http://hdl.loc.gov/loc.pnp/cwpbh.01622

Brady-Handy Collection Prints and Photographs Division

Table of Contents

Background and Scope of the Collection

Introduction

In 1954 the Library of Congress purchased from Alice H. Cox and Mary H. Evans, the daughters of Levin C. Handy approximately 10,000 original, duplicate, and copy negatives. The L.C. Handy Studio had been located at 494 Maryland Avenue SW, Washington, DC. Levin C. Handy (1855?-1932) was apprenticed at the age of twelve to his uncle, famed Civil War photographer Mathew B. Brady (1823?-1896). Handy became an independent photographer and over the years owned studios in partnership with Samuel Chester and with Chester and Brady. The Maryland Avenue studio was the most permanent and was the place where Levin Handy resided at his death in 1932. In the 1890s Brady himself had worked and lived at the Maryland Avenue address.

E. and H.T. Anthony acquired Brady's Civil War negatives as payment for his debt to that photographic supply company. These negatives, distinguished by the prefix LC-B8, were purchased by the Library in 1943 and are known as the Civil War Photographs Collection. They are available separately through the Prints and Photographs Online Catalog.

The remaining negatives in the Brady-Handy studio that came to the Library through the 1954 purchase are known as the Brady-Handy Collection and are distinguished by the prefix LC-BH8. The majority of the Brady-Handy negatives are of Civil War and post-Civil War portraits, with a small collection of Washington views. The online collection shown here includes primarily original glass plate negatives. Many duplicate and copy negatives were not scanned.

Brady, Handy and Their Studios

In the mid-nineteenth century, Mathew Brady operated one of the most prominent portrait studios in New York City and Washington, D.C. The Library's Brady-Handy negative collection includes work produced by Brady's New York and Washington, D.C., studios during the 1850s through the early 1900s. In addition to portraits, the studio photographed many of Washington's well-known buildings and monuments, and events such as inaugurations and parades.

In 1844 Brady opened his first daguerreotype studio on the corner of New York's Broadway and Fulton Streets, near P. T. Barnum's museum. His studio and gallery was one of the city's most prominent, attracting countless celebrities whose portraits were displayed on the gallery's walls. Although he was acknowledged as a master of the daguerreotype, Brady did not usually operate the camera himself because of his poor eyesight. Instead, he thoughtfully posed his sitters and made them feel comfortable in front of the camera, while a technician actually took the photograph.

In 1849 Brady opened a studio in Washington, D. C., hoping to attract members of the U.S. House and Senate and augment his growing collection of portraits. The studio was not financially successful and within the year he was forced to close it due to high operating expenses and competition from other, more experienced studios. Ten years later, when he opened a studio on Washington's Pennsylvania Avenue, Brady met with more financial success.

Brady's most important contribution to American history was his documentation of the Civil War. In 1861 he began sending photographers into the field. Many of the best Civil War photographers got their start working with him. They produced conventional portraits, scenes in camp, and views of the aftermath of battlefields. Although actual battle scenes were technically impossible to photograph, the devastating impact of the war was documented nonetheless.

Levin Handy. Between 1880 and 1910. http://hdl.loc.gov/loc.pnp/ppmsca.03086

When he was only twelve, Mathew Brady's nephew, Levin Corbin Handy, began working in the Brady studio. His first job consisted of coating glass plate negatives with a light-sensitive emulsion. Within a few years, he had become a skilled camera operator. In 1871 Levin C. Handy's name first appears in a Washington, D.C. business directory listed as a photographer. In the 1880s he formed a partnership with Samuel C. Chester which lasted about four years. In 1883 Chester and Handy were mentioned in Mathew Brady's advertisements. In addition to portraiture, Handy provided photographic services to the Library of Congress and other Federal agencies. He also offered Duplication Servicess to Library patrons and between 1880 and 1896 he documented the construction of the Library's Thomas Jefferson Building.

The Brady-Handy Collection

After Mathew Brady's death on January 15, 1896, his remaining photography files became the property of Levin C. Handy. Handy died in March 1932, leaving his own work and that of his famous uncle to his two daughters, Mrs. Alice H. Cox and Mrs. Mary H. Evans. In 1954 the Library of Congress purchased approximately 10,000 original, duplicate, and copy negatives from Handy's daughters.

During the nineteenth century, the process of taking photographs was complex and time-consuming. In the 1860s and '70s photographers mixed their own chemicals and prepared their own wet plate negatives. To prepare the negatives, a clean sheet of glass was coated with collodion and immediately placed in a silver nitrate solution to sensitize the plate to light. After it was sensitized, the negative was placed in a light tight holder and inserted into the camera, which already had been positioned and focused. The plate was then exposed and immediately developed. After development, the photographs were printed on paper and mounted.

In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure.

Many of the glass plate negatives in the Brady-Handy collection had been used to make carte-de-visite portraits. The carte-de-visite is a small, mounted photograph measuring approximately 4 x 2-1/2". It was patented by the French photographer Andre Adolphe Disderi in 1854. Its name is derived from the popular calling or visiting cards that guests often exchanged with their hosts.

W. S. De Arreago. Between 1860 and 1865. http://hdl.loc.gov/loc.pnp/cwpbh.03467

Inexpensive to produce, in the 1860s the cartes-de-visite became very popular in the 1860s with the general public which delighted in collecting portraits of political figures, actors and actresses, Civil War generals, as well as family and friends. Special photo albums were designed especially for cartes-de-visite.

Carte-de-visite cameras used multiple lenses that could expose several images at once or several different poses on a single glass plate negative. Once developed, the negative was contact printed, and the individual prints were cut out and mounted. It is because of this that researchers will find multiple negatives of the same pose, e.g., portrait of E. White, LC-BH82-4540 A, B, and C, and negatives containing two or three images, such as the one illustrated here.

Abraham Lincoln. Carte-de-visite. 1864. http://hdl.loc.gov/loc.pnp/ppmsca.19203

The Brady studio produced hundreds of cartes-de-visite of famous personalities, and its imprint appeared on the front or back of the photographic mount. These portraits were a great source of income for the studio, but Brady himself did not like the carte-de-visite format, preferring instead the earlier daguerreotype.

Arrangement and Access

In organizing the negatives, the Library grouped them by size and broad subject areas. In 2002 the Library scanned those groups which consisted primarily of original glass plate negatives. The groups which consisted primarily of duplicate and copy negatives were not scanned.

Search tip: Information in the catalog record that accompanies each scanned negative was taken from the paper sleeve which housed the negative, and no attempt was made to standardize names, spell out abbreviations, or to research the image. Patrons searching for portraits will have the most success by entering only the last name of the person being sought. For example, a search for "Montgomery C. Meigs" will yield two records, while a search for "Meigs" will yield six, including ones titled "M.C. Meigs" and "General Meigs."

The groups of negatives scanned include:

LC-BH82

2343 original wet plate glass negatives and some copy negatives made for the production of cartes de visite, primarily 2-1/4 x 3-1/2", made between 1855-1865

Presidents of the United States, their wives, members of Congress, military and naval officers, actors, artists, religious leaders, and other notables. Included in this series are portraits of Presidents John Quincy Adams, Millard Fillmore, and Andrew Johnson; Mrs. Abraham Lincoln, and Mrs. Ulysses S. Grant; Secretary of War Edwin M. Stanton; Generals Ulysses S. Grant, Joseph Hooker, John Sedgwick; Admirals David G. Farragut, David D. Porter; artists Constantino Brumidi and George P. A. Healy; the poet William Cullen Bryant and Samuel F. B. Morse, artist and inventor.

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LC-BH823

8 original wet plate negatives, individual stereograph pairs, 4x5", circa 1860

Views of Washington, D.C. : Treasury Building, Washington Monument [unfinished], and Trinity Episcopal Church

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LC-BH824

137 original wet plate glass negatives and some copy negatives made for the production of cartes de visite, two or three exposures per negative, 4x8", circa 1860-1865.

Presidents of the United States, members of Congress, religious leaders, authors, artists, actors, etc. Included in this series are Presidents Martin Van Buren and John Tyler; President Lincoln's son and secretary of war Robert Lincoln; authors Washington Irving and William Prescott; Adelina Patti, singer; Charles Parsloe, actor; Chester Harding, artist; Maryland Congressman Charles B. Calvert; and Charles Godfrey Gunther, Mayor of New York.

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LC-BH826

473 original wet plate negatives, 5x7" 1870-1880

Members of Congress, justices of the Supreme Court, military and naval officers, and other notables. Included in this series are portraits of Presidents Ulysses S. Grant, Rutherford B. Hayes, and James A. Garfield; James G. Blaine of Maine, Alexander Stephens of Georgia, Oliver H. P. T. Morton of Indiana, and James Proctor Knott of Kentucky; General Albert J. Meyer, William B. Hazen, and Montgomery Meigs; and Admiral John Worden.

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LC-BH8266

25 original wet plate negatives, 5x7", two exposures per plate, 1860-1870

Members of Congress, Union Army officers, and other notables. Included are portraits of the Honorable Richard J. Haldeman of Pennsylvania; Montgomery Blair, Postmaster General; Governor Rufus B. Bullock of Georgia; and Generals George H. Thomas and Winfield S. Hancock.

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LC-BH83

687 original wet plate negatives, 6 ½ x 8", made between 1860-1875

Members of Congress, a few military and naval officers, educators, and other notables. Included in this series are portraits of William ("Parson") Brownlow, William Pitt Fessenden, Charles Sumner, Jacob D. Cox, Salmon P. Chase, Thomas Nast, Prince Iwakura of Japan, Edwin Booth, and generals Joseph K. Barnes, Randolph B. Marcy, William T. Sherman, and Horace Porter.

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LC-BH832

1174 original wet plate negatives, 8 x 10", 1865-1880, some plates have two exposures

Presidents of the United States and their families; members of Congress, a number of former officers in the Union and Confederate armies (not in uniform), military and naval officers, Native American groups, justices of the Supreme Court, etc. Included in this series are portraits of Presidents Ulysses S. Grant and Rutherford B. Hayes, James A. Garfield's children and Robert Lincoln; Justices John Marshall Harlan and Morrison R. Waite; Samuel C. Pomeroy of Kansas, Hamilton Fish of New York, Robert B. Vance of North Carolina, John B. Henderson of Missouri, and others; Generals Benjamin Alvord, Orlando M. Poe, William T. Sherman, etc.

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LC-BH833

47 original glass plate negatives, 8 x 10", 1890-1910

Presidents of the United States and other notables. Portraits of Presidents William McKinley and Theodore Roosevelt; Mrs. Theodore Roosevelt (Edith Kermit Carow); General Leonard Wood (not in uniform); Admiral George Dewey; and others.

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LC- BH835

26 wet plate negatives, 8 x 10", 1860-1880

Views of Washington, D.C., and vicinity: Carroll Row from the Capitol; Ford's Theater; Navy Department; War Department; Patent Office (interior); Smithsonian Institution; Treasury Department; White House (exterior and interior); House of Representatives; Reform School, Bladensburg Road; Lee Mansion, etc.

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LC-BH8366

34 original glass plate negatives, 8 x 10", 1893

Military activities of various units; the District National Guard at Camp McKibbin, Marshall Hall, Maryland; the 2nd, 3rd, and 6th Battalions. Some negatives by Washington, D.C., photographer William Cruikshank.

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Obtaining Reproductions

For preservation reasons, original negatives in the Brady-Handy Collection are not used for producing photographic copies. Digitizing was done at a high resolution and is sufficient for most publication purposes. Users may download images themselves or can order quality copies through the Library of Congress Duplication Services. Use the LC-DIG number listed in the Reproduction Number field. If more than one LC-DIG number is listed, select preferred image.

Permissions and Credits

As a publicly supported institution the Library generally does not own rights to material in its collections. Therefore, it does not charge permission fees for use of such material and cannot give or deny permission to publish or otherwise distribute material in its collections. Images in the Brady-Handy collection are considered to be in the public domain. Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, e.g., LC-DIG-cwpbh-01080]. Full rights and restrictions information is available at: http://www.loc.gov/rr/print/res/389_bhan.html.

Related Resources

Related Collections at the Library of Congress

Library of Congress, Prints and Photographs Division (P&P)
101 Independence Avenue, S.E., Washington, DC 20540-4730

• Photographs of the Brady-Handy photographic studio, Washington, D.C.

  LOT 13436 7 gelatin silver prints made in 1954

  Interior views of the Brady-Handy photographic studio at 494 Maryland Avenue, S.W., Washington, D.C. The photographs show the storage conditions of the negatives before the collection was purchased by the Library.

• Other photographs from the Brady-Handy Collection

  Over the years, many negatives from the Brady-Handy Collection have been printed for the Prints and Photographs (P&P) Division's files in the Reading Room. Duplicate and copy negatives have not been scanned, but photographs from some of these negatives may be filed in P&P's reading room files, such as the Biographical File.

  Photographs by Levin C. Handy are included in many LOTs and Filing Series in (P&P). Some of the more significant groups are described below:

  Washington, D.C. Photographs
  LOT 8894 Vintage prints of the Supreme Court Building and Southern Railroad tracks near D.C.

  Modern gelatin silver prints from original glass plate negatives of the Library of Congress, the old Senate Chambers in the Capitol, and F Street, NW.

  Library of Congress Construction Photographs
  Between 1880 and 1896 Levin C. Handy was hired by the Library to document the construction of the Thomas Jefferson Building. He produced more than 900 glass plate negatives showing every phase of the construction process. The photographs and negatives may be accessed through the following three LOTS:

  LOT 12042 62 cyanotype and albumen panoramic photographs of the construction of the Thomas Jefferson Building.

  LOT 12335 albums (containing 717 cyanotype proofs) chronologically arranged to show the construction of the Thomas Jefferson Building.

  LOT 12365 2 microfilm reels of the 975 glass plate negatives documenting the construction of the Thomas Jefferson Building.

  Library of Congress

  LOT 4760 Interior and exterior views of the Thomas Jefferson Building. 33 mounted photographs showing various reading rooms, book stacks, and statuary produced shortly after the building was constructed.

• Civil War Photograph Collection

  E. and H.T. Anthony acquired Brady's Civil War negatives as payment for his debt to that photographic supply company. These negatives, distinguished by the prefix LC-B8, were later acquired by the Library in 1943 and are known as the Civil War Photographs Collection. In the early 1990's a selection of the photographs was made available through the Prints and Photographs Online Catalog. The full set of negatives, as well as some prints, are available in the Prints and Photographs Online Catalog.

• Books

  Douglas, Howard Grey and Levin C. Handy. The Library of Congress. Washington: Press of B. S. Adams, 1900.
  Call number: Z733.U58 L6 Copy 2 (P&P Case X)

  Souvenir viewbook containing 38 halftone reproductions from photographs by Mr. Howard Grey Douglas and Mr. Levin C. Handy. Plates include interior and exterior views of the Thomas Jefferson Building with a particular emphasis on the mosaics, paintings, and sculpture adorning the building. Brief text accompanies the plates.

• Newspaper Clippings

  Newspaper clippings arranged in an album primarily concerned with a court case in 1909 involving Civil War negatives made by the Brady Studio. One article provides genealogical information about the Handy family.
  Call number: LOT 7467

Library of Congress, Manuscript Division
101 Independence Avenue, S.E., Washington DC 20540-4683

9 letters written to Handy regarding requests for photographs or services from his photography business. Two of the letters, written in September and October of 1895, from Mathew Brady request Handy's help with a lecture Brady is preparing.
Call number: Miscellaneous Manuscripts collection--Levin C. Handy

Library of Congress, Rare Book Division
101 Independence Avenue, S.E., Washington DC 20540-4683

The Library of Congress, Architecture and Mural Decorations; Pictures from Photographs. Washington: Foster & Reynolds, 1900.
Leather bound publication with gold leaf decorations. 35 half-tone illustrations from photographs by Howard Grey Douglas and Levin C. Handy. Plates include interior and exterior views of the Thomas Jefferson Building with a particular emphasis on the mosaics, paintings, and sculpture adorning the building. Brief text describing the building's murals and sculpture.
Call number: Z733.U58 L4

Related Collections Outside the Library of Congress

The collection includes approximately 600 large "Imperial" portraits (approximately 22 x 17 inches) and 5,300 cartes de visite from the Brady Studio.

New York Public Library, Photography Collection, Miriam & Ira D. Wallach Division of Art, Prints & Photographs
Fifth Avenue and 42nd Street, New York 10018-2788
(212) 930-0830

Handy, Levin C. [Photographs of the Library of Congress.] Washington: 189-?
1 library-produced album, consisting of 24 silver gelatin mounted photographs of the Library of Congress. Views include: bird's-eye three-quarter facade, entrance stairs, exterior sculpture, and interiors of the building erected in 1897.

Handy, Levin C. United States National Military Cemetery, Arlington, Virginia. Washington: Levin C. Handy, 1903.

Souvenir viewbook containing 38 halftone plates with accompanying text. Illustrations include Officer's Section, Private's Section, Confederate Section, Arlington Mansion, the Meigs Sarcophagus, Tomb of the Unknown Dead, the Connecticut Monument, Burial of Maine's Dead, and View of Washington, D.C., from Arlington.

This pamphlet is rare and is available only at: University of California at Santa Barbara, Detroit Public Library, New York Public Library, Rutherford B. Hayes Presidential Center (Freemont, Ohio), University of Texas at Austin, The Library of Virginia (Richmond), and George Washington University (Washington, DC).

Selected Bibliography

Collins, Kathleen. "Mathew B. Brady" and "Brady-Handy Collections." In Washingtoniana Photographs: Collections in the Prints and Photographs Division of the Library of Congress. Washington: Library of Congress, 1989: 24-31.

Milhollen, Hirst D. "The Brady-Handy Collection." In A Century of Photographs: Selected Photographs from the Library of Congress, compiled by Renata V. Shaw. Washington: Library of Congress, 1980: 38-50.

Prepared by: Carol Johnson, Curator. Last updated: July 2003.

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