 42 General 42 Medieval and Renaissance 44 Baroque 44 Classical 45 Romantic 46 Modern 46 Instruments 48 General 48 Brass 48 Electronic 48 Keyboard 49 Percussion 49 Strings 49 Woodwinds 50 Rehearsals 51 Learning Music Skills Courses 52 Accordion 52 Autoharp 53 Banjo 53 Dobro 54 Dulcimer 54 Fiddle 54 Guitar 55 Harmonica 59 Mandolin 60 Organ 60 Piano 60 Recorder 61 Singing 62 Songwriting/Composing 63 Synthesizer/Electronic Keyboard 63 Tinwhistle 63 Theory 64 Basic Theory 64 Chords 65 Ear Training 65 Harmony 65 History 65 Intervals/Triads 66 Ornamentation 66 Forms and Analysis 66 Canon and Fugue 66 Cantata 67 Chamber Music 67 Concerto 67 Dance 68 Electronic 68 Improvisation 68 Mass 68 Motet/Madrigal 68 Oratorio 68 Overture 68 Rhapsody 68 Rondo 68 Scherzo 68 Sonata 68 Suite 68 Symphony 68 Theme and Variation 68 Individual Pieces 71 Guitar 71 Piano 73 Popular Songs 74 Viola 75 Violin 75 Voice 77 Master Classes 84 Special Topics Folk Music 85 African 85 American 85 Australian 89 European 89 Mexican American 90 Native American 90 Oriental 91 Russian 91 South American 91 Other Cultures 91 Holidays and Seasons 93 Jazz and Ragtime 100 Nostalgia and Popular Music 114 Opera 114 Appreciation 114 Plots 117 Michael Barclay Lectures 142 Lyric Opera Series 144 Talking about Opera Series 144 Ann Thompson Series 145 Patriotic and Protest Music 146 Sacred/Gospel Music 148 Music and the Human Experience 149 Index 152 Appreciation The American Musical Theater CBM 1507 Guests discuss in general the state of the American musical and in particular the book Ten Great Musicals of the American Theater. Animals Expressed in Music CBM 249 Walter Damrosch talks about animal sounds in music. Arts and Older Folks CBM 731 Individuals over sixty remember their past and discuss their present activity in the arts. Includes interviews with Rudy Vallee, Avon Long, and Artur Rubinstein. A Broadway Melody CBM 718 Interviews with writers, producers, and actors who talk about what it takes to succeed on the Broadway stage. Actor Jerry Orbach, actress Lauren Bacall, and playwright Ernest Thomson are some of the individuals who contribute. Canadian Music CBM 669 Discusses Morris Blackburn's "Canadian Forest," an evocation of life in the northern woods. Chamber Music CBM 258 The Trio Concertante discusses and demonstrates the changing roles and increasing interdependence of instruments in chamber music. Classical Dances CBM 181 Traces the formal development of the dance from the earliest written music to the modern symphonic repertoire. Classics for Fun CBM 232 Light music by classical composers. Includes selections from Mozart's Adagio for the glass harmonica, Ibert's Concertina for saxophone, Strauss's "Tales from the Vienna Woods," Rachmaninoff's "Clown Music" for piano, and Gounod's "Funeral March of the Marionettes." Composers' Musical Jokes CBM 257 Excerpts from Strauss's "Perpetual Motion Polka" and "Thunder and Lightning" show how composers regain audience attention through surprise. The Cosmic Music of the Harmonic Choir CBM 779 Music based on a form of Tibetan overtone chanting. Commentary and interview by the Harmonic Choir director, composer David Hykes, and a noted musicologist with musical excerpts from choir's performances. Developing the Innate Musical Creativity of Children CBM 1529 Digging Music CBM 190 Arthur Fiedler and Stan Kenton play selections from jazz and the classics. Examples include classical music works by Beethoven, Tchaikovsky, Verdi, Mascagni, and Dvořák performed by the Boston Pops Orchestra along with a variety of jazz pieces by Benny Goodman, Count Basey, Duke Ellington, and other jazz musicians representing the newest styles in this genre. Emotions in Music CBM 283 Discusses compositional techniques used to convey moods and emotions through music. Enjoying Opera with Dale Harris CBM 1547 The Exotic Sounds of India CBM 300 Ravi Shankar, who introduced the sitar to rock musicians, explains and performs the intricate music of his country. Fairy Tales in Music CBM 266 Discusses the compatibility of fairy tales and music. Rudolf Firkusny CBM 151 Recital featuring Schubert's Impromptu in A-flat major and Schumann's Fantasy in C major. Girl Crazy CBM 282 A dramatization with songs from the 1930's musical by George and Ira Gershwin. Some of the songs included are "I Got Rhythm," "Bidin' My Time," and "Embraceable You." From Jumpstreet: A Story of Black Music CBM 715 Part 1: West African Heritage compares the roles of music, dance, and song in traditional West African and African American culture. Part 2: Gospel Spirituals shows the development of gospel and spiritual music compared with its original functions and settings. Part 3: Soul identifies social, political, and economic factors that nurtured the development of soul music. Part 4: Blues: Country Meets City considers the music that developed after the Civil War to express the sorrows and joys of freed people. Part 5: Rhythm and Blues focuses on black urban folk music. "R and B," or "doo wop," is the forerunner of rock and roll, soul, and disco. Part 6: Early Jazz explains that blues, brass band music, African ritual music, and ragtime are among early sources of the jazz music culture. Part 7: The Jazz Vocalist highlights the golden era of jazz vocalists during the 1930s and 1940s. Part 8: Jazz People demonstrates that jazz is uniquely American music and identifies innovators from 1936 on. Part 9: Black Music in Theatre and Film traces black music from minstrelsy, through "talking" pictures to stage and screen. Part 10: Black Influences in the Recording Industry depicts the process of creating and marketing a record from the perspective of black performers. Oscar Browne Jr. traces the history of recording since the appearance of the first Victrola in 1877. Haydn and Handel: Masterpieces of Chamber Music CBM 302 Eastman School of Music students perform Michael Haydn's Quintet for strings in C major and Handel's Passacaglia, arranged for violin and viola by Johan Halvorsen. How Music Expresses Joy and Sorrow CBM 220 Explains how composers convey their feelings through music by operating directly on the listener's emotions. How to Understand and Listen to Great Music CBM 1532-1537 Robert Greenberg lectures on understanding and listening to great music. Part I: Sources; the Ancient World through the Early Baroque Lecture 1, Music as a mirror. Lecture 2, Sources: The ancient world and the early Church. Lecture 3, The Middle Ages: Darkness, change and diversity. Lecture 4, Introduction to the Renaissance. Lecture 5, The Renaissance Mass: Josquin des Prez, Palestrina and the Counter Reformation. Lecture 6, Secular music in the late Renaissance and the search for expression; the madrigal. Lecture 7, Introduction to the baroque. Lecture 8, Style features of baroque music and a brief tutorial on pitch, motive, melody and texture. Part II: High Baroque Lecture 9, The rise of Italian and German nationalism in music. Lecture 10, Fugue. Lecture 11-12, Baroque opera. Lecture 13, Baroque sacred music, part 1: The oratorio. Lecture 14, Baroque sacred music part 2: The Lutheran Church cantata (Bach course). Lecture 15, Baroque instrumental forms, part 1: Passacaglia. Lecture 16, Baroque instrumental forms, part 2: Ritornello form and the baroque concerto. Part III: The Classical Era I Lecture 17, The Enlightenment and an introduction to the classical era. Lecture 18, The Viennese classical style, homophony and cadence. Lecture 19, Classical era form: theme and variations. Lecture 20, Classical era form: Minuet and trio I-baroque antecedents. Lecture 21, Classical era form: Minuet and trio II. Lecture 22, Classical era form: Rondo. Lecture 23-24, Classical era form: Sonata; Allegro form I. Part IV: The Classical Era II and the Age of Revolution-Beethoven Lecture 25, Classical era form: sonata form II. Lecture 26, Classical era orchestral genres: the symphony-music for every person. Lecture 27, Classical era orchestra genres: the solo concerto. Lecture 28, Classical era opera: the development of opera buffa. Lecture 29, Classical era opera: Mozart and the operatic ensemble. Lecture 30, The French Revolution and an introduction to Beethoven. Lecture 31-32, Beethoven Symphony no. 5 in C minor, Op. 67. Part V, Nineteenth Century Romanticism Lecture 33, Introduction to Romanticism. Lecture 34, Formal challenges and solutions in early romantic music: miniatures, Lieder and Chopin. Lecture 35-36, Formal challenges and solutions in early romantic music: the program symphony, Berlioz Symphonie Fantastique. Lecture 37, Nineteenth century Italian opera: bel canto opera. Lecture 38, Nineteenth century Italian opera: Giuseppe Verdi. Lecture 39, Nineteenth century German opera: nationalism and experimentation. Lecture 40, Nineteenth century German opera: Richard Wagner. Part VI, From Romanticism to Modernism, 1848-1913 Lecture 41-42, The concert overture. Lecture 43, Romantic nationalism: post 1848 musical nationalism. Lecture 44, Russian nationalism. Lecture 45, The early twentieth century and the modernist movement: an introduction. Lecture 46, Early twentieth century modernism: the search for a new musical language- Debussy. Lecture 47, Early twentieth century modernism: the search for a new musical language-Stravinsky. Lecture 48, Early twentieth century modernism: the search for a new musical language (Schoenberg). Incidental Music to Shakespeare CBM 469 Four musical interpretations of works by Shakespeare. Introduction to the Orchestra CBM 68 Introduction to music listening by Walter Damrosch. Examples include the march from Wagner's Tannh„user and "The Hall of the Mountain King" from Grieg's Peer Gynt Suite. Laughing with the Classics CBM 990 Tomfoolery with music featuring Donald Swann, Gerard Hoffnung, and P.D.Q. Bach. Leonard Bernstein Discusses... CBM 705 Beethoven's Fifth Symphony and "Eroica Symphony," Bach's St. Matthew Passion, and the music of Charles Ives. Discussion and excerpts from these works. Leonard Bernstein Discusses Humor in Music CBM 694 Wit and humor in music is discussed. "Till Eulenspiegel's Merry Pranks" by Richard Strauss is played. The Masters CBM 999 Music of romance is featured by master composers. Franz Liszt's "Liebestraum" is among the selected works. Motion Expressed in Music CBM 238 Demonstrates the expression of motion in music from ancient times to the present. Mozart CBM 634 Commentary on and performance of this music for string quartet and two horns. The Music of Haydn CBM 165 Describes the finer points of Haydn's music as seen in his Symphony no. 94 and his Concerto for trumpet and orchestra. Music from the Heavens CBM 916 Discusses the phenomenon of youth's attraction to Bach and his music's uplifting spirit. His mastery of counterpoint is demonstrated in the musical selections. Music of Latin America CBM 226 Discussion of Latin music and its origins. Musical illustrations include "The Four Churches" by Brazilian composer Francisco Mignone and "Preludio" by Chilean composer Rene Amengual. Music about Toys CBM 259 Examples include Victor Herbert's "March of the Toy Soldiers" from Babes in Toyland and Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker. Musical Ideas of Art Pepper CBM 18 The artist discusses how he puts a jazz piece together. Starting with a promising tune, he works out rhythmic and melodic outlines, then allows emotions to take over with individual solos. My Love Is like a Red, Red Rose CBM 1194 Biography of Robert Burns, the Scottish poet who wrote the words to "Auld Lang Syne." Myths in Music CBM 411 Analyzes mythical themes in the music of Handel, Vivaldi, Gluck, and Wagner. Includes two selections from a famous work in this genre, Wagner's Ring. The Nature of Music CBM 1530 New World Choristers CBM 158 Choral music by American and Chilean composers. Nutcracker Ballet CBM 81 Relates the story of The Nutcracker, as set to music by Tchaikovsky. Operetta Memories CBM 1000 Operetta in America is reviewed. "Waltz of the Merry Widow" is among the musical selections. Passion in Pink CBM 15 Discussion and Henri Renie's musical interpretations of five paintings: da Vinci's Mona Lisa, Picasso's Girl before a Mirror, Duchamp's Nude Descending a Staircase, Dali's Persistence of Memory, and Toulouse-Lautrec's At the Moulin Rouge. Peter and Ravel CBM 228 A quintet plays the contrasting works of Johann Peter, eighteenth-century American composer, and Maurice Ravel, twentieth-century French composer. Pictures at an Exhibition CBM 635 Mussorgsky's impressions, set to music, of ten paintings by Victor Hartman, a Russian artist. Pioneers of Czech Music CBM 34 Erich Leinsdorf conducts selections from The Bartered Bride by Friedrick Smetana, Second Symphony in D minor by Antonín Dvořák, Concerto for violin and orchestra by Bohuslav Martinu, and Schwanda the Bagpiper by Jaromir Weinberger. The Poet and the Musician CBM 1508 Prokofiev and Purcell CBM 471 Under the direction of Howard Hanson, Eastman School of Music advanced students play two pieces written almost three centuries apart-Prokofiev's Quintet op. 39 and Purcell's Pavanne and Chaconne for three violins and bass. Prometheus at the Piano CBM 1531 Lecture and performance by Gilbert Highet. The Ring CBM 78-79 Introduction to Wagner's masterpiece, showing how Wagner represented characters, situations, and ideas through his system of leitmotifs. Rock and Roll CBM 251 A composer and a disc jockey discuss rock and roll from musical, psychological, and social points of view. Romantic Piano CBM 1556 Lecture and performance by Karl Haas. Roy Harris and Gregor Piatigorsky CBM 1515 Russian Music CBM 9 Outlines the history of Russian music from Glinka to Shostakovich. Includes selections from their works as well as those of Mussorgsky, Tchaikovsky, and Stravinsky. Schubert and Mozart CBM 219 Millard Taylor and Jose Ichanitch perform Schubert's Sonatina in D major and Mozart's Sonata no. 15 in B-flat major. Singing in the African American Tradition CBM 1528 Song and Dance CBM 1557 Lecture and performance by Karl Haas. The Story of the Bells CBM 1555 Lecture and performance by Karl Haas. Stretching the Scale CBM 222 Scott Huston points out that "good music develops in spite of the insatiable demand for popular music." String Quintet CBM 306 The Eastman School of Music Chamber Ensemble plays Brahms Quintet for Strings in G major op. 111. Symphonies of Beethoven CBM 1612-1615 Robert Greenberg lectures about Beethoven's symphonies. Part 1: Lecture 1, Beethoven and the heroic style, part I. Lecture 2, Beethoven and the heroic style, part II. Lecture 3, Beethoven and the heroic style, part III. Lecture 4, Beethoven and the heroic style, part IV. Lecture 5, Symphony no. 1, Beethoven as classicist-tradition and innovation, part I. Lecture 6, Symphony no. 1, Beethoven as classicist-tradition and innovation, part II. Lecture 7, Symphony no. 2, Beethoven at the edge, part I. Lecture 8, Symphony no. 2, Beethoven at the edge, part II. Part 2: Lecture 9, Symphony no. 3, the "new path"-heroism and self-expression, part I. Lecture 10, Symphony no. 3, the "new path"-heroism and self-expression, part II. Lecture 11, Symphony no. 3, the "new path"-heroism and self-expression, part III. Lecture 12, Symphony no. 3, the "new path"-heroism and self-expression, part IV. Lecture 13, Symphony no. 4, consolidation of the new aesthetic, part I. Lecture 14, Symphony no. 4, consolidation of the new aesthetic, part II. Lecture 15, Symphony no. 4, consolidation of the new aesthetic, part III. Lecture 16, Symphony no. 4, consolidation of the new aesthetic, part IV. Part 3: Lecture 17, Symphony no. 5, the expressive idea fully formed, part I. Lecture 18, Symphony no. 5, the expressive idea fully formed, part II. Lecture 19, Symphony no. 5, the expressive idea fully formed, part III. Lecture 20, Symphony no. 6, the symphony as program, part I. Lecture 21, Symphony no. 6, the symphony as program, part II. Lecture 22, Symphony no. 6, the symphony as program, part III. Lecture 23, Symphony no. 7, the symphony as dance, part I. Lecture 24, Symphony no. 7, the symphony as dance, part II. Part 4: Lecture 25, Symphony no. 8, homage to classicism, part I. Lecture 26, Symphony no. 8, homage to classicism, part II. Lecture 27, Symphony no. 8, homage to classicism, part III. Lecture 28, Symphony no. 9, the symphony as the world, part I. Lecture 29, Symphony no. 9, the symphony as the world, part II. Lecture 30, Symphony no. 9, the symphony as the world, part III. Lecture 31, Symphony no. 9, the symphony as the world, part IV. Lecture 32, Symphony no. 9: the symphony as the world, part V. The Tales of Beatrix Potter: Music from the Motion Picture CBM 996 The Royal Opera House Orchestra is featured under the direction of John Lanchbery who also composed the ballet score. Excerpt, "The Tale of Jeremy Fisher," is heard. A biography of Beatrix Potter is included. Understanding the Language of Music CBM 1304 Using examples from classical and popular music, Daniel Abrams discusses modes, scales, chords, and the instruments of the orchestra. Includes a brief history of music, with analysis of styles and forms. For the person who would like to acquire a rudimentary knowledge of music history and theory. What Is Jazz? CBM 704 Discusses jazz and includes musical examples performed by Buck Clayton, Bessie Smith, Miles Davis, Teo Macero, Louis Armstrong, and Buster Bailey. Narrated by Leonard Bernstein. Words about Music CBM 71 Composer-writer R. Murray Schafer states his views on current music education methods, composition, and noise pollution. Biography Composers Bach, Johann Sebastian The World's 50 Greatest Composers: Bach CBM 1623 Bart¢k, B‚la The World's 50 Greatest Composers: Bart¢k CBM 1662 Beethoven, Ludwig van Beethoven the Incredible CBM 369 Fictionalized account of Beethoven's life. Beethoven, the Man CBM 1513 Beethoven, the Man Who Set Music Free CBM 938 Biography of Beethoven and excerpts from his music. Beethoven, Revolutionary Artist CBM 1514 Ludwig van Beethoven CBM 84 Biography of the composer who believed that music was a branch of moral philosophy and that musical sounds were the very stuff and substance of political and religious life. The Music of Beethoven CBM 28 Outlines the career of the great German composer. The World's 50 Greatest Composers: Beethoven CBM 1628 Berlioz, Hector The World's 50 Greatest Composers: Berlioz CBM 1633 Bizet, Georges Life and Music of Georges Bizet CBM 987 The life and work of Georges Bizet with excerpts from Carmen, his best known opera. The World's 50 Greatest Composers: Bizet CBM 1644 Boulez, Pierre Experiments in Electronics CBM 330 Composer-conductor Pierre Boulez discusses his search for a new musical language. Brahms, Johannes Brahms CBM 627 Description of life and musical style of the great German composer, accompanied by the excerpts of his major works. Johannes Brahms CBM 85 Biography of the composer. The Music of Brahms CBM 164 Describes the life and work of the composer, a leading figure in the German romantic movement. Includes selections from his compositions. The World's 50 Greatest Composers: Brahms CBM 1642 Britten, Benjamin Benjamin Britten, the Early Years CBM 1518 Buxtehude, Dietrich Lbeck, the Abendmusiken concerts established by Dietrich Buxtehude CBM 389 Discussion of Buxtehude's fame as an organist, influence as a composer, and role in establishing the Abendmusiken, a series of concerts held on the five Sundays preceding Christmas. Includes a performance of Buxtehude's sacred solo cantata, Laudate Dominum. Chopin, Fr‚d‚ric Fr‚d‚ric Fran‡ois Chopin CBM 102 Biography of the composer. Poet of the Piano-Chopin CBM 371 Fictionalized biography of Fr‚d‚ric Chopin, illustrated with orchestral versions of his piano music. The World's 50 Greatest Composers: Chopin CBM 1635 Copland, Aaron An Aaron Copland Portrait CBM 134 Interview with Aaron Copland, who discusses the use of folk material in his opera The Tender Land, and a performance by the Boston Symphony Orchestra, conducted by Copland, of two suites from the opera. Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. The World's 50 Greatest Composers: Copland CBM 1666 Corelli, Arcangelo Corelli and Vivaldi: Their Lives and Their Music CBM 1292 Narrated by Ward Botsford Debussy, Claude The World's 50 Greatest Composers: Debussy CBM 1655 Dohnanyi, Ernst von Ernst von Dohnanyi CBM 149 Dohnanyi plays his compositions and talks about his musical career. Ernst von Dohnanyi in Concert CBM 148 Dohnanyi tells of his early concert days. Donizetti, Gaetano The World's 50 Greatest Composers: Donizetti CBM 1632 Dvořák, Antonín The World's 50 Greatest Composers: Dvořák CBM 1647 Ellington, Duke Duke Ellington CBM 933 Mike Whorf interviews friends and relatives of the pianist, bandleader, and composer of more than one thousand pieces. Falla, Manuel de The World's 50 Greatest Composers: de Falla CBM 1661 Faure, Gabriel The World's 50 Greatest Composers: Faure CBM 1650 Foster, Stephen Collins Beautiful Dreamer CBM 930 Biography and music of the American songwriter Stephen C. Foster. The Foster Nobody Knows CBM 988 Biography of Stephen Foster and a glimpse into the legacy of his naturally beautiful melodies, which have been enjoyed for generations. Franck, C‚sar The World's 50 Greatest Composers: Franck CBM 1640 Gershwin, George Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. George Gershwin's Rhapsody in Blue CBM 891 The story behind writing this composition and performing it with Paul Whiteman in New York. Gershwin cut the piano roll used for this performance. Gershwin CBM 709 Description of life and musical style of Gershwin, accompanied by several excerpts of his major works and numerous popular songs. The Gershwin Years CBM 614/CBM 615 Overview of Gershwin's life, with several songs from stage musicals, including "Yankee Doodle Blues," "Somebody Loves Me," "Clap Yo' Hands," and "Bess, You Is My Woman." The World's 50 Greatest Composers: Gershwin CBM 1665 Gluck, Christoph The World's 50 Greatest Composers: Gluck CBM 1625 Gottschalk, Louis Moreaux America's First Superstar CBM 951 Biography of Louis Moreaux Gottschalk, who used American folk music in his compositions. Selections heard are "Bamboula" and "A Night in the Tropics." Grieg, Edvard Grieg CBM 998 Biography and music of the Norwegian born composer who wove the folk melodies and rhythms of his homeland into his works. The World's 50 Greatest Composers: Grieg CBM 1648 Handel, George Frideric The Music of Handel CBM 140 Details Handel's career as a composer. The World's 50 Greatest Composers: Handel CBM 1624 Haydn, Franz Joseph Franz Josef Haydn CBM 104 Introduction to the composer's life. Haydn CBM 706 Description of life and musical style of the great Austrian composer, accompanied by the excerpts of his major famous works. Josef Haydn CBM 671 Biography plus musical examples. The Music of Haydn CBM 165 Describes the finer points of Haydn's music as seen in his Symphony no. 94 and his Concerto for trumpet and orchestra. The World's 50 Greatest Composers: Haydn CBM 1626 Henze, Hans Werner Spotlight on Hans Werner Henze CBM 290 A contemporary German composer discusses the successful opera. Herbert, Victor The Legend of Victor Herbert CBM 612 Focus on Victor Herbert, one of the founders of ASCAP, covering his varied career as composer of the operetta Babes in Toyland, bandmaster of New York's Twenty-Second Regiment Band, and conductor of the Pittsburgh Symphony Orchestra. Victor Herbert CBM 585 Biography. Herbert's failure at composing serious pieces for the opera and violoncello resulted in the operetta Naughty Marietta, a forerunner of musical comedy. Includes selections from Victor Herbert's musical comedies. Hoddinott, Alun Moelwyn Merchant Talks with Composer Alun Hoddinott CBM 321 The composer talks about his and other composers' work. Includes excerpts from Hoddinott's works. Ives, Charles Charles Ives: Fascination with What Is Difficult; Erik Satie: Man in the Grey Velvet Suit CBM 1509 Gilbert Highet discusses the lives of two composers, Charles Ives and Erik Satie. He explores the influences that shaped their compositions. Jan cek, Leos The World's 50 Greatest Composers: Jan cek CBM 1654 Johnson, James P. (James Price) James P. Johnson CBM 858 The composer of "Charleston" and "If I Could Be with You" ranked along with Scott Joplin and Jelly Roll Morton as the "father" of the eastern Harlem stride style. Liszt, Franz Franz Liszt CBM 673 Biography plus musical examples. Liszt CBM 708 Description of music and musical style of the great Hungarian composer and pianist, accompanied by the excerpts from his most important works. The World's 50 Greatest Composers: Liszt CBM 1637 Mahler, Gustav Recollections of Mahler CBM 108, CBM 628 Musicians, acquaintances, and Mahler's daughter describe their experiences with this composer and discuss his personal and professional life. The World's 50 Greatest Composers: Mahler CBM 1652 Mendelssohn-Bartholdy, Felix Felix Mendelssohn CBM 161 Discusses the life and music of Felix Mendelssohn. Felix Mendelssohn CBM 674 Biography plus musical examples. The World's 50 Greatest Composers: Mendelssohn CBM 1634 Monteverdi, Claudio The World's 50 Greatest Composers: Monteverdi CBM 1619 Mozart, Wolfgang Amadeus The Music of Mozart CBM 27 The third movements from Mozart's Piano Concerto no. 26 in D major and his Sinfonia Concertante in E-flat major illustrate Mozart's musical development. Profile: Mozart CBM 962 The universal genius and unique style of Mozart are discussed along with his personal life. Excerpts from his music are performed. The World's 50 Greatest Composers: Mozart CBM 1627 Mussorgsky, Modest The World's 50 Greatest Composers: Mussorgsky CBM 1645 Offenbach, Jacques Death in A Major CBM 970 The story of Offenbach's near lifelong quest of a haunting melody, his famous "Barcarolle." Palestrina, Giovanni The World's 50 Greatest Composers: Palestrina CBM 1618 Piston, Walter Copland, Gershwin, and Piston CBM 25 A discussion of three contemporary American composers who have achieved international prominence. Prokofiev, Sergei The World's 50 Greatest Composers: Prokofiev CBM 1664 Puccini, Giacomo The World's 50 Greatest Composers: Puccini CBM 1651 Purcell, Henry The World's 50 Greatest Composers: Purcell CBM 1620 Rachmaninoff, Sergi The World's 50 Greatest Composers: Rachmaninoff CBM 1658 Rameau, Jean Philippe The World's 50 Greatest Composers: Rameau CBM 1622 Ravel, Maurice The World's 50 Greatest Composers: Ravel CBM 1660 Rimsky-Korsakov, Nikolay The World's 50 Greatest Composers: Rimsky-Korsakov CBM 1649 Rossini, Gioacchino The World's 50 Greatest Composers: Rossini CBM 1631 Saint-Sa‰ns, Camille The World's 50 Greatest Composers: Saint-Sa‰ns CBM 1643 Satie, Eric See entry under Ives, Charles Schoenberg, Arnold The World's 50 Greatest Composers: Schoenberg CBM 1659 Schubert, Peter Franz Franz Schubert CBM 672 Biography plus musical examples. Peter Franz Schubert CBM 101 Story of the composer who sank so low into poverty that he couldn't afford to rent a piano to do his writing. Most of his works were not performed until years after his early death at thirty-one. Schubert CBM 707 Description of life and musical style of the great Austrian composer, accompanied by numerous excerpts from his works. Schubert CBM 1512 The World's 50 Greatest Composers: Schubert CBM 1629 Schuman, William Close-up on William Schuman CBM 286 Reminiscences of the educational administrator, president of Lincoln Center for the Performing Arts, and composer. Schumann, Robert Robert Schumann CBM 14 David Randolph discusses the life of the composer who set out to become the world's greatest pianist, but lost the use of his hand and died impoverished. Illustrated with numerous examples of Schumann's compositions for piano, orchestra, instrumental ensembles, and voices. A Tribute to Schumann CBM 924 The life and work of Robert Schumann. Several of his piano works and songs are performed. The World's 50 Greatest Composers: Schumann CBM 1636 Schutz, Heinrich Dresden CBM 384 Lecture on Heinrich Schutz, stressing Schutz's importance in applying Italian polychoral style and dramatic monody to German church music; motets from Schutz's Symphoniae Sacrae. Shostakovich, Dmitri Shostakovich and Stravinsky CBM 301 Lecture on the life and work of two leading Russian composers. The World's 50 Greatest Composers: Shostakovich CBM 1667 Sibelius, Jean The World's 50 Greatest Composers: Sibelius CBM 1656 Sousa, John Philip John Philip Sousa CBM 297 Discussion concerning the great composer's life, highlighted by comments of friends and associates. Marching Along CBM 851 John Philip Sousa, born in Washington, D.C., in 1854, wrote over one hundred marches. His band performed from 1892 to 1931. Interviews with his daughter Helen and friend Meredith Willson, and examples of his music such as El Capitan. The Sousa Nobody Knows CBM 971 Explores other compositions Sousa wrote besides his well-known marches. A tango called Gliding Girl, composed in 1912, is among the selections. Strauss, Johann Johann Strauss II CBM 710 Description of life and music of the Waltz King, with numerous excerpts from his famous works. The World's 50 Greatest Composers: J. Strauss CBM 1641 Strauss, Richard The World's 50 Greatest Composers: R. Strauss CBM 1653 Stravinsky, Igor See also listing under Shostakovich A Sound Portrait of Igor Stravinsky CBM 719 Biography of the composer whose ballet The Rite of Spring touched off a riot when it was first produced in Paris in 1913. Illustrated by writings from Stravinsky as well as Debussy and Rimsky-Korsakov and interviews with Elliot Carter and John Rosen. Selections from composer's pieces for orchestra, conducted by Stravinsky. Spotlight on Igor Stravinsky CBM 56 Igor Stravinsky invites the listener into his Hollywood studio to hear a conversation with conductor Robert Craft. The World's 50 Greatest Composers: Stravinsky CBM 1663 Tchaikovsky, Peter The Music of Tchaikovsky: Music by the Melancholy Russian CBM 23 Excerpts from The Nutcracker Suite, Sleeping Beauty, and Symphony no. 4, showing how Tchaikovsky's music is rooted in Russian folk music. Peter Ilyich Tchaikovsky CBM 194 David Randolph introduces many of Tchaikovsky's compositions. The World's 50 Greatest Composers: Tchaikovsky CBM 1646 Tippett, Michael Sir Michael Tippett CBM 1519 Biography and discussion of the composer's life. Includes interview with Tippett and others, and extensive musical extracts. Vaughan Williams, Ralph The World's 50 Greatest Composers: Vaughan Williams CBM 1657 Verdi, Giuseppe A General Lecture on Verdi CBM 1336 This composer, born into abject poverty, was to become one of the greatest opera composers of all time. There is also a comparison of Il Trovatore and Aida, two of his greatest works. The History Makers: Giuseppe Verdi CBM 405 Narrated by John Green The Master of Melody-Verdi CBM 948 Biography of the renowned opera composer, his tragedy and triumphs. Excerpts from his operas are heard. The World's 50 Greatest Composers: Verdi CBM 1639 Vivaldi, Antonio Corelli and Vivaldi: Their Lives and Their Music CBM 1292 Narrated by Ward Botsford The World's 50 Greatest Composers: Vivaldi CBM 1621 Wagner, Richard The World's 50 Greatest Composers: Wagner CBM 1638 Walton, William Sir William Walton CBM 1520 Biography and discussion of the composer. Includes interview with Walton and others and extracts from his works. Weber, Karl Maria von The World's 50 Greatest Composers: von Weber CBM 1630 Weill, Kurt The Musical Maverick CBM 611 Covers the varied career of Kurt Weill, composer of such operas as Threepenny Opera and Mahagonny and such popular songs as "Mack the Knife" and "September Song." His collaborators Ira Gershwin, Langston Hughes, and Ogden Nash tell their stories about his work in America. The World's 50 Greatest Composers Johann Sebastian Bach CBM 1623 B‚la Bart¢k CBM 1662 Ludwig van Beethoven CBM 1628 Hector Berlioz CBM 1633 Georges Bizet BM 1644 Johannes Brahms CBM 1642 Fr‚d‚ric Chopin CBM 1635 Aaron Copland CBM 1666 Claude Debussy CBM 1655 Gaetano Donizetti CBM 1632 Antonín Dvořák CBM 1647 Manuel de Falla CBM 1661 Gabriel Faur‚ CBM 1650 Cesar Franck CBM 1640 George Gershwin CBM 1665 Christoph Gluck CBM 1625 Edvard Grieg CBM 1648 George Frideric Handel CBM 1624 Franz Joseph Haydn CBM 1626 Leos Jan cek CBM 1654 Franz Liszt CBM 1637 Gustav Mahler CBM 1652 Felix Mendelssohn CBM 1634 Claudio Monteverdi CBM 1619 Wolfgang Amadeus Mozart CBM 1627 Modest Mussorgsky CBM 1645 Giovanni da Palestrina CBM 1618 Sergei Prokofiev CBM 1664 Henry Purcell CBM 1620 Giacomo Puccini CBM 1651 Sergi Rachmaninoff CBM 1658 Jean-Philippe Rameau CBM 1622 Maurice Ravel CBM 1660 Nikolay Rimsky-Korsakov CBM 1649 Gioacchino Rossini CBM 1631 Camille Saint-Sa‰ns CBM 1643 Arnold Schoenberg CBM 1659 Franz Schubert CBM 1629 Robert Schumann CBM 1636 Dmitri Shostakovich CBM 1667 Jean Sibelius CBM 1656 Johann Strauss CBM 1641 Richard Strauss CBM 1653 Igor Stravinsky CBM 1663 Peter Tchaikovsky CBM 1646 Ralph Vaughan Williams CBM 1657 Giuseppe Verdi CBM 1639 Antonio Vivaldi CBM 1621 Richard Wagner CBM 1638 Karl Maria von Weber CBM 1630 Conductors Ormandy, Eugene Spotlight on Eugene Ormandy CBM 265 The conductor reminisces about his boyhood, Vienna, and other musicians. Stokowski, Leopold A Leopold Stokowski Profile CBM 162 Autobiographical account of Stokowski's unusual range of musical activity. Szell, George Maestro George Szell CBM 472 A great conductor demonstrates his artistry in these rehearsals and concerts. Toscanini, Arturo Maestro Arturo Toscanini CBM 270 This tribute to the famed maestro includes a discussion of his life and work as a conductor, composer, and teacher. The Man and the Legend-Arturo Toscanini CBM 913 Called saint and demon, tyrant and democrat, it was an epic experience to play under this great musician of the world. Music by Beethoven is heard. Educators Boulanger, Nadia Focus on Nadia Boulanger CBM 296 Nadia Boulanger, distinguished teacher of Aaron Copland and numerous other successful composers, discusses her teaching philosophy and comments on success in the world of music. The Influence of Nadia Boulanger CBM 173 Nadia Boulanger explains how she develops her students' creative abilities and musical artistry. Music for Children CBM 263 Interviews with Doreen Hall, a leading exponent of the Orff system of music education; Donald Himes, a teacher of eurhythmics; and Derek Healey, a composer. Performers Astaire, Fred The Legend of Fred S. Astaire CBM 819 Biography of Fred Astaire, dance master of the stage and screen. Music such as "Dancing Cheek to Cheek" is featured. Austin, Gene The Legend of Gene Austin CBM 826 Describes Austin as a kind and generous human being, whose legacy can be summed up by the dictum to embrace the present. "My Blue Heaven," "Ain't Misbehavin'," "Lonesome Road," and "Melancholy Baby" are heard. Baez, Joan The Singer as Activist CBM 113 Interview with folk singer Joan Baez and her family and friends. Discusses her career and her involvement with the Monterey Institute for the Study of Nonviolence. Beiderbecke, Bix Bix Beiderbecke CBM 1523 Belafonte, Harry Spotlight on Harry Belafonte CBM 287 A prominent black singer and entertainer discusses his life on stage. Benny, Jack Jack Benny CBM 881 Biography of the much loved entertainer who never aged beyond thirty-nine years, played the violin, and personified a vain and miserly character. Blake, Eubie Eubie Blake CBM 1521 Memories of Eubie CBM 728 The ninety-six-year-old ragtime musician reminisces about his many years in show business. He also plays "Charleston Rag," "Memories of You," and "If You've Never Been Vamped by a Brownskin." Borge, Victor Clown Prince of Denmark CBM 1002 Biography, music, and comedy of Victor Borge. Includes the story of a Mozart opera and phonetic punctuation. Brice, Fanny Fanny CBM 925 A legend in her time, Fanny Brice began her stage career at age fourteen and was a show stopper from her first performance. Original excerpts from her performances are heard. Britto, Carol Carol Britto CBM 1245 For two decades she delighted Toronto jazz fans. Carol Britto has returned to her native country, making waves on the New York music scene with her impressive piano skills. Britto discusses her career. Burton, Gary Gary Burton CBM 1249 Although his main instrument is the vibraphone, he has taught piano at the Berklee College of Music for many years. Gary Burton performs "Turn Out the Stars." Marian McPartland interviews Burton and the two blend talents on a duet of "The Night Has a Thousand Eyes." Cage, John John Cage and Burl Ives CBM 1516 Calloway, Paul See entry under Duncan, Paul Cantor, Eddie Gerald Marks on Eddie Cantor CBM 876 Interview with composer and historian of Tin Pan Alley, Gerald Marks, and his recollections of the "saucer-eyed" entertainer, Eddie Cantor. Songs heard briefly are "Ma," "Makin' Whoopee," and "Ida." Caruso, Enrico Hall of Fame: Enrico Caruso CBM 989 Biography of the world-famous tenor who was among the first of leading musicians to recognize the value of the phonograph. Casals, Pablo Spotlight on Pablo Casals CBM 293 The renowned cellist discusses his music and ideals. Chaplin, Charlie The Comedian: Charlie Chaplin CBM 986/CBM 1186 Biography of the world famous comedian, Charlie Chaplin. Includes his childhood and early stage appearances. Timely and humorous music interspersed throughout. Chevalier, Maurice Close-up on Maurice Chevalier CBM 320 An entertainer recalls his love affairs with Parisian and American audiences. Colianni, John John Colianni CBM 1235 At fifteen he demonstrates his abilities with a composition of his own, "Slow Blues." A powerful duet of "Get Happy" concludes a session with Marian McPartland. Columbo, Russ The Legend of Russ Columbo CBM 833 A crooner of the 1930s who reflects on the slowdown in musical style after the stock market crash. "Time on My Hands," "Sweet and Lovely," and "All of Me" are among the songs included. Copeland, Johnny Johnny Copeland CBM 1232 The singer and guitarist explains the difference between Texas country blues and Texas city blues and why his music is often considered the quintessence of just plain Texas blues. Corea, Chick Chick Corea CBM 1250 The multitalented musician plays selections from a variety of musical genres- from big band to jazz-rock fusion. In "Piano Jazz," recorded at Corea's own California studio, the prolific composer joins Marian McPartland for a dazzling mix of talk, improvisations, and musical portraits. Crosby, Bing Close-up on Bing Crosby CBM 284 A giant in show business tells the story of his life and work with the easy style that was his trademark for two generations. Dapogny, James James Dapogny CBM 1254 A specialist on piano music from the turn of the century to World War II tells his favorite tales of the legendary Jelly Roll Morton and plays tunes by Morton and Gershwin. Disney, Walt Walt Disney's Dream Factory CBM 846 Biography and excerpts of music from Disney's movies such as "Chim Chim Cher-ee" sung by Dick Van Dyke, "Who's Afraid of the Big Bad Wolf," and "Alice in Wonderland." Duchin, Peter Peter Duchin CBM 1257 He began studying music at five and went on to lead his own orchestra. This demonstration features Duchin in a solo of Gershwin's "Someone to Watch Over Me." Duncan, Todd Todd Duncan and Paul Calloway CBM 83 Todd Duncan, the original Porgy in Porgy and Bess, and Paul Calloway, the Washington Cathedral's director of music, discuss their difficulties in achieving success. Durante, Jimmy The Legend of Jimmy Durante CBM 828 "The Great Durante" began his career as a ragtime pianist in 1913. Reminiscences of his radio days include portions of broadcasts and songs he played and sang. Eldridge, Roy Roy Eldridge CBM 1238 In this demonstration the great jazz trumpet stylist displays his piano abilities by playing several of his own works and a composition penned by both Marian McPartland and Eldridge, the "M and R Blues." Ellington, Duke Duke Ellington CBM 1522 Things Are Just like They Used to Be CBM 980 Anecdotes and facts about the man Duke Ellington and his big-band style of arranging. "Chattanooga Choo Choo" and "Perdido" are heard. Elman, Mischa The Art of Mischa Elman CBM 958 Biography of the pioneer of the "Russian School" of violin playing. Some familiar tunes are played in this highly romantic style. Fields, Gracie Gracie Fields Forever CBM 868 Through recordings and recorded interviews, the life of this famous English music hall queen is traced. Beginning as a professional singer at the age of sixteen, she made her last appearances at age seventy. Introduced by Stanley Holloway. Gilmore, P. S. Super Salesman of Music CBM 943 Biography of the extraordinary band master of the 1800s who traveled the country producing musical events. Choral and orchestra music are performed. Gluck, Alma The Legend of Alma Gluck CBM 829 Alma Gluck, operatic soprano born in Romania in 1884, came to New York as a child. She sang for Toscanini in 1909. They became lifelong friends. Featured songs are from her operatic roles. Gould, Glenn Glenn Gould on the Moog Synthesizer CBM 244 Glenn Gould talks about the Moog synthesizer used in the production of the recording Switched-on Bach. Includes interviews with synthesizer performer Wendy Carlos and Canadian poet Jean Le Moyne. Grillo, Frank "Machito" Machito CBM 1190 Pays tribute to the late Cuban musician Frank "Machito" Grillo, universally acclaimed as the first musician to blend jazz with Latin American sound. Includes interviews with Machito, as well as with those who knew him. (This tape contains material on one side only.) Guthrie, Woody Legend of a Balladeer CBM 912 Biography of Woody Guthrie, who traveled the land and wrote songs about American life. "This Land Is Your Land" and "Roll on, Columbia" are among the musical selections. Hancock, Herbie Herbie Hancock CBM 1229 His mastery of both acoustic piano jazz and electronic jazz-rock-funk has propelled him to stardom. Herbie Hancock discusses his role in the film Round Midnight, plays "Chan's Song," written especially for the film, and joins Marian McPartland for their own version of "That Old Black Magic." Hawkins, Coleman Spotlight on Coleman Hawkins CBM 264 Friends and colleagues reminisce about the jazz musician's career. Includes a recording of his last performance. Heifetz, Jascha The World's Greatest Violinist CBM 203 Interview with renowned violinist Jascha Heifetz. Includes performances. Hines, Earl Fatha Hines Groove CBM 54 Traces the development of Hines's unique jazz piano style throughout the long span of his career. Holiday, Billie Billie Holiday CBM 822 Biography of the blues singer. Examples of her sensitive style include both upbeat and blues songs. Some backings are played by Teddy Wilson and Lester Young. Holly, Buddy Buddy Holly CBM 900 Buddy Holly's legacy of rock and roll music influenced such performers as Bob Dylan, the Rolling Stones, and the Beatles. "Well, That'll Be the Day" is heard. Hopkins, Lightnin' Focus on Lightnin' Hopkins CBM 292 In this documentary, the blues singer and guitarist reminisces about the early days of his career and performs many of his songs. Jackson, Mahalia Mahalia Jackson Discusses "Movin' on Up" CBM 231 Interview with the great black singer, who describes her strong faith and the hymns and spirituals she sings that reinforce her faith. Jarvis, Jane Jane Jarvis CBM 1258 An executive for Muzak, former organist with the New York Mets, and now a headliner in premier jazz clubs, Jarvis plays a solo version of "The Bounder." A duet of "J and M Blues" concludes this interview by Marian McPartland. Jessel, Georgie The Legend of Georgie Jessel CBM 816 Old radio broadcasts illustrate his wit along with songs and comments about his life and career. Jolson, Al I'd Rather Please You than Anyone CBM 815 Jessel eulogizes Al Jolson whose popularity spanned the 1920s to 1950s. This in-depth biography of the great entertainer includes the song "My Mammy." The Legend of Al Jolson CBM 824 Famous for his black face, white gloves, and bended knee, the minstrel man became a legend in his own time. Born in 1886, he went from vaudeville to Broadway. Includes "My Mammy," his memorable specialty. Jones, Oliver Oliver Jones CBM 1247 His renditions of "Street of Dreams" and "Straight, No Chaser" have earned this Montreal native international recognition. The endearing Oliver Jones talks about his career and tells stories of his childhood friend Oscar Peterson. Joplin, Janis Janis Joplin CBM 899 Biography of the electrifying performer born in Port Arthur, Texas, who died at age twenty-seven of a heroin overdose. Includes several of her emotionally charged songs. Keene, Constance Constance Keene CBM 726 Constance Keene discusses her performances at the Menuhin Festival in Stadt, Switzerland, and her teaching experiences at the Manhattan School of Music. She believes that music schools are admitting too many unprepared and untalented students. Khan, Bismillah Spotlight on Bismillah Khan CBM 313 Discusses the art, daily life, and music of Bismillah Khan, exponent of India's subtle and complex music played on the shannai, a double reed instrument. Kirkland, Kenny Kenny Kirkland CBM 1239 While still in his twenties, he has already made thirty recordings and worked with an impressive range of artists-from Wynton Marsalis to Sting. Kenny Kirkland talks with Marian McPartland and performs a two-piano version of "Billy's Bounce" with her. Kitt, Eartha Eartha Kitt CBM 725 A candid interview with the singer-dancer. She talks about her life as a poor orphan growing up in the South and her rise to international stardom and self-acceptance. Kreisler, Fritz The Legend of Fritz Kreisler CBM 1196 This famed violinist was born in Vienna in 1875. He toured the United States in 1888 before making his debut in Berlin. Two featured selections are "Rondino" based on a theme by Beethoven and "Caprice" by Kreisler. Spotlight on Fritz Kreisler CBM 288 Fritz Kreisler comments on music in general, his successful career, his collection of violins, and his family. Selections from performances are included. Laine, Jack Pappa Jack the Patriarch CBM 279 On his ninetieth birthday, Pappa Jack Laine reflects on his role in the development of jazz. Landowska, Wanda Focus on Wanda Landowska CBM 160 Wanda Landowska describes her affinity for the harpsichord and her thoughts about music, her career, and life in general. Lanza, Mario Mario Lanza CBM 896 Koussevitzky was instrumental in giving the Philadelphia-born legendary tenor his beginning. Excerpts from operas and "Granada." Lauder, Harry Harry Lauder Special CBM 1010 Scotsman who created a character of fact and fancy toured the United States extensively for twenty-five years beginning in 1907. He sings several Scottish songs. Ledford, Lily May The Life and Music of Lily May Ledford CBM 778 Appalachian musician Lily May Ledford plays her fiddle and banjo, and describes efforts to preserve old-time Appalachian music traditions. Lewis, Ted The Legend of Ted Lewis CBM 827 His trademarks-a top hat, cane, and clarinet-gave him his distinction. He performed for nine presidents during his career. MacDonald, Jeanette Queen of the Sentimental Love Song CBM 341 Summarizes the film career of Jeanette McDonald, the twenty years from 1929 to 1949. Gives the background of her films, costars, and songs. Marley, Bob The Music and Marley CBM 717 An interview with Bob Marley, who, until his death in 1981, was considered the living symbol of Jamaica and its Reggae music. Marsalis, Ellis Ellis Marsalis CBM 1234 He is the father of two popular American jazz artists: Wynton and Branford Marsalis. This teacher, performer, and recording artist, credited with instilling a love for music in all his children, talks about and plays his own compositions and combines talent with Marian McPartland for their version of "Blue in Boogie." McCormack, John The Irish Nightingale CBM 1195 John McCormack, contemporary of Caruso, had a way with words which made him a leading singer of his day. "Where the River Shannon Flows" and a 1916 recording of "When Irish Eyes Are Smiling" are heard. McKeller, Kenneth Troubadour in Tartan CBM 923 The Scottish singer Kenneth McKeller sings in much the same style as John McCormack. Among the musical selections are "Danny Boy" and "I Hear You Calling Me." Menuhin, Yehudi Menuhin and Ayrton CBM 374 Michael Ayrton, noted sculptor, painter, and writer, discusses the responsibilities of gifted musicians and artists with Yehudi Menuhin, well-known violinist. Yehudi Menuhin, Man and Musician CBM 69 The renowned violinist whose musical career began before the age of three discusses his experiences as a child prodigy and as a mature musician. Miller, Kid Focus on Kid "Punch" Miller CBM 291 Tribute to black trumpet player "Punch" Miller, known in the New Orleans of the 1920s and 1930s as "King of the Blues." Miller, Mulgrew Mulgrew Miller CBM 1243 In an interview with Marian McPartland, Miller and McPartland take turns on Art Tatum tunes, and the two combine forces on Cole Porter's "What Is This Thing Called Love?" Mingus, Charlie Charlie Mingus Speaks Out CBM 183 Charlie Mingus talks about life, love, education, religion, children, women, men, and injustice, from the black perspective. Morgan, Helen The Legend of Helen Morgan CBM 812 Songs and the story of Helen Morgan's life and theatrical career. Vocal samples include "Bill," "Can't Help Lovin' That Man of Mine," and "Give Me a Heart to Sing." Mulligan, Gerry Gerry Mulligan CBM 1248 Best known as a baritone saxophonist and big-band performer, Gerry Mulligan has begun to write and perform symphonic music. During this interview he turns to the piano to play "Ontet" and a duet of "Blue Angst." Munsel, Patrice The Story of Patrice Munsel CBM 33 Story of a small-town girl who made it to the Metropolitan Opera. Novak, Larry Larry Novak CBM 1255 A teacher, director, arranger, and composer from Chicago considers himself "one of the last generalists" and proves it by offering an impressive variety of piano jazz during this interview with Marian McPartland. Peerce, Jan Jan Peerce CBM 823 Versatile performer on radio, TV, stage, and in opera. "You'll Never Walk Alone," "Blue Bird of Happiness," and Schubert songs are heard. Pepper, Art Musical Ideas of Art Pepper CBM 18 The artist discusses how he puts a jazz piece together. Starting with a promising tune, he works out rhythmic and melodic outlines, then allows emotions to take over with individual solos. Petrucciani, Michel Michel Petrucciani CBM 1256 "I'm never letting anything stop me from doing what I want to do," proclaims the twenty-one-year-old Petrucciani during this discussion and demonstration of his own composition style. Powell, Maud Child Prodigy of the Violin CBM 115 Discusses the life of Maud Powell, the American violin virtuoso who was not considered seriously until she was invited to play for Queen Victoria. Presley, Elvis Portrait of Elvis Presley CBM 814 Biography and music of the country singer turned rock star. Discusses the views and expectations of his fans. Puente, Tito Tito Puente, the King of Salsa CBM 1026 Biography and music of the popular Latin musician. Ritter, Tex Tex Ritter CBM 878 Biography of the Texas-born country-western singer and Hollywood cowboy. "High Noon," "Old Shortie," and "Lord, Can a Drunk Get into Heaven" are among the songs heard. Roberts, Judy Judy Roberts CBM 1240 In a conversation with Marian McPartland that hits topics from sexism to Cole Porter, Judy Roberts shows that her independence and talent make her one of the most versatile singers and pianists of her age. Robeson, Paul Paul Robeson CBM 957 Biography of Paul Robeson, the controversial singer who was the first performer to do concerts consisting solely of spirituals. Rodgers, Jimmie Portrait of Jimmie Rodgers CBM 882 Biography of the country-western singer of the 1920s and 1930s. "Birmingham Jail" and "Lookin' for a New Mamma" are among the songs heard. Rubinstein, Artur He Loved Life from Miracle to Miracle CBM 969 This great pianist, considered by many to be the world's reigning artist in Chopin performance, attracted a wider following and performed more concerts than any other concert artist of his day. Works by Brahms, DeFalla, and Beethoven are performed. Rushen, Patrice Patrice Rushen CBM 1252 Her talents range from jazz and soul to rhythm and blues. The popular vocalist, songwriter, arranger, and master keyboardist Patrice Rushen discusses her career and demonstrates her many abilities, including her rendition of "Spirit Song." Seals, Son Son Seals CBM 1230 The Chicago blues singer, songwriter, and guitarist traces the blues's move up the Mississippi into Memphis and Chicago, and explains how his own Arkansas roots influence his music. Seeger, Pete The Incompleat Folksinger CBM 294 Folksinger Pete Seeger sings some of his favorite ballads and discusses his controversial life and his book. Protests of Pete Seeger CBM 57 The folksinger who was branded an outcast and banned from radio, television, and concert halls discusses the origins of his radicalism. Segovia, Andres Spotlight on Andres Segovia CBM 289 A master guitarist discusses his involvement with music, his search for and ultimate discovery of the perfect guitar, and his most memorable concerts. Shearing, George George Shearing CBM 1242 This legendary blind jazz figure describes his early start in music as a teenager and plays some of his favorite pieces. Shuur, Diane Diane Shuur CBM 1236 This vocalist and pianist first performed at age nine to begin a career that has taken her to the White House and the Monterey Jazz Festival. Diane Shuur reflects on her life and does a solo of "I Can't Believe You Are in Love with Me." Sills, Beverly From Soap Opera to Grand Opera CBM 973 Insight into Beverly Sills's life. Her role as Cleopatra in the opera Julius Caesar brought her universal popularity. Smith, Leonard Bingley Three Cheers for the Red, White, and Blue CBM 1013-1014 Trumpeter and conductor Leonard Smith plays "Carnival of Venice" and reminisces about his career and other performers such as Sousa. The Detroit Concert Band is also heard. Spanier, Muggsy Musical Ideas of Muggsy Spanier CBM 22 A legendary jazz trumpeter discusses his art and idols. Taj Mahal Taj Mahal CBM 1191 An interview with the black musician who is called a "blues man," but who insists that his music is of many types of people. Taylor, Cecil Cecil Taylor CBM 1241 A jazz artist with a classical background, Cecil Taylor has garnered such honors as a Guggenheim Fellowship and an honorary doctorate from the New England Conservatory of Music. Here he offers his tribute to Jimmy Lyons and joins Marian McPartland in a duet of "Get Out of Town." Taylor, Koko Koko Taylor CBM 1231 Born in the great blues town of Memphis, Taylor talks about her singing and the importance of female blues singers like Ma Rainey and Bessie Smith. Temple, Shirley The Legend of Shirley Temple CBM 817 Her career began when she was seven years old and spanned 1935-1938. "The Good Ship Lollipop" and "Goodnight My Love" are featured. Thompson, Butch Butch Thompson CBM 1244 Best known for his popular appearance on public radio's "Prairie Home Companion," Butch Thompson performs opera as well as folk music and jazz. This cassette begins with "Ecuadorian Memories" and ends with a rousing version of "Rosette." Torm‚, Mel Musical Ideas of Mel Torm‚ CBM 150 Insights into jazz. Torm‚ discusses his vocal style and the vocal trademarks of other singers. von Trapp Von Trapp Family Singers CBM 967 A retelling of the Sound of Music story along with other real-life adventures of the von Trapp family of singers, who perform folk songs and other selections from concerts. The Wonderful World of the Trapp Family CBM 356 How Maria von Trapp and her singing family found a way to preserve and share the culture and beauty of their beloved Austria. Many musical examples. Tureck, Rosalyn First Lady of Bach CBM 110-111 In this interview, Rosalyn Tureck describes her life as child prodigy, gifted student, conductor, concert artist, and music scholar. Vallee, Rudy L. The Legend of Rudy L. Vallee CBM 821 Biography of the singing idol, band leader, and actor who hosted a radio show which had such entertaining personalities as Edgar Bergen and Sophie Tucker as guests. Includes "I'm Just a Vagabond Lover" among other songs. Verrett, Shirley Focus on Shirley Verrett CBM 268-269 Shirley Verrett, a black opera singer, discusses her career and sings excerpts from Carmen, Il Trovatore, Samson and Delilah, Aida, and Orfeo. Waters, Ethel The Legend of Ethel Waters CBM 818 Ethel Waters made her way from poverty to stardom in vaudeville. Among her best known songs, "Dinah" (1925) and "Am I Blue" (1929) are heard. White, Josh Josh White CBM 1517 Williams, Hank Down That Long Lost Highway CBM 813 Biography and music of Hank Williams, who died at age twenty-nine. His career, during which he wrote "Your Cheatin' Heart" and "Your Cold, Cold Heart," lasted only three years. Several of his friends are interviewed. Winter, Paul Musical Ideas of Paul Winter CBM 17 A jazz artist discusses his State Department tour of Latin America, his meeting with jazz musicians in cosmopolitan cities, and his experiences in the bush where natives had never heard of jazz. Zeitlin, Denny Denny Zeitlin CBM 1246 A practicing psychiatrist as well as an accomplished pianist who has toured with the Paul Winter Consort, Denny Zeitlin discusses his music and plays several tunes from his first album. Ziegfeld, Florenz Father of the Follies CBM 353 Biography of the great Florenz Ziegfeld, producer in the grand manner. Music selections include "I'm an Indian" (1921) sung by Fanny Brice and "When the Moon Shines on the Moonshine" by Bert Williams. Songwriters Alter, Louis Music in My Heart CBM 551 Story of Lou Alter, the composer of the melody "Manhattan Serenade" as well as four other instrumental pieces inspired by New York City: "Manhattan Moonlight," "Manhattan Masquerade," "Metropolitan Nocturne," and "Side Street in Gotham." Arlen, Harold The Man Who Gave the World a Rainbow CBM 568-569 Interview with Harold Arlen, composer of the score to The Wizard of Oz and of songs written for stage and screen. Selections from his work include "Over the Rainbow," "Stormy Weather," and "Blues in the Night." The Beatles The Beatles CBM 65 Interview with John Lennon and Paul McCartney, former Beatles, about wealth, fame, and world issues. John and Yoko CBM 578 John Lennon and Yoko Ono discuss fame, money, and drugs. Benjamin, Bennie The Man Who Set the World on Fire CBM 567 Bennie Benjamin talks about his collaboration with lyricist George Weiss. Songs include "I Don't Want to Set the World on Fire" and "I Don't See Me in Your Eyes Anymore." Berlin, Irving The Bard of Tin Pan Alley CBM 945 Biography of the extraordinary songwriter who recorded our history in song. "Always," "The Girl on the Magazine Cover," and "Alexander's Ragtime Band" are among the featured songs. Tribute to Mr. America CBM 1011-1012 Biography of the songwriter who gave us a wonderful legacy of the spirit of America with such songs as "God Bless America" and "Alexander's Ragtime Band." Boggs, Jesse Sessions with Jesse Boggs CBM 734 Singer-songwriter Jesse Boggs pokes fun at American society by recreating a recording session. The musicians, intent upon making a hit album, reduce music to its most salable elements: music and satire. Brewster, W. Herbert Rev. Brewster, Gospel Music CBM 776 Gospel music composer W. Herbert Brewster is interviewed on National Public Radio's Horizons series. His most famous song, "Move On Up a Little Higher," helped launch the career of Mahalia Jackson. Brown, Oscar, Jr. Oscar Brown, Jr. CBM 727 The singer-songwriter and social activist talks about his life, his music, and his strong identification with Scott Joplin. Caesar, Irving If You Have to Learn, Don't Start CBM 571-572 Reminiscences by Irving Caesar, leading lyricist for George Gershwin and lyricist of such songs as "Tea for Two," "Swannee," "Sometimes I'm Happy," and "Yankee Doodle Blues." Cahn, Sammy I've Heard That Song Before CBM 559 Story of Sammy Cahn, prolific lyricist for composers Jule Styne, Jimmy Van Heusen, and Saul Kaplan. Cannon, Hughie Won't You Come Home, Hugh Cannon? CBM 856 Biography of the ragtime pianist who wrote "Won't You Come Home, Bill Bailey?" Cohan, George M. (George Michael) Cohan Is a Grand Old Name CBM 328 Story of the acting and song writing career of George M. Cohan, composer of "Give My Regards to Broadway," "The Yankee Doodle Boy," and "Over There," the World War I song for which Cohan received a congressional gold medal. Coleman, Cy If My Friends Could See Me Now CBM 539 Cy Coleman, singer, pianist, conductor, and composer, surveys the contemporary music scene. Comden, Betty Betty Comden and Adolph Greene CBM 6 Two writers of such Broadway hits as The Bells Are Ringing and On the Town discuss musical theater and perform some of their own works. Coots, J. Fred The Santa Claus of Tin Pan Alley CBM 547 Story of musical comedy composer and popular songwriter J. Fred Coots, composer of "Santa Claus Is Coming to Town." Corea, Chick Chick Corea CBM 1250 The multi-talented musician plays selections from a variety of musical genres-from big band to jazz-rock fusion. In "Piano Jazz," recorded at Corea's own California studio, the prolific composer joins Marian McPartland for a dazzling mix of talk, improvisations, and musical portraits. Coslow, Sam Put Some Heart in a Song CBM 526-527 Sam Coslow discusses his experience in writing motion picture songs. Darion, Joe A Lot of Strings to Play CBM 561 Joe Darion, who wrote the lyrics to Man of La Mancha, expresses surprise at the popularity of his song "The Impossible Dream." Davis, Benny The Lyrical Life of Benny Davis CBM 536 Benny Davis, lyricist of the World War I song "Goodbye Broadway, Hello France" and the popular song of the 1920s "Margie" tells of his long career as a songwriter. Donaldson, Walter When Walter Donaldson Ruled the Roost CBM 608 Gerald Marks tells anecdotes about fellow composer Walter Donaldson, whose songs include "Carolina in the Morning," "Making Whoopee," "Back Home in Tennessee," and "My Mammy." Drake, Ervin A Lot of Meaning with the Music CBM 570 Ervin Drake discusses the thread of spirituality that runs through many of his songs, which include "I Believe," "One God," and "It Was a Very Good Year." Duning, George For Whom Writing Music Is a Picnic CBM 556 Interview with George Duning, one of Hollywood's most prolific writers of theme and background music. The Early Days of Songwriting CBM 528-529 Survey of popular music written before the founding of the American Society of Composers, Authors, and Publishers. Features songs of Stephen Foster, songs popular during the Civil War, songs by Henry Clay Work, and songs of the Gay Nineties. Part 1 presents popular music of 1800-1860. Part 2 presents popular music of 1860-1880. Edwards, Sherman American History Was Never like This CBM 519-520 Interview with Sherman Edwards, dropout history teacher who composed 1776, the Broadway musical based on the Revolutionary War and the signing of the Declaration of Independence. Eliscu, Edward You've Given Us More than You Know CBM 563 Interview with Eddie Eliscu, author, playwright, actor, and lyricist of such songs as "Great Day" and "The Carioca," the song made famous by Fred Astaire and Ginger Rogers in their first film collaboration, Flying Down to Rio. Fain, Sammy He Gave Us a Thousand Beautiful Memories CBM 908 Interview and music by lyricist Sammy Fain, who bridges the gap between honky-tonk and modern ballads. "Secret Love" and "Love Is a Many Splendored Thing" won him two Academy Awards. Fulson, Lowell Lowell Fulson CBM 1233 The man who wrote B.B. King's first hit, "Three O'Clock Blues," describes the creation and evolution of the mellow California blues sound. Gilbert, L. Wolfe (Louis Wolfe) "G" Is for the Great Songs You Gave Us CBM 606 Interview with Mrs. Gilbert, whose late husband, L. W. Gilbert, wrote "Waitin' for the Robert E. Lee," "My Mother's Eyes," "Down Yonder," and "Ramona." Green, Bud Evergreens from Bud CBM 550 Reminiscences by Bud Green, lyricist of the hit "Sentimental Journey" along with discussion about Sibelius's Finlandia and Sousa's "Stars and Stripes Forever," two pieces sealed in a time capsule at the New York World's Fair of 1939. Grusin, Dave Dave Grusin CBM 1251 Known primarily as the composer of the musical scores for "Tootsie" and "On Golden Pond," Dave Grusin is also a successful producer and performer. During this interview he plays his own "Theme from St. Elsewhere," and Marian McPartland joins in for a melodic duet of "I Remember April." Guthrie, Woody The Folk Singer CBM 854 Detailed biography of Woody Guthrie, born in rural Oklahoma in 1912. He wrote one thousand songs which express the essence of grass roots America. Legend of a Balladeer CBM 912 Biography of Woody Guthrie who traveled the land and wrote songs about American life. "This Land Is Your Land" and "Roll on, Columbia" are among the musical selections. Woody Guthrie Remembered CBM 44, CBM 46 Interviews with friends of Woody Guthrie. Includes songs by Cisco Houston, Pete Seeger, Woody Guthrie himself, and some children's songs. Handy, W.C. (William Christopher) The Father of the Blues CBM 343 The late W.C. Handy sings and tells about writing such songs as "Memphis Blues," "St. Louis Blues," and "Beale Street Blues." Harbach, Bill Bill Harbach CBM 926 Interview with Otto Harbach's son, who reminisces about his father's contribution to musical comedy. "Cuddle Up a Little Closer" and "Smoke Gets in Your Eyes" are two of his well-known songs. Harburg, E.Y. (Edgar Yipsel) You're a Builder Upper CBM 553 E.Y. Harburg, lyricist of Finian's Rainbow and The Wizard of Oz, relates America's history as a "melting pot" to the songwriting scene. Herbert, Victor The Legend of Victor Herbert CBM 612 Focus on Victor Herbert, one of the founders of ASCAP, covering his varied career as composer of the operetta Babes in Toyland, bandmaster of New York's Twenty-Second Regiment Band, and conductor of the Pittsburgh Symphony Orchestra. Victor Herbert CBM 585 Biography. Herbert's failure at composing serious pieces for the opera and violoncello resulted in the operetta Naughty Marietta, a forerunner of musical comedy. Includes selections from Victor Herbert's musical comedies. Herman, Jerry The American Sampler CBM 910 Interview with songwriter-composer Jerry Herman, interspersed with his music. Among his credits are the Broadway shows Hello Dolly and Mame. The Man Who Carried It Off CBM 525 Jerry Herman, composer and lyricist of Broadway shows Hello Dolly and Mame, discusses future plans for writing music. Johnson, James P. (James Price) James P. Johnson CBM 858 The composer of "Charleston" and "If I Could Be with You" ranked along with Scott Joplin and Jelly Roll Morton as the "father" of the eastern Harlem stride style. Jones, Tom A Lot More than Fantastic CBM 540 Tom Jones and Harvey Schmidt, the team that produced The Fantasticks, discuss past shows and present work in musical theater. Kahn, Gus We're Still Singing "I'll See You in My Dreams" CBM 575-576 Songs written by lyricist Gus Kahn and his many collaborators, with discussion of Kahn's film biography. Kalmar, Bert A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters CBM 623 Story of Bert Kalmar and Harry Ruby, successful songwriters who remained vaudeville comedians at heart. Kern, Jerome Jerome Kern, Man of Melody CBM 156 Friends discuss Jerome Kern's legendary career. Master of the Medium, the Man Who Found the Silver Lining CBM 613/ CBM 618 Discusses Jerome Kern's career as writer of show tunes. Includes performances of "Smoke Gets in Your Eyes" from Roberta and "Make Believe" and "Ol' Man River" from Showboat. Lane, Burton No Sad Songs for Me CBM 554 Burton Lane discusses his collaboration with E.Y. Harburg in writing the Broadway musical Finian's Rainbow and its most famous song "How Are Things in Glocca Morra?" Leigh, Carolyn Young at Heart CBM 562 Lyricist Carolyn Leigh discusses the influences on her writing. Lerner, Sammy Makin' Up a Song as I Go Along CBM 604/605 Sammy Lerner, lyricist for Hoagy Carmichael and Jay Gorney, tells of writing the song "Popeye the Sailor Man." Livingston, Jay Give It All You've Got CBM 625-626 Anecdotes from Jay Livingston and Ray Evans, the team that wrote theme songs for the television series Bonanza and Mr. Ed, as well as award-winning songs like "Que Sera, Sera," "Mona Lisa," and "To Each His Own." Loesser, Frank A Man and His Music CBM 573/574 An interview with the widow of Frank Loesser, a songwriter whose World War II songs include "Praise the Lord and Pass the Ammunition." Marks, Gerald They Don't Write 'em like That Anymore CBM 342 Gerald Marks, composer of the popular song "All of Me," reminisces about the songs written by Irving Berlin, Victor Herbert, and others. Marks, Johnny Johnny Marks and His Celebrated Reindeer CBM 564 Johnny Marks, composer of "Rudolph the Red-Nosed Reindeer," talks about the varied sources of inspiration for his songs. McHugh, Jimmy Happy Songs from a Happy Man CBM 621 Life and music of Jimmy McHugh, composer of such cheerful songs as "The Sunny Side of the Street" and "It's a Most Unusual Day." Mercer, Johnny The Man Who Launched 1,000 Hits CBM 548 Life and songs of Johnny Mercer, who wrote the lyrics of "Moon River," "Days of Wine and Roses," and "Blues in the Night." Mizzy, Vic The Whole World Is Singing My Song CBM 616 Songwriter Vic Mizzy tells anecdotes about his contemporaries and collaborators and gives opinions about current popular music. Nyro, Laura The Music of Laura Nyro CBM 60 Laura Nyro is interviewed by John Daly. Her diverse musical expressions are analyzed by Michael Thomas, Richard Goldstein, and Patrick O'Conner. Oakland, Ben You're Not So Easy to Forget CBM 564 Story of the long career of Ben Oakland, who began playing classical music at an early age and went on to success as a vaudeville entertainer and as a songwriter for the Ziegfeld Follies and for Broadway musicals. Olman, Abe The Ship That Came In CBM 565 Abe Olman reminisces about his career as a music publisher and as a songwriter whose hits include "I'm Waiting for Ships That Never Come In" and "Down among the Sheltering Palms." Parish, Mitchell The Sentimental Gentleman CBM 549 Interview with Mitchell Parish, a lyricist who teamed with composers Duke Ellington, Hoagy Carmichael, and Sammy Fain, and whose collaboration with Carmichael produced the hit "Stardust." Porter, Cole Focus on Cole Porter CBM 285 Comprehensive collection of Cole Porter songs, with commentary tracing his career from 1937. The Master of "From Major to Minor" CBM 624 Relates Cole Porter's affluent background to the "plutocratic stylishness" of his songs. Plays songs from Porter's years on Broadway, including "Night and Day," "Anything Goes," and "I Get a Kick out of You." Raksin, David So You Want to Write for the Movies CBM 607 David Raksin, composer and conductor, discusses the process of writing music for films. Excerpts from Forever Amber. Ramirez, Ram Ram Ramirez CBM 1253 He wrote Billie Holiday's hit song "Lover Man" and enjoys continued popularity on the New York jazz scene. Roger "Ram" Ramirez converses with Marian McPartland and teams up with her for a duet of "Undecided." Rodgers, Richard The Dynamics of Collaboration CBM 201 Musical-comedy composer Richard Rodgers reminisces about the forty- three years he spent in partnerships with lyricists Lorenz Hart and Oscar Hammerstein. The Most Unforgettable Composer I Never Met CBM 515-518 Dorothy Rodgers, wife of composer Richard Rodgers, discusses her husband's career in musical theater and his collaborations with lyricists Larry Hart and Oscar Hammerstein II. Includes well-known songs from Oklahoma!, The Sound of Music, and South Pacific, as well as less familiar songs and tells the story of the music publishing scene on Tin Pan Alley at the turn of the century. Oklahoma! and Beyond CBM 233 Richard Rodgers, composer of the theatrical landmark Oklahoma!, reminisces about his collaboration with lyricist Oscar Hammerstein. Romberg, Sigmund The Last of the Giants CBM 609 Story of Sigmund Romberg, a composer who combined Viennese style with American idioms in such operettas as Blossom Time, The Student Prince, and My Romance. Focus on Sigmund Romberg CBM 468 Oscar Hammerstein talks about Romberg's life, plays, and greatest songs. Rome, Harold Seven Shows to Rome CBM 557 Anecdotes told by Harold Rome, composer of such Broadway musicals as Pins and Needles, Call Me Mister, and Wish You Were Here. Ruby, Harry A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters CBM 623 Story of Bert Kalmar and Harry Ruby, successful songwriters who remained vaudeville comedians at heart. Schwartz, Arthur Something to Remember Him By CBM 555 Life and music of Arthur Schwartz, who gave up his law practice to write for musical theater. Songs include "Dancing in the Dark" and "You and the Night and the Music." Spina, Harold Sing Me an Old-Fashioned Song CBM 602/603 Composer and conductor Harold Spina reminisces with Mike Whorf about his long songwriting career and about his music for "Annie Doesn't Live Here Anymore," "It's So Nice to Have a Man around the House," and other songs for the movies. Strouse, Charles By Strouse CBM 560 Strouse, who composed the score of Bye, Bye Birdie, discusses the importance of a composer's involvement in arranging and orchestrating melodies. Styne, Jule There Goes That Song Again CBM 558 Songs by Jule Styne, arranger and composer who collaborated with lyricist Sammy Cahn to write such hits as "I've Heard That Song Before" and "Let It Snow, Let It Snow." Tilzer, Harry von Please Sing Me One More Chorus CBM 535 Life of prolific composer and music publisher Harry von Tilzer, writer of "Wait till the Sun Shines, Nellie" and "I Want a Girl Just like the Girl That Married Dear Old Dad." Tobias, Charles As the Years Go By CBM 538 Interview with Edna Tobias, who tells of her late husband Charles's varied career as a vaudeville entertainer and as a songwriter for musicals and motion pictures. Van Heusen, Jimmy Mister Music CBM 620/622 Career of Jimmy Van Heusen, whose songs, written with lyricist Johnny Burke, include "Imagination," "Swinging on a Star," and "Sunday, Monday, or Always." Youmans, Vincent Through the Years CBM 610 Highlights of Vincent Youman's career writing scores for such musicals as Great Day and No, No, Nanette. History General Approaches to Popular Music CBM 1463 Part of the series The History of Music in the Western World, 1100-1980. Background to Music CBM 1502-1504 This BBC series features short lectures about various composers and music styles throughout history. Part 1: Rameau and French Opera-by Arthur Hutchings. J.C. Bach and Italian opera-by Charles Cudworth. Mozart and German opera-by William Mann. Mozart as a Freemason-by Peter Branscombe. Part 2: Schubert's contemporary reputation-John Reed. Schumann's musical ideas-Eric Sams. Smetana and Dvorak-Cecil Parrott. De Falla and Spanish opera-Frederick Fuller. Part 3: Puccini and Turandot-Leslie Gardiner. Church orchestras-John Fletcher. Mozart, Mitridate, and maturity-Jane Glover. Shostakovitch and the Soviets-Edward Downes. Classical Dances CBM 181 Traces the formal development of the dance from the earliest written music to the modern symphonic repertoire. The Dance in Music CBM 470 Traces the history of the dance. Includes a minuet by Mozart, Weber's "Invitation to the Dance," Brahms's Hungarian Dance in G minor, and Strauss's waltz "Artist's Life." The Evolution of Modern Music CBM 169 In a conversation with Carolyn Watt, Scott Huston traces the history of music through the development of scales. Musical illustrations represent wide range of styles and genres from the Gregorian Chant to the popular music. Good Vibrations CBM 204 An anthropologist examines the evolution of music and musical instruments. The discussion ranges from Bach to Moog synthesizers and Muzak. How to Understand and Listen to Great Music CBM 1532-1537 See entry under Music Appreciation The Origins of Orchestration CBM 8 Discusses orchestration in the eighteenth and nineteenth centuries. Includes musical examples from Gossec, von Gluck, Beethoven, Wagner, and Rimsky-Korsakov. Pioneers of Czech Music CBM 34 Erich Leinsdorf conducts selections from The Bartered Bride by Friedrick Smetana, Second Symphony in D minor by Antonín Dvořák, Concerto for violin and orchestra by Bohuslav Martinu, and "Schwanda the Bagpiper" by Jaromir Weinberger. Psalms CBM 199 Discussion concerning the importance of the Psalms in the history of Western music. Examples played include choral music by Palestrina, Handel, Gluck, Franck, and Liszt. Russian Music CBM 9 Outlines the history of Russian music from Glinka to Shostakovich. Includes selections from their works as well as those of Mussorgsky, Tchaikovsky, and Stravinsky. Understanding the Language of Music CBM 1304 Using examples from classical and popular music, Daniel Abrams discusses modes, scales, chords, and the instruments of the orchestra. Includes a brief history of music, with analysis of styles and forms. For the person who would like to acquire a rudimentary knowledge of music history and theory. Medieval and Renaissance Augsburg: Composers Patronized by the House of Fugger CBM 381-382 Works of composers supported by the Fuggers, an influential Augsburg banking family of the sixteenth century. Includes a madrigal by Andrea and Giovanni Gabrieli, canzonettes by Hans Leo Hassler, lute pieces by Jean-Baptiste Besard, and Protestant church pieces by Adam Gumpelzhaimer. Dresden CBM 384 Lecture on Heinrich Schutz, stressing Schutz's importance in applying Italian polychoral style and dramatic monody to German church music; motets from Schutz's Symphoniae Sacrae. Gregorian Chant CBM 1511 Leipzig: Collegia Musica and the Thomas Cantorate in the Seventeenth Century CBM 386-387 Discussion of the importance of the Collegia Musica to the musical life of seventeenth-century Leipzig, with selections from the works of the composers who preceded Johann Sebastian Bach as cantors of Thomaskirche. Munich: Bavarian Court and Chapel under Orlando DiLasso CBM 379 Includes details of Orlando DiLasso's life and examples of his music, such as the echo songs. (This tape contains material on side one only.) Music in the Middle Ages CBM 317 Musicologist Sidney Wilck reviews musical developments of the Middle Ages, beginning with the plainsong of Pope Gregory I and concluding with the estampie, a fourteenth-century dance. Music in the Renaissance CBM 38 Musicologist Sidney Wilck reviews music history between 1450 and 1600. With musical examples. Musick's Feaste CBM 1457 Anthony Rooley discusses music of the Renaissance, 1480-1600. New Arts for Old CBM 1456 Christopher Page discusses Medieval music, 1100-1480. Baroque Bach and Ornamentation CBM 45 Concert artist and Bach specialist Rosalyn Tureck explains how Bach's ornamentation is "written right into the music." Bach and Twentieth-Century Composers CBM 277, CBM 378 Part 1: Rosalyn Tureck performs a composition by Bach based on a twelve-tone motive, the B Minor Fugue; Lukas Foss analyzes other works by the baroque composer; and Arthur Berger discusses the powerful influence of the Bachian signature. Part 2: Rosalyn Tureck and composers Benjamin Lees, Eric Salzman, Lukas Foss, and Arthur Berger discuss Bach's influence on contemporary composers. Hamburg: Music in the City under the Direction of George Philipp Telemann CBM 388 Works by composer Georg Philipp Telemann, who served as musical director of five principal churches in Hamburg from 1721 until his death in 1767. Includes his secular cantata Die Landlust. Lbeck, the Abendmusiken Concerts Established by Dietrich Buxtehude CBM 389 Discussion of Buxtehude's fame as an organist, influence as a composer, and role in establishing the Abendmusiken, a series of concerts held on the five Sundays preceding Christmas. Includes a performance of Buxtehude's sacred solo cantata, Laudate Dominum. The Music of Bach CBM 43 Works illustrating Bach's genius as a composer such as Brandenburg Concerto no. 1, Concerto for harpsichord and strings in D minor, and Organ Concerto in A minor. Nuremberg: The Brass Makers and Composers of the Seventeenth Century CBM 383, CBM 385 Discussion of Nuremberg's role as the center for production of fine brass instruments; sacred and secular works by Nuremberg composers Johann Staden and Johann Erasmus Kindermann, Johann Pachelbel, Georg Kaspar Wecker, and Johann Krieger. The Oratorio CBM 179-180 History of the oratorio, from its beginnings in the sixteenth century to its present-day form. Includes musical examples from Jephte by Carissimi, Judas Maccabaeus by Handel, and Haydn's oratorio Creation. A Pearl Distorted CBM 1458 Christopher Hogwood discusses the baroque period: 1600-1750. Classical The Classical Era in Music CBM 24 Sidney Wilck characterizes the classical period as one of refinement and standardization. Concert Masterworks CBM 1538 Dr. Robert Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart and Beethoven. Concert Masterworks CBM 1540 Dr. Robert Greenberg examines nineteenth century music through the examples of works by Beethoven and Brahms. Music of Williamsburg CBM 312 Williamsburg was founded in the 1700s to be the capital of Virginia. Included in this lecture is music by American and European composers that may have been heard in Williamsburg. Sonata and the Creative Ideal CBM 1459 Alan Hacker discusses the classical period: 1750-1830. Romantic Concert Masterworks CBM 1539 Dr. Robert Greenberg examines nineteenth-century music through the examples of works by Antonín Dvořák and Richard Strauss. Concert Masterworks CBM 1541 Dr. Robert Greenberg examines nineteenth-century music through the examples of works by Felix Mendelssohn and Franz Liszt. Expression and Extravagance CBM 1460 Norman Del Mar discusses the romantic period: 1830-1900. Musical Pioneers of Italy CBM 410 Discusses mid-nineteenth-century Italian composers of the symphony. Includes selections from Locatelli, Sgambati, Respighi, and Casella. Pioneers of Impressionism CBM 63 The Indianapolis Symphony Orchestra, under the direction of Fabians Sevitsky, plays selected works by Debussy, Delius, Griffes, and Ravel. Modern The Arrival of Atonal Music CBM 207 Scott Huston discusses the roles of Anton Webern, Arnold Schoenberg, and Alban Berg in the development of atonality. The Avant-Garde Today, Parts 1-2 CBM 208-209 Scott Huston looks at the work of the "anti-music" composers and at musical composition, past and future. He predicts that traditional composition will soon become a dead art form. The Concert Overture CBM 636 Independent orchestral compositions for the concert hall. Examples offered are Berlioz's "Corsaire," Dvořák's "Carnival Overture," and Van Vactor's "Overture to a Comedy no. 2." Contemporary Music CBM 1462 Narrated by Hugh Wood. Elements of Jazz CBM 1546 Bill Messenger gives an overview of jazz, its elements, and the times from which it was born. Lecture 1: Plantation beginnings. Lecture 2: The rise and fall of ragtime. Lecture 3: The jazz age. Lecture 4: Blues. Lecture 5: The swing era. Lecture 6: Boogie, big band blues, and bop. Lecture 7: Modern jazz. Lecture 8: The ABC's of jazz improvisation. Elliott Carter and Leon Kirchner CBM 275 Using excerpts from their compositions, Elliott Carter and Leon Kirchner show how contemporary music has developed from older forms. Evergreens from Bud CBM 550 Reminiscences by Bud Green, lyricist of the hit "Sentimental Journey" along with discussion about Sibelius's "Finlandia" and Sousa's "Stars and Stripes Forever," two pieces sealed in a time capsule at the New York World's Fair of 1939. Frankie and Johnny CBM 177 This lecture explores the origins of the Frankie and Johnny story and song which began with the murder of Allen Brit by Frankie Baker in 1901. It traces the development of the song through Mae West, Guy Lombardo, and Johnny Cash. George Gershwin's Rhapsody in Blue CBM 891 The story behind writing this composition and performing it with Paul Whiteman in New York. Gershwin cut the piano roll used for this performance. Gershwin CBM 709 Description of life and musical style of Gershwin, accompanied by several excerpts of his major works and numerous popular songs. Islands in the Sun CBM 1465 Felix Cross discusses the story of reggae and calypso music. Jazz Joins the Classics CBM 133 Dave Brubeck explains how composer Darius Milhaud used jazz for the first time in classical compositions. Modern Music CBM 32 Discussion by Clifton Fadiman, critic; Goddard Lieberson, music record executive; Henry Pleasants, music writer; and Jacques Barzun, historian. Pioneers of Twentieth-Century Music CBM 50 Howard Hanson conducts his "Cherubic Hymn," Daniel Gregory Mason's "Festival Overture," Roy Harris's Symphony no. 3, Samuel Barber's Adagio for Strings, and Louis Mennini's Allegro Energico. Ravel and Sibelius CBM 307 Identifies the folk influences in Maurice Ravel's "Bolero" and Jean Sibelius's "Swan of Tuonela." Reaction and Revolution CBM 1461 Wilfrid Howard Mellers discusses the modern period: 1900-1945. Instruments General And the Band Played On CBM 355 Describes the main instruments of the band and summarizes the principles on which they work. Includes a brief history of band music in America. Instruments around the World CBM 1467 Narrated by Andy Jackson. The Voices of the Orchestra CBM 224 Walter Damrosch discusses the human voice-the first musical instrument. Illustrated with musical examples by Haydn, Schubert, Handel, and Bach. Brass Ballad of the Brass CBM 36 Introduction to brass instruments by members of the New York BrassQuintet. Demonstration of each instrument also includes discussion of theirhistory and versatility moderated by Thomas Scherman. Brass Instruments, Parts 1-2 CBM 310-311 Walter Damrosch reviews the history of brass instruments and gives examples of ways composers have used them. Musical examples include compositions by Mendelssohn, Bach, Mozart, Wagner, and Meyerbeer. Nuremberg: The Brass Makers CBM 383, CBM 385 Discussion of Nuremberg's role as the center for production of fine brass instruments; sacred and secular works by Nuremberg composers Johann Staden and Johann Erasmus Kindermann, Johann Pachelbel, Georg Kaspar Wecker, and Johann Krieger. Opposites Attract CBM 638 Musicians John Barrows and Vera Brodsky illustrate the relationship of the piano to the French horn with many musical examples. Electronic Electronic Keyboards CBM 1302 Vinnie Martucci discusses how to arrange music for synthesizers in a variety of styles. Concentrates on bass parts, rhythm sections, keyboard lead line parts, and overdubs. Teaches how to combine these different sounds to make the finished sounds of originally composed tunes or tunes written by others. Glenn Gould on the Moog Synthesizer CBM 244 Glenn Gould talks about the Moog synthesizer used in the production of the recording Switched-on Bach. Includes interviews with synthesizer performer Wendy Carlos and Canadian poet Jean Le Moyne. Good Vibrations CBM 204 An anthropologist examines the evolution of music and musical instruments. The discussion ranges from Bach to Moog synthesizers and Muzak. Keyboard The Harp and the Piano CBM 261 Lecture on the development and uses of the harp and the piano. Musical examples include "The Waltz of the Flowers" from Tchaikovsky's Nutcracker Suite and a Hungarian rhapsody by Liszt. The Immortal Piano CBM 959 Intriguing story of the Siena pianoforte and its endurance through misuse, abuse, and final restoration. Music of Debussy, Bach, and Mozart is performed on it. The Keyboard Instruments CBM 250 Selections from Byrd, Scarlatti, Mozart, Beethoven, Brahms, Debussy, and Bart¢k are used in tracing the evolution of keyboard instruments. Opposites Attract CBM 638 Musicians John Barrows and Vera Brodsky illustrate the relationship of the piano to the French horn with many musical examples. Percussion From Cave to Cavern CBM 1464 James Blades discusses the history of percussion instruments. Percussion Discussion CBM 153 The New York Percussion Trio demonstrates a variety of percussion instruments and their musical potential. Percussion Instruments, Parts 1-2 CBM 210-211 Conductor and composer Walter Damrosch discusses the importance of percussion music in cultural life and how percussion instruments are used to define the intricate rhythms of dances in various countries. Examples illustrate the importance of percussion in the indigenous music of Africa, Arabia, Mexico, and South America. Strings The Glory of Cremona CBM 914 The story of 250 years of superb violin making is told beginning with the Amati family and followed by Guarneri and Stradivarius. Ruggiero Ricci plays the musical selections on several instruments created by Antonio Stradivari, Joseph Guarneri del Gesu, Andrea and Nicolo Amati, Carlo Bergonzi, and Gasparo da Salo. The Stradivarius CBM 48 Members of the Stradivarius Society discuss the fine quality and unique tone of Stradivarius instruments. The String Instruments CBM 223, 225 Walter Damrosch illustrates how the string instruments can produce coloristic effects. Shows how the cello and double-bass violin produce the baritone and basso equivalents of the human voice. String Orchestra CBM 303 Three selections illustrating the changes in musical composition for strings-Vivaldi's Concerto Grosso in D minor for strings, Grieg's Last Spring, and Hanson's Concerto for organ, strings, and harp. The Violin in Mr. Greenstreet's Window CBM 972 Fictional life story of a violin which was on display in a pawnshop window. Violins Old and New/Authenticity of Performance CBM 1499 An investigation conducted by John Amis with Isaac Stern, Pinchas Zucherman, Parikian, and Charles Beare. Four violins are examined here: a Stradivarius, a Guarnerius, a 19th-century French instrument and an English instrument made in 1975, which won a competition for violin makers. An 'authentic' performance is one which seeks to reproduce the performing conditions and style of the period when the music was written and to avoid anachronisms. George Malcolm here explains what this involves and the difficulties that might be encountered. Woodwinds The Flute and the Harp CBM 256 Edna Phillips explains, demonstrates, and compares one of the first harps made with those used today. Flutist Samuel Baron joins Phillips in performing pieces arranged for flute and harp. Mr. Hohner's Amazing Harmonica CBM 348 History of the harmonica, concentrating on the influence of Matthias Hohner, who in 1857 produced the first modern harmonicas. Woodwind Quintet CBM 304 Demonstrates the great variety of color and expressiveness in a woodwind quintet of flute, clarinet, oboe, French horn, and bassoon in works of Percy Grainger, Maurice Ravel, Philip James, and Leo Sowerby. Narrated by Walter Damrosch. The Woodwinds, Parts 1-2 CBM 335-336 Walter Damrosch discusses and illustrates the history of woodwind instruments and their relationship to the orchestra, using Tchaikovsky's Symphony no. 5 and the second movement of Schubert's C minor Symphony as examples. The World of Woodwind CBM 334 The New York Woodwind Quintet demonstrates and describes how woodwind instruments are played. Narrated by Yehudi Menuhin. Illustrated with numerous musical examples. Rehearsals Bernstein, Leonard Shostakovich's Seventh Symphony CBM 5 Conductor Leonard Bernstein uses colorful, earthy language in the rehearsal of this work depicting the march of Nazi invaders into Russia. Fennel, Frederick Chamber Orchestra CBM 218 Frederick Fennell conducts the Eastman School of Music's chamber orchestra in performances of Alessandro Scarlatti's Concerto Grosso in F minor and Wolfgang Amadeus Mozart's Symphony no. 29 in A major; a brief introduction to these composers and works is given. Koussevitzky, Serge Beethoven's Ninth Symphony CBM 72-73 Koussevitzky leads the Boston Symphony Orchestra in a rehearsal of this symphony. Bruckner's Seventh Symphony CBM 4 During this rehearsal of the second movement of Bruckner's Seventh Symphony, Koussevitzky reveals the intricate fabric of the orchestration. Diamond and Copland Pieces CBM 213 Koussevitzky talks about the composers' techniques in Diamond's "String Round" and Copland's Lincoln Portrait. From Beethoven to Bart¢k CBM 94 Koussevitzky leads a dress rehearsal of the Boston Symphony Orchestra in the first movement of Beethoven's Ninth Symphony; Richard Burgin rehearses Bart¢k's Concerto for orchestra. Koussevitzky and Piston CBM 80 With the assistance of the composer, Koussevitzky conducts a rehearsal of Walter Piston's Third Symphony. Koussevitzky's Charisma CBM 47 Koussevitzky conducts the Boston Symphony in a rehearsal of Richard Strauss's Death and Transfiguration. Commentary by Olin Downes. Sergei Koussevitzky Conducting CBM 3 The Boston Symphony and conductor Sergei Koussevitzky rehearse the Concerto for the orchestra by Carl P.E. Bach. Includes commentary by critic Olin Downes. Sergei Koussevitzky, the Muse CBM 235 Critic Olin Downes comments on this rehearsal of Koussevitzky conducting the Sixth Symphony by British composer Ralph Vaughan Williams. Tchaikovsky's Fourth Symphony CBM 267 In this rehearsal, conductor Koussevitzky's commands often seem to be part of the music itself. Leinsdorf, Erich Rehearsing with Leinsdorf CBM 247 Erich Leinsdorf in a rehearsal of Mahler's First Symphony with the New England Conservatory's senior orchestra. Munch, Charles Charles Munch Conducting CBM 281 Charles Munch is so amusing during this rehearsal of Ravel, Tcherepnin, and d'Indy that he has musicians of the Boston Symphony Orchestra helpless with laughter. Solo piano part in Tcherepnin's Second Piano Concerto played by author. The Mastery of Charles Munch CBM 273 Rehearsal of Symphony no. 2 in B-flat major by Vincent d'Indy. Tchaikovsky's "Pathetique" Symphony CBM 167 Charles Munch in rehearsal with the Boston Symphony Orchestra. Stokowski, Leopold Stokowski Rehearses CBM 631 According to Leopold Stokowski, the conductor's task is to "try to realize what is in the soul of the composer." Here he conducts pieces by Schubert, Rachmaninoff, and Samuel Barber performed by the American Symphony Orchestra. Szell, George Maestro George Szell CBM 472 A great conductor demonstrates his artistry in these rehearsals and concerts. Courses Accordion A Beginning Accordion Method for the Blind CBM 693 Robert Young McMahan's course will teach persons of all ages, including those who read neither braille nor large type, to learn to play music of easy to moderate difficulty on the pianostradella accordion. Suitable for use with or without previous musical training, and with either casual or serious interest in music. Music learned includes "Michael, Row the Boat Ashore," "Dona, Dona," "When the Saints Come Marching In," "Oh, Susanna," "Joy to the World," "Ode to Joy" (theme from Beethoven's Ninth Symphony), and "Goin' Home" (theme from Dvořák's New World Symphony). A Beginning Accordion Method for the Blind: Supplementary Repertoire CBM 712 Additional compositions for each of the lessons in A Beginning Accordion Method for the Blind. Developed especially for the NLS program by Robert Young McMahon. A Beginning Chromatic Freebass Accordion Method for the Blind CBM 711 Uses familiar songs and themes to teach basic musical concepts and playing techniques. Developed especially for the NLS program by Robert Young McMahan. Autoharp Autoharp and Jew's Harp CBM 373 Mike Seeger leads an informal discussion on the selection, tuning, care, and handling of the autoharp. Covers beginning techniques of picking and strumming as well as the styles of Maybelle Carter, Kilby Snow, Pop Stoneman, and Seeger. Instructions include a demonstration of playing techniques. How to Play Autoharp CBM 1606 How to Play Jewharp CBM 1607 Banjo Bluegrass Banjo, Lessons 1-6 CBM 414-419 Bill Keith introduces the traditional bluegrass sound as well as his own style of banjo picking. Teaches tuning, basic right hand patterns, scales and fiddle tunes, back-up rhythm, and lead techniques. Includes information about scales and chord theory helpful to the banjo student. Songs include "Cumberland Gap," "Cripple Creek," "Dill Pickle Rag," "Turkey in the Straw," and "Little Sadie." 5-String Banjo, Series 1, Lessons 1-6 CBM 426-431 Happy Traum introduces main techniques of folk and country banjo picking, including two-finger mountain style, up-picking, double-thumbing, hammering-on, pulling-off, and a variety of strums and chord positions. Teaches accompaniments and instrumental versions of nearly forty songs, including "Irene," "Jesse James," "I Never Will Marry," "Cripple Creek," "Banks of the Ohio," "Pretty Peggy-o," and "Shady Grove." 5-String Banjo, Series 2, Lessons 7-12 CBM 432-437 Happy Traum teaches folk and country banjo techniques such as frailing, clawhammer style, and three-finger (Scruggs style) bluegrass picking. Songs include "Sail Away, Ladies," "Pretty Polly," "Nine Hundred Miles," "The Water Is Wide," "Marching through Georgia," and "Wildwood Flower." Keith [Banjo] Tuners CBM 406 Bill Keith teaches use of tuning devices necessary for achieving a bluegrass banjo sound. Illustrated with several traditional banjo solos, including a version of "Auld Lang Syne" played entirely with the tuners. Dobro Backup and Fills for Dobro CBM 1222 National dobro champion Dan Huckabee discusses and demonstrates how the dobro can be used most effectively in a band and how to play backup in any situation. Some of the topics covered are intros, fills, rhythm, solos, and endings. Includes "Wabash Cannonball," "On My Mind," and others. Easy Dobro Solos CBM 1276 Some knowledge of how to play the dobro is needed before undertaking this course by Dan Huckabee. Tunes included are "Cripple Creek," "Will the Circle Be Unbroken," and "Steel Guitar Rag." Dulcimer Traditional Mountain Dulcimer CBM 1324 Jean Ritchie gives a short history of the dulcimer, presents tunings for different modes, and gives a song for each tuning. Information about how to properly hold the dulcimer is also included for beginners. Fiddle Learning the Irish Fiddle CBM 1306 This course is designed by Kevin Burke for those who already know how to play the fiddle and would like to learn some Irish tunes. Pieces are played slowly, a phrase at a time, so that they can be learned by ear. Includes hornpipes, jigs, and reels, and tells how to vary or ornament each piece. Real Cajun Fiddle CBM 1321 Six tapes on the Cajun fiddle playing style, including well-known waltzes, reels, two-steps, and stomps. On side one, each song is played at a slower-than-normal speed and broken into short phrases. On side two, the same songs are played with a guitar and second fiddle so that the student can play along. Some songs also include the accordion. Taught by Michael Doucet. Guitar Advanced Fingerpicking [Guitar] Techniques CBM 479-484 Stefan Grossman presents complex guitar arrangements adapted from fiddle tunes, blues, and original pieces. Designed for the student who has Homespun Tapes Fingerpicking, Series 1 and 2, or the Blues Guitar Series. Songs include "Pigtown Fling," "Tryin' to Get Home," and "Roberta." Beginning Rock Guitar CBM 1714 Taught by Paul Lidel. Bottleneck/Slide Guitar, Lessons 1-6 CBM 444-449 Arlen Roth introduces bottleneck/slide guitar techniques used by blues musicians such as Robert Johnson and Muddy Waters, country musicians like Jimmie Rodgers, and rock groups like Cream. Teaches blues and country licks, turnarounds, fills, intros and endings, and solos in songs such as "Good Morning Blues," "Goin' Down Slow," "Dust My Broom," and "Rolling and Tumbling." Contemporary Fingerpicking Guitar CBM 1472-1474 Stephen Grossman discusses various topics about fingerpicking including: who's who in the fingerpicking world, how blues and ragtime styles relate to today's guitar playing, and what the American Primitive Guitar is. Contemporary Ragtime Guitar, Lessons 1-6 CBM 456-461 Stefan Grossman discusses how to arrange classic piano rags for guitar and presents advanced fingerpicking techniques necessary for playing in ragtime style. Designed for those already fluent in a variety of fingerpicking styles. Presents four rags: "Georgia Camp Meeting," "Kinklet's Two Step" ("Hilarity Rag"), "Maple Leaf Rag" by Scott Joplin, and "Red Pepper Rag." Country Blues Gospel Guitar CBM 1480-1482 Country blues and gospel music have always been intertwined. Many bluesmen have played religious tunes as well as "the devil's music!" Fingerstyle and bottleneck techniques have been traditionally used in both blues and gospel styles. In this three- cassette series, Dean Sires presents a detailed study of playing country blues gospel guitar. For the beginner to intermediate guitarist. Country Blues Guitar CBM 1495-1497 The music of Charley Patton, Son House, Blind Willie Johnson, Lightnin' Hopkins, Big Bill Broonzy, and others are presented and discussed. Each musician is spotlighted in his own segment in this series of 17 broadcasts by Stefan Grossman. It introduces the listener to the legendary names of country blues guitar and gives a clear picture of how blues styles and techniques developed. Country Blues Guitar, Series 2 CBM 485-490 Stefan Grossman takes the student beyond the simple steady or alternating bass and into moving bass lines, counterpoint, classical arranging, and open tunings. Songs, in the styles of Elizabeth Cotten, the Rev. Gary Davis, Mississippi John Hurt, and Sam McGee, include "Oh Papa," "Buck Dancer's Choice," "Stagolee," and "If You Don't Want Me, Don't You Have Me Anymore." Country Blues Guitar, Series 3 CBM 491-496 Stefan Grossman presents complex arranging styles of Mississippi John Hurt, Blind Boy Fuller, Frank Stokes, Tommy Johnson, and Willie Brown, including alternating bass styles, the Mississippi Delta sound, and the ragtime blues of North Carolina. Songs include "Spider, Spider," "It Won't Be Long," "M and O Blues," and "Careless Love." Country Blues Guitar Styles and Techniques CBM 1478/1479 This series of radio shows focuses on styles and techniques of country blues guitarists and uses old recordings combined with Stefan Grossman's playing to describe the techniques used. Country Guitar Styles CBM 1201-1203 Doc and Merle Watson cover finger picking, flat picking, Merle's slide, and Doc and Merle's "twin guitar" duets. Especially made for the intermediate to advanced player. Examples are played slowly as well as up to tempo for ease of learning by ear. Designing Guitar Solos for Bluegrass Songs CBM 1223 Chris Jones discusses how to embellish a guitar solo using a simple bluegrass melody. Some knowledge of flat picking is needed to benefit from these tapes. Included in the ten songs that Chris Jones analyzes and teaches are "Used to Be," "Rose of Old Kentucky," and "Your Love Is like a Flower." Electric Blues and Rock Guitar CBM 1483-488 Lesson One: Beginnings-the Roots of Electric Blues. Fred Solokow slows down and analyzes the licks, scales, and techniques of Lonnie Johnson, Scrapper Blackwell, Lightnin' Hopkins, and John Lee Hooker. Besides learning some great styles, you will have a foundation to build upon. Lesson Two: Electric Slide Guitar. Using several sample tunes, Solokow teaches how to play electric slide guitar in the styles of the blues masters. Several tech- niques are covered as you learn the techniques of Tampa Red (open D), Muddy Waters (open G), Elmore James (open E), and Robert Nighthawk (standard tuning), and how to apply these techniques to rock progressions. Lesson Three: Early Blues/Rock: Chuck Berry and Bo Diddley. These two guitarists defined rock guitar in their day. The licks and styles they used, derived from blues players, are still an important part of every rock guitarist's repertoire. Lots of sample tunes plus lead and backup are included. Lesson Four: Kings of Modern Blues: B.B. King, Albert King, Freddie King, and T. Bone Walker. By analyzing sample tunes, Solokow teaches how to play electric single-string blues licks. The listener will learn several scale positions and how to improvise with them, how to do the "blues vibrato," how to do fill-in licks, chords, and turn arounds. Instruction on how to apply these scales and licks to modern rock is also included. Lesson Five: Modern Rock: English Blues and Heavy Metal. This lesson concentrates on the licks, scales, and playing styles of Eric Clapton, Van Halen, Ted Nugent, and Jimmy Page-guitarists whose playing directly derives from the blues masters. This lesson includes instruction in effects (distortion, vibrato bar, etc.), blues, and sliding scales and a special "speedy licks" exercise. Lesson Six: Jazzy Electric Blues. The last lesson in the series illustrates how to jazz up the 12-bar blues progression, vary the blues scales with diminished scales a la Charlie Christian, apply blues scales to jazz tunes, "substitute scales," and the special techniques used by Wes Montgomery and George Benson. The Electric Guitar CBM 1204-1209 Amos Garrett teaches how to bend single and double notes in the first four lessons of this series. The last two lessons teach songs using string-bending techniques learned in earlier lessons. For intermediate to advanced players. Fingerpicking Guitar Workshop CBM 1475-1477 In this series of radio broadcasts Stefan Grossman adds guitar playing with talk and records to illustrate some of the ideas, approaches and concepts in fingerpicking guitar. Bottleneck styles and techniques in open G and D tunings, crossnote tuning, blues in E, raggin' the blues, blues from the Carolinas, the guitar of Rev. Gary Davis, sophisticated blues, Texas blues, and Atlanta blues are some of the areas discussed. Fingerpicking [Styles for Guitar], Series 1 CBM 497-502 Happy Traum teaches basic fingerpicking in four common keys (C, G, D, and E), emphasizing ability to pick out syncopated melodies while maintaining a steady rhythmic bass pattern. Songs, in the styles of Mississippi John Hurt, Mike Seeger, Elizabeth Cotten, the Rev. Gary Davis, Merle Travis, and Dave Van Ronk, include "Spike Driver's Blues," "My Creole Belle," "Candy Man," and "Nine-Pound Hammer." Fingerpicking [Styles for Guitar], Series 2 CBM 503-508 Happy Traum presents fingerpicking tech- niques appropriate for those who can already do basic picking but want to expand their technique through the use of difficult chord positions, open tunings, and counter-bass lines. Songs, in the styles of Doc Watson, Willie Brown, Dave Van Ronk, and Merle Travis, include "Sitting on Top of the World," "Deep River Blues," "Mississippi Blues," and "St. Louis Tickle." Flatpick Country Guitar CBM 473-478 Happy Traum introduces the listener to flatpicking styles used by the Carter Family, Jimmie Rodgers, Hank Williams, Woody Guthrie, Doc Watson, and Johnny Cash. Covers basic strums, bass runs, hammer-ons, pull-offs, twelve-bar blues, walking bass, bluegrass licks, breaks, improvised solos, and fiddle tunes. Songs include "Goin' Down the Road Feelin' Bad," "Wildwood Flower," "Cripple Creek," "Will the Circle Be Unbroken," and "Turkey in the Straw." Guitar by Ear CBM 1617 Taught by David Bates. Guitar Method for the Blind CBM 697 Don Hoffer offers an introduction to the guitar, with instructions for playing chords and chordal accompaniments to folk tunes. Contains instructions for learning jazz, blues, and flamenco guitar styles. Honky Tonkin' Country Guitar Solos CBM 1290 The ten solos on this cassette were written by Paul Kramer. They are played at a regular tempo and at a slower speed for ease in learning. The author stresses that this course is for intermediate to advanced players only and moves rather rapidly. Improvising Bluegrass Guitar CBM 1274 In this course for the more advanced player, Brad Davis teaches twenty-eight licks and how to use them to improvise, jam, and create your own original breaks. Examples are played two or three times with different licks to show various styles. Intro to the Guitar for the Visually Impaired CBM 1616 Learn the basics of guitar playing without any written or braille materials. A Bill Brown course. Lead Guitar CBM 462-467 Artie Traum introduces electric blues/rock lead guitar styles of B.B. King, Chuck Berry, Eric Clapton, Jimi Hendrix, and others, covering a wide variety of techniques in songs such as "St. James Infirmary," "House of the Rising Sun," "Tornado," and "You Ain't Goin' Nowhere." Lead Guitar CBM 1320 A six-tape course by Arlen Roth, covering the basics for beginning lead guitar. Topics discussed include left-hand exercises, hammer-ons, slides, pull-offs, bending strings, and special licks. Learn to Play Country Quickly CBM 1212 Ray and Louis Howard teach this beginning course in guitar and discuss tuning, chords, songs, and how to transpose them. Songs included are "Down in the Valley," "You Are My Sunshine," "Beautiful Brown Eyes," and others. Playing and Understanding Jazz Guitar CBM 1489-1494 Lessons narrated by Fred Solokow. Lesson One: Chords. The lesson starts with the building blocks of jazz, how to recognize and construct chords and when to use them. Included is instruction on several moveable positions for each chord type and background information on intervals and the major scale. Lesson Two: Chord Progressions. When soloing, composing or with any jazz playing, you must know the basic types of chord movements: II-V-I, circle of fifths, "scalewise" progressions, blues and others. Moveable fretboard patterns for all these are taught. Lesson Three: Chord Soloing and Chord Substitution. This lesson deals with comping (backup) or chord soloing, how to substitute chords and vary progressions in order to jazz up a tune. Lesson Four: Basic Single Note Soloing. The student now learns to improvise solos using blues scales and moveable major scales, how to recognize and use "key centers"-the key to soloing. Instruction included in playing basic melody, stylized melody, and completely free improvisation. Lesson Five: Fancier Single-Note Soloing. Building on lesson four, the student learns to use diminished and augmented scales to jazz up solos, plus lots of chord-based licks and double-note soloing techniques and tips on "scale substitution." Lesson Six: Soloing Styles of the Greats. We now look closely at the playing styles of the influential guitarists Django Reinhardt, Charlie Christian, and Wes Montgomery. You will learn to solo "in the style of..." and study an analysis of the contributions made to guitar playing by these jazz giants. Rippin' Lead Guitar CBM 1715 Narrated by Paul Lidel. Rock Guitar Soloing CBM 1303 Arti Funaro teaches modern styles in this course, covering solos in the blues shuffle; funky blues of Albert King; heavy metal of Jimi Hendrix, Eric Clapton, and Eddie Van Halen; soul of Sam and Dave, James Brown, and Wilson Pickett; New Wave; and jazz/pop of George Benson. Rock Rhythm Guitar CBM 1716 Taught by Paul Lidel. Tuning with Harmonics CBM 1353 A method of tuning the guitar by using a tuning fork and playing harmonics. Harmonica Blues Harmonica CBM 1280 Gary Primich begins with teaching the notes on the harmonica and ends with difficult blues licks. He also discusses the types of harmonicas and recordings of great harmonica players that should be heard. Blues Harmonica CBM 753-758 John Sebastian uses the harmonica in C to teach blowing single notes, playing harp in and harp out, and bending notes. Blues Harp CBM 680 Tony Glover offers an introduction to blues style playing using Marine Band ten-hole harmonica. Covers simple melo- dies and techniques such as bending notes, train effects, and cross harp. Gives information on selecting harps for and playing with different guitar tunings. Adapted from Folkways Records recording FM 8358 for use by blind and physically handicapped individuals with special permission of the copyright holder. Mandolin Bluegrass Mandolin CBM 1281 In this course Dan Huckabee plays each song at full speed followed by a slow detailed lesson taught one phrase at a time. Some of the tunes included are "Gold Rush," "Big Mon," "Sugarfoot Rag," and "John Hardy." Designing Mandolin Solos for Bluegrass Songs CBM 1220 Paul Kramer discusses how to play background for singers and how to embellish the solo part when the mandolin plays it. Songs include "I'm Going Back to Old Kentucky," "Little Cabin on the Hill," and others. Improvising Bluegrass Mandolin CBM 1277 For the advanced musician who plays by ear; note names are not given. Standard licks and how to use them to improvise, jam, and create original breaks are presented by Brad Davis. Examples are played two or three times at different speeds and with different licks to show various styles. Irish Dance Tunes for Mandolin CBM 1275 Some knowledge of how to play the mandolin is needed to learn these reels, jigs, and hornpipes. Mark Bickford plays first up to tempo and then slowly phrase by phrase. Some of the pieces are "Scatter the Mud," "The Blue Angel," and "Tuttle's Reel." Organ Popular Organ Instruction, Levels 1-3 CBM 702 Bill Irwin's lessons include an introduction to manuals, pedals, and registration; sitting position; chord construction and transposition; and naming and spelling out left-hand chords as used in familiar songs. Piano Blues/Rock Piano CBM 450-455 David Bennet Cohen teaches the basics of blues, barrelhouse, boogie-woogie, and rock piano styles. Begins with simple rhythms and introduces increasingly complex patterns. Each tape is supplemented with braille music. Designed for persons with elementary knowledge of piano keyboard and note reading. Country Piano CBM 1291 Taught by Ron Howard. Key to the Keys for the Visually Handicapped CBM 699 Beginning instruction for the piano. Does not require the use of braille or printed material. Taught by Gale Pederson. Play by Ear and Improvise CBM 1282 This course by Gale Pederson presents songs for the elementary piano player. Improvising techniques include broken chords, blocked chords, and octaves in the bass. Some of the songs are "Long, Long Ago," "Home on the Range," and "Holy, Holy, Holy." Play Piano by Ear CBM 1413 Daniel Abrams teaches familiar tunes, using a basic foundation of scales, chords, and intervals. He explains how to know what chords to use in harmonizing parti- cular melodies and demonstrates how to transpose them. Among the musical examples are Wagner's "Wedding March" ("Here Comes the Bride"), "Silent Night," "Let Me Call You Sweetheart," and "When the Saints Go Marching In." Put Your Hands on the Piano and Play CBM 1409 Daniel Abrams has adapted his course for use by blind individuals. In this nontraditional approach to piano instruction, Abrams teaches chord structures and encourages students to improvise. Ragtime Piano CBM 420-425 David Cohen Bennett uses both traditional songs and composed works to illustrate rag style. Complete in six lessons, graded easy to difficult. Includes braille music for lessons 1, 2, and 3. Braille for lessons 4, 5, and 6 available on request. Lesson 1: "St. James Infirmary" and "Careless Love" Lesson 2: "Buddy Bolden's Blues" Lesson 3: "Ragtime Pasmala" and "Alabama Hoedown" Lesson 4: "Swipesy Cakewalk" Lesson 5: "The Entertainer" Lesson 6: "Maple Leaf Rag" Recorder Learning to Play Recorder, Alto and Bass, Levels 1-2 CBM 713 Sixteen cassettes which parallel the course for f-instruments in two levels. Taught by Jean Sell. Learning to Play Recorder, Soprano and Tenor, Levels 1-2 CBM 640 Jean Sell teaches this beginning course for soprano and tenor recorders which is appropriate for people with and without previous musical experience. Folk songs, familiar tunes, and composed music especially appropriate for recorder are played as solos, in duets, and with guitar accompaniment. Emphasizes playing by ear and covers fundamentals of music, providing a solid music theory foundation for those who may want to read braille music later. Gives suggestions for choosing and caring for instruments. Singing Basic Vocal Technique CBM 1301 Pop singer and composer Penny Nichols discusses relaxing the body and voice, projecting the voice, and singing intervals and ornaments. Each lesson begins with a new song to learn. Bluegrass Harmony CBM 1221, 1224-1225 Dan Huckabee discusses a number of bluegrass standards and gives hints to help the student figure out harmony parts to other songs with the aid of his guitar. Includes "Ain't Nobody Gonna Miss Me When I'm Gone," "Old Home Place," and others. Born to Sing CBM 1527 Gospel Harmony CBM 1227 Dan Huckabee sings and plays melody and harmony to some favorite gospel tunes. Also teaches the student how to figure out harmony with a guitar. Includes "Farther Along," "Put Your Hand in the Hand," "What a Friend We Have in Jesus," and more. How to Sing Pop Harmony CBM 1226 Dan Huckabee teaches two- and three-part harmonizations for some popular songs. The melody and harmony parts are sung separately and together. Some songs included are "Danny's Song," "Muskrat Love," "Bye Bye Love," and others. Learn to Yodel CBM 1293 The first tape of this two-part series discusses the techniques of yodeling, finding the break in the voice, and the words and syllables used. The second tape deals with styles of individual singers and the way yodeling is used in songs. Taught by Cathy Fink. Singing Country Harmony CBM 1228 Dan Huckabee teaches how to sing two-, three-, and four-part harmony in this course. The melody parts are played separately and procedures are given for figuring out parts of songs. Includes "Red River Valley," "Take Me Back to Tulsa," "Cryin' Time," and others. Singing Success Library CBM 579 (high voice) CBM 580 (low voice) A progressive series of lessons for students of high school age and older. Includes detailed, easily comprehensible description of singing techniques and tone production. Each tape includes appropriate exercises and instructions for a specific song plus suggestions for developing self-confidence and stage presence; each song is recorded by flute and piano. Taught by Macon Delayan. Songwriting/Composing The Avant-Garde Today, Parts 1-2 CBM 208-209 Scott Huston looks at the work of the "anti-music" composers and at musical composition, past and future. He predicts that traditional composition will soon become a dead art form. Chance and Randomness in the Arts CBM 305 Composer Murray Schafer describes the process by which aleatoric or chance music is "composed." How to Write for the Musical Theater CBM 1505/CBM 1506 Songwriters Workshop CBM 1322 In six one-hour lectures, five distinguished songwriters and lyricists discuss using the guitar and drum machine as writing tools, developing new lyrics, using the piano for melodic development, developing ideas on electronic keyboards, and the business side of songwriting. Synthesizer/Electronic Keyboard The Complete Synthesist CBM 1300 This course is primarily designed for the person who knows about or owns a synthesizer. Rob Zantay discusses basic synthesizer theory, how the synthesizer works, techniques of creating a sound, how to use a synthesizer in a recording studio, and how to set up a live, on-stage performance. Electronic Keyboard Course CBM 1408 Taught by Carol Klose. Electronic Keyboards CBM 1302 Vinnie Martucci discusses how to arrange music for synthesizers in a variety of styles. Concentrates on bass parts, rhythm sections, keyboard lead line parts, and overdubs. Teaches how to combine these different sounds to make the finished sounds of originally composed tunes or tunes written by others. Tinwhistle Irish Dance Tunes for Tinwhistle CBM 1279 Dan Foster begins with the fingering of the tinwhistle on easy pieces, then proceeds to more difficult pieces and the teaching of ornamentation. Includes reels, jigs, and hornpipes. Some of the tunes are "Hunter's Purse," "The King's Jig," "The Banshee," and "George White's Favourite." Theory Basic Theory The Building Blocks of Music CBM 11 In a conversation with Carolyn Watt, Scott Huston reviews elements of music theory: intervals, triads, root movements, tonics, altered chords, and modulation. Examples include the second movement of the Bach's Brandenburg Concerto no. 4 and Brahms's First Symphony. Music Theory Course CBM 1307 Introductory course covers the basic elements of melody and rhythm and then concentrates on the form, harmony, and style. Concludes with an analysis of a major musical work. Designed especially for the NLS program, narrated by Barbara Kolb. Complete in four units. Perfection Ear CBM 1668-1678 Introduction: Clapback rhythms, playback melodies, melody direction. Part 1: Clapback rhythms, playback melodies. Part 2: Clapback rhythms, playback melodies, interval identification. Part 3: Clapback rhythms, playback melodies, interval identification. Part 4: Clapback rhythms, playback melodies, interval identification. Part 5: Playback rhythms, playback melodies, interval identification. Part 6: Clapback rhythms, playback melodies, chord identification (major and minor), interval identification. Part 7: Clapback rhythms, playback melodies, chord identification (major, minor, dominant 7th), interval identification. Part 8: Playback melodies, cadences (perfect and plagal), chord identification (major, minor, dominant 7th, diminished 7th), interval identification. Part 9: Playback melodies, cadences (perfect, plagal, and imperfect), chord identification (major and minor in inversions and dominant 7th and diminished 7th in root position), interval identification. Part 10: Playback melodies, cadences (perfect, plagal, imperfect, deceptive), chords (major and minor in inversions, dominant 7th and diminished 7th in root position), interval identification. Practice Techniques for all Musicians CBM 1325 Daniel Abrams discusses exercises and techniques to help practice without becoming tense. Primarily intended for keyboard players but also suitable for singers and other instrumentalists. Understanding the Language of Music CBM 1304 Using examples from classical and popular music, Daniel Abrams discusses modes, scales, chords, and the instruments of the orchestra. Includes a brief history of music, with analysis of styles and forms. For the person who would like to acquire a rudimentary knowledge of music history and theory. Chords Chords CBM 141-144 Drawing on examples from composers of different eras and styles, Scott Huston demonstrates several ways chords can be constructed and connected and how key feeling or tonality is produced. According to Huston, the history of music from the sixteenth century to the early twentieth century follows the development of one chord-the augmented sixth. Ear Training Ear Training for the Instrumentalist CBM 1305 Although this course is primarily designed for the rock, country, or jazz instrumentalists, it may also be used by singers. Matt Glaser introduces a series of exercises on rhythm, pitch, and chord recognition in order to enhance a musician's ability to play and improvise by ear. Harmony Melody and Harmony CBM 53 Under the direction of Vladimir Bakaleinikov, the Pittsburgh Symphony Orchestra plays music with contrasting melodies and harmonies. Modern Harmony Course CBM 701 Scales and chord formation, progressions, modulations, chord notation, and rhythmic accompaniments. Developed especially for the NLS program, narrated by Bill Irwin. Tools for Musicianship CBM 1323 This course can be used as a follow-up to the ear training course Ear Training for the Instrumentalist (CBM 1305), which is also taught by Matt Glaser. Skills to learn are rhythm, harmony, ear training, and improvisation and composition techniques. Understanding the Formula of Music Makes It So Easy CBM 1717 Narrated by Dan Huckabee. History Chinese Music and Bach CBM 67, CBM 248 (2 parts) Rosalyn Tureck and Chou Wen-Chung discuss the "ornamented moment" as a "musical event" in ancient and modern Chinese music and in the music of Bach and Couperin. Includes musical examples. The Evolution of Modern Music CBM 169 Scott Huston traces the history of music through the development of scales. Musical illustrations represent wide range of styles and genres from the Gregorian Chant to popular music. Music for Children CBM 263 Interviews with Doreen Hall, a leading exponent of the Orff system of music education; Donald Himes, a teacher of eurhythmics; and Derek Healey, a composer. Improvisation CBM 733 The art of improvisation is explored in various art forms including play writing, acting, filmmaking, and jazz and classical music. Indian Music and Bach CBM 35, CBM 41 (2 parts) Rosalyn Tureck discusses ornamentation in the music of early composers. Jon Higgins demonstrates the importance of ornamentation in the classical music of south India, describing its relationship to the Western tradition. Music of the Orient CBM 394-395 Analyzes the theoretical system of the Indian raga in terms of melodic and rhythmic formulas, and the music's relation to specific gods, events, and seasons. Intervals/Triads Intervals and Triads CBM 214-215 Scott Huston and Carolyn Watt discuss the uses composers make of intervals and triads in their music. Ornamentation Bach and Ornamentation CBM 45 Concert artist and Bach specialist Rosalyn Tureck explains how Bach's ornamentation is "written right into the music." Forms and Analysis Canon and Fugue The Fugue CBM 70 Traces the development of the fugue from its forerunner, the ricercare, through the baroque and classical forms of this genre. Music from the Heavens CBM 916 Discusses the phenomenon of youth's attraction to Bach and his music's uplifting spirit. His mastery of counterpoint is demonstrated in the musical selections. What Is a Canon? CBM 10 Describes the origin and development of the canon, the simplest musical form. What Is a Fugue? CBM 109 Studies the fugue, using numerous examples from different styles, including Bach's Fugue in C major and Fugue in F minor. Cantata The Cantata CBM 75-74 Places the cantata in historical perspective and explains how a composer uses poetry. Chamber Music Edward Burlingame Hill CBM 319 Discusses Hill's Sextet for flute, oboe, clarinet, horn, bassoon, and piano, a work commissioned by Elizabeth Sprague Coolidge and first performed at the Coolidge Festival in 1934. Haydn and Handel: Masterpieces of Chamber Music. CBM 302 Eastman School of Music students perform Michael Haydn's Quintet for strings in C major and Handel's Passacaglia arranged for violin and viola by Johan Halvorsen. History of String Quartets CBM 168 The Julliard String Quartet demonstrates the evolution of the string quartet from Gibbons to Bart¢k. The Music of the String Quartets CBM 254 The Julliard String Quartet demonstrates the technical and expressive potential of stringed instruments. Illustrated with numerous examples from quartet music by Haydn, Schumann, Schubert, Debussy, Beethoven, Ravel, Mozart, Smetana, and Bart¢k. String Quartet CBM 308-309 Introduction to chamber music through Schubert's String Quartet in A minor op. 29, and commentary on Prokofiev's String Quartet no. 2, an important example of contemporary chamber music. Concerto The Concerto CBM 95, 97, 98 Examples of the concerto, a basic musical form. Tape 1: Movements from a concerto grosso by Vivaldi, Sinfonia Concertante for violin and viola by Mozart, and Beethoven's Piano Concerto no. 4. Tape 2: Contrast of the Concerto for clarinet by Weber, written in 1811, and the Concerto for piano by Shostakovich, written more than one hundred years later. Tape 3: Movements from two modern concerti-Bloch's Concerto Grosso and Poulenc's Concert Champetre for harpsichord. Evolution of the Concerto CBM 89 Antal Dorati conducts the Minneapolis Symphony Orchestra in Cimarosa's Overture to the Secret Marriage and selections from Handel's Concerti Grossi. Dance The Dance in Music CBM 470 Traces the history of the dance. Includes a minuet by Mozart, Weber's "Invitation to the Dance," Brahms's Hungarian Dance in G minor, and Strauss's waltz "Artist's Life." Modern Symphonic Dances CBM 632 Surveys this symphonic form. Includes works by Debussy, Rachmaninoff, and Paul Creston. The Waltz CBM 154 Discusses different treatments of the waltz by several composers. Electronic Experiments in Electronics CBM 330 Composer-conductor Pierre Boulez discusses his search for a new musical language. Improvisation Improvisation CBM 733 The art of improvisation is explored in various art forms including playwriting, acting, film making, and jazz and classical music. Mass The Mass CBM 230 Insights into the development of the mass as a musical form. Motet/Madrigal Motet and Madrigal CBM 195 Introduction to these genres of vocal ensemble music and their history. Includes musical examples ranging from the thirteenth century to contemporary vocal music. Oratorio The Oratorio CBM 179-180 History of the oratorio, from its beginnings in the sixteenth century to its present-day form. Includes musical examples from Jephte by Carissimi, Judas Maccabaeus by Handel, and Haydn's oratorio Creation. Overture Famous Dramatic Overtures CBM 637 Compares four highly divergent types of dramatic overtures by Mozart, Wagner, Wolf-Ferrari, and Massenet, performed by the NBC Symphony Orchestra. Focus on the Overture CBM 639 History of the overture, from its emergence to the present day. The Overture CBM 202 Describes the development of the overture, beginning with the French form, a slow then fast prelude to an opera or theatrical work established by Jean-Baptiste Lully. Includes the overtures to Lully's Th‚s‚e, Mozart's Idomeneo, Gretry's L'Epreuve Villageoise, Beethoven's Coriolanus, and Glinka's Ruslan and Ludmila. Rhapsody The Rhapsody CBM 155 Traces the development of the rhapsody from its origins in ancient Greece to its modern form. Features selections of works from Liszt to Ralph Vaughan Williams. Rondo The Rondo CBM 82 Defines the rondo as a form characterized by repetition and contrast. Examples include a Bach gavotte, Mozart's Turkish March, and the Andante from Brahms's Third Symphony. Scherzo The Scherzo CBM 2 Examples illustrate various kinds of scherzos. Sonata Schubert and Mozart CBM 219 Millard Taylor and Jose Ichanitch perform Schubert's Sonatina in D major and Mozart's Sonata no. 15 in B-flat major. Suite Descriptive Suite CBM 243 Contrasts compositional techniques in Ravel's Mother Goose Suite and Carpenter's Adventures in a Perambulator, two pieces inspired by children's literature. The Modern Suite CBM 52 Discusses the origins of the suite. Suite CBM 331-332 Traces the development of the suite. Includes musical examples, showing the use of the same musical form for entirely different styles of music. What Is a Suite? CBM 51 Walter Damrosch defines a suite as a progression of musical numbers. The suite from Iphig‚nie en Aulide by Gluck is used as an example. Symphony Development of the Symphony CBM 212 Reginald Stewart and the Baltimore Symphony Orchestra trace the development of the symphony from Johann Stamitz to Franz Liszt. Musical Pioneers of Italy CBM 410 Discusses mid-nineteenth-century Italian composers of the symphony. Includes selections from Locatelli, Sgambati, Respighi, and Casella. The Symphonic Poem CBM 58, 372, 59 Discussion of how the symphonic poem expresses poetic imagery and performance of well-known examples-Liszt's "Les Preludes" and Saint- Saens's "Danse Macabre." The Symphony CBM 240-242 Tape 1: Describes the development of the symphony between 1770 and 1815, using examples from the different symphonies by Johann Christian Bach, Mozart, Beethoven, and Schubert. Tape 2: Relates the symphony to our musical heritage, comparing early symphonies by Locatelli, classical by Haydn, and contemporary by Prokofiev. Tape 3: Employs Ernst Bacon's Symphony no. 2, composed in 1937, as an example of a modern symphony based on classical design. Theme and Variation Exploring Theme and Variation CBM 30 Walter Damrosch introduces the audience to the variation form, using examples from the Beethoven's 5th Symphony and Rustic Symphony by Carl Goldmark. Musical Forms CBM 633 Several musical forms represented in selections from Bizet's Carmen, Grieg's Peer Gynt Suite, Beethoven's Symphony no. 2, and Tchaikovsky's Symphony no. 4. Theme and Variation CBM 337-338 Tape 1: Analysis of a traditional form with historical perspective from the Elizabethan style represented by Hugh Aston to the classical Haydn's variations, and more recent interpretation of the form by Tchaikovsky. Tape 2: Andante movement from Beethoven's Fifth Symphony and the Istar Variations by d'Indy used to show the continuous development of the variations as a musical form. Variations on Form and Style CBM 237 The Hartford Symphony Orchestra, pianist Walter Deckelmann, and harpist Cynthia Otis play works by Dohnanyi, Debussy, and Barber. Individual Pieces Guitar Alternative CBM 2110 - Cold Contagious CBM 2111 - Creep CBM 2112 - Disarm CBM 2113 - Everlong CBM 2114 - Every Morning CBM 2115 - Glycerine CBM 2116 - Greedy Fly CBM 2117 - Heaven's Already Here CBM 2118 - I'll Stick Around CBM 2119 - Love Will Keep Us Alive CBM 2120 - Lithium CBM 2121 - Machine Head CBM 2122 - Misery CBM 2123 - 1979 CBM 2124 - Plush CBM 2125 - Pure Massacre CBM 2126 - Satellite CBM 2127 - Sensible CBM 2128 - Shine CBM 2129 - Suicidal Dream CBM 2130 - Today CBM 2131 - Tomorrow CBM 2132 - Turn My Head CBM 2133 - When I Come Around Country CBM 2081 - Belleau Wood CBM 2082 - Best of Intentions CBM 2083 - Breathe CBM 2084 - Chattahoochee CBM 2085 - Daddy's Hands CBM 2086 - Do You Believe Me Now? CBM 2087 - Feel like Making Love CBM 2088 - I Can't Stop Loving You CBM 2089 - If Tomorrow Never Comes CBM 2090 - Katie Brought My Guitar Back CBM 2091 - Love Me CBM 2092 - Midnight in Montgomery CBM 2093 - One Small Miracle CBM 2094 - Panhandle Rage CBM 2095 - Party Crowd CBM 2096 - Rooster CBM 2097 - Someone Else's Star CBM 2098 - Harvest Wind CBM 2099 - Thunder Rolls CBM 2100 - The Dance CBM 2101 - The Key CBM 2102 - The River CBM 2103 - Tree of Hearts CBM 2104 - Two Tear Drops CBM 2105 - Unanswered Prayers CBM 2106 - When a Man Loves a Woman CBM 2107 - Wildwood Flower CBM 2108 - Yakety Axe CBM 2109 - You Move Me Guitar by Ear (Series) Teaches how to play each song without the use of music or tabs. Each song is on a separate cassette. Each cassette is from the Bill Brown Guitar by Ear series. Instrumental/Arrangements/Classical CBM 2159 - Solo Sampler 1 CBM 2160 - A Day in the Life of a Fool CBM 2161 - Always on My Mind CBM 2162 - Amazing Grace CBM 2163 - Are You Washed CBM 2164 - Ave Maria (Bach/Gounod) CBM 2165 - Ave Maria (Schubert) CBM 2166 - Because He Lives CBM 2167 - Beyond the Gates CBM 2168 - Blue Moon CBM 2169 - Blessed Jesus Hold My Hand CBM 2170 - Blue Spanish Eyes CBM 2171 - Born to Serve the Lord CBM 2172 - Bour‚e CBM 2173 - Breezin' Lix CBM 2174 - By and By CBM 2175 - Classical Gas CBM 2177 - Come and Dine CBM 2178 - Dancing Shadows CBM 2180 - Down by the Riverside CBM 2181 - Dream On CBM 2185 - Girl from Ipanema CBM 2183 - Fire Dance CBM 2184 - Fr Elise CBM 2186 - Harper Valley PTA CBM 2187 - He Looked Beyond My Fault Soft Rock CBM 2134 - Aubrey CBM 2135 - Believe in Me CBM 2136 - Carolina in My Mind CBM 2137 - Diary CBM 2138 - Fire and Rain CBM 2139 - Hearts and Crafts CBM 2140 - Helplessly Hoping CBM 2141 - If CBM 2142 - Leader of the Band CBM 2143 - Longer CBM 2144 - Looking for a Lady CBM 2145 - Now and Forever CBM 2146 - Only the Heart May Know CBM 2147 - Poems, Prayers, and Promises CBM 2149 - Something in the Way She Moves CBM 2150 - Stars CBM 2151 - The Boxer CBM 2152 - This Old Guitar CBM 2153 - Time in a Bottle CBM 2154 - Vincent (Starry Starry Night) CBM 2155 - Waterloo CBM 2156 - You Can Close Your Eyes CBM 2157 - You Were Meant for Me CBM 2158 - You've Got a Friend CBM 2188 - He Touched Me Rock CBM 1985 - Already Gone CBM 1986 - Allman Brothers Greatest Intros and Shorts CBM 1987 - Alone CBM 1988 - Always Making Love CBM 1989 - Always with Me, Always with You CBM 1990 - Angel CBM 1991 - Another Brick in the Wall CBM 1992 - Black Hole Sun CBM 1993 - Blackbird CBM 1994 - Blue on Black CBM 1995 - Bold as Love CBM 1996 - Caffeine and Nicotine CBM 1997 - Catfish Blues CBM 1998 - Cliffs of Dover CBM 1999 - Crossfire CBM 2000 - Daydream CBM 2001 - Dead or Alive CBM 2002 - Dee CBM 2003 - Don't Fear the Reaper CBM 2004 - Empty Arms CBM 2005 - The End CBM 2006 - Eruption CBM 2007 - Dust in the Wind CBM 2008 - Farewell to Kings CBM 2009 - Fire in the Hole CBM 2010 - Five Long Years CBM 2011 - The Fool and Me CBM 2012 - The Freshman CBM 2013 - Gene and Eddie CBM 2014 - Give Me One Reason CBM 2015 - Hang CBM 2016 - Heaven CBM 2017 - Hit Me with Your Best Shot CBM 2018 - Holy Wars - Rhythm and Lead CBM 2019 - Hotel California CBM 2020 - House Is Rockin' CBM 2021 - I Don't Wanna Miss a Thing CBM 2022 - Illusion CBM 2023 - Jessica CBM 2024 - Jet Airliner CBM 2025 - Johnny B. Goode CBM 2026 - Julia CBM 2027 - Keep Your Hands to Yourself CBM 2028 - Lady Love CBM 2029 - Lenny CBM 2030 - Let Me Put My Love into You CBM 2031 - Letters to My Girlfriend CBM 2032 - Life by the Drop CBM 2033 - Little Bit of Sympathy CBM 2034 - Little Martha CBM 2035 - Little Wing (Selected Licks) CBM 2036 - Love Struck Baby CBM 2037 - Mary Ann CBM 2038 - Messing with the Kid CBM 2039 - More than a Feeling CBM 2040 - My Friend of Misery CBM 2041 - My Friends CBM 2042 - My Own Prison CBM 2043 - Name CBM 2044 - Nothing Else Matters CBM 2045 - Octopus's Garden CBM 2046 - Ode CBM 2047 - Old Man down the Road CBM 2048 - Only Time CBM 2049 - Panama CBM 2050 - Pink Houses CBM 2051 - Play That Funky Music (Lix) CBM 2052 - Pretty Woman CBM 2053 - Push CBM 2054 - Ramblin' Man CBM 2055 - Red House CBM 2056 - Rock This Town CBM 2057 - Rocky Mountain High CBM 2058 - Secret Agent Man CBM 2059 - Secret Agent Man (Ventures) CBM 2060 - Shelf in the Room CBM 2061 - Sleepwalk CBM 2062 - Smokin' CBM 2063 - Spooky CBM 2064 - Stairway to Heaven CBM 2065 - Still Raining CBM 2066 - Stoop Down Baby CBM 2067 - Stray Cat Strut CBM 2068 - Susie Q CBM 2069 - Sweet Goddess of Love and Beer CBM 2070 - Sweet Home Alabama CBM 2071 - Tears in Heaven CBM 2072 - Too Rolling Stoned CBM 2073 - This Boy CBM 2074 - 316 CBM 2075 - Under the Bridge CBM 2076 - Voodoo Child (Slight Return) CBM 2077 - Waterloo CBM 2078 - What's Wrong with You? CBM 2079 - While We Cry CBM 2080 - Yellow Piano Piano By Ear Teaches how to play each piece without the use of music or tabs. CBM 1743 - Always a Woman to Me CBM 1744 - Anniversary Song (waltz style taught in three levels) CBM 1745 - Ashokan Farewell (from Civil War series on PBS) CBM 1746 - Blues and Boogie - Learn "In the Mood" as well CBM 1747 - Georgia on My Mind (Taught in three levels) CBM 1748 - Godfather 1 (Love Theme) CBM 1749 - Godfather 2 (Main Theme) CBM 1750 - I Got Rhythm CBM 1751 - Intros and Endings (Get in and out 24 ways) CBM 1752 - Theme from Love Story (EZ left-hand arpeggio pattern) CBM 1753 - Misty (Jazz style with major seventh chords) CBM 1754 - My Heart Will Go On (from Titanic) CBM 1755 - The Piano Man CBM 1756 - Theme from Pink Panther CBM 1757 - Tennessee Waltz (with Floyd Cramer licks) CBM 1758 - Unforgettable CBM 1759 - Watermark by Enya CBM 1760 - Wind Beneath My Wings (easy arr.) CBM 1761 - Your Cheatin' Heart (with left- hand boogie pattern) CBM 1762 - Ave Maria (Gounod arr.) CBM 1763 - Just as I Am CBM 1764 - Old Rugged Cross (waltz bass style) CBM 1765 - Jesu, Joy of Man's Desiring CBM 1766 - March in D CBM 1767 - Minuet in G CBM 1768 - Minuet in G minor CBM 1770 - My Heart Ever Faithful CBM 1774 - Minuet in G CBM 1777 - Rustic Dance CBM 1778 - Prelude in A CBM 1779 - Prelude in C minor CBM 1780 - Prelude in E minor CBM 1781 - Kabalevsky I CBM 1782 - Minuet in C (Mozart) CBM 1783 - Minuet (Mozart) CBM 1784 - Minuet in F (Mozart) CBM 1785 - Ave Maria (Schubert) CBM 1786 - Christmas Song (melody chord style) CBM 1787 - Silent Night (taught in three levels) CBM 1788 - Sleigh Ride CBM 1789 - Vol 1: "Amazing Grace," "O Danny Boy," "America," "Aura Lee," "You Are My Sunshine" CBM 1790 - Vol 2: "Just as I Am," "Wild Irish Rose," "My Country 'tis of Thee," "Down in the Valley," "Five Foot Two" CBM 1791 - Christmas 1: "Silent Night," "Jingle Bells," "O Christmas Tree," "Joy to the World," "Away in a Manger," "White Christmas" CBM 1792 - Christmas 2: "Away in a Manger," "Little Drummer Boy," "O Little Town of Bethlehem," "Deck the Halls," "Hark the Herald Angels Sing" CBM 1793 - Hymns by Ear Popular Songs Popular Music Lead Sheets CBM 1285-1289 Includes five songs with lyrics, vocal part, partial accompaniment (right hand), and chord symbols dictated. The music is not performed. CBM 1285 "I Left My Heart in San Francisco," "Morning Has Broken," "Let a Smile Be Your Umbrella," "As Time Goes By," "Puttin' on the Ritz." CBM 1286 "Send in the Clowns," "King of the Road," "Nobody Knows You When You're Down and Out," "You've Got a Friend," "Jump." CBM 1287 "September Song," "The Christmas Song," "It's All Right with Me," "Memory," "When Doves Cry." CBM 1288 "My Wild Irish Rose," "The Nearness of You," "Ribbon in the Sky," "Bridge over Troubled Water," "Cherish." CBM 1289 "The Way It Is," "The Greatest Love of All," "Layla," "Roll Over Beethoven," "They Can't Take That Away from Me." Viola Bach, Johann Sebastian Arioso for Viola from Cantata no. 156 CBM 408 Arrangement of the Sinfonia from Bach's cantata, Ich steh'mit einem Fuss im Grabe, S. 156. Piano accompaniment only, played at slow practice and actual performance tempos. Uses Carl Fischer edition. Celebrated Air on the G String for Viola CBM 587 Arrangement of air from Bach's Orchestral Suite S. 1068 in D major. Piano accompaniment only, played at slow practice and actual performance tempos. Uses Carl Fischer edition. Schumann, Robert M„rchenbilder: Pictures in Fairyland for Viola, op. 113, First Movement CBM 688 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Stamitz, Karl Viola Concerto in D Major, op. 1, First and Third Movements CBM 590, CBM 689 Piano accompaniment only, played at slow practice and actual performance tempos. Uses International Music Co. edition. Telemann, Georg Philipp Concerto for Viola, G Major CBM 589, 591, 592, 588 Piano accompaniment only, played at slow practice and actual performance tempos. Uses International Music Co. edition. Violin Bach, Johann Sebastian Arioso for Violin from Cantata no. 156 CBM 584 Arrangement of Sinfonia from Bach's Cantata, Ich steh' mit einem Fuss im Grabe, S. 156. Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Celebrated Air on the G string, for Violin CBM 409 Arrangement of the air from Bach's orchestral suite S.1068 in D major. Piano accompaniment only, played at slow practice and actual performance tempos. Uses Carl Fischer edition. Braille score (Schott edition, arranged by A. Wilhelmj) available on request. Gounod, Charles Meditation on the First Prelude of J. S. Bach, for Violin CBM 593 Piano accompaniment only, played at slow practice and actual performance tempos. Uses Carl Fischer edition. Braille score available on request. Handel, George Frideric Sonata no. 3 for Violin, F Major, Second and Fourth Movements CBM 684, 683 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Braille score available on request. Sonata no. 5 for Violin, A Major, Second and Fourth Movements CBM 686, 682 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Braille score available on request. Sonata no. 6 for Violin, E Major, Second and Fourth Movements CBM 685, 681 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Braille score available on request. Rieding, Oskar Concerto for Violin, G Major, op. 34, First, Second, and Third Movements CBM 594, 595, 596 Piano accompaniment only, played at slow practice and actual performance tempos. Uses Belwin Inc. edition. Schumann, Robert M„rchenbilder: Pictures in Fairyland for Violin, op. 113, First Movement CBM 687 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Seitz, Friedrich First Pupil's Concerto for Violin, D Major, First Movement CBM 601 Piano accompaniment only, played at slow practice and actual performance tempos. Uses G. Schirmer edition. Braille score available on request. Student's Concerto no. 2 for Violin, G Major, op. 13, First, Second, and Third Movements CBM 598, 600 Piano accompaniment only, played at slow practice and actual performance tempos. Uses C. Fischer edition. Braille score (G. Schirmer edition) available on request. Vivaldi, Antonio Concerto for Violin, G Major, First, Second, and Third Movements CBM 597, 599, 690 Piano accompaniment only, played at slow practice and actual performance tempos. Uses Hug edition published by C.F.Peters. Voice Anonymous Danny Boy - soprano CBM 1794 When Love Is Kind - soprano CBM 1795 Barber, Samuel The Crucifixion - soprano CBM 1800 The Daisies CBM 1801 - baritone CBM 1802 - soprano CBM 1803 - mezzo soprano Sure on This Shining Night CBM 1796 - baritone CBM 1797 - tenor CBM 1798 - soprano CBM 1799 - mezzo soprano Beach, Amy Marcy Cheney Take, O Take Those Lips Away - soprano CBM 1804 Beethoven, Ludwig van Adelaide - tenor CBM 1805 Bellini, Vincenzo Vaga luna, che inargenti - soprano CBM 1806 Bononcini, Giovanni Battista Per la gloria d'adorarvi CBM 1807 - tenor CBM 1808 - baritone CBM 1809 - soprano CBM 1721 - mezzo soprano Bowles, Paul Cabin - baritone CBM 1810 Brahms, Johannes Botschaft - tenor CBM 1811 Brahms Songs for High Voice CBM 1215 Piano accompaniment only; played by John Wustman. Der Tod, das ist die khle Nacht - baritone CBM 1812 Die Mainacht - baritone CBM 1813 Everybody's Favorites for High Voice CBM 1219 Piano accompaniment only; played by John Wustman. Meine Liebe ist Grun - baritone CBM 1814 Minnelied CBM 1815 - soprano CBM 1816 - tenor CBM 1817 - baritone Vergebliches St„ndchen CBM 1818 - soprano CBM 1819 - baritone Wie Melodien Zieht es mir - soprano CBM 1820 Wiegenlied CBM 1821 - baritone CBM 1822 - soprano Wir Wandelten - tenor CBM 1823 Britten, Benjamin The Ash Grove - tenor CBM 1825 O Can Ye Sew Cushions? - tenor CBM 1824 Burleigh, Henry Thacker Deep River - soprano CBM 1826 Sometimes I Feel like a Motherless Child - soprano CBM 1827 There Is a Balm in Gilead - soprano CBM 1828 Caccini, Giulio Amarilli, mia bella CBM 1829 - mezzo soprano CBM 1830 - soprano CBM 1831 - tenor Cadman, Charles Wakefield The Little Road to Kerry - soprano CBM 1832 Caldara, Antonio Alma del core - tenor CBM 1833 Come raggio di sol CBM 1834 - tenor CBM 1835 - mezzo soprano CBM 1836 - soprano Sebben, crudele CBM 1837 - soprano CBM 1838 - tenor Carissimi, Giacomo Vittoria, mio core! CBM 1839 - mezzo soprano CBM 1840 - soprano Charles, Ernest When I Have Sung My Songs CBM 1841 - tenor CBM 1842 - baritone CBM 1843 - mezzo soprano Copland, Aaron At the River - mezzo soprano CBM 1844 Ching-a-ring Chaw - mezzo soprano CBM 1845 I Bought Me a Cat - mezzo soprano CBM 1846 The Little Horses CBM 1851 - mezzo soprano CBM 1852 - soprano Long Time Ago CBM 1847 - mezzo soprano CBM 1848 - soprano Simple Gifts CBM 1849 - mezzo soprano CBM 1850 - baritone Debussy, Claude Romance - soprano CBM 1853 Dougherty, Terrence Patrick Across the Western Ocean - baritone CBM 1854 Duke, John Loveliest of Trees CBM 1855 - tenor CBM 1856 - soprano CBM 1857 - mezzo soprano CBM 1858 - baritone Duparc, Henri Chanson triste CBM 1859 - tenor CBM 1860 - soprano Extase - tenor CBM 1861 L'invitation au Voyage - soprano CBM 1862 Durante, Francesco Vergin, tuto amor CBM 1863 - mezzo soprano CBM 1864 - soprano Faur‚, Gabriel Adieu - tenor CBM 1865 AprŠs un Rˆve CBM 1866 - soprano CBM 1867 - tenor Automne - soprano CBM 1868 Chanson d'amour CBM 1869 - soprano CBM 1870 - tenor Clair de lune - mezzo soprano CBM 1871 En priŠre - tenor CBM 1872 Fleur jet‚e - tenor CBM 1873 Ici-Bas! - soprano CBM 1874 Le secret - soprano CBM 1875 Les berceaux - soprano CBM 1876 Les roses d'lspahan - soprano CBM 1877 Lydia - tenor CBM 1878 Nell - tenor CBM 1879 Rencontre - tenor CBM 1880 Toujours - tenor CBM 1881 Gianinni Tell Me, O Blue Blue Sky CBM 1882 - soprano CBM 1883 (piano?) Giordani, Giuseppe Caro mio ben CBM 1884 - tenor CBM 1885 - baritone CBM 1886 - soprano Gluck, Christoph O del mio dolce ardor CBM 1887 - tenor CBM 1888 - soprano Gold, Arthur Music, When Soft Voices Die - soprano CBM 1889 Handel, George Frideric Caro Sposa - soprano CBM 1890 Ch'io mai vi possa - soprano CBM 1891 The Do-It-Yourself Messiah CBM 1468 - soprano CBM 1469 - alto CBM 1470 - tenor CBM 1471 - bass These cassettes help singers learn the chorus parts for this work. Each cassette includes selected choruses with one voice part emphasized while the other parts are sung softly. Lascia ch'io pianga - soprano CBM 1892 Va godendo CBM 1893 - soprano CBM 1894 - mezzo soprano Where'er You Walk CBM 1895 - soprano CBM 1896 - baritone CBM 1897 - tenor Hopkinson, Francis Beneath a Weeping Willow's Shade - soprano CBM 1898 Johnson, Hall Were You There? - soprano CBM 1899 Liszt, Franz Oh, quand je dors - tenor CBM 1900 Lotti, Antonio Pur dicesti, o bocca bella - mezzo soprano CBM 1901 Mendelssohn, Felix If with All Your Hearts - tenor CBM 1902 Monteverdi, Claudio Lasciaterni morire! CBM 1903 - tenor CBM 1904 - soprano Mozart, Wolfgang Amadeus An Chloe - soprano CBM 1905 Das Veilchen - soprano CBM 1906 Mozart Arias for Soprano CBM 1217 Piano accompaniment only; played by John Wustman. Ridente la calma - soprano CBM 1925 Nichols, Penny Basic Vocal Technique CBM 1301 Pop singer and composer Penny Nichols discusses relaxing the body and voice, projecting the voice, and singing intervals and ornaments. Each lesson begins with a new song to learn. Niles, John Jacob Black Is the Color of My True Love's Hair - soprano CBM 1908 I Wonder as I Wander CBM 1909 - soprano CBM 1910 - tenor The Lass from the Low Countree CBM 1911 - baritone CBM 1912 - soprano Paisiello, Giovanni Nel coor piu non mi sento - soprano CBM 1913 Pergolesi, Giovanni Battista Nina - tenor CBM 1914 Se tu m'ami, se sospiri CBM 1915 - mezzo soprano CBM 1916 - soprano Purcell, Henry I Attempt from Love's Sickness to Fly CBM 1917 - soprano CBM 1918 - mezzo soprano Nymphs and Shepherds - mezzo soprano CBM 1919 Quilter, Roger Love's Philosophy - soprano CBM 1920 Rodrigo, Josqu¡n Con que la lavare? - soprano CBM 1921 De donde venis amore - soprano CBM 1922 De los alamos vengo, madre - soprano CBM 1923 Vos me matasteis - soprano CBM 1924 Scarlatti, Alessandro Gia il sole dal gange CBM 1942 - tenor CBM 1926 - soprano Le violette - tenor CBM 1927 O cessate di piagarmi CBM 1928 - mezzo soprano CBM 1929 - soprano CBM 1930 - tenor Schubert, Franz An die Laute - tenor CBM 1931 An die Music CBM 1932 - soprano CBM 1933 - baritone An die Nachtigall - tenor CBM 1934 An die Sonne - tenor CBM 1935 An Silvia - baritone CBM 1936 Die Forelle - tenor CBM 1937 Du bist die Ruh - soprano CBM 1938 Frhlingsglaube - soprano CBM 1939 Gretchen am Spinnrade - soprano CBM 1940 Heidenr”slein - soprano CBM 1941 Nacht und Trame CBM 1942 - soprano CBM 1943 - tenor Rastlose Liebe - baritone CBM 1944 St„ndchen CBM 1945 - tenor CBM 1946 - soprano Schumann, Robert Der Nussbaum CBM 1947 - soprano CBM 1948 - baritone CBM 1949/50 - mezzo soprano Die Lotosblume CBM 1951 - soprano CBM 1952 - tenor CBM 1953/54 - mezzo soprano Du bist wie eine Blume CBM 1955 - soprano CBM 1956 - tenor CBM 1957 - baritone CBM 1958 - mezzo soprano Ich grolle Nicht - mezzo soprano CBM 1959/60 Schumann Songs for Low Voice CBM 1214 Piano accompaniment only; played by John Wustman. Widmung CBM 1961 - soprano CBM 1962 - baritone Stradella, Alessandro Pieta, signore! CBM 1963 - tenor CBM 1964 - soprano Strauss, Richard Allerseelen CBM 1965 - mezzo soprano CBM 1966 - tenor CBM 1967 - baritone CBM 1968 - soprano Befreit - tenor CBM 1969 Die Nacht CBM 1970 - soprano CBM 1971 - tenor Heimlich aufforderung - tenor CBM 1972 Richard Strauss Songs for High Voice CBM 1213 Piano accompaniment only; played by John Wustman. Zueignung CBM 1973 - baritone CBM 1974 - soprano Thiman, Eric I Love All Graceful Things - soprano CBM 1976 Path to the Moon - mezzo soprano CBM 1976 Torelli, Giuseppe Tu lo sai - tenor CBM 1977 Vaughan Williams, Ralph Silent Noon CBM 1978 - soprano CBM 1979 - mezzo soprano The Vagabond - baritone CBM 1980 Whither Must I Wander? - baritone CBM 1981 Wolf, Hugo Hugo Wolf Songs for Low Voice CBM 1218 Piano accompaniment only; played by John Wustman. Verborgenheit CBM 1982 - mezzo soprano CBM 1983 - soprano Zaninelli, Luigi Sacred Oratorio Arias for Tenor CBM 1216 Piano accompaniment only; played by John Wustman. The Water Is Wide - soprano CBM 1984 Master Classes Piano At Home with Beethoven CBM 1308 Ralph Hokanson discusses and performs four Beethoven piano sonatas: op. 10, no. 3; op. 31, no. 2; op. 90, no. 27; op. 109, no.30. Strings Andres Segovia Master Class CBM 62 Segovia emphasizes to students the importance of respecting rhythm. Bach's Suite no. 3 CBM 19-21 Pablo Casals conducts a master class on Bach's Suite for Unaccompanied Cello, S. 1009. Casals Conducts Beethoven CBM 29 Casals conducts a master class on Beethoven's Sonata no. 4 for violoncello, stressing sensitivity to musical nuances and gradations in tempo. Casals Conducts Saint-Sa‰ns CBM 92 Casals directs a master class on a Saint-Sa‰ns cello concerto, explaining the technical and emotional aspects of the composer's music. Voice Jennie Tourel Master Class CBM 123 Mezzo-soprano Jennie Tourel in a program from the Julliard School of Music. Woodwinds Concerto in A Minor for Piccolo (F. VI, 9) CBM 695 Master class by piccoloist Clement Barone. Braille score available on request. Folk Music African Afro-American Children's Singing Games CBM 1185 Dr. Linda Worton discusses the cultural importance of singing games and traces them from their roots in Africa until today. She illustrates the changes in culture by the changes in songs from slavery times to the present. Music of Africa CBM 192 Against a background of West African music, Nigerian composers Bela Shawanda and Solomon Lorie discuss the interaction of African and European music. Music of North Africa CBM 398 Contends that sophistication of African music results from the integration of art and music with daily life. Examples include antiphonal singing by children of the western Congo, yodeling of the Pygmies, and the talking drums of the Bantu. Music of West Africa CBM 325-327 Part 1: Introduction to the rich musical heritage of the peoples of the African coast. Part 2: Selected recordings of the variety of music in West Africa demonstrate the increasing effect of political independence and industrialization on the region's music. Part 3: Recordings of the music, songs, and dances of the cafes of modern West Africa show how the primitive patterns and modern musical forms around the world blend in the current music of this region. American An Aaron Copland Portrait CBM 134 Interview with Aaron Copland, who discusses the use of folk material in his opera The Tender Land, and a performance by the Boston Symphony Orchestra, conducted by Copland, of two suites from the opera. Bernice Reagon and Jean Ritchie CBM 271 Pete Seeger joins gospel singer Bernice Reagon and singer/dulcimer player Jean Ritchie in this selection of folk songs. Buffy Sainte-Marie and Pete Seeger CBM 26 Pete Seeger concentrates on the banjo and its history; Buffy Sainte-Marie joins him to exchange songs and conversation. Collecting Folk Songs CBM 276 In this lecture, MacEdward Leach, folk song collector, describes how he goes about the business of collecting songs from individuals and communities. Examples from Potter County, Pennsylvania, are heard. The Cornwall Furnace CBM 103 Folksinger Oscar Brand sings songs about the Cornwall Furnace in Pennsylvania and its role in the history of the United States from 1742 to 1883. Cowboy Songs CBM 255 Ex-cowboy and artist Terry Jackson sings cowboy songs and tells about how riding and roping really were. Ewan MacColl and Peggy Seeger CBM 96 Peggy Seeger and friends sing Scottish, English, and American folk songs. Explanations of songs' origins are also given. Folk Songs of Early America CBM 107 This program includes hymns, ballads, and virginal pieces played by early American settlers in Virginia and New England. There are also orchestrated arrangements of these tunes. Frankie and Johnny CBM 177 This lecture explores the origins of the Frankie and Johnny story and song which began with the murder of Allen Brit by Frankie Baker in 1901. It traces the development of the song through Mae West, Guy Lombardo, and Johnny Cash. French Canadian Folk Music CBM 253 This lecture discusses some of the problems between Quebec and the rest of Canada and presents orchestrations of songs and original compositions by French-Canadian composers. The Great American Song Bag CBM 1148 (part 4) CBM 1150 (part 6) American history through a sampling of songs. William Billings's "Chester," George Root's "Battle Cry of Freedom," and "Red River Valley" are heard. Hillbilly and Mountain Ballads CBM 86 This program traces the origins of hillbilly music from its beginning in the 1920s. Songs are performed by Nel Carver, the Carter Family, and Clarence Tom Ashley. Ian and Sylvia CBM 198 The folk team Ian and Sylvia sing some of their own compositions as well as folk songs from America and Scotland. Included are "You Were on My Mind" and "Nancy Whiskey." The Incompleat Folksinger CBM 294 Folksinger Pete Seeger sings some of his favorite ballads and discusses his controversial life and his book. Joel Chandler Harris: Storyteller CBM 920 "Uncle Remus" folk stories are presented along with folk songs and Howard Mitchell's "Symphonic Portrait" of Joel Chandler Harris. Labor Ballads CBM 139 Describes the relationship between labor songs and the early development of labor unions. These ballads served as a rallying force and inspired workers to fight for their rights. The Life and Music of Lily May Ledford CBM 778 Appalachian musician Lily May Ledford plays her fiddle and banjo, and describes efforts to preserve old-time Appalachian music traditions. Lumbering Songs CBM 174 Professor Edward Ives and Horace Beck discuss nineteenth-century folklore and song legends of lumbering men from Maine to Minnesota. Mr. Edison's Marvelous Memory Machine CBM 1063 A historical look at recordings and recording technology illustrated with examples by famous personalities. Part 36 presents Edison's contribution to preservation of the American folk and country music of his days. Features Edison's recordings of Vernon Dalhart, Cal Stewart, early bluegrass music, and cowboy songs. Music of the Bayou CBM 99 A short lecture on the music and traditions of the Cajun people who came from Canada to settle in Louisiana during the eighteenth century. Traditional and orchestrated arrangements of folk songs are featured. Music in the New World CBM 721/722 Series about music of the Laotian, southern Slavic, Tai Dam, and Afro-Cuban communities in the United States. Immigrants talk about what their music means to them in their new land. Includes musical examples. Music of the Range and Trail CBM 178 The life of the American and Mexican cowboys as pictured in ballad and song. Two of the songs included are "The Old Chrisholm Trail," and "Get Along Little Dogie." Music of Smoke and Steel CBM 176 In this lecture, the song "John Henry," compositions by Ernst Bacon, and other music of the workers are presented. The Singer as Activist CBM 113 Interview with folk singer Joan Baez and her family and friends. Discusses her career and her involvement with the Monterey Institute for the Study of Nonviolence. Song Book of the Old World CBM 363 Mike Whorf plays and discusses the origin of traditional songs. Songs of Square Dancing CBM 407 Jean Ritchie visits her home in Viper, Kentucky. She talks with her mother and other relatives about the evolution of the play party from the square dance. Songs of the New World CBM 323 Wide and varied look at the music and songs of the New World, including Thomas Paine's "The Death of General Wolf," songs and dances of the Argentine gauchos, and the country fiddle tune "The Arkansas Traveler." Sonny Terry and Brownie McGhee CBM 316 Pete Seeger reminisces and plays music with legendary blues musicians Sonny Terry and Brownie McGhee. Both familiar and new music is heard. Star Spangled Harmony CBM 1015 Our United States history in music. "Yankee Doodle," "What a Country," "America the Beautiful," and our folk song heritage which includes "Drink to Me Only with Thine Eyes." Styles of Folk Songs CBM 339 Tristram Coffin and John Greenway trace the development of the folk song in America from its beginnings in England to modern times. Mountain, union, and occupational songs are presented. That Crazy American Music CBM 1125 Historical review of American music from its beginning with the Pilgrims. Programs cover the Gay Nineties, Civil War, and the westward movement. Part 15 is another installment featuring early American popular music ranging from fiddle tunes and folk ballads to composed popular instrumental music and popular songs. This Land Is Your Land CBM 216 This lecture by Oscar Brand describes the evolution of folk songs in America as the country grew. Some songs included are "This Land Is Your Land," "Drill, You Tarriers, Drill," and "Down Derry, Derry." The Topical Folk Song CBM 1 Phil Ochs, Pete Seeger, Tom Paxton, and Buffy Sainte-Marie sing and discuss topical folk songs such as "I Ain't Marchin' Anymore." Working Songs of America CBM 245 Introduction to the music of working people-miners, oil-field workers, and ditch diggers. Includes folk songs, ballads, and orchestral piece "Prairie" by Leo Sowerby. Australian Australian Folk Songs CBM 401 Identifies the frontier theme as common to both Australian broadsides and American ballads. European As I Rode Out CBM 716 Examines the traditional Irish song form known as "sean-nos." Recorded on the west coast of Ireland, this documentary presents top "sean-nos" singers performing and discussing the history and evolution of their art. English Ballads CBM 138 Dr. MacEdward Leach and Jean Ritchie discuss the English ballad as it was sung in medieval times and in the Appalachian Mountains. Some of the songs included are "Lord Randall," "The Golden Vanity," and "The Ballad of Mary Hamilton." English Folk Songs CBM 400 Another lecture in the series by Dr. John Greenway on primitive music. This section discusses the English ballad and its influence on American music. Irish Dance Tunes for Tinwhistle CBM 1279 Dan Foster begins with the fingering of the tinwhistle on easy pieces, then proceeds to more difficult pieces and the teaching of ornamentation. Includes reels, jigs, and hornpipes. Some of the tunes are "Hunter's Purse," "The King's Jig," "The Banshee," and "George White's Favourite." A Jug of This CBM 1466 An introduction to English folk music by Roy Palmer. The Music of Spain CBM 227 Manual Lazareno, musicologist, talks about the history of Spanish classical and folk music and other music inspired by the folk culture of Spain. Of Ships and Sea CBM 1004 Poetry, lore, and music of the sea, the ships, and the men who have sailed. A Smile and a Tear CBM 2297 Songs, poetry, legends, and stories of the people of Ireland with Irish tunes throughout. Narrated by Mike Whorf. Von Trapp Family Singers CBM 967 A retelling of the Sound of Music story along with other real life adventures of the Von Trapp family of singers, who perform folk songs and other selections from concerts. The Wonderful World of the Trapp Family CBM 356 How Maria von Trapp and her singing family found a way to preserve and share the culture and beauty of their beloved Austria. Many musical examples. Mexican-American Corridos CBM 1023 An eight-part series discussing and playing the music of Mexican Americans. Provides background on the performers and their varying kinds of music. Some interviews with performers are in Spanish. Juanita Gonzales CBM 1025 An eight-part series discussing and playing music of Mexican Americans. Provides background on the performers and their varying kinds of music. Some interviews with performers are in Spanish. This program includes an interview with Mexican folk song collector Juanita Gonzalez and musicians Santiago and Flaco Jimenez. Mariachi Music CBM 1072 An eight-part series discussing and playing the music of Mexican Americans. Provides background on the performers and their varying kinds of music. Some interviews with performers are in Spanish. Narcisco Martinez CBM 1024 An eight-part series discussing and playing the music of Mexican Americans. Provides background on the performers and their varying kinds of music. Some interviews with performers are in Spanish. Songs of the Mexican Border CBM 49 Program of the Mexican border music, a blend of Anglo and Latino cultures. Native American Chants of the Grand Canyon CBM 40 Includes original Indian chants and settings for orchestra and voice of Indian folk songs. Drums CBM 1192 Indians relate in song and story how the drum was given to the tribes and tell of its importance in every aspect of their lives. Introduction to Primitive Music CBM 390 An introduction to a fourteen-lecture series on primitive music of the world. The series covers music of the polar world, Oceania, Asia, Native America, and others. Music and the Land CBM 1189 Symphonic composer and director David Amram explores the connection between music and the land of the American Indian. Examples include both traditional and contemporary songs. Music of the American Indians CBM 396 Musician and anthropologist John Greenway discusses music of the North American Indians. Examples include songs of love, war, and daily life. Oriental Music of the Orient CBM 394-395 Analyzes the theoretical system of the Indian raga in terms of melodic and rhythmic formulas, and the music's relation to specific gods, events, and seasons. Part 2 emphasizes the importance of animistic rites and festivals to Balinese music. Examples played by a gamelan orchestra. Russian The Music of Tchaikovsky: Music by the Melancholy Russian CBM 23 Excerpts from The Nutcracker Suite, Sleeping Beauty, and Symphony no. 4 showing how Tchaikovsky's music is rooted in Russian folk music. South American Music of the Gauchos CBM 274 Introduction to the legends and folk songs of the Argentine gauchos. Music of the Incas CBM 114 Examines the Inca influence in the modern music of Peru. Tajauntinsuyo CBM 782 The musical group Tajauntinsuyo performs music of the Incas. Other Cultures Music of Oceania CBM 392 Examines the development of complex native chant as a reaction to attempts by white missionaries to eradicate Polynesian singing and dancing. Music of the Dry World CBM 393 Discusses the performance techniques and the complex rhythms of nomadic peoples in the desert areas between northwest Africa and western China. Examples include the Persian glottal trill and the rhythms of Bedouins grinding coffee with mortar and pestle. Music of the Polar World CBM 391 Introduction to Eskimo music. Holidays and Seasons Christmas Anthology of the Sacred Carol CBM 1210 Presents the fascinating stories behind some of the best-loved Christmas carols. Features guitarist James Sundquist. The Bell CBM 835 Traditional Christmas story of a shepherd boy's gift of a tiny brass bell to the infant Savior, and how that bell becomes a symbol of hope for the modern world. By Charles Westcott. Christmas in Music CBM 61 Four symphonic interpretations of the Christmas story. The Christmas Masterpiece CBM 885 Inspiring background of the story of Handel's composition of The Messiah, which he accomplished in the space of twenty-four days. Dr. Perlander's Christmas Concert CBM 895 Story of the desolate band director Dr. Perlander and the Christmas concert for the folks at Yucca Flats. Written by Charles Westcott. The Greatest Christmas Story Ever Told CBM 875 Story of four strangers who meet and travel together on a train during the Christmas holidays. Interspersed with Christmas music. Home for the Holidays CBM 909 Stories and traditions of the Christmas season are woven among holiday songs. Features the Christmas music by Alfred S. Burt. In the Spirit of Christmas CBM 994 Features music of the Christmas carol composer Alfred S.Burt. Johnny Marks and His Celebrated Reindeer CBM 564 Johnny Marks, composer of "Rudolph, the Red-Nosed Reindeer," talks about the varied sources of inspiration for his songs. The Magnificent Inspiration of Bartholomew Buttons CBM 956 Christmas holiday story concerning a group of heavenly composers who choose Barty Buttons to write some birthday music and then advise him how to proceed, each in his own style. Merry Christmas-Parang Style CBM 1211 A village in Trinidad celebrates Christmas the old-fashioned "Parang" way, with Spanish music played on antique instruments and door-to-door singing. Music from the Holidays CBM 182 The moods of the American Christmas music represented in the works of Harry Shelly, George Chadwick, Clarence Jordan, and Amadeo Roldan. Hanukkah Hanukkah CBM 992 Background of the customs and ceremony whose observance is so important to the Jewish faith. Traditional Hebrew melodies are heard. Seasons And the Days Grow Short as You Reach September CBM 932 Remembrances of autumn-the first frost, changing leaves, and the first day of school-interlaced with music. In the Good Old Summertime CBM 841 Poetry, prose, music, and feelings about that wonderful time of the year called summer. Thanksgiving Thanksgiving Special CBM 921 Thanksgiving thoughts and gratitudes. Music includes Charles Ives's Thanksgiving. Valentine's Day Be My Love CBM 807 Valentine's Day customs and music in the romantic vein are featured. "Be My Love," "I Love You Truly," and "My Secret Love" are some of the songs you'll hear. Be My Valentine CBM 1003 Anecdotes, stories, and music for those in love. Jazz and Ragtime And All That Jazz CBM 838 The Roaring Twenties' wild and exuberant music is explored in Chicago through the jazz tunes and performers who wrote and played them. Louis Armstrong and W.C. Handy are among the featured musicians. Carol Britto CBM 1245 For two decades she delighted Toronto jazz fans. Carol Britto has returned to her native country, making waves on the New York music scene with her impressive piano skills. Britto discusses her career. Oscar Brown, Jr. CBM 727 The singer-songwriter and social activist talks about his life, his music, and his strong identification with Scott Joplin. Gary Burton CBM 1249 Although his main instrument is the vibraphone, he has taught piano at the Berkelee College of Music for many years. Gary Burton performs "Turn Out the Stars." Marian McPartland interviews Burton and the two blend talents on a duet of "The Night Has a Thousand Eyes." John Colianni CBM 1235 At fifteen he demonstrates his abilities with a composition of his own, "Slow Blues." A powerful duet of "Get Happy" concludes a session with Marian McPartland. John Coltrane Quartet CBM 117 Program of jazz music played by the John Coltrane Quartet and hosted by Ralph Gleason. Johnny Copeland CBM 1232 The singer and guitarist explains the difference between Texas country blues and Texas city blues and why his music is often considered the quintessence of just plain Texas blues. Chick Corea CBM 1250 The multitalented musician plays selections from a variety of musical genres-from big band to jazz-rock fusion. In "Piano Jazz," recorded at Corea's own California studio, the prolific composer joins Marian McPartland for a dazzling mix of talk, improvisations, and musical portraits. James Dapogny CBM 1254 A specialist on piano music from the turn of the century to World War II tells his favorite tales of the legendary Jelly Roll Morton and plays tunes by Morton and Gershwin. Digging Music CBM 190 Arthur Fiedler and Stan Kenton play selections from jazz and the classics. Examples include classical music works by Beethoven, Tchaikovsky, Verdi, Mascagni, and Dvořák performed by Boston Pops Orchestra along with a variety of jazz pieces by Benny Goodman, Count Basie, Duke Ellington, and other jazz musicians. Roy Eldridge CBM 1238 In this demonstration the great jazz trumpet stylist displays his piano abilities by playing several of his own works and a composition penned by both Marian McPartland and Eldridge, the "M and R Blues." Elements of Jazz CBM 1546 An overview of jazz, its elements, and the times from which it was born. Narrated by Bill Messenger. Duke Ellington CBM 933 Mike Whorf interviews friends and relatives of the pianist, bandleader, and composer of more than 1,000 pieces. The Era of F. Scott Fitzgerald CBM 931, 1184 The zest and spirit of the Roaring Twenties are captured in this two-part series. Mobsters and Prohibition, The Great Gatsby, and the life of F. Scott Key Fitzgerald are evoked through songs and music of the Jazz Age. The Father of the Blues CBM 343 The late W.C. Handy sings and tells about writing such songs as "Memphis Blues," "St. Louis Blues," and "Beale Street Blues." Gospel, Jazz, Blues, and Rock CBM 137 Explains how an underground code of African slaves blossomed into the samba, rumba, and calypso. Dave Grusin CBM 1251 Known primarily as the composer of the musical scores for Tootsie and On Golden Pond, Dave Grusin is also a successful producer and performer. During this interview he plays his own "Theme from St. Elsewhere," and Marian McPartland joins in for a melodic duet of "I Remember April." Gumbo Ya Ya CBM 236 Analyzes the origins of "gutbucket" jazz. "Gumbo ya ya" means "everybody talking at once" in Creole. Herbie Hancock CBM 1229 His mastery of both acoustic piano jazz and electronic jazz-rock-funk has propelled him to stardom. Herbie Hancock discusses his role in the film Round Midnight, plays "Chan's Song," written especially for the film, and joins Marian McPartland for their own version of "That Old Black Magic." Spotlight on Coleman Hawkins CBM 264 Friends and colleagues reminisce about the jazz musician's career. Includes a recording of his last performance. Fatha Hines Groove CBM 54 Traces the development of Hines's unique jazz piano style throughout the long span of his career. History of Jazz Piano CBM 135 Different jazz piano styles. Billie Holiday CBM 822 Biography of the blues singer. Examples of her sensitive style include both upbeat and blues songs. Some backings are played by Teddy Wilson and Lester Young. Jane Jarvis CBM 1258 An executive for Muzak, former organist with the New York Mets, and now a headliner in premier jazz clubs, Jarvis plays a solo version of "The Bounder." A duet of "J and M Blues" concludes this interview by Marian McPartland. Jazz Joins the Classics CBM 133 Dave Brubeck explains how composer Darius Milhaud used jazz for the first time in classical compositions. James P. Johnson CBM 858 The composer of "Charleston" and "If I Could Be with You" ranked along with Scott Joplin and Jelly Roll Morton as the "father" of the eastern Harlem stride style. Oliver Jones CBM 1247 His renditions of "Street of Dreams" and "Straight, No Chaser" have earned this Montreal native international recognition. The endearing Oliver Jones talks about his career and tells stories of his childhood friend Oscar Peterson. The Kings of Jazz CBM 131-132 D.D. and Billie Pierce, Papa Tom Albert, Papa John Joseph, Manuel Minetta, and other jazz men talk about the early days of New Orleans jazz. Kenny Kirkland CBM 1239 While still in his twenties, he has already made thirty recordings and worked with an impressive range of artists-from Wynton Marsalis to Sting. Kenny Kirkland talks with Marian McPartland and performs a two-piano version of "Billy's Bounce" with her. The Legend of Ted Lewis CBM 827 His trademarks-a top hat, cane, and clarinet-gave him his distinction. He performed for nine presidents during his career. Ellis Marsalis CBM 1234 He is the father of two popular American jazz artists, Wynton and Branford Marsalis. This teacher, performer, and recording artist, credited with instilling a love for music in all his children, talks about and plays his own compositions and combines talent with Marian McPartland for their version of "Blue in Boogie." Memories of Eubie CBM 728 The ninety-six-year-old ragtime musician reminisces about his many years in show business. He also plays "Charleston Rag," "Memories of You," and "If You've Never Been Vamped by a Brownskin." Memory Bank CBM 1076-1085 Personalities and historical high points from the 1890s to the 1960s through song. Touches on such wide ranging topics as the Roaring Twenties, World War II, famous TV shows, and big bands. Part 1 presents music of the 1950s. Part 2 shows the beginning of American television in the 1950s. Part 3 reflects on historical and artistic events of the year 1952 and how they are represented in music of the time. Part 4 focuses on the years 1952 to 1959. Part 5 returns the audience to the Roaring Twenties. Part 6 continues the presentation of the Roaring Twenties. Part 7 continues the presentation of the Roaring Twenties. Part 8 continues the presentation of the Roaring Twenties. Part 9 begins the presentation of historical events as they were reflected in the popular music of the 1930s. Part 10 continues the presentation of American popular music of the 1930s big band music. Focus on Kid "Punch" Miller CBM 291 Tribute to black trumpet player "Punch" Miller, known in the New Orleans of the 1920s and 1930s as "King of the Blues." Mulgrew Miller CBM 1243 In an interview with Marian McPartland, Miller and McPartland take turns on Art Tatum tunes, and the two combine forces on Cole Porter's "What Is This Thing Called Love?" Charlie Mingus Speaks Out CBM 183 Charlie Mingus talks about life, love, education, religion, children, women, men, and injustice from the black perspective. Mr. Edison's Marvelous Memory Machine CBM 1040, 1041, 1051, 1055, 1056, 1061 A historical look at recordings and recording technology illustrated with examples by famous personalities. Part 14 contains an introduction to the historical recordings from BBC Sound Archives and Edison Institute, dealing with events of 19th and 20th centuries mainly represented in eyewitnesses' accounts. Artistic recordings featured are stage performances of Sarah Bernhardt and Joseph Jefferson, jazz band music by George Gershwin. Part 15 tells about the artists whose sound recording careers were initiated by Edison, among them Billy Jones and Ernest Hare, Billy Murray, Vincent Lopez, and Rudy Wiedoeft. Part 25 features sound recordings of George Gershwin's music made by Edison. Part 28 features early sound recordings made by Columbia, the company oriented toward recording of jazz and popular music. Includes rare recording of Gershwin's Second Rhapsody made by the composer in 1931. Part 29 presents another installment of the American popular music sound recordings made by Columbia from 1925-1929. Includes recording of Gershwin, performing his Concerto in F and a piano version of "I've Got Rhythm." Part 34 concentrates on popular music recorded by Edison during his exploration of the sound recording technology. Examples selected are jazz music by James P. Johnson, popular hits "Yama Yama Man," "Good-bye Dolly Gray," "My Mother Was a Lady." Features restored Edison's records along with later made electrical and electronic music recordings. Gerry Mulligan CBM 1248 Best known as a baritone saxophonist and big-band performer, Gerry Mulligan has begun to write and perform symphonic music. During this interview he turns to the piano to play "Ontet" and a duet of "Blue Angst." Musical Ideas of Art Pepper CBM 18 The artist discusses how he puts a jazz piece together. Starting with a promising tune, he works out rhythmic and melodic outlines, then allows emotions to take over with individual solos. Larry Novak CBM 1255 A teacher, director, arranger, and composer from Chicago considers himself "one of the last generalists" and proves it by offering an impressive variety of piano jazz during this interview with Marian McPartland. Our Time CBM 1158-1159, 1171-1175 A look at historical events through the music of the times. Covers selected years between 1916 and 1944. The stock market crash, World War 1, and Prohibition are some of the subjects covered. Pappa Jack the Patriarch CBM 279 On his ninetieth birthday, Pappa Jack Laine reflects on his role in the development of jazz. Michel Petrucciani CBM 1256 "I'm never letting anything stop me from doing what I want to do," proclaims the twenty-one-year-old Petrucciani, during this discussion and demonstration of his own composition style. Ram Ramirez CBM 1253 He wrote Billie Holiday's hit song "Lover Man" and enjoys continued popularity on the New York jazz scene. Roger "Ram" Ramirez converses McPartland and teams up with her for a duet of "Undecided." Judy Roberts CBM 1240 In a conversation with Marian McPartland that hits topics from sexism to Cole Porter, Judy Roberts shows that her independence and talent make her one of the most versatile singers and pianists of her age. Patrice Rushen CBM 1252 Her talents range from jazz and soul to rhythm and blues. The popular vocalist, songwriter, arranger, and master keyboardist Patrice Rushen discusses her career and demonstrates her many abilities, including her rendition of "Spirit Song." Son Seals CBM 1230 The Chicago blues singer, songwriter, and guitarist traces the blues' move up the Mississippi into Memphis and Chicago, and explains how his own roots influence his music. Diane Shuur CBM 1236 This vocalist and pianist first performed at age nine to begin a career that has taken her to the White House and the Monterey Jazz Festival. Diane Shuur reflects on her life and does a solo of "I Can't Believe You're in Love with Me." George Shearing CBM 1242 This legendary blind jazz figure describes his early start in music as a teenager and plays some of his favorite pieces. Musical Ideas of Muggsy Spanier CBM 22 A legendary jazz trumpeter discusses his art and idols. Cecil Taylor CBM 1241 A jazz artist with a classical background, Cecil Taylor has garnered such honors as a Guggenheim Fellowship and an honorary doctorate from the New England Conservatory of Music. Here he offers his tribute to Jimmy Lyons and joins Marian McPartland in a duet of "Get Out of Town." Things Are Just like They Used to Be CBM 980 Anecdotes and facts about the man Duke Ellington and his big-band style of arranging. "Chattanooga Choo Choo" and "Perdido" are heard. Butch Thompson CBM 1244 Best known for his popular appearance on public radio's "Prairie Home Companion," Butch Thompson performs opera as well as folk music and jazz. This cassette begins with "Ecuadorian Memories" and ends with a rousing version of "Rosette." Musical Ideas of Mel Torm‚ CBM 150 Insights into jazz. Torm‚ discusses his vocal style and the vocal trademarks of other singers. The Legend of Ethel Waters CBM 818 Ethel Waters made her way from poverty to stardom in vaudeville. Among her best known songs, "Dinah" (1925) and "Am I Blue" (1929) are heard. What Is Jazz? CBM 704 Leonard Bernstein discusses jazz and includes musical examples performed by Buck Clayton, Bessie Smith, Miles Davis, Teo Macero, Louis Armstrong, and Buster Bailey. Musical Ideas of Paul Winter CBM 17 A jazz artist discusses his State Department tour of Latin America, his meeting with jazz musicians in cosmopolitan cities, and his experiences in the bush where natives had never heard of jazz. Won't You Come Home, Hugh Cannon? CBM 856 Biography of the ragtime pianist who wrote "Won't You Come Home, Bill Bailey?" Denny Zeitlin CBM 1246 A practicing psychiatrist as well as an accomplished pianist who has toured with the Paul Winter Consort, Denny Zeitlin discusses his music and plays several tunes from his first album. Nostalgia and Popular Music The Adolescent Years CBM 884 From the Gay Nineties, through twenty-five years of peace, and the emergence of Tin Pan Alley. "After the Ball" and "The Bowery" are among the selections heard. The Bard of Tin Pan Alley CBM 945 Biography of the extraordinary songwriter (Irving Berlin) who recorded our history in song. "Always," "The Girl on the Magazine Cover," and "Alexander's Ragtime Band" are among the featured songs. The Beatles CBM 65 Interview with John Lennon and Paul McCartney, former Beatles, about wealth, fame, and world issues. The Boy Who Became President CBM 552 Stanley Adams, former president of the American Society of Composers, Authors, and Publishers, comments on how popular music reflects the general tempo of life. A Broadway Melody CBM 718 Interviews with writers, producers, and actors who talk about what it takes to succeed on the Broadway stage. Actor Jerry Orbach, actress Lauren Bacall, and playwright Ernest Thomson are some of the individuals who contribute. By Strouse CBM 560 Strouse, who composed the score of Bye, Bye Birdie, discusses the importance of a composer's involvement in arranging and orchestrating melodies. Close-up on Maurice Chevalier CBM 320 An entertainer recalls his love affairs with Parisian and American audiences. Collecting Folk Songs CBM 276 In this lecture MacEdward Leach, folk song collector, describes how he goes about the business of collecting songs from individuals and communities. Examples from Potter County, Pennsylvania, are heard. The Cornwall Furnace CBM 103 Folksinger Oscar Brand sings songs about the Cornwall Furnace in Pennsylvania and its role in the history of the United States from 1742 to 1883. A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters CBM 623 Story of Bert Kalmar and Harry Ruby, successful songwriters who remained vaudeville comedians at heart. Cowboy Songs CBM 255 Ex-cowboy and artist Terry Jackson sings cowboy songs and tells about how riding and roping really were. The Early Days of Songwriting CBM 528-531 Survey of popular music written before the founding of the American Society of Composers, Authors, and Publishers. Features songs of Stephen Foster, songs popular during the Civil War, songs by Henry Clay Work, and songs of the Gay Nineties. Part 1: 1800-1860. Part 2: 1860-1880. Part 3: 1880-1890. Part 4: 1890-1900. The Era of F. Scott Fitzgerald CBM 931, 1184 The zest and spirit of the Roaring Twenties are captured in this two-part series. Mobsters and prohibition, The Great Gatsby, and the life of F. Scott Key Fitzgerald are evoke through songs and music of the Jazz Age. Focus on Cole Porter CBM 285 Comprehensive collection of Cole Porter songs, with commentary tracing his career from 1937. Focus on Sigmund Romberg CBM 468 Oscar Hammerstein talks about Romberg's life, plays, and greatest songs. Frankie and Johnny CBM 177 This lecture explores the origins of the Frankie and Johnny story and song which began with the murder of Allen Brit by Frankie Baker in 1901. It traces the development of the song through Mae West, Guy Lombardo, and Johnny Cash. Gerald Marks on Eddie Cantor CBM 876 Interview with composer and historian of Tin Pan Alley, Gerald Marks, and his recollections of saucer-eyed entertainer Eddie Cantor. Songs heard briefly are "Ma," "Makin' Whoopee," and "Ida." Gershwin CBM 709 Description of life and musical style of Gershwin, accompanied by several excerpts of his major works and numerous popular songs. Give It All You've Got CBM 625-626 Anecdotes from Jay Livingston and Ray Evans, the team that wrote theme songs for the television series Bonanza and Mr. Ed, as well as award-winning songs like "Que Sera, Sera," "Mona Lisa," and "To Each His Own." Give Me Yesterday CBM 1135-1144 A nostalgic look at history through songs and sheet music covers. Featured are songs about telephones, tragedy, car makers, famous fliers, railroads and trainmen, Hollywood personalities, and historical events. Popular songs "Everybody Loves My Baby," "Keep Smilin'," and "Charlie My Boy" selected to portray a year of 1924. Includes Rhapsody in Blue performed by George Gershwin. Part 6 gives an introduction to dramatic ballads commemorating tragic events, accidents, and disasters. Part 7 presents dramatic ballads about personal tragedies. Part 8 presents the history of music publishing in the U.S. and traces the development of the artistic design of sheet-music covers. Part 9 tells the story of the history of music printing in the United States, illustrated with the rare sound recordings of popular music such as songs by Stephen Foster. Part 10 is another look on the history of music printing in the U.S. Gracie Fields Forever CBM 868 Through recordings and recorded interviews, the life of this famous English music hall queen is traced. Beginning as a professional singer at the age of sixteen, she made her last appearances at age seventy. Introduced by Stanley Holloway. The Great American Song Bag CBM 1146-1152 American history through a sampling of songs. William Billings's "Chester," George Root's "Battle Cry of Freedom," and "Red River Valley" are heard. Happy Songs from a Happy Man CBM 621 Life and music of Jimmy McHugh, composer of such cheerful songs as "The Sunny Side of the Street" and "It's a Most Unusual Day." He Gave Us a Thousand Beautiful Memories CBM 908 Interview and music by lyricist Sammy Fain, who bridges the gap from honky tonk to modern ballads. "Secret Love" and "Love Is a Many Splendored Thing" won him two Academy Awards. Heroes, Heroines, and Their Horses CBM 886 What ever happened to Randolph Scott, Gene, Tex, and all the other cowboy heroes of Hollywood? John Denver and others sing western songs. History of a Hit Tune CBM 298 A piece of nostalgia filled with anecdotes about a happy-go-lucky period in American show-business history. How Simple a Tune CBM 349 Explains how some of our most familiar simple songs were composed. Includes information on "Taps," "Down by the Old Mill Stream," "Home on the Range," and several others. I Hear America Singing CBM 370 Mike Whorf discusses and plays both folk and composed songs that have become some of the most popular and well-loved songs in America. If My Friends Could See Me Now CBM 539 Cy Coleman, singer, pianist, conductor, and composer, surveys the contemporary music scene. I'll Sing You a Love Song CBM 1006 Words and music expressing the emotion of love. Jerome Kern, Man of Melody CBM 156 Friends discuss Jerome Kern's legendary career. Labor Ballads CBM 139 Describes the relationship between labor songs and the early development of labor unions. These ballads served as a rallying force and inspired workers to fight for their rights. The Last of the Giants CBM 609 Story of Sigmund Romberg, a composer who combined Viennese style with American idioms in such operettas as Blossom Time, The Student Prince, and My Romance. The Legend of Al Jolson CBM 824 Famous for his black face, white gloves, and bended knee, the minstrel man became a legend in his own time. Born in 1886, he went from vaudeville to Broadway. Includes "My Mammy," his memorable specialty. Legend of Our Times CBM 894 Cameos of a variety of artists including Rudy Vallee singing "The Whiffenpoof Song," and Shirley Temple, Nora Beys, and Maurice Chevalier singing a medley of well-known favorites. The Legend of Rudy L. Vallee CBM 821 Biography of the singing idol, band leader, and actor who hosted a radio show which had such entertaining personalities as Edgar Bergen and Sophie Tucker as guests. Includes "I'm Just a Vagabond Lover" among other songs. The Legend of Russ Columbo CBM 833 A crooner of the 1930s who reflects on the slowdown in musical style after the stock market crash. "Time on My Hands," "Sweet and Lovely," and "All of Me" are among the songs included. Let's All Go Down [to] the Strand CBM 840 Music halls of the Edwardian era were the spirit of England's light entertainment. They featured variety acts which were backed by an orchestra. Songs included are "Any Old Iron," "Lilly of Laguna" (1899), and "Daisy." The Liverpool Scene CBM 629 Adrian Henri tells how Liverpool became the pop music capital of the world in the early 1960s and how, within a few years, this activity spread to other arts. Livin' a Ragtime Life CBM 961 Ragtime, the first truly American form of music, is described. Eubie Blake plays his "Charleston Rag," written in 1899. Works by Scott Joplin and Irving Berlin are also performed. Concluded with contemporary ragtimes by William Bolcom. Look What I Found in Grandmother's Attic CBM 1096, 1106 Programs about recordings and songs from the early 1900s. Includes recordings by Harry Lauder and the Peerless Quartet plus a Gershwin piano roll. Look What They've Done to My Song CBM 953 Insights into the history of classical and popular music. Includes numerous arrangements of classical music performed by the popular music orchestras along with their original appearances. Los Trios CBM 1027 This is a performance of the group Los Trios Brujos at Carlos and Mickey Restaurant Bar in El Paso, Texas. Each member of the group discusses his musical background, instrument, and vocal techniques. Machito CBM 1190 Pays tribute to the late Cuban musician Frank "Machito" Grillo, universally acclaimed as the first musician to blend jazz with Latin American sound. Includes interviews with Machito, as well as with those who knew him. (This tape contains material on one side only.) Makin' Up a Song as I Go Along CBM 604/CBM 605 Sammy Lerner, lyricist for Hoagy Carmichael and Jay Gorney, tells of writing the song "Popeye the Sailor Man." The Man Who Gave the World a Rainbow CBM 568/CBM 569 Interview with Harold Arlen, composer of the score to The Wizard of Oz and of songs written for stage and screen. Selections from his work include "Over the Rainbow," "Stormy Weather," and "Blues in the Night." The Man Who Launched 1,000 Hits CBM 548 Life and songs of Johnny Mercer, who wrote the lyrics of "Moon River," "Days of Wine and Roses," and "Blues in the Night." Master of the Medium, the Man Who Found the Silver Lining CBM 613/CBM 618 Discusses Jerome Kern's career as writer of show tunes. Includes performances of "Smoke Gets in Your Eyes" from Roberta and "Make Believe" and "Ol' Man River" from Showboat. Memory Bank CBM 1076-1087, 1092, 1093, 1095 Personalities and historical high points from the 1890s to the 1960s through song. Touches on such wide-ranging topics as the Roaring Twenties, World War II, famous TV shows, and big bands. Part 1 presents music of the 1950s. Part 2 shows the beginning of American television in 1950s. Part 3 reflects on historical and artistic events of the year 1952 and how they are represented in popular music of that time. Part 5 returns the audience to the Roaring Twenties. Part 6 continues the presentation of the Roaring Twenties. Part 7 continues the presentation of the Roaring Twenties. Part 8 continues the presentation of the Roaring Twenties. Part 9 begins the presentation of historical events as they were reflected in the popular music of the 1930s. Part 10 continues the presentation of American popular music of the 1930s. Part 11 begins the presentation of American and British popular music associated with World War II. Part 12 present the popular music of the 1940s. Part 13 presents an introduction to the classical big band music. Part 14 continues the presentation of the big band music. Part 15 continues the presentation of the big band music. The Men Who Made the Hits CBM 533-534 Survey of songwriters and publishers active in the early twentieth century. Mr. Edison's Marvelous Memory Machine CBM 1019, 1020, 1028, 1030-1052, 1054- 1066 A historical look at recordings and recording technology illustrated with examples by famous personalities. Includes many recordings made my Thomas Edison. Part 1 introduces the achievements of the beginning years of sound recording industry from 1890 to 1910. Includes many recordings made by Edison. Part 2 observes the main points of interest for the sound recording industry in music and spoken word from 1911 to 1918. Includes historical and artistic recordings made by Edison. Part 3 represents recordings made from 1918 to 1929, including orchestral music and excerpts form musicals written by Victor Herbert. Includes recordings made by Edison. Part 4 is dedicated to the biography and inventions of Thomas Edison along with the later improvements added by the British and American sound recording engineers. Features the first recording made by Edison in 1877. Part 5 continues the presentation of Edison's invention that started an era of sound recording business. Features recordings of famous politicians, presidents, explorers, actors, and musicians. Part 6 features different music sound recordings made by Edison including many popular songs of his time. Part 7 presents cylinder recordings made by Edison that feature performances by Harry Lauder, Sergei Rachmaninoff, Lucrezia Bori, and the Edison Ragtime Band. Part 8 presents new developments in sound recording industry made by E. Berliner and Victor Gramophone. Features recordings made by Caruso, Paderewski, Melba, Kreisler, Jack Norworth, and Nora Bayes. Includes a famous early recording of the popular poem "Casey at the Bat" made by De Wolf Hopper. Part 9 is dedicated to the history of piano roll. Features piano roll recordings made by famous piano virtuosi Moritz Rosenthal and Joseph Levine, composers Paderewski, Rachmaninoff, Gershwin, and famous jazz musicians James P. Johnson and Eubie Blake. Part 10 is dedicated to the biography and inventions of Thomas Edison. Features many of historical recordings made by Edison including his own voice recorded. Musical recordings include early performances of Sergei Rachmaninoff, Alessandro Bonci, and first recording of Sousa's famous march "Stars and Stripes Forever" played by the Edison Military Band. Part 11 presents rare piano music recordings made by pianists and composers at the beginning of the 20th century for the French and British-American sound recording companies. Part 12 features more facts and anecdotes concerning Edison and his numerous inventions as told by his contemporaries and collaborates. Contains music sound recordings ranging from American and British variety shows to opera performances. Also includes early recordings of Johannes Brahms and pianist Josef Hofmann. Part 13 highlights the events in sound recording industry associated with World War I (1913-1918). Part 14 contains an introduction to the historical recordings from BBC Sound Archives and the Edison Institute, dealing with prominent events of 19th and 20th centuries mainly represented in eyewitnesses' accounts. Artistic recordings featured are stage performances of Sarah Bernhardt and Joseph Jefferson, jazz band music by George Gershwin. Part 15 tells about the artists whose sound recording careers were initiated by Edison, among them Billy Jones and Ernest Hare, Billy Murray, Vincent Lopez, and Rudy Wiedoeft. Part 16 turns to the Gay Nineties, showing how this important period of history of the United States was reflected in music sound recording. Part 17 includes historical recordings of Florence Nightingale, Edgar Davenport reciting Tennyson's poem dedicated to the heroes of Balaklava, Theodore Roosevelt, and Robert Peary. Music recordings featured are the first recording of Caruso and an early recording of Sousa's "Stars and Stripes Forever." Part 18 concentrates on later development of sound recording technology by Emile Berliner and his gramophone company. Features different sound recordings made by Berliner ranging from the excerpts from popular musical Runaway Girl to the various selections of band music performed by the Sousa Band. Part 19 covers the great variety of Edison's Diamond Discs of 1896-1925. Includes recordings of opera stars Tamagno, Melba, and Bonci along with famous virtuosi and popular musicians. Part 20 presents an insight into Thomas Edison's life and deeds. Part 21 tells about one of Edison's most important inventions, the motion picture and its sound track. Features Edison's early recordings of the music that accompanied silent movies, the first motion picture sound tracks, and minstrel shows. Part 22 presents historical and music sound recordings of 1916-1917, the years marked by American participation in World War I, including the speech Edison made for the American troops returning from France in 1918. Part 23 is specifically dedicated to acoustic sound recordings of Sousa's music made by Edison from 1909 to 1911. Part 24 features vaudeville music recordings made by Edison. Part 25 features sound recordings of George Gershwin's music made by Edison. Part 26 emphasizes the great popularity of music sound recordings from the beginning of gramophone era. Features memorable performances of violinists Ysaye, Elman, Sarasate, Powell, Joachim, and pianist Paderewski. Also includes early recordings of Caruso, and composer Franz Lehar conducting orchestral excerpts from his operetta Graf von Luxemburg. Part 27 is dedicated to the history of Victor Talking Machine Company. Features legendary performances of Arturo Toscanini, Giuseppe De Luca, Edward Johnson, and Fritz Kreisler. Part 28 features early sound recordings made by Columbia, the company oriented toward recording of jazz and popular music. Includes rare recording of Gershwin's Second Rhapsody made by the composer in 1931. Part 29 presents another installment of the American popular music sound recordings made by Columbia in 1925-1929. Includes a recording of Gershwin performing his Concerto in F and a piano version of "I've Got Rhythm." Part 30 features early sound recordings made by Edison and his collaborators from 1888 to 1913, including promotional records, early field recordings of American Indians, "talking dolls," spoken word recordings, and Sousa's "Washington Post March" performed by the United States Marine Band. Also features Edison's recordings of popular music sung in 1905-1915 and the first stereo recording made in Bell's laboratory. Part 31 presents technical and artistic achievements of Victor Talking Machine Company in sound recording at the beginning of the 20th century. Included are recordings by John McCormack, Enrico Caruso, Jeannette Macdonald, and Nelson Eddy. Part 32 reflects on American popular music recorded by Edison and his competitors at the beginning of sound recording era. Includes several historical recordings of Mussolini, Hitler, and Chamberlain made from 1925 to 1941. Part 33 presents memorable recordings of American popular music made by Edison and other recording companies. Part 34 concentrates on popular music recorded by Edison during his exploration of sound recording technology. Examples selected are jazz music by James P. Johnson, popular hits "Yama Yama Man," "Good-bye Dolly Gray," and "My Mother Was a Lady." Part 35 presents the golden era of American musical comedy and light opera. Features mostly Edison's Diamond discs made in late 20s. Part 36 presents Edison's contribution to preservation of the American folk and country music of his days. Features Edison's recordings of Vernon Dalhart, Cal Stewart, early bluegrass music, and cowboy songs. Part 37 reflects on the American recording industry's development from 1888 to 1896. Includes early recordings made by various artists and bands before Edison organized his North American Phonograph Company in 1896. Features several performances by Giovanni Martinelli recorded from 1912 to 1968. Part 38 highlights popular music of the turn of the century recorded by Edison. Part 39 summarizes the contents of the series of radio programs. Highlights performances of outstanding artists and composers recorded on Edison's cylinders. Mister Music CBM 620/CBM 622 Career of Jimmy Van Heusen, whose songs, written with lyricist Johnny Burke, include "Imagination," "Swinging on a Star," and "Sunday, Monday, or Always." The Music of Laura Nyro CBM 60 Laura Nyro is interviewed by John Daly. Her diverse musical expressions are analyzed by Michael Thomas, Richard Goldstein, and Patrick O'Conner. Music of the Range and Trail CBM 178 The life of the American and Mexican cowboys as pictured in ballad and song. Two of the songs included are "The Old Chrisholm Trail," "Get Along Little Dogie." Music of Smoke and Steel CBM 176 In this lecture, the song "John Henry," compositions by Ernst Bacon, and other music of the workers are presented. Musical Comedy's Golden Years CBM 993 English musical comedy from the 1890s found its way to the American stage and was very popular up until World War I. The Shop Girl is an example. The Nickelodeon CBM 839 Coin-operated machines are described in the creations of the French organ, "The General," the tonaphone, and the juke box-all this leading to the popular hit parade. Musical selections are played on several nickelodeons including "The Mighty Wurlitzer." No Sad Songs for Me CBM 554 Burton Lane discusses his collaboration with E.Y. Harburg in writing the Broadway musical Finian's Rainbow and its most famous song, "How Are Things in Glocca Morra?" The Old Sweet Songs CBM 1001 This program highlights several well-known songs such as "Greensleeves" and "My Old Kentucky Home." Their development from their origins up to their popularity today are discussed. Oscar Brand's Songs of '76 CBM 375-376 Brand introduces and sings songs of the American Revolution. Includes "Bunker Hill," "Come Shake Your Dull Noodles," "The Boston Massacre," "The Tea Party," and "Granny Wales." Our Time CBM 1154-1159, 1161, 1166, 1168, 1169, 1171-1177 A look at historical events through the music of the times. Covers selected years between 1916 and 1944. The stock mrket crash, World War I, and Prohibition are some of the subjects covered. Please Sing Me One More Chorus CBM 535 Life of prolific composer and music publisher Harry von Tilzer, writer of "Wait til the Sun Shines, Nellie" and "I Want a Girl Just like the Girl That Married Dear Old Dad." Protests of Pete Seeger CBM 57 The folk singer who was branded an outcast and banned from radio, television, and concert halls discusses the origins of his radicalism. Put Another Nickel in CBM 820 The history of nickelodeons is presented including examples of a French hand organ, the Wurlitzer orchestra, a motion picture organ, and "The General" built by Wurlitzer. Return with Us Now to the Golden Days of Yesteryear CBM 351-352 Nostalgic look at the music of the 1920s and 1930s, with performances by Fred Waring and his Pennsylvanians, Nat Shilkret, and Paul Whiteman. The Roaring Twenties CBM 853 Describes the development of the radio, Prohibition, speakeasies, gang violence, sports, and politics. Features popular songs and instrumental music of the time along with spoken word recordings by Douglas Fairbanks and Mary Pickford. Rock and Roll CBM 251 A composer and a disc jockey discuss rock and roll from musical, psychological, and social points of view. Rock and Roll and Radio CBM 1126-1132, 1134 Explores the connection between radio and the development of rock and roll. The roles of Alan Freed and Dick Clark are covered in addition to the music of many rock musicians. Part 1 relates to the early stages of rock music development, looking at its African-American roots. Features vocal quartets singing rhythm and blues music that became popular in late 40s and early 50s. Includes introduction to the series. Part 2 represents the main trends in popular music of the mid-50s. Features radio shows presented by disc jockey Robin C. Part 3 highlights popular music of the 50s. Part 4 features several important premieres of rock and roll music on the Alan Freed's radio shows in 1956. Part 5 reflects on Afro-American contribution to rock and roll music style. Features popular music recordings made by black musicians for the Savoy Record Company. Part 6 features popular musical groups and singers of the 1950s and 1960s. Part 7 introduces the popular shows presenting rock and roll music to the TV audience, such as Dick Clark's American Bandstand. Part 8 gives an insight into the life and music of Chuck Berry. Rock 'n Roll CBM 729 Interviews with singers, songwriters, disc jockeys, and film producers. Discusses the history of rock, its development as an art form, and its influence on a whole generation. Disc jockey Surf Waldwell and singers Patti Smith and Bob Seger are among the participants. The Sentimental Gentleman CBM 549 Interview with Mitchell Parish, a lyricist who teamed with composers Duke Ellington, Hoagy Carmichael, and Sammy Fain, and whose collaboration with Carmichael produced the hit "Stardust." Sessions with Jesse Boggs CBM 734 Singer-songwriter Jesse Boggs pokes fun at American society by recreating a recording session. The musicians, intent upon making a hit album, reduce music to its most salable elements: music and satire. Seven Shows to Rome CBM 557 Anecdotes told by Harold Rome, composer of such Broadway musicals as Pins and Needles, Call Me Mister, and Wish You Were Here. Sing Me Some Simple Songs CBM 617 Survey of all-time favorite popular songs, using popularity rankings from Billboard magazine. Includes legendary performances of "Alexander's Ragtime Band," "Stardust," "Tenderly," "White Christmas," and "Deep Purple." Song Book of the Old World CBM 363 Mike Whorf plays and discusses the origin of traditional songs. Songs My Father Taught Me CBM 915 Sentimental and ribald turn-of-the-century songs from the time music was homemade around the parlor piano. Songs of Square Dancing CBM 407 Jean Ritchie visits her home in Viper, Kentucky. She talks with her mother and other relatives about the evolution of the play party from the square dance. The Sound of Patriotism CBM 112 These speeches and songs of 1916-1917 capture the spirit of America as it entered World War I. The Splendid Americans CBM 354 This discussion of patriotic music in America includes background information on the poets and texts of familiar national songs. The Stage Door Canteen, 1941-1945 CBM 805 The Stage Door Canteen in Hollywood was run by stars from competing movie studios for the service men of World War II. Musical selections include Carmen Miranda singing "Chattanooga Choo Choo" and Yvonne De Carlo singing "I'll Be Thinking about You." Star Spangled Harmony CBM 1015 Our United States history in music. "Yankee Doodle," "What a Country," "America the Beautiful," and our folk song heritage which includes "Drink to Me Only with Thine Eyes." Styles of Folk Songs CBM 339 Tristram Coffin and John Greenway trace the development of the folk song in America from its beginnings in England to modern times. Presented are Appalachian Mountain, union, and occupational songs. Suffragette CBM 927 History of the women's movement recorded in words and songs. A Tale of a Tune CBM 189 That Crazy American Music CBM 1108-1115, 1117, 1120-1125 Historical review of American music from its beginning with the Pilgrims. Programs cover the westward movement, Civil War, and the Gay Nineties. Part 1 presents the years following the Civil War (from 1865 to 1889). Part 2 unfolds the major historical and artistic scenery for American music development from 1812 to 1840. Part 3 presents mostly popular songs and dances of 1880s. Among examples are "Choosing a Husband," "Since My Daughter Plays on Typewriter," and "Boston Deep Waltz." Features early sound recordings made with phonograph during the 1880s. Part 4 presents American music created during the Civil War. Part 5 recreates the sounds and images of the Civil War as reflected in music of that time. Part 6 features performances and musical works of cornetist and composer Herbert Clarke. Part 7 presents popular salon music written by American and European composers and played in America during 1890s. Part 8 turns again to historical and artistic atmosphere of the Gay Nineties. Part 9 is dedicated to the life and music of J.P. Sousa. Part 10 returns to the battles, sounds, and images of the Civil War. Part 11 presents songs and music associated with both of the parties fighting on the Civil War battlefields. Part 12 introduces the audience to the world of American country and folk music. Part 13 presents an early American music as it was originated by the Pilgrims. Part 14 features an American music of the time of Revolution. Part 15 is another installment featuring early American popular music ranging from fiddle tunes and folk ballads to composed popular instrumental music and popular songs. There Are Some Days You Don't Forget CBM 1179-1180 Reminiscences of the bombing of Pearl Harbor, D-Day, and the "Great Invasion" as well as the music of Beethoven, Bizet, and Tchaikovsky. There Goes That Song Again CBM 558 Songs by Jule Styne, arranger and composer who collaborated with lyricist Sammy Cahn to write such hits as "I've Heard That Song Before" and "Let It Snow, Let It Snow." They Don't Write 'em like That Anymore CBM 342 Gerald Marks, composer of the popular song "All of Me," reminisces about the songs written by Irving Berlin, Victor Herbert, and others. This Land Is Your Land CBM 216 This lecture describes the evolution of folk songs in America as the country grew. Some songs included are "This Land Is Your Land," "Drill, You Tarriers, Drill," and "Down Derry, Derry." Those Vintage Cylinder Years CBM 837 Entertaining selections by a military band, singer Edward Favor (1908), and a speech by Teddy Roosevelt illustrate the sound- producing cylinders of Thomas Edison. Till We Meet Again CBM 1009 World War I years brought war songs by the carload from Tin Pan Alley and abroad. Features the ballad style in "Till We Meet Again" sung by Hart and James, John McCormack singing "Keep the Home Fires Burning," and a 1918 version of "Oh How I Hate to Get Up in the Morning" sung by Arthur Fields. Tin Pan Alley's Big Brother CBM 532 History of the American Society of Composers, Authors, and Publishers. Tito Puente, the King of Salsa CBM 1026 Biography and music of the popular Latin musician. Tom, Please Play It One More Time CBM 842 Background of personalities who performed on the early cylinders. "In a Little Red Schoolhouse" sung by Jones and Hare (1922) and "Sister Suzie" (1917) are heard. The Topical Folk Song CBM 1 Phil Ochs, Pete Seeger, Tom Paxton, and Buffy Sainte-Marie sing and discuss topical folk songs such as "I Ain't Marchin' Anymore." A Tribute to Mr. America CBM 1011-1012 Biography of the songwriter who gave us a wonderful legacy of the spirit of America with such songs as "God Bless America" and "Alexander's Ragtime Band." Voluptuous Variety CBM 775 Gillian Anderson, director of the Colonial Singers and Players, produced this unique sampler of music composed or performed between 1850 and 1900 in the United States. War Songs CBM 234 Discusses American military songs and their origins. Welcome to Vaudeville CBM 834 This great form of family entertainment, popular between 1890-1920, served about 15 percent of the U.S. population weekly until sound movies drained off the audiences. Two of the featured performers are singer Jane Green and instrumentalist Fred Vaness. We're Still Singing "I'll See You in My Dreams" CBM 575/CBM 576 Songs written by lyricist Gus Kahn and his many collaborators, with discussion of Kahn's film biography. "What Did You Do in the War, Daddy?" CBM 869-870 Songs illustrating how people coped with the World War II years including "Sentimental Journey," "I'll Be Seeing You," and "They're Either Too Young or Too Old." When Vaudeville Was King CBM 890 Overview of the fifty years of vaudeville (1880-1930), concentrating on the people who created it. Pre-vaudeville contributions include Webber and Fields and Harrigan and Hart. "On the Banks of the Wabash" and "The Bowery" are heard among the musical selections. When Walter Donaldson Ruled the Roost CBM 608 Gerald Marks tells anecdotes about fellow composer Walter Donaldson, whose songs include "Carolina in the Morning," "Making Whoopee," "Back Home in Tennessee," and "My Mammy." The Whole World Is Singing My Song CBM 616 Songwriter Vic Mizzy tells anecdotes about his contemporaries and collaborators and gives opinions about current popular music. Will the Lady in the Front Row Please Remove Her Hat? CBM 843-844 Recollections of the English Victorian era music halls. Performances by Billy Danvers, George Robey, and others singing comic songs, drinking songs, and sing-a-longs. Woody Guthrie Remembered CBM 44, 46 Interviews with friends of Woody Guthrie. Includes songs by Cisco Houston, Pete Seeger, Woody Guthrie himself, and some children's songs. Working Songs of America CBM 245 Introduction to the music of working people-miners, oil-field workers, and ditch diggers. Includes folk songs, ballads, and orchestral piece "Prairie" by Leo Sowerby. You're a Builder Upper CBM 553 E.Y. [Edgar Yipsel] Harburg, lyricist of Finian's Rainbow and The Wizard of Oz, relates America's history as a "melting pot" to the songwriting scene. You're Not So Easy to Forget CBM 546 Story of the long career of Ben Oakland, who began playing classical music at an early age and went on to success as a vaudeville entertainer and as a songwriter for the Ziegfeld Follies and for Broadway musicals. Opera Appreciation Ancient Civilization in Opera CBM 130 Discusses Verdi's Aida and Rossini's Semiramide. The Baritone: Villain or Promoter? CBM 147 Arias sung by villains in operas including Don Giovanni, Faust, Rigoletto, La Gioconda, and Carmen. Chivalry in Opera CBM 120 Introduction to the musical significance of chivalry. Examples heard are excerpts from the operas by Rossini and Wagner. The Devil in Opera CBM 186 Includes excerpts from Der Freischutz, Faust, and Tannhauser. Enjoying Italian Opera CBM 1580 Dale Harris discusses Italian opera. Enjoying Opera with Dale Harris CBM 1547 Enjoying Wagner's Ring CBM 1579 Exploring the Opera CBM 105 Historical account of the opera, with selections by French composer Bizet. Famous Novels in Opera CBM 126 Works by Mascagni, Puccini, Massenet, and Thomas are discussed as examples of operas based on famous novels. A General Lecture on Puccini CBM 862 Information about the composer's selection of material for libretti. Psychological treatment of characters is also discussed. Musical examples are taken from Tosca and La BohŠme. A General Lecture on Verdi CBM 1336 This composer, born into abject poverty, was to become one of the greatest opera composers of all time. There is also a comparison of Il Trovatore and Aida, two of his greatest works. Greek Myths in Opera CBM 119 Five selections from operas based on Greek myths. Includes commentary on each selection and story outlines. Helen of Troy in Opera CBM 145 Excerpts from the works of Gluck, Berlioz, and Offenbach, who used Helen of Troy as a subject of their operas. How to Listen to and Understand Opera CBM 1608-1611 Part 1: Introduction and words and music. A brief history of vocal expression in music. The invention of opera and Monteverdi's Orfeo. Part 2: The growth of opera, the development of Italian opera seria, and Mozart's Idomeneo. The rise of opera buffa and Mozart's The Marriage of Figaro. Part 3: The bel canto style and Rossini's The Barber of Seville. Verdi and Otello. French opera. Part 4: German opera comes of age. Richard Wagner and Tristan und Isolde. Late romantic German opera: Richard Strauss and Salome. Russian opera. Verismo, Puccini, and Tosca. Inside the Metropolitan Opera CBM 106 History of the Metropolitan Opera, from its founding to its relocation in Lincoln Center. Introduction to Opera CBM 412 History of operatic style, with special emphasis on the contributions of Mozart, Bellini, and Wagner. Introduction to Wagner's Ring Cycle CBM 1368 A general lecture about the writing of the Ring including how changes in Wagner's life affected the story. His early life is also discussed. Life and Music of Georges Bizet CBM 987 The life and work of Georges Bizet with excerpts from Carmen, his best known opera. Life in the Opera CBM 1525 Marriage in Opera CBM 128 Selections on the theme of marriage. The Master of Melody-Verdi CBM 948 Biography of the renowned opera composer, his tragedy and triumphs. Excerpts from his operas are heard. Meet Mr. Mozart CBM 1551 Narrated by Ann Thompson. Michael Barclay Lectures on Richard Strauss CBM 1683 Michael Barclay Lectures on Take Me to Your Lieder CBM 1698 Michael Barclay Lectures on Verismo CBM 771 A lecture by Michael Barclay with musical illustrations. Verismo is the Italian word for realism. This lecture discusses its development through French literature of the 1860s and the 1870s. I Pagliacci by Leoncavallo and Cavalleria Rusticana by Mascagni are the two operas featured. Michael Barclay Lectures on the World of Bel Canto CBM 1435 Misfortune of the Mezzo-Soprano CBM 122 Describes the mezzo-soprano's supportive role in opera. Selections from Saint-Saens' Samson and Delilah, Bizet's Carmen, and Verdi's Rigoletto and Il Trovatore. The Music of Richard Wagner CBM 246 Excerpts from The Flying Dutchman, The Valkyrie, Lohengrin, and Siegfried. Music in Shakespeare's Plays CBM 1500 Old Testament Stories in Opera CBM 163 Excerpts from three of the many operas based on Old Testament stories. The Opera Scene CBM 1524 The Operas of Verdi CBM 188 Charles Osborne discusses Rigoletto, Il Trovatore, Aida, La Traviata, and Otello. Operetta Memories CBM 1000 Operetta in America is reviewed. "Waltz of the Merry Widow" is among the musical selections. Orpheus in Opera CBM 127 Discusses settings of the Orpheus myth by composers over the past 350 years. Panorama of Russian Opera CBM 1378 A study of Russian opera from its 1834 beginnings to twentieth-century works. Michael Barclay discusses musical illustrations from Boris Godonov, The Love of Three Oranges, and Eugene Onegin. Primitive Theater of the Americas CBM 252 This lecture discusses the theater of the Americas, before and after the American Revolution. Some arias are heard from Edwin and Angelina, The Archer, The Beggar's Opera, and others. Richard Wagner, Philosopher CBM 200 A 1970 lecture-concert by Boris Goldovsky at the Metropolitan Museum of Art. Selections from Wagner's opera Parsifal. The Ring CBM 78-79 Introduction to Wagner's masterpiece, showing how Wagner represented characters, situations, and ideas through his system of leitmotifs. Rossini, a General Lecture CBM 1436 Narrated by Michael Barclay Verdi and Shakespeare CBM 1421 When he was a boy, Verdi was presented with a complete copy of the works of Shakespeare. In many of Verdi's operas the influence of Shakespeare is apparent. The Voices of Opera CBM 185 Vocal classification of opera singers illustrating each voice part with the excerpts from various operas. Wagner, Oedipus, and Tannh„user CBM 1419 Michael Barclay suggests that Wagner preceded Freud by fifty years in discovering the psychological and sexual ties between children and their parents. Wagner's Ring Cycle CBM 1526 Plots L'Africaine Michael Barclay Lectures on L'Africaine CBM 1354 A lecture on one of the seldom performed works by Meyerbeer. Suggests that he is a link from Rossini to Verdi and Wagner. Adriana Lecouvreur Michael Barclay Lectures on Adriana Lecouvreur by Cilea CBM 790 Although not considered great art, Adriana Lecouvreur makes its mark by making an effect with its cast. It has often failed, and has had few successful revivals since its opening in 1902. Aida Aida CBM 1581 Aida CBM 1295 This opera was written by Verdi to celebrate the opening of the Suez Canal. Ann Thompson talks about the opera and about life and society in Egypt under the pharaohs. Aida by Verdi CBM 1439 Lecture with many musical illustrations from famous recordings. Michael Barclay Lectures on Aida by Giuseppe Verdi CBM 1689 Alceste Alceste CBM 1565 Andrea Ch‚nier Andrea Chenier CBM 1367 Discussion of Giordano's best-known opera. Describes life and society during the French revolution. Talks about the real Andrea Chenier's life. Andrea Ch‚nier CBM 1582 Michael Barclay Lectures on Andrea Ch‚nier CBM 1355 According to Michael Barclay, Giordano's grand opera has never been popular with music critics, although its raw emotion never fails to move audiences. Discusses the verismo movement in music and literature. Anna Bolena Anna Bolena CBM 1271 Ann Thompson talks about this opera seria in two acts by Donizetti with a libretto by Felice Romani, which is based on two plays rather than historical fact. Michael Barclay Lectures on Anna Bolena CBM 1410 An overnight success after its December 1830 premiere in Naples, this opera established Donizetti as a major talent. Discusses Italian melodrama and the life of Romani. Antony and Cleopatra Antony and Cleopatra CBM 1566 Arabella Arabella CBM 1712 Michael Barclay Lectures on Arabella CBM 1333 This opera, written in 1927, proved to be the last collaboration between Richard Strauss and von Hofmannsthal. Includes the story synopsis along with other facts about the opera. Ariadne auf Naxos Ariadne auf Naxos CBM 1270 Ann Thompson discusses this opera in one act and a prologue, which premiered in Vienna in 1916, with music by Richard Strauss and a libretto by Hugo von Hofmannsthal. Ariadne auf Naxos CBM 1440 Lecture with many illustrations from famous performances. Michael Barclay Lectures on Ariadne auf Naxos CBM 1327 The two contrasting acts in this opera are discussed, and the relationship between Richard Strauss and von Hofmannsthal is explored. As It Happened As It Happened CBM 1583 Atlas Atlas CBM 1404 Discussion of the opera that had its 1991 premiere in Houston, Texas. The composer, Meredith Monk, is a trained singer and dancer who performed this work. Attila Attila CBM 1548 Ann Thompson discusses the opera Attila. Michael Barclay Lectures on Attila CBM 1356 Discusses one of Verdi's middle period operas, the libretto of which was politically inflammatory. It caused Verdi's name to be synonymous with Italian independence. The Ballad of Baby Doe The Ballad of Baby Doe CBM 1723 Un Ballo in Maschera Un Ballo in Maschera CBM 1401 Discusses the history and the difficulty of staging this opera by Verdi. The real Swedish king upon which the opera was based is also discussed. Un Ballo in Maschera CBM 1441 Lecture with many illustrations from famous performances. Un Ballo in Maschera CBM 1584 Michael Barclay Lectures on Un Ballo in Maschera CBM 1330 A lecture on one of the late-middle period works of Verdi. It is called by the lecturer "Verdi's Tristan." Il Barbiere di Siviglia (The Barber of Seville) The Barber of Seville CBM 1585 Il Barbiere di Siviglia CBM 1431 Discusses the catastrophe of the opera's first performance and its subsequent path to success. The play on which Rossini's opera is based is examined as are other plays and operas based on the Figaro story. Michael Barclay Lectures on Il Barbiere di Siviglia by Rossini CBM 759 A lecture by Michael Barclay with musical illustrations. Rossini wrote this opera and many others like it to "please his audience and to make himself rich." He did both. The Bartered Bride The Bartered Bride CBM 1567 The Beggar's Opera The Beggar's Opera CBM 187 John Gay satirizes eighteenth-century English society by glorifying the career of the thief Macheath. The Betrothal in a Monastery The Betrothal in a Monastery CBM 1722 Billy Budd Billy Budd CBM 1711 Michael Barclay Lectures on Billy Budd by Britten CBM 788 E.M. Forster adapted the libretto from the novella by Herman Melville. The main theme is compassion, even for the evil people. La BohŠme La Boheme CBM 1438 Lecture with many illustrations from famous performances. La Boheme CBM 1266 Giacomo Puccini's opera in four acts depicts the Bohemian life of Paris in the 1830s. Discussed here by Ann Thompson. Michael Barclay Lectures on La Boheme by Puccini CBM 760 A lecture by Michael Barclay with musical illustrations. Puccini's love for "le piccole cose" (the little things) finds its highest expression in this opera. The symmetry of the work balances its sentimentality. Boris Godunov Boris Godunov CBM 1259 Ann Thompson sets the scene of Mussorgsky's opera in a prologue and four acts based on Pushkin's play of the same name. Boris Godunov CBM 1442 Lecture with many illustrations from famous performances. Boris Godunov CBM 1586 Michael Barclay Lectures on Boris Godunov by Mussorgsky CBM 867 This opera failed twice during the composer's lifetime, and was not successful until revised by Rimsky-Korsakov some years later. It is the story of the Russian people, and the largest role in the opera is given to the chorus. Candide Candide CBM 1559 Capriccio Capriccio CBM 1560 Michael Barclay Lectures on Capriccio CBM 1357 Discussion of Richard Strauss's last opera written in 1942. This seldom performed work deals with the question of which is more important in opera, words or music. I Capuleti e i Montecchi Michael Barclay Lectures on I Capuleti e i Montecchi CBM 1358 According to Michael Barclay, Bellini took this opera's plot from Italian folklore rather than the familiar Shakespeare story. Carmen Carmen CBM 1272 Georges Bizet's opera is set in Spain in the 1820s. We mingle with townspeople, children, soldiers, girls from a tobacco factory where Carmen works, Gypsies, smugglers, and bullfighting personnel in a talk by Ann Thompson. Cavalleria Rusticana Cavalleria Rusticana, with I Pagliacci CBM 1395 Comparison of these two works by Mascagni and Leoncavallo, with a discussion of verismo opera and a brief description of opera today. Cavalleria Rusticana and I Pagliacci CBM 1713 Cendrillon Michael Barclay Lectures on Cendrillon by Massenet CBM 800 A French retelling of the fairy tale Cinderella. Also gives extensive notes on the development of French opera until 1900. La Cenerentola Michael Barclay Lectures on La Cenerentola CBM 1341 In the nineteenth century, La Cenerentola was Rossini's most popular work. The composer shows the serious side of this fairy tale. Cinderella Cinderella CBM 1549 Narrated by Ann Thompson. La Clemenza di Tito La Clemenza di Tito CBM 1400 A lecture on the opera written by Mozart for the coronation of Leopold II in 1791. Michael Barclay Lectures on La Clemenza di Tito CBM 1359 A discussion of Mozart's last opera, which was premiered in Prague. Problems in choosing singers, staging, and bringing meaning to this work are touched upon. Le Comte Ory Le Comte Ory CBM 1269 Ann Thompson talks about Rossini's light-hearted comedy in the French style, which depicts the story of the dissolute young Comte Ory and his efforts to win the favors of a lady. Les Contes d'Hoffmann Michael Barclay Lectures on Les Contes d'Hoffmann by Offenbach CBM 859 Lecture that sheds some light on the story of this opera. Composed in 1879, and based on the stories of E.T.A. Hoffmann, the opera's premiere took place four months after the composer's death. Cosi fan Tutte Cosi fan Tutte CBM 1297 The last of Mozart's three great Italian comic operas, it was not well received at its premiere and did not gain a place in the opera repertoire until the beginning of the twentieth century. Cosi fan Tutte CBM 1587 Michael Barclay Lectures on Cosi fan Tutte by W.A. Mozart CBM 1690 Dangerous Liaisons Michael Barclay Lectures on Dangerous Liaisons by Susa CBM 1679 Daphne Michael Barclay Lectures on Daphne by Richard Strauss CBM 1680 Dead Man Walking Dead Man Walking CBM 1725 The Death of Klinghoffer Michael Barclay Lectures on The Death of Klinghoffer by John Adams CBM 1434 Death in Venice Death in Venice CBM 1443 Lecture with many musical illustrations from famous performances. Michael Barclay Lectures on Death in Venice by Benjamin Britten CBM 1692 Les Dialogues des Carm‚lites Michael Barclay Lectures on Dialogues des Carm‚lites by Poulenc CBM 860 Written in 1956, the libretto for this opera is taken directly from the play by Bernanos. Each scene is a separate dialogue on an aspect of Catholicism. Dialogues of the Carm‚lites CBM 1398 This opera by Poulenc premiered at Milan's La Scala in 1957. Ann Thompson discusses the French Revolution and the Carmelite order. Dido and Aeneas Dido and Aeneas CBM 1550 Narrated by Ann Thompson. Don Carlos Don Carlos CBM 1701 Michael Barclay Lectures on Don Carlos CBM 1347 Verdi wrote Don Carlos in 1867 for the Paris Opera. Michael Barclay describes the different versions and the restoration of material at the beginning of the work. Don Giovanni Don Giovanni CBM 1268 Ann Thompson talks about Mozart's comic opera with a libretto by Lorenzo da Ponte, which is based on previous stories, plays, and libretti on the subject of the libertine punished. Don Giovanni CBM 1310 Don Giovanni CBM 1558 Michael Barclay lectures on Don Giovanni by Mozart CBM 761 A lecture by Michael Barclay with musical illustrations. He suggests that Don Giovanni is "the non-opera-lover's opera." Also discusses cuts made in the opera, its periods of popularity and unpopularity, and whether or not it is a tragedy or comedy. Don Pasquale Don Pasquale CBM 1710 Don Pasquale CBM 1588 Michael Barclay Lectures on Don Pasquale CBM 1361 A discussion with musical examples of Donizetti's last opera. Don Quichotte Don Quichotte CBM 1568 Die Dreigroschenoper (Three Penny Opera) Die Dreigroschenoper (Three Penny Opera) CBM 1727 Michael Barclay Lectures on Dreigroschenoper (Three Penny Opera) CBM 1360 Written by Weill in the summer of 1928, this opera reflected current happenings in Germany. Elektra Elektra CBM 1430 Richard Strauss took an active role in the editing of this libretto. It was not initially successful, but Strauss lived to see the opera become a modern repertoire staple. Elektra CBM 1589 Michael Barclay Lectures on Elektra CBM 1329 A lecture on Richard Strauss's fourth opera and the first of his collaborations with the playwright von Hofmannsthal. L'Elisir d'Amore (The Elixir of Love) Michael Barclay Lectures on L'Elisir d'Amore by Donizetti CBM 792 The first of the sentimental comedies that grew out of the tradition of the opera buffa of the eighteenth century. The Elixir of Love CBM 1590 The Elixir of Love CBM 1709 Die Entfuhrung aus dem Serail Die Entfuhrung aus dem Serail CBM 1299 This opera, written in 1781, is the oldest of Mozart's operas still performed. In writing this work, Mozart realized his dream of creating a German-language opera or "Singspiel." Michael Barclay Lectures on Die Entfhrung aus dem Serail by Mozart CBM 865 This "singspiel," composed in 1781, was commissioned by Emperor Joseph II who wished to stimulate interest in opera in German at the Viennese court. The themes, as in many of Mozart's operas, are forgiveness and enlightenment. Ernani Michael Barclay Lectures on Ernani CBM 1362 Lecture on Verdi's fifth opera, which looked forward to later heroic works. Eugene Onegin Eugene Onegin CBM 1591 Eugene Onegin CBM 1444 Lecture with many illustrations from famous performances. Michael Barclay Lectures on Eugene Onegin CBM 1339 A lecture with musical illustrations on perhaps the best known of Tchaikovsky's operas. Premiering in 1879, it remains one of the most popular of Russian operas. Evita Michael Barclay Lectures on Evita and Cats by Lloyd-Webber CBM 799 A lecture on two of the most famous pop operas recently written by Andrew Lloyd-Webber, the composer of Jesus Christ Superstar. Falstaff Falstaff CBM 1445 Lecture with many illustrations from famous performances. Falstaff CBM 1262 When Verdi penned the score of his last work for the stage, Falstaff became one of many operatic vehicles from Shakespeare. Discussed here by Ann Thompson. Michael Barclay Lectures on Falstaff CBM 1331 This opera, the eighty-two-year-old Verdi's last, had its 1882 premiere at Milan's La Scala, where his only other comic opera had failed fifty-one years earlier. La Fanciulla del West La Fanciulla del West CBM 1446 Lecture with many illustrations from famous performances. Michael Barclay Lectures on La Fanciulla del West by Puccini CBM 861 Notes on the opera by Puccini, the first to be premiered at the Met. The American story is taken from a play by David Belasco, a popular American playwright of the time. Faust Faust CBM 1267 Gounod's librettists, Michel Carr and Jules Barbier, selected the love story of Faust and Marguerite from the original dramatic poem by Goethe. Ann Thompson presents Gounod's version. Faust CBM 1708 Faust CBM 1593 La Favola d'Orfeo Michael Barclay Lectures on La Favola d'Orfeo by Claudio Monteverdi CBM 1696 La Favorite La Favorite CBM 1728 Fedora Fedora CBM 1561 Die Feen (The Fairies) Michael Barclay Lectures on Die Feen (The Fairies) CBM 1363 A lecture on Wagner's first opera, written when he was nineteen. The music suggests many themes that were to appear in his later works. Fidelio Michael Barclay Lectures on Fidelio by Beethoven CBM 784 This opera, which gave Beethoven more trouble than any of his other works, looks forward to the music dramas of Wagner while looking backward to the operas of Mozart, and still holds the stage today because of the timelessness of its subject matter. The Fiery Angel/ The Flaming Angel The Fiery Angel CBM 1730 Michael Barclay Lectures on The Flaming Angel by Serge Prokofiev CBM 1681 La Fille du Regiment Michael Barclay Lectures on La Fille du Regiment by Gaetano Donizetti CBM 1682 Die Fledermaus Die Fledermaus CBM 1273 Johann Strauss the younger was already famous as a composer of Viennese dance music before he turned his hand to operetta. Ann Thompson discusses this comedy of errors, set in Vienna in the mid-1800s. Michael Barclay Lectures on Die Fledermaus CBM 1418 A discussion of casting problems with this operetta by Strauss. The lecturer also questions whether they should perform it in an opera house at all. Der fliegende Hollander (The Flying Dutchman) Michael Barclay Lectures on Der fliegende Hollander by Wagner CBM 762 A lecture by Michael Barclay with musical illustrations. Lecture on the opera Wagner considered his first acceptable creation. Explores the subject of redemption which continues throughout Wagner's later works. Gives good background on the life of Wagner. Der fliegende Hollander CBM 1447 Lecture with many illustrations from famous performances. The Flying Dutchman CBM 1707 La Forza del Destino Michael Barclay Lectures on La Forza del Destino CBM 1332 This opera by Verdi premiered in St. Petersburg, Russia, and influenced a whole generation of Russian opera composers. Die Frau ohne Schatten Michael Barclay Lectures on Die Frau ohne Schatten CBM 1328 Another Richard Strauss and Hugo von Hofmannsthal collaboration. This opera began with a very successful premier, then dropped from the operatic repertoire until the 1960s. Der Freischutz Michael Barclay Lectures on Der Freischutz CBM 1348 One of the earliest German-language operas, this work by von Weber opened the way for Wagner and other German romantics. Frida Frida CBM 1424 Based on the life of Mexican artist Frida Kahlo, this opera by Robert Xavier Rodriguez had its 1991 premiere in Philadelphia. The Gambler The Gambler CBM 1569 La Gioconda Michael Barclay Lectures on La Gioconda by Ponchielli CBM 1198 According to the lecturer, this opera is the "Greatest Show on Earth." Each vocal type is represented with arias and duets for everyone. The Girl of the Golden West The Girl of the Golden West CBM 1570 Giulio Cesare Giulio Cesare CBM 1731 Julius Caesar CBM 1392 Discussion of one of Handel's best-known operas. Includes information about Handel's life in London, opera seria, castrati, and countertenors. Michael Barclay Lectures on Giulio Cesare by G.F. Handel CBM 1687 Michael Barclay Lectures on Julius Caesar by Handel CBM 795 Written in London in 1725, it is revived more often than any of Handel's other forty operas. Discusses the problems with casting and includes some information about the castrato singers of Handel's time. Gotterdammerung Gotterdammerung CBM 1595 Gotterdammerung CBM 1316 Michael Barclay Lectures on Gotterdammerung CBM 1365 A lecture on the opera that is last in Wagner's Ring, but the first of the four to be written. La Grande Duchesse de Gerolstein Michael Barclay Lectures on La Grande Duchesse de Gerolstein CBM 1366 Lecture on the last of Offenbach's great operettas which was performed at the 1867 Universal Exhibition in Paris. Although it is satirical and witty, much of its humor is lost on today's audiences. Guillaume Tell Michael Barclay Lectures on Guillaume Tell CBM 1415 Examines the opera, debuted in 1829, that was Rossini's last work for the stage before family matters and the changing tastes in music led to his retirement at the age of thirty-five. He became one of the musical legends of Paris. Hamlet Michael Barclay Lectures on Hamlet by Ambroise Thomas CBM 1693 Hansel und Gretel Hansel und Gretel CBM 1406 Discussion of the opera's story with musical illustrations. Ann Thompson reads the Grimm fairy tale on which Humperdinck based the opera. Michael Barclay Lectures on Hansel und Gretel by Humperdinck CBM 796 A lecture on the most famous fairy tale in the operatic repertoire. The music, however, presents many problems to the singer in this Wagner-influenced work. Harvey Milk Michael Barclay Lectures on Harvey Milk by Wallace and Korie. CBM 1694 Herodiade Michael Barclay Lectures on Herodiade by Jules Massenet CBM 1684 Idomeneo Michael Barclay Lectures on Idomeneo by Mozart CBM 866 This opera, commissioned for Munich in 1781, was the first of Mozart's great operas. Although it was popular during the early part of the nineteenth century, it was out of favor for over a hundred years and has only recently been revived in performance. L'Incoronazione di Poppea Michael Barclay Lectures on L'Incoronazione di Poppea by Monteverdi CBM 803 Written in 1642, it was the last of Monteverdi's large output, and is the oldest surviving masterpiece in the repertoire today. Also includes notes on the beginnings of opera. Iphigenie en Tauride Michael Barclay Lectures on Iphigenie en Tauride CBM 1369 A lecture on what is considered Gluck's masterpiece, which is seldom performed today. First performed in 1779, it influenced Richard Wagner in the next century. L'Italiana in Algeri Michael Barclay Lectures on L'Italiana in Algeri by Gioacchino Rossini CBM 1688 Jenufa Jenufa CBM 1448 Lecture about the opera, including excerpts from famous performances. Michael Barclay Lectures on Jenufa by Janacek CBM 797 A lecture on the most popular and accessible of Jan cek's operas. Although it can be considered a nationalistic and verismo opera, it really does not fit into any of the twentieth-century opera types. Jephtha and Saul Michael Barclay Lectures on Jephtha and Saul CBM 1414 When, in eighteenth-century London, the Italian opera began to decline in popularity, Handel turned to the composition of oratorios to make money. Two oratorios often staged as operas are presented here. Katya Kabanova  Katya Kabanova  CBM 1449 Lecture with many illustrations from famous performances. Katya Kabanova  CBM 1571 Katya Kabanova  CBM 1703 Michael Barclay Lectures on Katya Kabanova  by Janacek CBM 798 Based on a Russian play called The Thunderstorm. Has only recently become known and performed in opera houses in America. Khovanshchina Michael Barclay Lectures on Khovanshchina CBM 1371 Discussion of Mussorgsky's unfinished last opera that Rimsky-Korsakov later completed. Lady Macbeth of Mtsensk Lady Macbeth of Mtsensk CBM 1455 Lecture with many illustrations from famous performances. Lear Michael Barclay Lectures on Lear by Reimann CBM 864 Written in 1978, this is the first operatic version of Shakespeare's play. The opera and the play are discussed with the problems they present. Lohengrin Lohengrin CBM 1426 A lecture on Wagner's last opera before he began writing his music dramas. Ann Thompson relates the story and discusses its sources. Michael Barclay Lectures on Lohengrin by Wagner CBM 763 A lecture by Michael Barclay with musical illustrations. This lecture suggests that Elsa does not wish for a knight to redress her wrongs, but to be loved by her brother. I Lombardi I Lombardi, with Stiffelio CBM 1450 Lecture with many illustrations from famous performances. Lucia di Lammermoor Lucia di Lammermoor CBM 1298 For many years the only serious Donizetti opera to be heard, it was based on the Walter Scott novel. Michael Barclay Lectures on Lucia di Lammermoor by Donizetti CBM 793 Discusses the forms of arias and duets in the bel canto operas as well as the changes and history of Lucia over the past 150 years. Lulu Michael Barclay Lectures on Lulu by Berg CBM 786 Suggests that the character of Lulu symbolizes man's sexual fantasies, which are both disgusting and fascinating to him. Both Lulu and the opera itself represent twentieth-century life at its most pessimistic. Macbeth Macbeth CBM 1706 Michael Barclay Lectures on Macbeth CBM 1334 A lecture on Verdi's favorite early opera. It premiered in Florence in 1847. Madama Butterfly Madama Butterfly CBM 1383 A lecture on the opera Puccini loved most, which is now loved all over the world. It was poorly received at its first performance. Makropulos Affair Makropulos Affair CBM 1562 Manon Manon CBM 1296 Ann Thompson lectures on the best-known of Massenet's operas. Some information is given about the composer and Abb‚ Pr‚vost, the author of the novel. Michael Barclay Lectures on Manon CBM 1416 Michael Barclay Lectures on Massenet's best-known opera. The lives of the composer and the novelist, Abbe Prevost, are discussed. Manon Lescaut Michael Barclay Lectures on Manon Lescaut CBM 1374 The first successful Puccini opera premiered only weeks before Falstaff, Verdi's last opera. Maometto II Michael Barclay Lectures on Maometto II CBM 1375 This lecture suggests that the reason for the failure of Rossini's opera at its premiere was that it was far ahead of its time. It began to find success in opera houses in the 1990s. McTeague McTeague CBM 1572 The Medium Michael Barclay Lectures on The Medium (with La Voix Humaine) CBM 1417 The subjects of these two operas, from contemporary composers Menotti and Poulenc, deal with truth and reality. Mefistofele Mefistofele CBM 1407 Boito's only opera produced today. This lecture refers to other Faust operas, plays, and stories. Michael Barclay Lectures on Mefistofele by Arrigo Boito CBM 1685 Die Meistersinger von Nurnberg Die Meistersinger von Nurnberg CBM 1451 Lecture with many illustrations from famous performances. Michael Barclay Lectures on Die Meistersinger by Wagner CBM 764 A lecture by Michael Barclay with musical illustrations. This opera was written to balance the seriousness of Tannhauser and because Wagner needed the money. The Merry Widow Michael Barclay Lectures on The Merry Widow and Operetta CBM 765 A lecture by Michael Barclay with musical illustrations. In spite of its popularity, Barclay contends that The Merry Widow is "the death rattle of operetta." The Merry Wives of Windsor CBM 1552 Narrated by Ann Thompson. The Midsummer Marriage Michael Barclay Lectures on The Midsummer Marriage CBM 1352 This opera by Sir Michael Tippett was first produced in 1955 with a stellar cast. It is a "quest" opera in which the characters learn about themselves and fulfillment. A Midsummer Night's Dream Michael Barclay Lectures on A Midsummer Night's Dream by Britten CBM 1432 A Midsummer Night's Dream CBM 1428 This lecture gives the plot with musical excerpts. The opera by Britten, which was written in 1960, is based on Shakespeare's play of the same name. The Mikado The Mikado CBM 1405 The story is presented with musical examples. The lives of Gilbert and Sullivan, the company they founded, and their quarrels are also discussed. Moses und Aron Michael Barclay Lectures on Moses und Aron CBM 1337 Although written in 1932, this opera by Schoenberg was not premiered until 1954 and not staged until 1957. Its theme involves the question of which is more important in opera, music or words. Moses und Aron CBM 1734 Nabucco Michael Barclay Lectures on Nabucco by Verdi CBM 1433 Nabucco CBM 1705 New Year New Year CBM 1372 Rebirth and self-discovery are the themes of Tippett's science fiction opera, first produced in 1989 in Houston, Texas. Nixon in China Nixon in China CBM 1284 Written and premiered in 1987 in Houston, Texas, this opera by John Adams is concerned with Richard Nixon's 1973 visit to the People's Republic of China. Norma Michael Barclay Lectures on Norma by Bellini CBM 785 In his use of orchestration and extended scene, Bellini looks forward to the music dramas of Richard Wagner. Norma CBM 1263 Bellini's work is a combination of great lyrical beauty and considerable dramatic tension. Norma's "Casta diva," one of the most celebrated of soprano arias, is included in this discussion by Ann Thompson. Le Nozze di Figaro (The Marriage of Figaro) Michael Barclay Lectures on Le Nozze di Figaro by Mozart CBM 766 A lecture by Michael Barclay with musical illustrations. Barclay calls this "the ultimate couple opera." Susanna and Figaro, the successful couple, are pitted against the Count and Countess, the failed couple. Le Nozze di Figaro CBM 1393 The plot of the opera is followed by a general discussion of Beaumarchais's, Mozart's, and da Ponte's lives and works. Orlando Michael Barclay Lectures on Orlando CBM 1376 A lecture about one of Handel's greatest "magic" operas which was not performed between 1733 and 1960. There is also a discussion of staging and casting problems. Orlando Furioso Michael Barclay Lectures on Orlando Furioso CBM 1377 Vivaldi borrowed materials from his own and other composers works. Today it is unclear which pieces he wrote specifically for this opera. Orpheus in the Underworld Orpheus in the Underworld CBM 1260 Ann Thompson talks about Offenbach's parody of the story of Orpheus-light opera which ends with the famous can-can. Otello (Rossini) Otello CBM 1597 Otello (Verdi) Michael Barclay Lectures on Otello CBM 1344 After Verdi had been retired for sixteen years, his wife, librettist, and publisher persuaded him to write another opera. He turned to his favorite author, Shakespeare, for inspiration. Otello CBM 1309 Otello CBM 1437 Otello CBM 1389 Ann Thompson gives the plot synopsis and background information about the composition of Verdi's opera. Parsifal Michael Barclay Lectures on Parsifal CBM 1349 Michael Barclay discusses the psychological and sexual aspects of this opera, Wagner's last, written specifically for Bayreuth's Festspiel Haus. Parsifal CBM 1390 A lecture that suggests this opera, Wagner's last, is "all things to all people," depending upon how they approach it. The Passion of Jonathan Wade The Passion of Jonathan Wade CBM 1388 Floyd wrote the original version of this opera for the New York City Opera in the early 1960s. Thirty years later the composer wrote a revised version for the Houston Grand Opera. Pell‚as et M‚lisande Michael Barclay Lectures on Pelleas et Melisande by Debussy CBM 791 In this psychological opera, the lecturer suggests that the title characters do not wish to accept responsibility for their actions. The character of Goloud represents the adult world which they reject. Pelleas et Melisande CBM 1454 Lecture with many illustrations from famous performances. Pelleas et Melisande CBM 1574 Peter Grimes Michael Barclay Lectures on Peter Grimes by Britten CBM 789 The first of Britten's operas to be staged, the central theme is the outsider who does not fit into society. Peter Grimes CBM 1453 Lecture with many illustrations from famous performances. Pique-Dame Michael Barclay Lectures on Pique-Dame CBM 1350 Michael Barclay discusses Tchaikovsky's life, work, and death. This opera, written in 1890, was based on a short story by Pushkin, with a libretto by the composer's brother. Plat‚e Michael Barclay Lectures on Plat‚e by Jean-Philippe Rameau CBM 1691 Porgy and Bess Porgy and Bess CBM 1261 George Gershwin's opera in three acts, based on a text by du Bose Heyward and Ira Gershwin, is the first American opera to make a substantial success. It is also perhaps the only opera founded on the jazz of the 1920s and 1930s. Discussed here by Ann Thompson. Prince Igor Michael Barclay Lectures on Prince Igor by Borodin CBM 1695 Prince Igor CBM 1702 Le Prophete Michael Barclay Lectures on Le Prophete CBM 1379 A lecture on an opera by Meyerbeer that is seldom performed because of the difficulty of its roles. It does, however, point the way to Verdi and Puccini. I Puritani Michael Barclay Lectures on I Puritani CBM 1380 Bellini wrote this opera, his last, shortly before his death at the age of thirty-three. Michael Barclay discusses casting problems and the lack of drama. I Puritani CBM 1575 The Rake's Progress Michael Barclay Lectures on The Rake's Progress CBM 1345 This work, which premiered in 1951, is an example of Stravinsky's neoclassic period. The Rake's Progress CBM 1563 The Making of the Representative for Planet 8 The Making of the Representative for Planet 8 CBM 1402 This minimalist opera by Philip Glass was premiered in July 1988 by the Houston Grand Opera. It is a science fiction story, taken from the novel by Doris Lessing. Das Rheingold Michael Barclay Lectures on Das Rheingold CBM 1326 Wagner regarded this opera as a prologue to the Ring. This lecture examines the opera and some of the problems it presents. Das Rheingold CBM 1311 Rienzi Michael Barclay Lectures on Rienzi CBM 1381 Wagner's third opera, the first to find success, is compared with the operas of Meyerbeer. Rigoletto Michael Barclay Lectures on Rigoletto by Verdi CBM 768 A lecture by Michael Barclay with musical illustrations. He explores the controversial beginnings of this opera as well as the father-daughter theme that runs through many of Verdi's works. Rigoletto CBM 1403 This opera by Verdi, based on a play by Victor Hugo, was changed many times before it passed the censors in Venice. Compares the lives of Hugo and Verdi. Rigoletto CBM 1598 Il Ritorno d'Ulisse in Patria Michael Barclay Lectures on Il Ritorno d'Ulisse in Patria CBM 1382 Only three of Monteverdi's operas exist today. This work presents instrumentation, casting, and performance-time problems for the performers. Roberto Devereux Michael Barclay Lectures on Roberto Devereux by Donizetti CBM 794 One of the operas that has been discovered in this century during the bel canto revival. The lecture also covers information on forms of pieces in the operas and types of voices used. Romeo et Juliette Michael Barclay Lectures on Romeo et Juliette CBM 1384 Gounod's opera was one of the three major musical events at the 1867 Paris World Exhibition. Through the early twentieth century, it was the most-often performed opera based on Shakespeare. Romeo and Juliet CBM 1553 Narrated by Ann Thompson. La Rondine La Rondine CBM 1283 This is the least performed of Puccini's mature operas. Ann Thompson compares it with other Puccini operas and with operettas of the period. Der Rosenkavalier Der Rosenkavalier CBM 1364 Ann Thompson discusses the characters in Richard Strauss's work, the most popular opera of the twentieth-century, in detail. Michael Barclay Lectures on Der Rosenkavalier by Strauss CBM 767 A lecture by Michael Barclay with musical illustrations. Barclay suggests that Strauss "took a giant step backwards" when he let his librettist Hugo von Hofmannsthal persuade him to write this opera. Rusalka Rusalka CBM 1394 Ann Thompson discusses Dvořák's best-known opera and his years in America. Rusalka CBM 1452 Lecture with many illustrations from famous performances. Rusalka CBM 1737 Ruslan and Lyudmila Michael Barclay Lectures on Ruslan and Lyudmila by Glinka CBM 1686 Salome Michael Barclay Lectures on Salome CBM 1342 This opera by Richard Strauss caused a sensation at its premiere. Officials banned it from the Metropolitan Opera for many years. Salome CBM 1264 Although Salome so shocked audiences at the beginning of this century that it was withdrawn from the Metropolitan Opera after one performance, it is now a part of the standard repertoire. Ann Thompson discusses Richard Strauss's setting of Oscar Wilde's play of the same title. Samson and Delilah Michael Barclay Lectures on Samson and Delilah CBM 1346 Out of Saint-Saens' twelve operas, this is the only one represented in the modern repertoire. It is half oratorio, half opera and is sometimes sung without scenery or costumes. Samson and Delilah CBM 170-172 Saint-Saens's opera, with introduction and synopsis by Marcia Davenport. Sung in French. English libretto in braille available on request. Samson and Delilah CBM 1391 Saint-Saens' opera retells the biblical story. Ann Thompson gives some information about the lives and customs of the times in which it is set. Samson et Dalila CBM 1576 Semiramide Michael Barclay Lectures on Semiramide CBM 1338 This opera was one of Rossini's most successful productions of its time. Michael Barclay gives some information about the voice types Rossini liked to use. Siegfried Michael Barclay Lectures on Siegfried CBM 1385 Lecture on the third opera in Wagner's Der Ring des Niebelungen. Discusses the philosophy of this opera and of the Ring. Siegfried CBM 1315 Simon Boccanegra Michael Barclay Lectures on Simon Boccanegra CBM 1340 This work failed at its premiere. Twenty-five years later Verdi re-orchestrated it and Arrigo Boito added some scenes. This time it was successful. Simon Boccanegra CBM 1599 La Sonnambula Michael Barclay Lectures on La Sonnambula CBM 1386 Michael Barclay gives information about the opera, composer Bellini, and librettist Romani. He also explores the Italian melodrama. La Sonnambula CBM 1577 Street Scene Street Scene CBM 1425 In 1935 Kurt Weill attended a rehearsal of George Gershwin's Porgy and Bess. Gershwin's use of jazz and blues music fascinated him. Street Scene reflects much of the Porgy and Bess spirit. Susannah Susannah CBM 1554 Narrated by Ann Thompson. Susannah CBM 1578 Tales of Hoffmann Tales of Hoffmann CBM 1427 Discusses the life and work of one of France's best-known composers of the operetta. This work, Offenbach's only attempt at serious opera, was left unfinished at his death in 1880. Tannh„user Michael Barclay Lectures on Tannh„user CBM 1412 Michael Barclay discusses the several sources that Wagner used to fashion the libretto for this opera. Barclay also gives information on the Dresden and Paris editions. Tannh„user CBM 1294 This is Wagner's fifth opera and the first to use the leitmotif. Ann Thompson discusses chivalry in the Middle Ages and Wagner's life. Thais Michael Barclay Lectures on Thais by Massenet CBM 801 Although neglected for many years, it has now become as important as Manon and Werther among the operas of Massenet. Tosca Michael Barclay Lectures on Tosca by Puccini CBM 769 A lecture by Michael Barclay with musical illustrations. Barclay discusses the development in literature that led to operas like Tosca, and also Puccini's ability to let his audience see inside the minds of his characters. Tosca CBM 1399 Historical background and a discussion of Puccini's life follow a brief synopsis of the plot. Narrated by Ann Thompson. Tosca CBM 1601 La Traviata Michael Barclay Lectures on La Traviata by Verdi CBM 770 A lecture by Michael Barclay with musical illustrations. Barclay suggests that the central theme in this opera is the relationship between Violetta and the older Germont. Also discusses the controversial beginnings of this opera and its impact on nineteenth-century audiences. La Traviata CBM 1429 This opera by Verdi had a difficult beginning but found its place as one of the great nineteenth-century works. Ann Thompson discusses the courtesan in French society of the 1800s. La Traviata CBM 1602 La Traviata CBM 1313 Tristan und Isolde Michael Barclay Lectures on Tristan und Isolde CBM 1343 Michael Barclay discusses some psychological and sexual ideas in this difficult-to-understand opera. Wagner wrote it while taking a break from composing the Ring. Tristan und Isolde CBM 1704 Il Trittico Michael Barclay Lectures on Il Trittico CBM 1420 The three operas in this work by Puccini (Il Tabarro, Suor Angelica, Gianni Schicchi) are bound together by the common theme of death. Il Trovatore Michael Barclay Lectures on Il Trovatore CBM 1411 This opera, coming between Rigoletto and La Traviata, was a step backward for Verdi because of the unrealistic subject matter. Michael Barclay suggests that this was one of the last operas from the bel canto school. Il Trovatore CBM 1397 A discussion of Verdi's opera with musical examples follows a discussion of gypsies and their lives. Narrated by Ann Thompson. Il Trovatore CBM 1603 The Tsar's Bride The Tsar's Bride CBM 1738 Turandot Michael Barclay Lectures on Turandot by Puccini CBM 863 This work, which was left unfinished at Puccini's death, was completed by a student and premiered two years later. According to the lecturer, many problems are presented to the audience, two of which are identification with the characters and the unsatisfactory ending. Turandot CBM 1265 Puccini's last opera is a setting of Gozzi's play based on a Chinese fable about a cruel Eastern princess who slays those who love her. Das Verratene Meer Michael Barclay Lectures on Das Verratene Meer by Henze CBM 1498 I Vespri Siciliani Michael Barclay Lectures on I Vespri Siciliani by Verdi CBM 1697 The Voyage of Edgar Allen Poe The Voyage of Edgar Allen Poe CBM 1604 Die Walkure Michael Barclay Lectures on Die Walkure CBM 1335 In this opera Wagner deals with incest and the guilt resulting from it. Die Walkure CBM 1312 War and Peace Michael Barclay Lectures on War and Peace CBM 1423 Prokofiev worked on this opera during the last twelve years of his life. It is one of the few Soviet operas staged outside Russia today. Werther Michael Barclay Lectures on Werther by Massenet CBM 802 The opera Werther, written in 1892, is based on the novel The Sufferings of Young Werther by the German poet Goethe. The subject matter is love and violent death, but it requires refinement, reserve, and elegance from the singers. Wozzeck Michael Barclay Lectures on Wozzeck by Berg CBM 787 Although written in 1925, the play upon which it is based was written in the 1830s. The story is universal and timeless as long as there are poor and abused people in the world. Wozzeck CBM 1605 Wozzeck CBM 1314 Xerxes Xerxes CBM 1564 Die Zauberflote Michael Barclay Lectures on Die Zauberflote by Mozart CBM 772 A lecture by Michael Barclay with musical illustrations. Die Zauberflote CBM 1396 This presentation points out the Masonic symbolism in Mozart's opera. According to Ann Thompson the plot might not be as complicated and divisive as some think. Michael Barclay Lectures A General Lecture on Puccini CBM 862 Michael Barclay Lectures on Richard Strauss CBM 1683 Michael Barclay Lectures on Take Me to Your Lieder CBM 1698 Michael Barclay Lectures on Verismo CBM 771 Michael Barclay Lectures on the World of Bel Canto CBM 1435 L'Africaine - CBM 1354 Aida - CBM 1689 Adriana Lecouvreur - CBM 790 Andrea Chenier - CBM 1355 Anna Bolena - CBM 1410 Arabella - CBM 1333 Ariadne auf Naxos - CBM 1327 Attila - CBM 1356 Un Ballo in Maschera - CBM 1330 Il Barbiere di Siviglia - CBM 759 Billy Budd - CBM 788 La Boheme - CBM 760 Boris Godunov - CBM 867 Capriccio - CBM 1357 I Capuleti e i Montecchi - CBM 1358 Cendrillon - CBM 800 La Cenerentola - CBM 1341 La Clemenza di Tito - CBM 1359 Les Contes d'Hoffmann - CBM 859 Cosi Fan Tutte - CBM 1690 Dangerous Liaisons - CBM 1679 Daphne - CBM 1680 The Death of Klinghoffer - CBM 1434 Death in Venice - CBM 1692 Dialogues des Carm‚lites - CBM 860 Don Carlos - CBM 1347 Don Giovanni - CBM 761 Don Pasquale - CBM 1361 Dreigroschenoper - CBM 1360 Elektra - CBM 1329 L'Elisir d'Amore - CBM 792 Die Entfuehrung aus dem Serail - CBM 865 Ernani - CBM 1362 Eugene Onegin - CBM 1339 Evita and Cats - CBM 799 Falstaff - CBM 1331 La Fanciulla del West - CBM 861 La Favola d'Orfeo - CBM 1696 Die Feen - CBM 1363 Fidelio - CBM 784 La Fille du Regiment - CBM 1682 The Flaming Angel - CBM 1681 Die Fledermaus - CBM 1418 Der fliegende Hollaender - CBM 762 La Forza del Destino - CBM 1332 Die Frau ohne Schatten - CBM 1328 Der Freischutz - CBM 1348 La Gioconda - CBM 1198 Giulio Cesare - CBM 1687 Gotterdammerung - CBM 1365 La Grande Duchesse de Gerolstein - CBM 1366 Guillaume Tell - CBM 1415 Hamlet - CBM 1693 Hansel und Gretel - CBM 796 Harvey Milk - CBM 1694 Herodiade - CBM 1684 Idomeneo - CBM 866 L'Incoronazione di Poppea - CBM 803 Iphigenie en Tauride - CBM 1369 L'Italiana in Algeri - CBM 1688 Jenufa - CBM 797 Jephtha and Saul - CBM 1414 Julius Caesar - CBM 795 Katya Kabanova  - CBM 798 Khovanshchina - CBM 1371 Lear - CBM 864 Lohengrin - CBM 763 Lucia di Lammermoor - CBM 793 Lulu - CBM 786 Macbeth - CBM 1334 Manon - CBM 1416 Manon Lescaut - CBM 1374 Maometto II - CBM 1375 The Medium - CBM 1417 Mefistofele - CBM 1685 Die Meistersinger - CBM 764 Merry Widow - CBM 765 The Midsummer Marriage - CBM 1352 A Midsummer Night's Dream - CBM 1432 Moses und Aron - CBM 1337 Nabucco - CBM 1433 Norma - CBM 785 Le Nozze di Figaro- CBM 766 Orlando - CBM 1376 Orlando Furioso - CBM 1377 Otello - CBM 1344 Parsifal - CBM 1349 Pelleas et Melisande - CBM 791 Peter Grimes - CBM 789 Pique-Dame - CBM 1350 Platee - CBM 1691 Prince Igor - CBM 1695 Le Prophete - CBM 1379 I Puritani - CBM 1380 Rake's Progress - CBM 1345 Das Rheingold - CBM 1326 Rienzi - CBM 1381 Rigoletto - CBM 768 Il Ritorno d'Ulisse in Patria - CBM 1382 Roberto Devereux - CBM 794 Romeo et Juliette - CBM 1384 Der Rosenkavalier - CBM 767 Ruslan and Lyudmila - CBM 1686 Salome - CBM 1342 Samson and Delilah - CBM 1346 Semiramide - CBM 1338 Siegfried - CBM 1385 Simon Boccanegra - CBM 1340 La Sonnambula - CBM 1386 Tannhauser - CBM 1412 Thais - CBM 801 Tosca - CBM 769 La Traviata - CBM 770 Il Trittico - CBM 1420 Tristan und Isolde - CBM 1343 Il Trovatore - CBM 1411 Turandot - CBM 863 Das Verratene Meer - CBM 1498 I Vespri Siciliani - CBM 1697 Die Walkure - CBM 1335 War and Peace - CBM 1423 Werther - CBM 802 Wozzeck - CBM 787 Die Zauberflote - CBM 772 Lyric Opera Aida - CBM 1581 Alceste - CBM 1565 Andrea Chenier - CBM 1582 Antony and Cleopatra - CBM 1566 Un Ballo in Maschera - CBM 1584 The Barber of Seville - CBM 1585 The Bartered Bride - CBM 1567 Boris Godunov - CBM 1586 Candide - CBM 1559 Capriccio - CBM 1560 Cosi Fan Tutte - CBM 1587 Don Giovanni - CBM 1558 Don Pasquale - CBM 1588 Don Quichotte - CBM 1568 Elektra - CBM 1589 The Elixir of Love - CBM 1590 Eugene Onegin - CBM 1591 Faust - CBM 1593 Fedora - CBM 1561 The Gambler - CBM 1569 The Girl of the Golden West - CBM 1570 Gotterdammerung - CBM 1595 Katya Kabanova  - CBM 1571 Makropulos Affair - CBM 1562 McTeague - CBM 1572 Otello - CBM 1597 Pelleas et Melisande - CBM 1574 I Puritani - CBM 1575 The Rake's Progress - CBM 1563 Rigoletto - CBM 1598 Samson et Dalila - CBM 1576 Simon Boccanegra - CBM 1599 La Sonnambula - CBM 1577 Susannah - CBM 1578 Tosca - CBM 1601 La Traviata - CBM 1602 Il Trovatore - CBM 1603 The Voyage of Edgar Allen Poe - CBM 1604 Xerxes - CBM 1564 Talking about Opera Aida - CBM 1439 Ariadne auf Naxos - CBM 1440 Un Ballo in Maschera - CBM 1441 La Boheme - CBM 1438 Boris Godunov - CBM 1442 Death in Venice - CBM 1443 La Fanciulla del West - CBM 1446 Der fliegende Hollander - CBM 1447 Don Giovanni - CBM 1310 Eugene Onegin - CBM 1444 Falstaff - CBM 1445 Gotterdammerung - CBM 1316 Jenufa - CBM 1448 Katya Kabanova  - CBM 1449 Lady Macbeth of Mtsensk - CBM 1455 I Lombardi, with Stiffelio - CBM 1450 Die Meistersinger von Nurnberg - CBM 1451 Otello - CBM 1309 Pelleas et Melisande - CBM 1454 Peter Grimes - CBM 1453 Das Rheingold - CBM 1311 Rusalka- CBM 1452 Siegfried - CBM 1315 La Traviata - CBM 1313 Die Walkure - CBM 1312 Wozzeck - CBM 1314 Ann Thompson A Midsummer Night's Dream - CBM 1428 Aida - CBM 1295 Andrea Chenier - CBM 1367 Anna Bolena - CBM 1271 Arabella - CBM 1712 Ariadne auf Naxos - CBM 1270 Atlas - CBM 1404 Attila - CBM 1548 Un Ballo in Maschera - CBM 1401 Il Barbiere di Siviglia - CBM 1431 Billy Budd - CBM 1711 La Boheme - CBM 1266 Boris Godunov - CBM 1259 Carmen - CBM 1272 Cavalleria Rusticana, with I Pagliacci - CBM 1395/ CBM 1713 Cinderella - CBM 1549 La Clemenza di Tito - CBM 1400 Le Comte Ory - CBM 1269 Cosi fan Tutte - CBM 1297 Dialogues of the Carmelites - CBM 1398 Dido and Aeneas - CBM 1550 Don Carlo - CBM 1701 Don Giovanni - CBM 1268 Don Pasquale - CBM 1710 Elektra - CBM 1430 The Elixir of Love - CBM 1709 Die Entfuhrung aus dem Serail - CBM 1299 Falstaff - CBM 1262 Faust - CBM 1267/ CBM 1708 Die Fledermaus - CBM 1273 The Flying Dutchman - CBM 1707 Frida - CBM 1424 Hansel und Gretel - CBM 1406 Julius Caesar - CBM 1392 Katya Kabanova  - CBM 1703 Lohengrin - CBM 1426 Lucia di Lammermoor - CBM 1298 Macbeth - CBM 1706 Madama Butterfly - CBM 1383 The Making of the Representative for Planet 8 - CBM 1402 Manon - CBM 1296 Mefistofele - CBM 1407 The Merry Wives of Windsor - CBM 1552 The Mikado - CBM 1405 Nabucco - CBM 1705 New Year - CBM 1372 Nixon in China - CBM 1284 Norma - CBM 1263 Le Nozze di Figaro - CBM 1393 Orpheus in the Underworld - CBM 1260 Otello - CBM 1389 Parsifal - CBM 1390 The Passion of Jonathan Wade - CBM 1388 Porgy and Bess - CBM 1261 Prince Igor - CBM 1702 Rigoletto - CBM 1403 Romeo and Juliet - CBM 1553 La Rondine - CBM 1283 Der Rosenkavalier - CBM 1364 Rusalka - CBM 1394 Salome - CBM 1264 Samson and Delilah - CBM 1391 Street Scene - CBM 1425 Susannah - CBM 1554 Tales of Hoffmann - CBM 1427 Tannhauser - CBM 1294 Tosca - CBM 1399 La Traviata - CBM 1429 Il Trovatore - CBM 1397 Tristan und Isolde - CBM 1704 Turandot - CBM 1265 Die Zauberflote - CBM 1396 Patriotic and Protest Music Death of Our National Anthem CBM 118 George London and Howard Mitchell debate the merits of the "Star-Spangled Banner," compare it with other national anthems, and play suggested alternatives. The Early Days of Songwriting CBM 529 Survey of popular music written before the founding of the American Society of Composers, Authors, and Publishers. Features songs of Stephen Foster, songs popular during the Civil War, songs by Henry Clay Work, and songs of the Gay Nineties. Part 2 presents popular music of 1860-1880. Flag Day CBM 922 Music and commentary about the red, white, and blue. Features popular orchestral pieces and folk music. The Great American Song Bag CBM 1149, 1151 American history through a sampling of songs. William Billings's "Chester," George Root's "Battle Cry of Freedom," and "Red River Valley" are heard. How Simple a Tune CBM 349 Explains how some of our most familiar simple songs were composed. Includes information on "Taps," "Down by the Old Mill Stream," "Home on the Range," and several others. Hymns of Fire CBM 877 The background of patriotic melodies that have stirred nations, including "Battle Hymn of the Republic" and "Maple Leaf Forever." I Love to Hear a Military Band CBM 345 This brief history of military bands and the march includes musical examples by Sousa and Gilmore, as well as commentary on band music by Frederick Fennell. Introduction to the March CBM 299 Traces the modern march from its beginnings in the sixteenth century. Labor Ballads CBM 139 Describes the relationship between labor songs and the early development of labor unions. These ballads served as a rallying force and inspired workers to fight for their rights. The March CBM 196 Sampling of different types of marches. Includes eight selections from the classical and modern repertoire. Marching Along CBM 851 John Philip Sousa, born in Washington, D.C., in 1854, wrote over one hundred marches. His band performed from 1892 to 1931. Interviews with his daughter Helen and friend Meredith Willson, and examples of his music such as "El Capitan." Music in the Soviet Union CBM 12 Discusses the political control of musicians in Soviet society. Includes a description of the Bolshoi Theater and selections from the works of Mussorgsky, Glinka, and Shostakovich. Music of the Civil War CBM 329 Discusses songs written during the Civil War. Includes "Dixie" and the "Battle Hymn of the Republic." Music of Smoke and Steel CBM 176 In this lecture, the song "John Henry," compositions by Ernst Bacon, and other music of the workers are presented. Oscar Brand's Songs of '76 CBM 375-376 Brand introduces and sings songs of the American Revolution. Includes "Bunker Hill," "Come Shake Your Dull Noodles," "The Boston Massacre," "The Tea Party," and "Granny Wales." Protests of Pete Seeger CBM 57 The folk singer who was branded an outcast and banned from radio, television, and concert halls discusses the origins of his radicalism. Sing along with Millard Fillmore CBM 1188, 991 Campaign songs and favorite melodies of the winners and losers in presidential elections from the years 1896-1976. The Singer as Activist CBM 113 Interview with folk singer Joan Baez and her family and friends. Discusses her career and her involvement with the Monterey Institute for the Study of Nonviolence. The Sound of Patriotism CBM 112 These speeches and songs of 1916-1917 capture the spirit of America as it entered World War I. The Sousa Nobody Knows CBM 971 Explores other compositions Sousa wrote besides his well-known marches. A tango called "Gliding Girl," composed in 1912, is among the selections. The Splendid Americans CBM 354 This discussion of patriotic music in America includes background information on the poets and texts of familiar national songs. Suffragette CBM 927 History of the women's movement recorded in words and songs. The Symbols of Nationhood CBM 901 Beginning with ancient Egypt, traces the history of the flag through the centuries. Symbols of nations in song are heard in national anthems from such countries as Sweden, Belgium, Germany, and Italy. That Crazy American Music CBM 1117 Historical review of American music from its beginning with the Pilgrims. Programs cover the Gay Nineties, Civil War, and the westward movement. Part 9 is dedicated to the life and music of J.P.Sousa. Those Vintage Cylinder Years CBM 837 Entertaining selections by a military band, singer Edward Favor (1908), and a speech by Teddy Roosevelt illustrate the sound- producing cylinders of Thomas Edison. The Topical Folk Song CBM 1 Phil Ochs, Pete Seeger, Tom Paxton, and Buffy Sainte-Marie sing and discuss topical folk songs such as "I Ain't Marchin' Anymore" as a new phenomenon. War Songs CBM 234 Discusses American military songs and their origins. Sacred / Gospel Bach's St. Matthew Passion CBM 66 Erich Leinsdorf conducts the Rochester Philharmonic in a performance of the first part of Bach's St. Matthew Passion. A brief introduction is given. Christian Hymns CBM 586 A series of lectures by Erik Routley on the history of hymns. Beginning with the early church, the discussions follow chronologically to the end of the nineteenth century with gospel songs and spirituals. Dresden CBM 384 Lecture on Heinrich Schutz, stressing Schutz's importance in applying Italian polychoral style and dramatic monody to German church music; motets from Schutz's Symphoniae Sacrae. Gospel, Jazz, Blues, and Rock CBM 137 Explains how an underground code of African slaves blossomed into the samba, rumba, and calypso. Mahalia Jackson Discusses "Movin' on Up" CBM 231 Interview with the great gospel singer, who describes her strong faith and the songs she sings that reinforce her faith. Michael Barclay Lectures on the Requiem Mass by Verdi CBM 1422 This work, written as a tribute to one of Italy's patriots, is more operatic in feeling than sacred. Though its first performance was in a church, it is, for the most part, performed in concert halls today. New World Choristers CBM 158 Choral music by American and Chilean composers. The Oratorio CBM 179-180 History of the oratorio, from its beginnings in the sixteenth century to its present-day form. Includes musical examples from Jephte by Carissimi, Judas Maccabaeus by Handel, and Haydn's oratorio Creation. Psalms CBM 199 Discussion concerning the importance of the Psalms in the history of Western music. Examples played include choral music by Palestrina, Handel, Gluck, Franck, and Liszt. Rev. Brewster, Gospel Music CBM 776 Gospel music composer W. Herbert Brewster is interviewed on National Public Radio's Horizons series. His most famous song, "Move on Up a Little Higher," helped launch the career of Mahalia Jackson. Thanksgiving Special CBM 921 Thanksgiving thoughts and gratitudes. Music includes Charles Ives's Thanksgiving. Music and the Human Experience Arts and Older Folks CBM 731 Individuals over sixty remember their past and discuss their present activity in the arts. Includes interviews with Rudy Vallee, Avon Long, and Artur Rubinstein. Careers in Music CBM 582 Distinguished professionals discuss the pros and cons of their field of music. Some of the areas discussed are the military, jazz performance, publishing, and music journalism. Chant CBM 1193 Suggests the therapeutic uses of both Eastern and Western chant. Chant expert Alfred Tomatis gives the history and techniques of chant. Duke Ellington High School for the Arts CBM 724 A visit to one of the fifty high schools in America that not only stresses traditional studies but gives individual and class instruction in music, dance, theater, and the visual arts. The listener will sit in on classes and hear aspiring young artists discuss their experiences and hopes for the future. Good Ol' Boys CBM 774 A colorful group of writers and performers in the country and western music world reflect on the lifestyle and ethic of country and backwoods jazz. Legend of Our Times CBM 894 Cameos of a variety of artists including Rudy Vallee singing "The Whiffenpoof Song," and Shirley Temple, Nora Beys, and Maurice Chevalier singing a medley of well-known favorites. The Men Who Made the Hits CBM 533-534 Survey of songwriters and publishers active in the early twentieth century. Mozart's Sisters CBM 730 A historical overview of women composers and musicians from the eleventh century to the contemporary American composer Vivian Fine. Interviewed are women musicologists who suggest that "music history must be rewritten to include women." Music and the Women's Movement CBM 723 At the sixth National Women's Music Festival in Urbana, Illinois, women discuss their music and the women's movement. Features songs by Holly Near. Music Therapy CBM 720 Dr. Clive Robbins demonstrates how music has opened communications with autistic, blind, and retarded children. Outline for the Next Wave CBM 777 Conversations with four artists on art, culture, and perception. Explores performance art. Ragtime Women CBM 781 Popular music historian and composer Max Morath discusses the large number of white middle- and upper-class women who wrote and played ragtime at the turn of the twentieth century. Although they outnumbered men ten to one in this field, they are largely forgotten today. The Sound of Music and Voice CBM 732 This program contains several reports on the use of voice and music. Subjects include an interview with a Hollywood doctor about the use and abuse of the voice, a physicist who is trying to reproduce the original sound of musical instruments using a computer, and a music therapist in a Brooklyn hospital. Todd Duncan and Paul Calloway CBM 83 Todd Duncan, the original Porgy in Porgy and Bess, and Paul Calloway, the Washington Cathedral's director of music, discuss their difficulties in achieving success. The Working Musician CBM 197 Discusses the joys and difficulties of a modern musical career. Yehudi Menuhin, Man and Musician CBM 69 The renowned violinist whose musical career began before the age of three discusses his experiences as a child prodigy and as a mature musician. INDEX A An Aaron Copland Portrait, 85 Abrams, Daniel Play Piano by Ear, 61 Practice Techniques for All Musicians, 64 Put Your Hands on the Piano and Play, 61 Understanding the Language of Music, 8, 43, 64 "Across the Western Ocean," 79 Adams, John, 122, 133 Adams, Stanley The Boy Who Became President, 100 "Adelaide," 77 "Adieu," 79 The Adolescent Years, 100 Advanced Fingerpicking [Guitar] Techniques, 55 Adriana Lecouvreur, 117 L'Africaine, 117 Afro-American Children's Singing Games, 85 Aida, 117 Alceste, 118 "Allerseelen," 83 Allman Brothers Greatest Intros and Shorts, 72 "Alma del core," 78 "Alone," 72 "Already Gone," 71 Alter, Louis Music in My Heart, 33 "Always a Woman to Me," 73 "Always Making Love," 72 "Always on My Mind," 71 "Always with Me, Always with You," 72 "Amarilli, mia bella," 78 "Amazing Grace," 71, 74 American History Was Never like This, 36 The American Musical Theater, 1 The American Sampler, 38 America's First Superstar, 11 "An die Laute," 82 "An die Music," 82 "An die Nachtigall," 82 "An die Sonne," 82 "An Chloe," 81 "An Silvia," 82 Ancient Civilization in Opera, 114 And All That Jazz, 93 And the Band Played On, 48 And the Days Grow Short as You Reach September, 93 Anderson, Gillian B. Voluptuous Variety, 113 Andrea Chenier, 118 "Angel," 72 Animals Expressed in Music, 1 Anna Bolena, 118 "Anniversary Song," 73 "Another Brick in the Wall," 72 Anthology of the Sacred Carol, 91 Antony and Cleopatra, 118 Approaches to Popular Music, 42 "Apres un Reve," 79 Arabella, 118 "Are You Washed?" 71 Argento, Dominick The Voyage of Edgar Allen Poe, 141 Ariadne auf Naxos, 118 Arlen, Harold The Man Who Gave the World a Rainbow, 33 The Arrival of Atonal Music, 46 The Art of Mischa Elman, 23 Arts and Older Folks, 1, 149 As I Rode Out, 89 As It Happened, 119 As the Years Go By, 42 "As Time Goes By," 74 "The Ash Grove," 78 "Ashokan Farewell," 73 Astaire, Fred The Legend of Fred S. Astaire, 19 At Home with Beethoven, 84 "At the River," 79 Atlas, 119 Attila, 119 Aubrey, 72 Augsburg, 44 "Aura Lee," 74 Austin, Gene The Legend of Gene Austin, 20 Australian Folk Songs, 89 Autoharp and Jew's Harp, 53 "Automne," 79 The Avant-Garde Today, 46, 63 "Ave Maria," 71, 72, 74 "Away in a Manger," 74 B Bacall, Lauren A Broadway Melody, 1, 100 Bach, Johann Sebastian, 8, 18 Arioso for Viola from Cantata no. 156, 75 Arioso for Violin from Cantata no. 156, 75 Bach and Ornamentation, 44, 66 Bach and Twentieth-Century Composers, 45 Bach's St. Matthew Passion, 148 Bach's Suite no. 3, 84 Celebrated Air on the G String for Viola, 75 Celebrated Air on the G String for Violin, 75 Background to Music, 42 Backup and Fills for Dobro, 54 Baez, Joan, 20 The Ballad of Baby Doe, 119 Ballad of the Brass, 48 Un Ballo in Maschera, 119 Barber, Samuel, 77 Antony and Cleopatra, 118 Stokowski Rehearses, 52 The Barber of Seville/Il Barbiere di Siviglia, 119 Barclay, Michael, 116, 142-144, 149 The Bard of Tin Pan Alley, 100 The Baritone: Villain or Promotor? 114 The Bartered Bride, 120 Bartok, Bela, 18 From Beethoven to Bartok, 51 Basic Vocal Technique, 62, 81 Bates, David Guitar by Ear, 58 Be My Love, 93 Be My Valentine, 93 Beach, Amy Marcy Cheney, 77 The Beatles, 33, 100 Beautiful Dreamer, 11 "Because He Lives," 72 Beethoven, Ludwig Van 18, 77 At Home with Beethoven, 84 Beethoven, Revolutionary Artist, 8 Beethoven the Incredible, 8 Beethoven, the Man, 8 Beethoven, the Man Who Set Music Free, 8 Beethoven's Ninth Symphony, 51 Fidelio, 126 From Beethoven to Bartok, 51 Ludwig van Beethoven, 8 The Music of Beethoven, 8 "Befreit," 83 The Beggar's Opera, 120 A Beginning Accordion Method for the Blind, 52 A Beginning Accordion Method for the Blind: Supplementary Repertoire, A Beginning Chromatic Freebass Accordion Method for the Blind, 53 Beginning Rock Guitar, 55 Beiderbecke, Bix, 20 Belafonte, Harry Spotlight on Harry Belafonte, 20 "Believe in Me," 72 The Bell, 92 "Belleau Wood," 71 Bellini, Vincenzo, 77 I Puritani, 136 Norma, 133 La Sonnambula, 140 "Beneath A Weeping Willow's Shade," 81 Benjamin, Bennie The Man Who Set the World on Fire, 33 Benny, Jack, 20 "Les berceaux," 80 Berg, Alban Lulu, 131 Wozzeck, 142 Berlin, Irving The Bard of Tin Pan Alley, 33 A Tribute to Mr. America, 113 Berlioz, Hector, 18 Bernstein, Leonard Candide, 121 Leonard Bernstein Discusses..., 4 Leonard Bernstein Discusses Humor in Music, 4 Shostakovich's Seventh Symphony, 51 What Is Jazz? 8, 99 Best of Intentions, 71 The Betrothal in a Monastery, 120 "Beyond the Gate," 72 Beys, Nora, 103, 150 Bickford, Mark Irish Dance Tunes for Mandolin, 60 Billy Budd, 120 Bizet, Georges, 18 Carmen, 121 Life and Music of Georges Bizet, 9 "Black Hole Sun," 72 "Black Is the Color of My True Love's Hair," 81 "Blackbird," 72 Blades, James From Cave to Cavern, 49 Blake, Eubie, 20 Memories of Eubie, 20, 96 "Blessed Jesus Hold My Hand," 72 "Blue Moon," 72 "Blue on Black," 72 "Blue Spanish Eyes," 72 Bluegrass Banjo, 53 Bluegrass Harmony, 62 Bluegrass Mandolin, 60 Blues and Boogie, 73 Blues Harmonica, 59, 60 Blues Harp, 60 Blues/Rock Piano, 60 Boggs, Jesse Sessions with Jesse Boggs, 34, 110 La Boheme, 120 Boito, Arrigo Mefistofele, 132 Bolcom, William McTeague, 132 "Bold as Love," 72 Bononcini, Giovanni Battista, 77 Borge, Victor Clown Prince of Denmark, 20 Boris Godunov, 120 "Born to Serve the Lord," 72 Born to Sing, 62 "Botschaft," 77 Bottleneck/Slide Guitar, 55 Boulanger, Nadia Focus on Nadia Boulanger, 19 The Influence of Nadia Boulanger, 19 Boulez, Pierre Experiments in Electronics, 9 "Bouree," 72 Bowles, Paul, 77 "The Boxer," 72 The Boy Who Became President, 100 Brahms, Johannes, 18, 77 Brahms, 9 Brahms Songs for High Voice, 77 Johannes Brahms, 9 The Music of Brahms, 9 Brand, Oscar A Broadway Melody, 1, 100 The Cornwall Furnace, 86, 100 Improvisation, 66, 68 Oscar Brand's Songs of '76, 108, 147 Rock 'n Roll, 110 This Land Is Your Land, 88, 112 Brass Instruments, 48 "Breathe," 71 Breezin' Lix, 72 Brewster, W. Herbert Rev. Brewster, Gospel Music, 34, 149 Brice, Fanny Fanny, 20 "Bridge over Troubled Water," 75 Britten, Benjamin, 77 Benjamin Britten, 9 Billy Budd, 120 Death in Venice, 123 A Midsummer Night's Dream, 132 Peter Grimes, 135 Britto, Carol, 20, 93 A Broadway Melody, 1, 100 Brown, Oscar, Jr., 34, 93 Brubeck, Dave Jazz Joins the Classics, 47, 95 Bruckner's Seventh Symphony, 51 The Building Blocks of Music, 64 Burke, Kevin Learning the Irish Fiddle, 54 Burleigh, Henry Thacker, 78 Burton, Gary, 21, 93 Buxtehude, Dietrich, 9 "By and By," 72 By Strouse, 100 C "Cabin," 77 Caccini, Giulio, 78 Cadman, Charles Wakefield, 78 Caesar, Irving If You Have to Learn, Don't Start, 34 "Caffeine and Nicotine," 72 Cage, John John Cage and Burl Ives, 21 Cahn, Sammy I've Heard That Song Before, 34 Caldara, Antonio, 78 Calloway, Paul Todd Duncan and Paul Calloway, 22, 150 Canadian Music, 1 Candide, 121 Cannon, Hugh Won't You Come Home, Hugh Cannon? 34, 99 The Cantata, 67 Cantor, Eddie Gerald Marks on Eddie Cantor, 21, 101 Capriccio, 121 I Capuleti e i Montecchi, 121 Careers in Music, 149 Carissimi, Giacomo, 78 Carmen, 121 "Caro mio ben," 80 "Caro Sposa," 80 "Carolina in My Mind," 72 Carter, Elliot, 47 Caruso, Enrico Hall of Fame: Enrico Caruso, 21 Casals, Pablo Bach's Suite no. 3, 84 Casals Conducts Beethoven, 84 Casals Conducts Saint-Saens, 84 Spotlight on Pablo Casals, 21 "Catfish Blues," 72 Cats, 125 Cavalleria Rusticana, with I Pagliacci, 121 Cendrillon, 121 La Cenerentola, 121 Chamber Music, 1 Chamber Orchestra, 51 Chance and Randomness in the Arts, 63 "Chanson d'amour," 79 "Chanson triste," 79 Chant, 149 Chants of the Grand Canyon, 90 Chaplin, Charlie The Comedian: Charlie Chaplin, 21 Charles, Ernest, 78 Chattahoochee, 71 "Cherish," 75 Chevalier, Maurice Close-up on Maurice Chevalier, 21, 100 Legend of Our Times, 103, 150 Child Prodigy of the Violin, 29 Chinese Music and Bach, 65 "Ching-a-ring Chaw," 79 "Ch'io mai vi possa," 80 Chivalry in Opera, 114 Chopin, Frederic, 18 Frederic Francois Chopin, 9 Poet of the Piano, 9 Chords, 65 Christian Hymns, 148 Christmas in Music, 92 The Christmas Masterpiece, 92 Christmas Song, 74, 75 Cinderella, 122 "Clair de lune," 79 Classical Dances, 1, 43 The Classical Era in Music, 45 "Classical Gas," 72 Classics for Fun, 1 La Clemenza di Tito, 122 "Cliffs of Dover," 72 Close-up on Bing Crosby, 22 Close-up on Maurice Chevalier, 21, 100 Close-up on William Schuman, 15 Clown Prince of Denmark, 20 Coffin, Tristram Potter Styles of Folk Songs, 88, 111 Cohan, George M. Cohan Is a Grand Old Name, 34 Cohen, David Bennett Blues/Rock Piano, 60 Ragtime Piano, 61 "Cold Contagious," 71 Coleman, Cy If My Friends Could See Me Now, 35, 102 Colianni, John, 94 Collecting Folk Songs, 86, 100 Coltrane, John John Coltrane Quartet, 94 Columbo, Russ The Legend of Russ Columbo, 21, 103 Comden, Betty Betty Comden and Adolph Greene, 34 "Come and Dine," 72 "Come raggio di sol," 78 The Comedian, 21 The Complete Synthesist, 63 Composers' Musical Jokes, 1 Le Comte Ory, 122 "Con que la lavare?" 82 Concert Masterworks, 45, 46 The Concert Overture, 46 The Concerto, 67 Concerto in A Minor for Piccolo (F. VI, 9), 85 Contemporary Fingerpicking Guitar, 55 Contemporary Music, 46 Contemporary Ragtime Guitar, 55 Les Contes d'Hoffmann, 122 Coots, J. Fred The Santa Claus of Tin Pan Alley, 35 Copeland, Johnny, 22, 94 Copland, Aaron, 18, 51 An Aaron Copland Portrait, 10, 85 Copland, Gershwin, and Piston, 10 Corea, Chick, 22, 35, 94 Corelli and Vivaldi, 10 The Cornwall Furnace, 86, 100 Corridos, 90 Cosi fan Tutte, 122 Coslow, Sam Put Some Heart in a Song, 35 The Cosmic Music of the Harmonic Choir, 1 Country Blues Gospel Guitar, 55 Country Blues Guitar, 55, 56 Country Blues Guitar Styles and Techniques, 56 Country Guitar Styles, 56 Country Piano, 61 A Couple of Crazy Guys/Three Little Words, Thirteen Little Letters, 38, 100 Cowboy Songs, 86, 100 "Creep," 71 Crosby, Bing Close-up on Bing Crosby, 22 Cross, Felix Islands in the Sun, 47 "Crossfire," 72 "The Crucifixion," 77 D "Daddy's Hands," 71 "The Daisies," 77 Damrosch, Walter Brass Instruments, 48 Exploring the Opera, 114 Exploring Theme and Variation, 70 Fairy Tales in Music, 2 Focus on the Overture, 69 How Music Expresses Joy and Sorrow, 3 Introduction to the March, 146 Introduction to the Orchestra, 4 The Modern Suite, 69 Motion Expressed in Music, 4 Myths in Music, 5 Percussion Instruments, 49 Shostakovich and Stravinsky, 16 The String Instruments, 50 The Voices of the Orchestra, 48 What Is a Canon? 66 What Is a Fugue? 66 What Is a Suite? 70 The Woodwinds, 51 "The Dance," 71 The Dance in Music, 43, 68 "Dancing Shadows," 72 Dangerous Liaisons, 122 "Danny Boy," 77 Daphne, 122 Dapogny, James, 22, 94 Darion, Joe A Lot of Strings to Play, 35 Davis, Benny The Lyrical Life of Benny Davis, 35 Davis, Brad Improvising Bluegrass Guitar, 58 Improvising Bluegrass Mandolin, 60 "A Day in the Life of a Fool," 71 "Daydream," 72 "De donde venis amore," 82 "De los alamos vengo, madre," 82 "Dead or Alive," 72 Dead Man Walking, 122 Death in A Major, 14 Death in Venice, 123 The Death of Klinghoffer, 122 Death of Our National Anthem, 146 Debussy, Claude, 18, 79 Pelleas et Melisande, 135 "Deck the Halls," 74 "Dee," 72 "Deep River," 78 Delavan, Macon Singing Success Library, 62 Descriptive Suite, 69 Designing Guitar Solos for Bluegrass Songs, 56 Designing Mandolin Solos for Bluegrass Songs, 60 Developing the Innate Musical Creativity of Children, 1 Development of the Symphony, 70 The Devil in Opera, 114 Dialogues of the Carm‚lites, 123 Diamond, David Diamond and Copland Pieces, 51 "Diary," 72 Dido and Aeneas, 123 Digging Music, 2, 94 "Disarm," 71 Disney, Walt Walt Disney's Dream Factory, 22 The Do-It-Yourself Messiah, 80 "Do You Believe Me Now?" 71 Dohnanyi, Ernst von Ernst von Dohnanyi, 10 Ernst von Dohnanyi in Concert, 10 Donaldson, Walter When Walter Donaldson Ruled the Roost, 35, 113 Don Carlos, 123 Don Giovanni, 123 Don Pasquale, 123 Don Quichotte, 124 Donizetti, Gaetano, 18 Anna Bolena, 118 Don Pasquale, 123, 124 The Elixir of Love, 124 La Fille du Regiment, 126 Lucia di Lammermoor, 130 Roberto Devereux, 137 "Don't Fear the Reaper," 72 Dorati, Antal Evolution of the Concerto, 67 Flag Day, 146 Doucet, Michael Real Cajun Fiddle, 54 Dougherty, Terrence Patrick, 79 "Down by the Riverside," 72 "Down in the Valley," 74 "Down That Long Lost Highway," 32 Dr. Perlander's Christmas Concert, 92 Drake, Ervin A Lot of Meaning with the Music, 35 "Dream On," 72 Die Dreigroschenoper, 124 Dresden, 16, 44, 148 Drums, 90 "Du bist die Ruh," 82 "Du bist wie eine Blume," 83 Duchin, Peter, 22 Duke, John, 79 Duke Ellington High School for the Arts, 149 Duncan, Todd Todd Duncan and Paul Calloway, 22, 150 Duning, George For Whom Writing Music Is a Picnic, 36 Duparc, Henri, 79 Durante, Francesco, 79 Durante, Jimmy The Legend of Jimmy Durante, 22 "Dust in the Wind," 72 Dvořáak, Antonín, 18 Rusalka, 137 The Dynamics of Collaboration, 41 E Ear Training, 65 The Early Days of Songwriting, 36, 101, 146 Easy Dobro Solos, 54 Edwards, Sherman American History Was Never like This, 36 Eldridge, Roy, 23, 94 Electric Blues and Rock Guitar, 56 The Electric Guitar, 57 Electronic Keyboard Course, 63 Electronic Keyboards, 48, 63 Elektra, 124 Elements of Jazz, 47, 94 Eliscu, Edward You've Given Us More than You Know, 36 The Elixir of Love, 124 Ellington, Duke Duke Ellington, 10, 23, 94 Things Are Just like They Used to Be, 23, 99 Elman, Mischa The Art of Mischa Elman, 23 Emotions in Music, 2 "Empty Arms," 72 "En priere," 79 "The End," 72 English Ballads, 89 English Folk Songs, 89 Enjoying Italian Opera, 114 Enjoying Opera with Dale Harris, 2, 114 Enjoying Wagner's Ring, 114 Die Entfuhrung aus dem Serail, 124 The Era of F. Scott Fitzgerald, 94, 101 Ernani, 125 "Eruption," 72 Eugene Onegin, 125 Evergreens from Bud, 36, 47 "Everlong," 71 "Every Morning," 71 Everybody's Favorites for High Voice, 77 Evita, 125 Evolution of the Concerto, 67 The Evolution of Modern Music, 43, 65 The Exotic Sounds of India, 2 Experiments in Electronics, 68 Exploring the Opera, 114 Exploring Theme and Variation, 70 Expression and Extravagance, 46 "Extase," 79 F Fain, Sammy He Gave Us a Thousand Beautiful Memories, 36, 102 Fairy Tales in Music, 2 Falla, Manuel de, 18 Falstaff, 125 Famous Dramatic Overtures, 68 Famous Novels in Opera, 114 La Fanciulla del West, 125 Fanny, 000 "Farewell to Kings," 72 Fascination with What Is Difficult, 13 Fatha Hines Groove, 95 The Father of the Blues, 95 Father of the Follies, 33 Faure, Gabriel, 18, 79 Faust, 125, 126 La Favola d'Orfeo, 126 La Favorite, 126 Fedora, 126 "Feel like Making Love," 71 Die Feen, 126 Fennell, Frederick Chamber Orchestra, 51 I Love to Hear a Military Band, 146 Fidelio, 126 Fields, Gracie Gracie Fields Forever, 23, 102 The Fiery Angel, 126 La Fille du Regiment, 126 Fingerpicking Guitar Workshop, 57 Fingerpicking [Styles for Guitar], 57 Fink, Cathy Learn to Yodel, 62 Finn, Cheryl Perfection Ear, 64 "Fire and Rain," 72 "Fire Dance," 72 "Fire in the Hole," 72 Firkusny, Rudolf, 2 First Lady of Bach, 32 "Five Foot Two," 74 "Five Long Years," 72 Five-String Banjo, 53, 54 Flag Day, 146 Flatpick Country Guitar, 58 Die Fledermaus, 126 "Fleur jetee," 79 Der fliegende Hollander, 127 Floyd, Carlisle The Passion of Jonathan Wade, 135 Susannah, 000 The Flute and the Harp, 50 The Flying Dutchman, 127 Focus on Cole Porter, 40, 101 Focus on Kid "Punch" Miller, 28, 97 Focus on Lightnin' Hopkins, 24 Focus on Nadia Boulanger, 19 Focus on Shirley Verrett, 32 Focus on Sigmund Romberg, 41, 101 Focus on the Overture, 69 Focus on Wanda Landowska, 26 The Folk Singer, 37 Folk Songs of Early America, 86 "The Fool and Me," 72 For Whom Writing Music Is a Picnic, 36 La Forza del Destino, 127 "Die Forelle," 82 Foster, Dan Irish Dance Tunes for Tinwhistle, 63, 89 Foster, Stephen Collins Beautiful Dreamer, 11 The Foster Nobody Knows, 11 Franck, Cesar, 18 Frankie and Johnny, 47, 86, 101 Die Frau ohne Schatten, 127 Der Freischutz, 127 French Canadian Folk Music, 86 "The Freshman," 72 Frida, 127 From Beethoven to Bartok, 51 From Cave to Cavern, 49 From Jumpstreet, 2 From Soap Opera to Grand Opera, 31 "Fruhlingsglaube," 82 The Fugue, 66 Fulson, Lowell, 36 Rock Guitar Soloing, 59 "Fur Elise," 72 G "G" Is for the Great Songs You Gave Us, 36 The Gambler, 127 Garrett, Amos The Electric Guitar, 57 Gay, John The Beggar's Opera, 120 "Gene and Eddie," 72 A General Lecture on Puccini, 114, 142 A General Lecture on Verdi, 17, 115 "Georgia on My Mind," 74 Gerry Mulligan, 97 Gershwin, George, 18 Copland, Gershwin, and Piston, 11 George Gershwin's Rhapsody in Blue, 11, 47 Gershwin, 11, 47, 101 The Gershwin Years, 11 Girl Crazy, 2 "Gia il sole dal gange," 82 La Giaconda, 127 Gianinni, 80 Gilbert, L. Wolfe "G" Is for the Great Songs You Gave Us, 36 Gilmore, P.S. Super Salesman of Music, 23 Gordani, Giuseppe, 80 Giordano, Umberto Andrea Chenier, 118 Fedora, 126 Girl Crazy, 2 "Girl from Ipanema," 72 The Girl of the Golden West, 127 Giulio Cesare, 128 Give It All You've Got, 101 "Give Me One Reason," 72 Give Me Yesterday, 101 Glaser, Matt Ear Training, 65 Tools for Musicianship, 65 Glass, Philip The Making of the Representative for Planet 8, 136 The Glory of Cremona, 49 Glover, Tony Blues Harp, 60 Gluck, Alma The Legend of Alma Gluck, 23 Gluck, Christoph, 18, 80 Alceste, 118 Iphigenie en Tauride, 129 "Glycerine," 71 "Godfather 1 (Love Theme)," 74 "Godfather 2 (Main Theme)," 74 Gold, Arthur, 80 Gonzales, Juanita, 90 Good Ol' Boys, 150 Good Vibrations, 43, 49 Gospel Harmony, 62 Gospel, Jazz, Blues, and Rock, 95, 148 Gotterdammerung, 128 Gottschalk, Louis Moreaux, 11 Gould, Glenn Glenn Gould on the Moog Synthesizer, 23, 49 Gounod, Charles Faust, 125 Meditation on the First Prelude of J.S. Bach, for Violin,76 Rom‚o et Juliette, 137 La Grande Duchesse de Gerolstein, 128 The Great American Song Bag, 86, 102, 146 The Greatest Christmas Story Ever Told, 92 "The Greatest Love of All," 75 "Greedy Fly," 71 Greek Myths in Opera, 115 Green, Bud Evergreens from Bud, 36, 47 Greenberg, Robert Concert Masterworks, 45, 46 How to Listen to and Understand Opera, 115 How to Understand and Listen to Great Music, 3, 43 Symphonies of Beethoven, 7 Greenway, John English Folk Songs, 89 Music of the American Indians, 90 Music of the Dry World, 91 Music of North Africa, 85 Music of Oceania, 91 Music of the Orient, 66, 91 Music of the Polar World, 91 Styles of Folk Songs, 88, 111 Gregorian Chant, 44 "Gretchen am Spinnrade," 82 Grieg, Edvard, 18 Grillo, Frank "Machito" Machito, 23, 104 Grossman, Stefan Advanced Fingerpicking [Guitar] Techniques, 55 Contemporary Fingerpicking Guitar, 55 Contemporary Ragtime Guitar, 55 Country Blues Guitar, 55, 56 Country Blues Guitar Styles and Techniques, 56 Fingerpicking Guitar Workshop, 57 Grusin, Dave, 37, 95 Guillaume Tell, 128 Guitar by Ear, 58, 71 Guitar Method for the Blind, 58 Gumbo Ya Ya, 95 Guthrie, Woody The Folk Singer, 37 Legend of a Balladeer, 24, 37 Woody Guthrie Remembered, 37, 114 H Haas, Karl Romantic Piano, 6 Song and Dance, 6 The Story of the Bells, 7 Hall of Fame Hamlet, 128 Hamburg, 45 Hancock, Herbie, 24, 95 Handel, George Frideric, 18, 80, 128 The Christmas Masterpiece, 92 The Do-It-Yourself Messiah, 80 Haydn and Handel, 3, 67 Sonata no. 3 for Violin, F Major, 76 Sonata no. 5 for Violin, A Major, 76 Sonata no. 6 for Violin, E Major, 76 Xerxes, 142 Handy, W.C. And All That Jazz, 93 The Father of the Blues, 37 "Hang," 73 Hansel und Gretel, 128 Hanson, Howard, Hanukkah, 93 Happy Songs from a Happy Man, 39, 102 Harbach, Bill, 37 Harburg, E. Y. You're a Builder Upper, 37, 114 "Hark the Herald Angels Sing," 74 The Harp and the Piano, 49 "Harper Valley PTA," 72 Harris, Dale, 114 Harris, Joel Chandler, 87 Harris, Roy Roy Harris and and Gregor Piatigorsky, 6 Harry Lauder Special, 26 "Harvest Wind," 71 Harvey Milk, 129 Hawkins, Coleman Spotlight on Coleman Hawkins, 24, 95 Haydn, Franz Joseph, 18 Franz Josef Haydn, 12 Haydn, 12 Josef Haydn, 12 Haydn, Michael Haydn and Handel, 3, 67 He Gave Us a Thousand Beautiful Memories, 36, 102 "He Looked Beyond My Fault," 72 He Loved Life from Miracle to Miracle, 30 "He Touched Me," 72 "Hearts and Crafts," 72 "Heaven," 73 "Heaven's Already Here," 71 "Heidenr”slein," 82 Heifetz, Jascha The World's Greatest Violinist, 24 "Heimlich aufforderung," 83 Helen of Troy in Opera, 115 "Helplessly Hoping," 72 Henze, Hans Werner Spotlight on Hans Werner Henze, 12 Das Verratene Meer, 141 Herbert, Victor, 38 The Legend of Victor Herbert, 12, 37 Herman, Jerry The American Sampler, 38 The Man Who Carried It Off, 38 Herodiade, 129 Heroes, Heroines, and Their Horses, 102 Highet, Gilbert Fascination with What Is Difficult, 13 The Poet and the Musician, 6 Prometheus at the Piano, 6 Hill, Edward Burlingame, 67 Hillbilly and Mountain Ballads, 86 Hines, Earl Fatha Hines Groove, 24, 95 History of a Hit Tune, 102 History of Jazz Piano, 95 History of String Quartets, 67 "Hit Me with Your Best Shot," 73 Hoddinott, Alun Moelwyn Merchant Talks with Composer Alun Hoddinott, 12 Hoffer, Donald Charles Guitar Method for the Blind, 58 Hogwood, Christopher A Pearl Distorted, 45 Hohner, Matthias Mr. Hohner's Amazing Harmonica, 50 Holiday, Billie, 24, 95 Holly, Buddy, 24 "Holy Wars," 73 Home for the Holidays, 92 Honky Tonkin' Country Guitar Solos, 58 Hopkins, Lightnin' Focus on Lightnin' Hopkins, 24 Hopkinson, Francis, 81 "Hotel California," 73 "House Is Rockin'," 73 How Music Expresses Joy and Sorrow, 3 How Simple a Tune, 102, 146 How to Listen to and Understand Opera, 115 How to Play Autoharp, 53 How to Play Jewharp, 53 How to Sing Pop Harmony, 62 How to Understand and Listen to Great Music, 3, 43 How to Write for the Musical Theater, 63 Howard, Ray Learn to Play Country Quickly, 58 Howard, Ron Country Piano, 61 Huckabee, Dan Backup and Fills for Dobro, 54 Bluegrass Harmony, 62 Bluegrass Mandolin, 60 Easy Dobro Solos, 54 Gospel Harmony, 62 How to Sing Pop Harmony, 62 Singing Country Harmony, 62 Understanding the Formula of Music Makes It So Easy, 65 Humperdinck, Engelbert Hansel und Gretel, 128, 129 Huston, Scott The Arrival of Atonal Music, 46 The Avant-Garde Today, 46, 63 The Building Blocks of Music, 64 Chords, 65 The Evolution of Modern Music, 43, 66 Intervals and Triads, 65 Stretching the Scale, 7 Hymns by Ear, Piano Course, 74 Hymns of Fire, 146 I "I Attempt from Love's Sickness to Fly," 82 "I Bought Me a Cat," 79 "I Can't Stop Loving You," 71 "I Don't Wanna' Miss a Thing," 73 "I Got Rhythm," 74 I Hear America Singing, 102 "I Left My Heart in San Francisco," 74 I Lombardi, with Stiffelio, 130 "I Love All Graceful Things," 83 I Love to Hear a Military Band, 146 "I Wonder as I Wander," 81 Ian and Sylvia, 86 "Ich grolle Nicht," 83 "Ici-Bas!" 80 I'd Rather Please You than Anyone, 25 Idomeneo, 129 "If," 72 If My Friends Could See Me Now, 35, 102 "If Tomorrow Never Comes," 71 If You Have to Learn, Don't Start, 34 "If with All Your Hearts," 81 I'll Sing You a Love Song, 102 "I'll Stick Around," 71 "Illusion," 73 The Immortal Piano, 49 Improvisation, 66, 68 Improvising Bluegrass Guitar, 58 Improvising Bluegrass Mandolin, 60 In the Good Old Summertime, 93 In the Spirit of Christmas, 92 Incidental Music to Shakespeare, 4 The Incompleat Folksinger, 30, 87 L'Incoronazione di Poppea, 129 Indian Music and Bach, 66 The Influence of Nadia Boulanger, 000 Inside the Metropolitan Opera, 115 Instruments around the World, 48 Intervals and Triads, 66 Intro to the Guitar for the Visually Impaired, 58 Introduction to Opera, 115 Introduction to Primitive Music, 90 Introduction to the March, 146 Introduction to the Orchestra, 4 Introduction to Wagner's Ring Cycle, 115 Intros and Endings, 74 "L'invitation au Voyage," 79 Iphigenie en Tauride, 129 Irish Dance Tunes for Mandolin, 60 Irish Dance Tunes for Tinwhistle, 63, 89 The Irish Nightingale, 27 Irwin, Bill Modern Harmony Course, 65 Popular Organ Instruction, 60 Islands in the Sun, 47 L'Italiana in Algeri, 129 "It's All Right with Me," 75 I've Heard That Song Before, 34 Ives, Burl John Cage and Burl Ives, 21 Ives, Charles, 13 Thanksgiving Special, 149 Ives, Edward D Lumbering Songs, 87 J Jackson, Andy Instruments around the World, 48 Jackson, Mahalia Mahalia Jackson Discusses "Movin' on Up," 25, 149 Jackson, Terry Cowboy Songs, 86, 100 Janacek, Leos, 18 Jenufa, 129 Katya Kabanova , 130 Makropulos Affair, 131 Jarvis, Jane, 25, 95 Jazz Joins the Classics, 47, 95 Jenufa, 129 Jephtha, 129 Jessel, George I'd Rather Please You than Anyone, 25 The Legend of Georgie Jessel, 25 "Jessica," 73 "Jesu, Joy of Man's Desiring," 74 "Jet Airliner," 73 "Jingle Bells," 74 "Johnny B. Goode," 73 Johnson, Hall, 81 Johnson, James P., 13, 38, 96 Jolson, Al I'd Rather Please You than Anyone, 25 The Legend of Al Jolson, 25, 103 Jones, Chris Designing Guitar Solos for Bluegrass Songs, 56 Jones, Oliver, 25, 96 Jones, Tom A Lot More than Fantastic, 38 Joplin, Janis, 25 Joplin, Scott "Joy to the World," 74 A Jug of This, 89 "Julia," 73 Julius Caesar, 128 "Jump," 74 "Just as I Am," 74 K Kabalevsky I, 74 Kahn, Gus We're Still Singing "I'll See You in My Dreams," 38, 113 Kalmar, Bert, 38, 100 "Katie Brought My Guitar Back," 71 Katya Kabanova , 130 Keene, Constance, 25 "Keep Your Hands to Yourself," 73 Keith, Bill Bluegrass Banjo, 53 Keith [Banjo] Tuners, 54 Kern, Jerome Jerome Kern, Man of Melody, 38, 103 Master of the Medium, the Man Who Found the Silver Lining,38, 104 "The Key," 71 Key to the Keys for the Visually Handicapped, 61 The Keyboard Instruments, 49 Khan, Bismillah Spotlight on Bismillah Khan, 26 Khovanshchina, 130 "King of the Road," 74 The Kings of Jazz, 96 Kirchner, Leon, 47 Kirkland, Kenny, 26, 96 Kitt, Eartha, 26 Klose, Carol Electronic Keyboard Course, 63 Kolb, Barbara Music Theory Course, 64 Koussevitzky, Serge Beethoven's Ninth Symphony, 51 Bruckner's Seventh Symphony, 51 Diamond and Copland Pieces, 51 From Beethoven to Bartok, 51 Koussevitzky and Piston, 51 Koussevitzky's Charisma, 51 Sergei Koussevitzky Conducting, 52 Sergei Koussevitzky, the Muse, 52 Tchaikovsky's Fourth Symphony, 52 Krainik, Ardis As It Happened, 119 Kramer, Paul Designing Mandolin Solos for Bluegrass Songs, 60 Honky Tonkin' Country Guitar Solos, 58 Kreisler, Fritz The Legend of Fritz Kreisler, 26 Spotlight on Fritz Kreisler, 26 L Labor Ballads, 87, 103, 146 "Lady Love," 73 Lady Macbeth of Mtsensk, 130 Laine, Jack Pappa Jack the Patriarch, 26, 98 Landowska, Wanda Focus on Wanda Landowska, 26 Lane, Burton No Sad Songs for Me, 38, 108 Lanza, Mario, 26 "Lascia ch'io pianga," 80 "Lasciaterni morire!" 81 "The Lass from the Low Countree," The Last of the Giants, 41, 103 Lauder, Harry Harry Lauder Special, 26 Laughing with the Classics, 4 "Layla," 75 Leach, MacEdward Collecting Folk Songs, 86 English Ballads, 89 Lead Guitar, 58 "Leader of the Band," 72 Lear, 130 Learn to Play Country Quickly, 58 Learn to Yodel, 62 Learning the Irish Fiddle, 54 Learning to Play Recorder, 61 Ledford, Lily May The Life and Music of Lily May Ledford, 27, 87 Lee, Edward Approaches to Popular Music, 42 Legend of a Balladeer, 24, 37 The Legend of Al Jolson, 25, 103 The Legend of Alma Gluck, 23 The Legend of Ethel Waters, 99 The Legend of Fred S. Astaire, 19 The Legend of Fritz Kreisler, 26 The Legend of Gene Austin, 20 The Legend of Georgie Jessel, 25 The Legend of Helen Morgan, 28 The Legend of Jimmy Durante, 22 Legend of Our Times, Varied Artists, 103, 150 The Legend of Rudy L. Vallee, 32, 103 The Legend of Russ Columbo, 21, 103 The Legend of Shirley Temple, 31 The Legend of Ted Lewis, 27, 96 The Legend of Victor Herbert, 12, 37 Leigh, Carolyn Young at Heart, 39 Leinsdorf, Erich Rehearsing with Leinsdorf, 52 Leipzig, 44 Lennon, John The Beatles, 100 John and Yoko, 33 "Lenny," 73 Leoncavallo, Ruggiero Cavelleria Rusticana and I Pagliacci, 121 Lerner, Sammy Makin' Up a Song as I Go Along, 39 "Let a Smile Be Your Umbrella," 74 "Let Me Put My Love into You," 73 Let's All Go down [to] the Strand, 103 "Letters to My Girlfriend," 73 Lewis, Ted The Legend of Ted Lewis, 27, 96 Lidel, Paul Beginning Rock Guitar, 55 Rippin' Lead Guitar, 59 Rock Rhythm Guitar, 59 Life and Music of Georges Bizet, 115 The Life and Music of Lily May Ledford, 27, 87 "Life by the Drop," 73 Life in the Opera, 115 Liszt, Franz, 18, 81 Franz Liszt, 13 Liszt, 13 The Masters, 400 "Lithium," 71 "Little Bit of Sympathy," 73 "Little Drummer Boy," 74 "The Little Horses," 79 "Little Martha," 73 "The Little Road to Kerry," 78 "Little Wing," Selected Licks, 73 The Liverpool Scene, 103 Livin' a Ragtime Life, 103 Livingston, Jay Give It All You've Got, 39 Loesser, Frank A Man and His Music, 39 Lohengrin, 130 I Lombardi, 130 "Long Time Ago," 79 "Longer," 72 Look What I Found in Grandmother's Attic, 104 Look What They've Done to My Song, 104 "Looking for a Lady," 72 Lorie, Solomon, 85 Los Trios, 104 A Lot More than Fantastic, 38 A Lot of Meaning with the Music, 35 A Lot of Strings to Play, 35 "Die Lotosblume," 83 Lotti, Antonio, 81 "Love Me," 71 "Love Struck Baby," 73 "Love Will Keep Us Alive," 71 "Loveliest of Trees," 79 "Love's Philosophy," 82 Lubeck, the Abendmusiken Concerts, 9, 45 Lucia de Lammermoor, 130 Lulu, 131 Lumbering Songs, 87 "Lydia," 80 Lyric Opera, 144 The Lyrical Life of Benny Davis, 35 M Macbeth, 131 MacColl, Ewan Ewan MacColl and Peggy Seeger, 86 MacDonald, Jeanette Queen of the Sentimental Love Song, 27 "Machine Head," 71 Machito, 23, 104 Madama Butterfly, 131 The Magnificent Inspiration of Bartholomew Buttons, 92 Mahler, Gustav, 18 Recollections of Mahler, 13 "Die Mainacht," 77 Makin' Up a Song as I Go Along, 104 The Making of the Representative for Planet 8, 136 Makropulos Affair, 131 A Man and His Music, 39 The Man and the Legend, 19 The Man Who Carried It Off, 38 The Man Who Gave the World a Rainbow, 104 The Man Who Launched 1,000 Hits, 104 The Man Who Set the World on Fire, 33 Manon, 131 Manon Lescaut, 131 Maometto II, 131 The March, 147 "March in D," 74 Marchenbilder for Viola, 75 Marchenbilder for Violin, 76 Marching Along, 147 Mariachi Music, 90 Marks, Gerald Gerald Marks on Eddie Cantor, 21, 101 They Don't Write 'em like That Anymore, 39 When Walter Donaldson Ruled the Roost, 35, 113 Marks, Johnny Johnny Marks and His Celebrated Reindeer, 39, 92 Marley, Bob The Music and Marley, 27 Marriage in Opera, 115 Marsalis, Ellis, 27, 96 Martinez, Narcisco, 90 Martucci, Vinnie Electronic Keyboards, 48, 63 "Mary Ann," 73 Mascagni, Pietro Cavalleria Rusticana, 121 The Mass, 68 Massenet, Jules Cendrillion, 121 Herodiade, 128 Manon, 131 Don Quichotte, 124 Thais, 139 Werther, 141 The Master of "From Major to Minor," 40 Master of the Medium, the Man Who Found the Silver Lining,38, 104 The Master of Melody, 17, 115 The Masters, 4 The Mastery of Charles Munch, 52 McCartney, Paul, 33, 100 McCormack, John The Irish Nightingale, 27 Till We Meet Again, 112 McGhee, Brownie, 88 McHugh, Jimmy Happy Songs from a Happy Man, 39, 102 McKeller, Kenneth Troubadour in Tartan, 27 McMahan, Robert Young A Beginning Accordion Method for the Blind, 52 A Beginning Chromatic Freebass Accordion Method for the Blind, 53 McPartland, Marian, 93-99 McTeague, 132 The Medium, 132 Meet Mr. Mozart, 116 Mefistofele, 132 "Meine Liebe Ist Grun," 78 Die Meistersinger von Nurnberg, 132 Mellers, Wilfrid Reaction and Revolution, 48 Melody and Harmony, 65 Memories of Eubie, 20, 96 "Memory," 75 Memory Bank, 96, 104 Mendelssohn-Bartholdy, Felix, 13, 18, 81 The Men Who Made the Hits, 105, 150 Menuhin, Yehudi Menuhin and Ayrton, 27 Yehudi Menuhin, Man and Musician, 27, 151 Mercer, Johnny The Man Who Launched 1,000 Hits, 39 Our Time, 98, 109 Merry Christmas-Parang Style, 92 The Merry Widow, 132 The Merry Wives of Windsor, 132 Messenger, Bill Elements of Jazz, 47, 94 "Messing with the Kid," 73 "Midnight in Montgomery," 71 The Midsummer Marriage, 132 A Midsummer Night's Dream, 132 The Mikado, 133 Miller, Kid Focus on Kid "Punch" Miller, 28, 97 Miller, Mulgrew, 28, 97 Mingus, Charles Charlie Mingus Speaks Out, 28, 97 "Minnelied," 77 "Minuet" (Mozart), 74 "Minuet in C," (Mozart), 74 "Minuet in D," 74 "Minuet in F" (Mozart), 74 "Minuet in G," 74 "Minuet in G minor," 74 "Misery," 71 Misfortune of the Mezzo-Soprano, 116 Mister Music, 108 "Misty," 74 Mizzy, Vic The Whole World Is Singing My Song, 39, 113 Modern Harmony Course, 65 Modern Music, 47 The Modern Suite, 69 Modern Symphonic Dances, 68 Monteverdi, Claudio, 18, 81 La Favola d'Orfeo, 126 L'Incoronazione di Poppea, 129 Il Ritorno d'Ulisse in Patria, 137 "More than a Feeling," 73 "Morning Has Broken," 74 Morgan, Helen The Legend of Helen Morgan, 28 The Most Unforgettable Composer I Never Met, 41 Moses und Aron, 133 Motet and Madrigal, 68 Motion Expressed in Music, 4 Mozart, Wolfgang Amadeus, 18, 81 La Clemenza di Tito, 122 Cosi fan Tutte, 122 Don Giovanni, 123 Die Entfuhrung aus dem Serail, 124 Idomeneo, 129 Mozart, 5 Mozart Arias for Soprano, 81 Mozart: Divertimento in D Major (K.334), 000 The Music of Mozart, 13 Le Nozze di Figaro, 133 Profile: Mozart, 13 Schubert and Mozart, 6, 69 Die Zauberflote, 142 Mozart's Sisters, 150 Mr. Edison's Marvelous Memory Machine, 87, 97, 105 Mr. Hohner's Amazing Harmonica, 50 Mulligan, Gerry, 28, 97 Munch, Charles Charles Munch Conducting, 52 The Mastery of Charles Munch, 52 Munich: Bavarian Court and Chapel under Orlando DiLasso, 44 Munsel, Patrice The Story of Patrice Munsel, 28 Music about Toys, 5 The Music and Marley, 27 Music and the Land, 90 Music and the Women's Movement, 150 Music for Children, 19, 66 Music from the Heavens, 5, 66 Music from the Holidays, 92 Music in My Heart, 33 Music in Shakespeare's Plays, 116 Music in the Middle Ages, 44 Music in the New World, 87 Music in the Renaissance, 44 Music in the Soviet Union, 147 Music of Africa, 85 The Music of Bach, 45 The Music of Beethoven, 8 The Music of Brahms, 9 The Music of Handel, 12 The Music of Haydn, 5 Music of Latin America, 5 The Music of Laura Nyro, 40, 108 The Music of Mozart, 13 Music of North Africa, 85 Music of Oceania, 91 The Music of Richard Wagner, 116 Music of Smoke and Steel, 87, 108, 147 The Music of Spain, 89 The Music of Tchaikovsky, 91 Music of the American Indians, 90 Music of the Bayou, 87 Music of the Civil War, 147 Music of the Dry World, 91 Music of the Gauchos, 91 Music of the Incas, 91 Music of the Orient, 66, 91 Music of the Polar World, 91 Music of the Range and Trail, 87, 108 The Music of the String Quartets, 67 Music of West Africa, 85 Music of Williamsburg, 46 Music Theory Course, 64 Music Therapy, 150 "Music, When Soft Voices Die," 80 Musical Comedy's Golden Years, 108 Musical Forms, 70 Musical Ideas of Art Pepper, 5, 98 Musical Ideas of Mel Torm‚, 99 Musical Ideas of Muggsy Spanier, 99 Musical Ideas of Paul Winter, 99 The Musical Maverick, 18 Musical Pioneers of Italy, 46, 70 Musick's Feaste, 44 Mussorgsky, Modest, 18 Boris Godunov, 120 Khovanshchina, 130 Pictures at an Exhibition, 6 "My Country 'tis of thee," 74 "My Friend of Misery," 73 "My Friends," 73 "My Heart Ever Faithful," 74 "My Heart Will Go On," 74 My Love Is like a Red, Red Rose, 5 "My Own Prison," 73 "My Wild Irish Rose," 75 Myths in Music, 5 N Nabucco, 133 "Die Nacht," 83 "Nacht und Traume," 82 "Name," 73 The Nature of Music, 5 "The Nearness of You," 75 "Nel coor piu non mi sento," 81 "Nell," 80 New Arts for Old, 44 New World Choristers, 5, 149 New Year, 133 Nichols, Penny Basic Vocal Technique, 62, 81 The Nickelodeon, 108 Niles, John Jacob, 81 "Nina," 81 "1979," 71 Nixon in China, 133 No Sad Songs for Me, 38, 108 "Nobody Knows You When You're Down and Out," 74 Norma, 133 "Nothing Else Matters," 73 Novak, Larry, 28, 98 "Now and Forever," 72 Le Nozze di Figaro, 133 Nuremberg, 45, 48 "Der Nussbaum," 83 Nutcracker Ballet, 5 "Nymphs and Shepherds," 82 Nyro, Laura The Music of Laura Nyro, 40, 108 O "O Can Ye Sew Cushions?" 78 "O cessate di piagarmi," 82 "O Christmas Tree," 74 "O Danny Boy," 74 "O del mio dolce ardor," 80 "O Little Town of Bethlehem," 74 Oakland, Ben You're Not So Easy to Forget, 40, 114 Ochs, Phil, 88, 112, 148 "Octopus's Garden," 73 "Ode," 73 Of Ships and Sea, 89 Offenbach, Jacques Les Contes d'Hoffmann, 121 Death in A Major, 14 La Grande Duchesse de Gerolstein, 128 The Masters, 4 Orpheus in the Underworld, 134 "Oh, quand je dors," 81 Oklahoma! and Beyond, 41 "Old Man down the Road," 73 "Old Rugged Cross," 74 The Old Sweet Songs, 108 Old Testament Stories in Opera, 116 Olman, Abe The Ship That Came In, 40 "One Small Miracle," 71 "Only the Heart May Know," 72 "Only Time," 73 The Opera Scene, 116 The Operas of Verdi, 116 Operetta Memories, 5, 116 Opposites Attract, 48, 49 The Oratorio, 45, 68, 149 Orbach, Jerry A Broadway Melody, 1, 100 The Origins of Orchestration, 43 Orlando, 134 Orlando Funoso, 134 Ormandy, Eugene Spotlight on Eugene Ormandy, 19 Thanksgiving Special, 93, 149 Orpheus in Opera, 116 Orpheus in the Underworld, 134 Otello, 134 Our Time, 98, 109 Outline for the Next Wave, 150 The Overture, 69 P Page, Christopher New Arts for Old, 44 I Pagliacci, 121 Paisiello, Giovanni, 81 Palestrina, Giovanni da, 18 Palmer, Roy A Jug of This, 89 "Panama," 73 "Panhandle Rage," 71 Panorama of Russian Opera, 116 Pappa Jack the Patriarch, 26, 98 Parish, Mitchell The Sentimental Gentleman, 40, 110 Parsifal, 134 "Party Crowd," 71 Passion in Pink, 5 The Passion of Jonathan Wade, 135 "Path to the Moon," 83 Paxton, Tom, 88, 112, 148 A Pearl Distorted, 45 Pederson, Gale Key to the Keys for the Visually Handicapped, 61 Play by Ear and Improvise, 61 Peerce, Jan, 28 Pell‚as et M‚lisande, 135 Pepper, Art Musical Ideas of Art Pepper, 29, 97 "Per la Gloria d'adorarvi," 77 Percussion Discussion, 49 Percussion Instruments, Parts 1-2, 49 Perfection Ear, 64 Pergolesi, Giovanni Battista, 81 Peter, Johann Friedrich Peter and Ravel, 6 Peter Grimes, 135 Petrucciani, Michel, 29, 98 "The Piano Man," 74 Piatigorsky, Gregor Roy Harris and and Gregor Piatigorsky, 6 Pictures at an Exhibition, 6 "Pieta, signore!" 83 "Pink Houses," 73 Pioneers of Czech Music, 6, 43 Pioneers of Impressionism, 46 Pioneers of Twentieth-Century Music, 47 Pique-Dame, 135 Piston, Walter Copland, Gershwin, and Piston, 14 Koussevitzky and Piston, 000 Platee, 135 Play by Ear and Improvise, 61 Play Piano by Ear, 61 "Play That Funky Music," 73 Playing and Understanding Jazz Guitar, 59 Please Sing Me One More Chorus, 42, 109 "Plush," 71 "Poems, Prayers, and Promises," 72 The Poet and the Musician, 6 Poet of the Piano, 9 Popular Music Lead Sheets, 74 Popular Organ Instruction, 60 Porgy and Bess, 135 Porter, Cole Focus on Cole Porter, 40, 101 The Master of "From Major to Minor," 40 Poulenc, Francis Dialogues of the Carmelites, 123 Powell, Maud Child Prodigy of the Violin, 29 Practice Techniques for All Musicians, 64 "Prelude in A," 74 "Prelude in C minor," 74 "Prelude in E minor," 74 Presley, Elvis Portrait of Elvis Presley, 29 "Pretty Woman," 73 Primitive Theater of the Americas, 116 Primich, Gary Blues Harmonica, 59, 60 Prince Igor, 135 Prokofiev, Sergei, 18 The Flaming Angel, 126 The Gambler, 127 Prokofiev and Purcell, 6 War and Peace, 141 Prometheus at the Piano, 6 Le Prophete, 136 Protests of Pete Seeger, 30, 109, 147 Psalms, 43, 149 Puccini, Giacomo, 18 La Boheme, 120 A General Lecture on Puccini, 114, 142 The Girl of the Golden West/ La Fanciulla del West, 125 Madama Butterfly, 131 Manon Lescaut, 131 La Rondine, 137 Tosca, 139, 140 Il Trittico, 140 Turandot, 141 Puente, Tito Los Trios, 104 Tito Puente, the King of Salsa, 29, 112 "Pur dicesti, o bocca bella," 81 Purcell, Henry, 18, 82 Prokofiev and Purcell, 6 "Pure Massacre," 71 I Puritani, 136 "Push," 73 Put Another Nickel In, 109 Put Some Heart in a Song, 35 Put Your Hands on the Piano and Play, 61 "Puttin' on the Ritz," 74 Q Queen of the Sentimental Love Song, 27 Quilter, Roger, 82 R Rachmaninoff, Sergei, 18 Stokowski Rehearses, 52 Ragtime Piano, 61 Ragtime Women, 150 The Rake's Progress, 136 "Ramblin' Man," 73 Rameau, Jean-Philippe, 18 Platee, 135 Ramirez, Ram, 40, 98 Raksin, David So You Want to Write for the Movies, 40 "Rastlose Liebe," 83 Ravel, Maurice, 18 Charles Munch Conducting, 52 Peter and Ravel, 6 Ravel and Sibelius, 47 Reaction and Revolution, 48 Reagon, Bernice, 85 Real Cajun Fiddle, 54 Recollections of Mahler, 13 "Red House," 73 Rehearsing with Leinsdorf, 52 "Rencontre," 80 Return with Us Now to the Golden Days of Yesteryear, 109 Rev. Brewster, Gospel Music, 34, 149 The Rhapsody, 69 Das Rheingold, 136 "Ribbon in the Sky," 75 "Ridente la calma," 81 Rieding, Oskar Concerto for Violin, G Major, op. 34, 76 Rienzi, 136 Rigoletto, 136 Rimsky-Korsakov, Nikolay, 18 The Masters, 4 The Ring, 6, 117 Rippin' Lead Guitar, 59 Ritchie, Jean, 89 Bernice Reagon and Jean Ritchie, 85 Songs of Square Dancing, 110 Traditional Mountain Dulcimer, 54 Il Ritorno d'Ulisse in Patria, 137 Ritter, Tex, 29 "The River," 71 The Roaring Twenties, 109 Roberto Devereux, 137 Roberts, Judy, 29, 98 Robeson, Paul, 29 Rock and Roll, 6, 109 Rock and Roll and Radio, 109 Rock Guitar Soloing, 59 Rock 'n Roll, 110 Rock Rhythm Guitar, 59 "Rock This Town," 73 "Rocky Mountain High," 73 Rodgers, Jimmie Portrait of Jimmie Rodgers, 29 Rodgers, Richard The Dynamics of Collaboration, 41 Oklahoma! and Beyond, 41 The Most Unforgettable Composer I Never Met, 41 Rodrigo, Josqu¡n, 82 "Roll Over Beethoven," 75 "Romance," 79 Romantic Piano, 6 Romberg, Sigmund Focus on Sigmund Romberg, 41, 101 The Last of the Giants, 41, 103 Rome, Harold Seven Shows to Rome, 41, 110 Romeo and Juliet, 137 La Rondine, 137 The Rondo, 69 Rooley, Anthony Musick's Feaste, 44 "Rooster," 71 Der Rosenkavalier, 137 "Les roses d'lspahan," 80 Rossini, Gioacchino, 18 The Barber of Seville/Il Barbiere di Siviglia, 119 La Cenerentola, 121 Le Comte Ory, 122 Guillaume Tell, 128 L'Italiana in Algeri, 129 Maometto II, 131 Otello, 134 Rossini, a General Lecture, 117 Semiramide, 138 Roth, Arlen Bottleneck/Slide Guitar, 55 Lead Guitar, 58 Routley, Erik Christian Hymns, 148 Rubinstein, Artur, 149 He Loved Life from Miracle to Miracle, 30 Ruby, Harry, 41, 100 Rusalka, 137 Rushen, Patrice, 30, 98 Ruslan and Lyudmilla, 138 Russian Music, 6, 43 "Rustic Dance," 74 S Sacred Oratorio Arias for Tenor, 84 Saint-Saens, Camille, 18 Casals Conducts Saint-Saens, 84 Samson and Delilah, 138 Sainte-Marie, Buffy Buffy Sainte-Marie and Pete Seeger, 86 The Topical Folk Song, 88, 112, 148 Salome, 138 Samson and Delilah, 138 The Santa Claus of Tin Pan Alley, 35 "Satellite," 71 Satie, Erik, 13 Saul, 129 Scarlatti, Alessandro, 82 Schafer, Murray Chance and Randomness in the Arts, 63 Words about Music, 8 The Scherzo, 69 Schoenberg, Arnold, 18 Moses und Aron, 123 Schubert, Franz, 18, 82 Franz Schubert, 15 Peter Franz Schubert, 15 Schubert: His Life and Music, 15 Schubert: Songwriter and Symphonist, 15 Schubert and Mozart, 6, 69 Schumann, Robert, 18, 83 Marchenbilder for Viola, 75 Marchenbilder for Violin, 76 Robert Schumann, 15 Schumann Songs for Low Voice, 83 A Tribute to Schumann, 15 Schutz, Heinrich, 16 Schwartz, Arthur The Men Who Made the Hits, 105, 150 Something to Remember Him By, 41 "Se tu m'ami, se sospiri," 82 Seals, Son, 30, 98 Sebastian, John Blues Harmonica, 59, 60 "Sebben, crudely," 78 "Le secret," 80 "Secret Agent Man," 73 Seeger, Mike Autoharp and Jew's Harp, 53 Seeger, Pete Bernice Reagon and Jean Ritchie, 85 Buffy Sainte-Marie and Pete Seeger, 86 The Incompleat Folksinger, 30, 87 Labor Ballads, 87, 103, 146 Protests of Pete Seeger, 30, 109, 147 Sonny Terry and Brownie McGhee, 88 The Topical Folk Song, 88, 112, 148 Woody Guthrie Remembered, 37 Segovia, Andres Andres Segovia Master Class, 84 Spotlight on Andres Segovia, 30 Seitz, Friedrich First Pupil's Concerto for Violin, D Major, 76 Student's Concerto no. 2 for Violin, G Major, op. 13, 76 Sell, Jean Learning to Play Recorder, 61 "Send in the Clowns," 74 "Sensible," 71 The Sentimental Gentleman, 40, 110 "September Song," 75 Sessions with Jesse Boggs, 34, 110 Seven Shows to Rome, 41, 110 Shankar, Ravi The Exotic Sounds of India, 2 Shawanda, Bela Music of Africa, 85 Shearing, George, 30, 99 "Shelf in the Room," 73 "Shine," 71 The Ship That Came In, 40 Shostakovich, Dmitri, 18 Lady Macbeth of Mtsensk, 130 Shostakovich and Stravinsky, 16 Shostakovich's Seventh Symphony, 51 Shurr, Diane, 30, 98 Sibelius, Jean, 18 Ravel and Sibelius, 47 Siegfried, 138 "Silent Night," 74 "Silent Noon," 84 Sills, Beverly From Soap Opera to Grand Opera, 31 Simon Boccanegra, 138, 139 "Simple Gifts," 79 Sing along with Millard Fillmore, 147 Sing Me an Old-Fashioned Song, 41 Sing Me Some Simple Songs, 110 The Singer as Activist, 20, 87, 117 Singing Country Harmony, 62 Singing in the African American Tradition, 6 Singing Success Library, 62 Sires, Dean Country Blues Gospel Guitar, 55 "Sleepwalk," 73 "Sleigh Ride," 74 Smetana, Bedrich The Bartered Bride, 120 The Masters, 4 A Smile and a Tear, 89 Smith, Leonard Bingley Three Cheers for the Red, White, and Blue, 31 "Smokin'," 73 So You Want to Write for the Movies, 40 Solo Sampler 1, 71 Solokow, Fred Electric Blues and Rock Guitar, 56 Playing and Understanding Jazz Guitar, 59 "Someone Else's Star," 71 "Something in the Way She Moves," 72 Something to Remember Him By, 41 "Sometimes I Feel like a Motherless Child," 78 Sonata and the Creative Ideal, 46 Song and Dance, 6 Song Book of the Old World, 88, 110 Songs My Father Taught Me, 110 Songs of Square Dancing, 88, 110 Songs of the Mexican Border, 90 Songs of the New World, 88 Songwriters Workshop, 63 La Sonnambula, 140 The Sound of Music and Voice, 150 The Sound of Patriotism, 110, 147 A Sound Portrait of Igor Stravinsky, 16 Sousa, John Philip John Philip Sousa, 16 Marching Along, 16, 147 The Sousa Nobody Knows, 16, 147 Spanier, Muggsy Musical Ideas of Muggsy Spanier, 31, 99 Spina, Harold Sing Me an Old Fashioned Song, 41 The Splendid Americans, 110, 147 "Spooky," 73 Spotlight on Andres Segovia, 30 Spotlight on Bismillah Khan, 26 Spotlight on Coleman Hawkins, 95 Spotlight on Eugene Ormandy, 19 Spotlight on Fritz Kreisler, 26 Spotlight on Hans Werner Henze, 12 Spotlight on Harry Belafonte, 20 Spotlight on Igor Stravinsky, 16 Spotlight on Pablo Casals, 21 The Stage Door Canteen, 1941-1945, 111 "Stairway to Heaven," 73 Stamitz, Johann Development of the Symphony, 70 Stamitz, Karl Viola Concerto in D Major, op. 1, 75 "Standchen," 83 Star Spangled Harmony, 88, 111 "Stars," 72 "Still Raining," 73 Stokowski, Leopold A Leopold Sokowski Profile, 119 Stokowski Rehearses, 52 "Stoop Down Baby," 73 The Story of Patrice Munsel, 28 The Story of the Bells, 7 Stradella, Alessandro, 83 The Stradivarius, 50 Strauss, Johann, 18 Die Fledermaus, 126 Johann Strauss II, 16 The Masters, 4 Strauss, Richard, 18, 83 Arabella, 118 Ariadne auf Naxos, 118 Capriccio, 121 Daphne, 122 Elektra, 124 Die Frau ohne Schatten, 127 Michael Barclay Lectures on Richard Strauss, 116 Richard Strauss Songs for High Voice, 83 Der Rosenkavalier, 137 Salome, 138 Stravinsky, Igor, 18 The Rake's Progress, 136 Shostakovich and Stravinsky, 16 A Sound Portrait of Igor Stravinsky, 16 Spotlight on Igor Stravinsky, 16 "Stray Cat Strut," 73 Street Scene, 139 Stretching the Scale, 7 The String Instruments, 50 String Orchestra, 50 String Quartet, 67 String Quintet, 7 Strouse, Charles By Strouse, 42 Styles of Folk Songs, 88, 111 Styne, Jule There Goes That Song Again, 42, 112 Suffragette, 111, 148 "Suicidal Dream," 71 Suite, 69 Super Salesman of Music, 23 "Sure on This Shining Night," 77 Susa, Conrad, 122 Susannah, 139 "Susie Q," 73 "Sweet Goddess of Love and Beer," 73 "Sweet Home Alabama," 73 The Symbols of Nationhood, 148 The Symphonic Poem, 70 Symphonies of Beethoven, 7 The Symphony, 70 Szell, George Maestro George Szell, 52 T Taj Mahal, 31 Tajauntinsuyo, 000 "Take, O Take Those Lips Away," 77 A Tale of a Tune, 111 The Tales of Beatrix Potter, 7 Tales of Hoffmann, 139 Talking about Opera, 144-145 Tannhauser, 139 Taylor, Cecil, 31, 99 Taylor, Koko, 31 Tchaikovsky, Peter Ilich, 18 Eugene Onegin, 125 The Masters, 4 The Music of Tchaikovsky, 17 Nutcracker Ballet, 5 Peter Ilyich Tchaikovsky, 17 Pique-Dame, 135 Tchaikovsky's Fourth Symphony, 52 Tchaikovsky's "Pathetique" Symphony, 52 "Tears in Heaven," 73 Telemann, Georg Philipp Concerto for Viola, G Major, 75 "Tell Me, O Blue Blue Sky," 80 Temple, Shirley, 103, 150 The Legend of Shirley Temple, 31 "Tennessee Waltz," 74 Terry, Sonny Sonny Terry and Brownie McGhee, 88 Thais, 139 Thanksgiving Special, 93, 149 That Crazy American Music, 88, 111, 148 Theme and Variation, 70 "Theme from Love Story," 74 "Theme from Pink Panther," 74 There Are Some Days You Don't Forget, 112 There Goes That Song Again, 42, 112 "There Is a Balm in Gilead," 78 "They Can't Take That Away from Me," 75 They Don't Write 'Em like That Anymore, 39 Thiman, Eric, 83 Things Are Just like They Used to Be, 23, 99 "This Boy," 73 This Land Is Your Land, 88, 112 "This Old Guitar," 72 Thompson, Ann, 145-146 Thompson, Butch, 31, 99 Those Vintage Cylinder Years, 112, 148 Three Cheers for the Red, White, and Blue, 31 "316," 73 Through the Years, 42 "Thunder Rolls," 71 Till We Meet Again, 112 Tilzer, Harry von Please Sing Me One More Chorus, 42, 109 "Time in a Bottle," 72 Tin Pan Alley's Big Brother, 112 Tippett, Michael, 17 Tobias, Charles As the Years Go By, 42 "Der Tod, das ist die Khle Nacht," 77 "Today," 71 Tom, Please Play It One More Time, 112 "Tomorrow," 71 "Too Rolling Stoned," 73 Tools for Musicianship, 65 The Topical Folk Song, 88, 112, 148 Torelli, Giuseppe, 83 Torm‚, Mel Musical Ideas of Mel Torm‚, 31, 99 Tosca, 139, 140 Toscanini, Arturo Maestro Arturo Toscanini, 19 The Man and the Legend, 19 "Toujours," 80 Tourel, Jennie Jennie Tourel Master Class, 85 Traditional Mountain Dulcimer, 54 Trapp Family Von Trapp Family Singers, 32, 89 The Wonderful World of the Trapp Family, 32, 89 Traum, Artie Lead Guitar, 58 Traum, Happy Country Blues Guitar, 55 Fingerpicking [Styles for Guitar], 54 Five-String Banjo, 53, 54 Flatpick Country Guitar, 58 La Traviata, 140 "Tree of Hearts," 71 A Tribute to Mr. America, 113 A Tribute to Schumann, 15 Tristan und Isolde, 140 Il Trittico, 140 Troubadour in Tartan, 27 Il Trovatore, 140, 141 The Tsar's Bride, 141 "Tu lo sai," 83 Tuning with Harmonics, 59 Turandot, 141 Tureck, Rosalyn Chinese Music and Bach, 66 First Lady of Bach, 32 Indian Music and Bach, 66 "Turn My Head," 71 "Two Tear Drops," 71 U "Unanswered Prayers," 71 "Under the Bridge," 73 Understanding the Formula of Music Makes It So Easy, 65 Understanding the Language of Music, 8, 43, 64 "Unforgettable," 74 V "Va godendo," 80 "Vaga luna, che inargenti," 77 "The Vagabond," 84 Vallee, Rudy Arts and Older Folks, 149 Legend of Our Times, 103, 150 The Legend of Rudy L. Vallee, 32, 103 Van Heusen, Jimmy Mister Music, 42 Variations on Form and Style, 71 Vaughan Williams, Ralph, 18, 84 Of Ships and Sea, 89 "Das Veilchen," 81 "Verborgenheit," 84 Verdi, Giuseppe, 17, 19 Aida, 117 Attila, 119 Un Ballo in Maschera, 119 Don Carlos, 123 Ernani, 124 Falstaff, 124 La Forza del Destino, 127 A General Lecture on Verdi, 17, 115 Giuseppe Verdi, 17 I Lombardi, with Stiffelio, 130 Macbeth, 131 The Master of Melody: Verdi, 17, 115 Michael Barclay Lectures on the Requiem Mass by Verdi, 149 Nabucco, 133 The Operas of Verdi, 116 Otello, 134 Rigoletto, 136 Simon Boccanegra, 138, 139 La Traviata, 140 Il Trovatore, 140, 141 Verdi and Shakespeare, 116 I Vespri Siciliani, 141 "Vergebliches Standchen," 78 "Vergin, tuto amor," 79 Das Verratene Meer, 141 Verrett, Shirley Focus on Shirley Verrett, 32 I Vespri Siciliani, 141 "Vincent" (Starry, Starry Night), 72 "Le violette," 82 The Violin in Mr. Greenstreet's Window, 50 Violins Old and New, 50 "Vittoria, mio core!" 78 Vivaldi, Antonio, 19 Concerto in A Minor for Piccolo, 85 Concerto for Violin, G Major, 77 Corelli and Vivaldi, 17 Orlando Furioso, 134 The Voices of Opera, 116 The Voices of the Orchestra, 48 Voluptuous Variety, 113 "Voodoo Child," 73 "Vos me matasteis," 82 The Voyage of Edgar Allen Poe, 141 W Wagner, Richard, 119 Enjoying Wagner's Ring, 114 Die Feen, 126 The Flying Dutchman/Der fliegende Holl„nder, 127 Gotterdammerung, 128 Introduction to Wagner's Ring Cycle, 115 Lohengrin, 130 Die Meistersinger von Nurnberg, 132 The Music of Richard Wagner, 116 Parsifal, 134 Das Rheingold, 136 Richard Wagner, Philosopher, 117 Rienzi, 136 The Ring, 6, 117 Siegfried, 138 Tannhauser, 139 Tristan und Isolde, 140 Wagner, Oedipus, and Tannhauser, 117 Wagner's Ring Cycle, 117 Die Walkure, 141 Die Walkure, 141 Walton, William, 18 The Waltz, 68 War and Peace, 141 War Songs, 113, 148 "The Water Is Wide," 84 "Waterloo," 72, 73 "Watermark," 74 Waters, Ethel The Legend of Ethel Waters, 32 Watson, Doc Country Guitar Styles, 56 Watson, Merle Country Guitar Styles, 56 "The Way It Is," 75 Weber, Karl Maria von, 19 Der Freischutz, 127 Weill, Kurt Dreigroschenoper/Three Penny Opera, 124 The Musical Maverick, 18 Street Scene, 139 Welcome to Vaudeville, 113 We're Still Singing "I'll See You in My Dreams," 38, 113 "Were You There?" 81 Werther, 141 Westcott, Charles The Bell, 92 Dr. Perlander's Christmas Concert, 92 Home for the Holidays, 92 The Magnificent Inspiration of Bartholomew Buttons, 92 "What Did You Do in the War, Daddy?" 113 What Is a Canon? 66 What Is a Fugue? 66 What Is a Suite? 70 What Is Jazz? 8, 99 "What's Wrong with You?" 73 "When a Man Loves a Woman," 71 "When Doves Cry," 75 "When I Come Around," 71 "When I Have Sung My Songs," 78 "When Love is Kind," 77 When Vaudeville Was King, 113 When Walter Donaldson Ruled the Roost, 35, 113 "Where'er You Walk," 80 "While We Cry," 72 "White Christmas," 74 White, Josh, 32 "Whither Must I Wander?" 84 The Whole World Is Singing My Song, 39, 113 Whorf, Mike I Hear America Singing, 102 Song Book of the Old World, 88, 110 "Widmung," 83 "Wie Melodien Zieht es mir," 78 "Wiegenlied," 78 Wilck, Sidney The Classical Era in Music, 45 Music in the Middle Ages, 44 Music in the Renaissance, 44 "Wild Irish Rose," 74 "Wildwood Flower," 71 Williams, Hank Down That Long Lost Highway, 32 Will the Lady in the Front Row Please Remove Her Hat? 113 "Wind Beneath My Wings," 74 Winter, Paul Musical Ideas of Paul Winter, 32, 99 "Wir Wandelten," 78 Wolf, Hugo, 84 Hugo Wolf Songs for Low Voice, 84 The Wonderful World of the Trapp Family, 32, 89 Won't You Come Home, Hugh Cannon? 34, 99 Wood, Hugh Contemporary Music, 46 Woodwind Quintet, 50 The Woodwinds, 51 Words about Music, 8 The Working Musician, 151 Working Songs of America, 88, 114 The World of Woodwind, 51 The World's Greatest Violinist, 24 The World's 50 Greatest Composers, 18 Wozzeck, 142 X Xerxes, 142 Y "Yakety Axe," 71 "Yellow," 72 "You Are My Sunshine," 74 "You Can Close Your Eyes," 72 "You Move Me," 71 "You Were Meant for Me," 72 Youmans, Vincent Through the Years, 42 Young at Heart, 39 "Your Cheatin' Heart," 74 You're a Builder Upper, 37, 114 You're Not So Easy to Forget, 40, 114 You've Given Us More than You Know, 36 "You've Got a Friend," 72, 74 Z Zaninelli, Luigi, 84 Zantay, Rob The Complete Synthesist, 63 Die Zauberflote, 142 Zeitlin, Denny, 33, 99 Ziegfeld, Florenz, 33 "Zueignung," 83