Slave Narratives  

An Introduction to the WPA Slave Narratives
by Norman R. Yetman

In 1855, John Little, a fugitive slave who had escaped to Canada, uttered this perceptive commentary upon attempts to convey the realities of the existence that he had fled: "Tisn't he who has stood and looked on, that can tell you what slavery is--'tis he who has endured." The view that slavery could best be described by those who had themselves experienced it personally has found expression in several thousand commentaries, autobiographies, narratives, and interviews with those who "endured." Although most of these accounts appeared before the Civil War, more than one-third are the result of the ambitious efforts of the Federal Writers' Project of the Works Progress Administration (WPA) to interview surviving ex-slaves during the 1930s. The result of these efforts was the Slave Narrative Collection, a group of autobiographical accounts of former slaves that today stands as one of the most enduring and noteworthy achievements of the WPA. Compiled in seventeen states during the years 1936-38, the collection consists of more than two thousand interviews with former slaves, most of them first-person accounts of slave life and the respondents' own reactions to bondage. The interviews afforded aged ex-slaves an unparalleled opportunity to give their personal accounts of life under the "peculiar institution," to describe in their own words what it felt like to be a slave in the United States.1

NEXT: A Collective Portrait

A Collective Portrait
Slave Narratives during Slavery and After
The Twentieth-Century Revival
Slave Narratives and the New Debate about Slavery
Slave Narratives and the Waning Authority of Racism
Collections That Led the Way
The WPA and Americans' Life Histories
The Black Presence in the Writers' Project
The WPA Begins Collecting Slave Narratives
John Lomax's Leadership and the Issue of Race
How the Narratives Were Compiled
Making the Collection Known
Discovering More Slave Narratives
The Limitations of the Slave Narrative Collection: Problems of Memory
The Limitations of the Slave Narrative Collection: Race and Representativeness
Should the Slave Narrative Collection Be Used?
The Slave Narrative Collection and the Recreation of the African-American Past
Appendix I: Narratives in the Slave Narrative Collection by State
Appendix II: Race of Interviewers

Slave Narratives