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Hannah Höch
Von Oben (From Above), 1926-1927

photomontage and collage on paper
30.5 x 22.2 cm (12 x 8 3/4 in.)
Des Moines Art Center’s Louise Noun Collection of Art by Women through Bequest, 2003

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Filippo Tommaso Marinetti
Le Figaro, February 20, 1909

newspaper
62.2 x 44.5 cm (24 1/2 x 17 1/2 in.)
Collection Ohnesorge Martin-Malburet

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Pablo Picasso
Guitar, Sheet Music, and Glass, 1912

sheet music, newspaper, colored and white paper, charcoal, and hand-painted faux-bois paper on wallpaper
47.9 x 36.5 cm (18 7/8 x 14 3/8 in.)
Collection of the McNay Art Museum, Bequest of Marion Koogler McNay
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

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Georges Braque
Bottle, Glass and Newspaper, late 1913 or 1914

charcoal, faux bois paper, newspaper, on paper
50.48 x 61.6 cm (19 7/8 x 24 1/4 in.)
Private collection
© 2012 Artists Rights Society (ARS), New York / ADAGP, Paris. Stinehour Photography

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Juan Gris
Glasses, Teacup, Bottle, and Pipe on a Table, 1914

oil, pasted paper, and charcoal on canvas
overall: 65.4 x 92.3 x 2.1 cm (25 3/4 x 36 5/16 x 13/16 in.) framed: 98.4 x 125.5 x 7.5 cm (38 3/4 x 49 7/16 x 2 15/16 in.)
Kunstsammlung Nordrhein-Westfalen, Düsseldorf

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Carlo Carrà
Pursuit (Inseguimento), 1915

tempera, charcoal, and collage on cardboard
39.05 x 67.95 cm (15 3/8 x 26 3/4 in.)
Gianni Mattioli Collection. Long-term loan to the Peggy Guggenheim Collection, Venice

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Pablo Picasso
Head of a Man with a Moustache, 1913

ink, charcoal and graphite on newspaper
55.5 x 37.4 cm (21 7/8 x 14 3/4 in.)
Private collection
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

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Man Ray
Transmutation, 1916

watercolor, ink, crayon, charcoal, graphite and collage on newspaper
45.72 x 60.96 cm (18 x 24 in.)
Moderna Museet, Stockholm

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John Heartfield
Wer Bürgerblätter liest wird blind und taub. Weg mit den verdummungsbandagen! (Whoever reads bourgeois newspapers goes blind and deaf. Away with bandages that make you dimwitted!), published in Arbeiter-Illustrierte-Zeitung, vol. 9, no. 6, February 9, 1930

copperplate photogravure
38.1 x 26.7 cm (15 x 10 1/2 in.)
The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 Photograph © The Metropolitan Museum of Art

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John Heartfield
Wer Bürgerblätter liest wird blind und taub. Weg mit den verdummungsbandagen! (Whoever reads bourgeois newspapers goes blind and deaf. Away with bandages that make you dimwitted!), published in Arbeiter-Illustrierte-Zeitung, vol. 9, no. 6, February 9, 1930

copperplate photogravure
38.1 x 26.7 cm (15 x 10 1/2 in.)
The Metropolitan Museum of Art, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 Photograph © The Metropolitan Museum of Art

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Raoul Hausmann
Salomo Friedländer (Mynona), 1919

newspaper, woodcut and journal clippings on silver Japanese paper
25.5 x 21.2 cm (10 x 8 3/8 in.)
Collection Merrill C. Berman

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Arthur Dove
The Critic, 1925

newspaper, paper, commercial ornament, fabric, cord, yarn, watercolor, and graphite on board; artist's frame
49.5 x 33 x 5.7 cm (19 1/2 x 13 x 2 1/4 in.)
Whitney Museum of American Art, New York. Purchase, with funds from the Historic Art Association of the Whitney Museum of American Art, Mr. and Mrs. Morton L. Janklow, the Howard and Jean Lipman Foundation, Inc., and Hannelore Schulhof
© Courtesy of and copyright The Estate of Arthur G. Dove

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Hans Richter
Stalingrad (Victory in the East), 1943-1944

oil and newspaper on cloth
89.5 x 479.7 cm (35 1/4 x 188 7/8 in.) framed: 96.84 x 482.6 cm (38 1/8 x 190 in.)
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Mrs. Hans Richter, 1976

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Kurt Schwitters
Untitled (The Hitler Gang), 1944

collage, oil, canvas, cardboard and pasteboard on paper
image: 34.8 x 24.6 cm (13 11/16 x 9 11/16 in.), original mount: 50.5 x 40.4 cm (19 7/8 x 15 7/8 in.), framed: 68.5 x 53 x 3 cm (26 15/16 x 20 7/8 x 1 3/16 in.)
Kurt und Ernst Schwitters Stiftung, Hannover / The Kurt und Ernst Schwitters Siftung was founded by the Schwitters family with the support of NORD/LB Norddeutsche Landesbank, the Niedersächsische Sparkassenstiftung (Savings Bank Foundation of Lower Saxony), the Niedersächsische Lottostiftung (The Lottery Foundation of Lower Saxony), the Cultural Foundation of the Federal States, the State Minister at the Federal Chancellery for Media and Cultural Affairs, the Ministry for Science and Culture of the Land of Lower Saxony, and the City of Hannover.
© 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Kurt Schwitters Archive at the Sprengel Museum Hanover. Michael Herling / Aline Gwose, Sprengel Museum Hanover

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Pablo Picasso
Head of a Man, 1912

charcoal, newspaper, colored paper and hand-painted faux bois paper on paper
62.5 x 47 cm (24 5/8 x 18 1/2 in.)
Private collection
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

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Ellsworth Kelly
Head with Beard, 1949

newspaper cutout
26 x 15.9 cm (10 1/4 x 6 1/4 in.) framed: 55.88 x 41.28 x 3.81 cm (22 x 16 1/4 x 1 1/2 in.)
Collection of the artist
© Ellsworth Kelly

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Eugen Batz
Contrast Study, 1929-1930

newspaper, gouache, and white paper on black paper
42.5 x 32.9 cm (16 3/4 x 13 in.)
Bauhaus-Archiv Berlin
© Bauhaus-Archiv Berlin

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Robert Rauschenberg
Untitled (Asheville Citizen), c. 1952

oil and newspaper on canvas (two panels)
188 x 72.4 cm (74 x 28 1/2 in.)
The Museum of Modern Art, New York. Purchase, 1999 Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY, Digital Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY

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John Cage
Eninka 22, 1986

burned, smoked and branded Japanese Gampi paper mounted on paper (unique impression)
64.14 x 47.94 cm (25 1/4 x 18 7/8 in.)
Collection of Ryo Toyonaga and Alvin Friedman-Kien

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Jasper Johns
Newspaper, 1957

encaustic and newspaper on canvas
68.6 x 91.4 cm (27 x 36 in.)
Private collection Art © Jasper Johns/Licensed by VAGA, New York, NY

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Robert Morris
Crisis (Act of War: Cuba), 1962

paint on newspaper
38.7 x 55 cm (15 1/4 x 21 1/2 in.)
Collection of the artist, courtesy Leo Castelli Gallery
© 2012 Robert Morris / Artists Rights Society (ARS), New York

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Bazon Brock, Bernhard Jäger, Thomas Bayerle
Bloom-Zeitung, 1963

offset lithograph
22 1/2 x 29 1/2 in. (57.2 x 75 cm)
National Gallery of Art, Washington

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Salvador Dalí
Dali News, November 20, 1945

offset lithograph
61 x 45.7 cm (24 x 18 in.)
The Dalí Museum, Saint Petersburg, Florida
© Salvador Dalí. Fundación Gala-Salvador Dalí, 2012

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Yves Klein
Dimanche—Le journal d'un seul jour (Sunday—The newspaper for a single day), November 27, 1960

newsprint
22 x 15 in (55.9 x 38.1 cm)
National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2010

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Fluxus
cc V TRE, January 1964

offset lithograph
closed: 57.8 x 43.2 cm (22 3/4 x 17 in.) framed: 96.84 x 63.82 x 5.08 cm (38 1/8 x 25 1/8 x 2 in.)
Collection Walker Art Center, Minneapolis. Acquired with Walker Art Center library funds; transfer to Walker Art Center permanent collection, 1990

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Andy Warhol
Study for Flash – November 22, 1963 portfolio cover, 1968

silkscreen ink on paperboard
104.1 x 60.6 cm (41 x 23 7/8 in.) framed: 121.6 x 77.95 cm (47 7/8 x 30 11/16 in.)
Courtesy Gagosian Gallery
© 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. Courtesy Gagosian Gallery. Photography by Robert McKeever

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Douglas Huebler
Location Piece #6—National, 1970

seventeen photographs with typewritten captions and text
dimensions vary
The Museum of Modern Art, New York, Larry Aldrich Foundation Fund
© 2012 Douglas Huebler, courtesy Darcy Huebler / Artists Rights Society (ARS), New York

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Sarah Charlesworth
Modern History: April 21, 1978, 1978

45 gelatin silver prints
dimensions variable, each approx. 22 x 16 in.
Collection Walker Art Center, Minneapolis; Justin Smith Purchase Fund, 2003
© Copyright Sarah Charlesworth

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Sarah Charlesworth
Modern History: April 21, 1978, 1978

45 gelatin silver prints
dimensions variable, each approx. 22 x 16 in.
Collection Walker Art Center, Minneapolis; Justin Smith Purchase Fund, 2003
© Copyright Sarah Charlesworth

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Sarah Charlesworth
Modern History: April 21, 1978, 1978

45 gelatin silver prints
dimensions variable, each approx. 22 x 16 in.
Collection Walker Art Center, Minneapolis; Justin Smith Purchase Fund, 2003
© Copyright Sarah Charlesworth

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Sarah Charlesworth
Modern History: April 21, 1978, 1978

45 gelatin silver prints
dimensions variable, each approx. 22 x 16 in.
Collection Walker Art Center, Minneapolis; Justin Smith Purchase Fund, 2003
© Copyright Sarah Charlesworth

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Sarah Charlesworth
Modern History: April 21, 1978, 1978

45 gelatin silver prints
dimensions variable, each approx. 22 x 16 in.
Collection Walker Art Center, Minneapolis; Justin Smith Purchase Fund, 2003
© Copyright Sarah Charlesworth

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Jorge Macchi
Monoblock (3), 1999

cut newspaper pages
55.9 x 37.8 cm (22 x 14 7/8 in.) framed: 70.8 x 51.12 cm (27 7/8 x 20 1/8 in.)
Christine and Mark Husser

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Robert Gober
Newspaper, 1992

photolithographs on archival paper, twine
15.24 x 33.66 x 41.28 cm (6 x 16 1/4 x 13 1/4 in.)
Courtesy the artist and Matthew Marks Gallery
© Robert Gober, Courtesy Matthew Marks Gallery

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Robert Gober
Untitled (from "Parkett", no. 27, special edition, 1991), 1991

photolithograph, hand-painted with coffee
22 1/8 x 13 7/8 in (56.2 x 35.2 cm)
National Gallery of Art, Washington, Gift of the Collectors Committee, 2010
© Robert Gober, Courtesy Matthew Marks Gallery

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Paul Sietsema
Modernist Struggle, 2008

ink and enamel on paper
74.3 x 101 cm (29 1/4 x 39 3/4 in.) framed: 81.28 x 106.68 x 3.81 cm (32 x 42 x 1 1/2 in.)
Collection of Dean Valentine and Amy Adelson, Los Angeles courtesy Regen Projects, Los Angeles © Paul Sietsema

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Jim Hodges
The Good News / Al Arab Al Yawm, 8/6/2008 (Amman, Jordan), 2008-2009

24K gold on newsprint
open: 57.79 x 76.2 cm (22 3/4 x 30 in.) closed: 57.79 x 38.1 cm (22 3/4 x 15 in.)
Collection of Eric and Elizabeth Feder
© Courtesy Gladstone Gallery, New York, Copyright Jim Hodges

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Semen Fridliand
Die käufliche Presse (The Venal Press), 1929

halftone reproduction
6 1/4 x 8 1/4 in. (16 x 21 cm)
National Gallery of Art Library, David K.E. Bruce Fund

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Max Weber
The Sunday Tribune, 1913

pastel on newspaper
57.2 x 41.6 cm (22 1/2 x 16 3/8 in.) framed: 77.47 x 60.96 cm (30 1/2 x 24 in.)
Private collection, New York

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Ardengo Soffici
Al buffet della stazione (In the railway café), in Lacerba 2, no. 15, August 1, 1914

photomechanical reproduction
36.5 x 54 cm (14 3/8 x 21 1/4 in.)
The Art Institute of Chicago, Ryerson and Burnham Libraries

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Hans Arp
Cover of the journal Dada, no. 4-5: Anthologie Dada, 1919

woodcut on colored paper adhered to newsprint (deluxe edition)
27.4 x 18.5 cm (10 3/4 x 7 1/4 in.)
Beinecke Rare Book and Manuscript Library, Yale University

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Herbert Bayer
Design for a Newspaper Kiosk, 1924

tempera, paper, and collage over graphite on paper
64.5 x 34.5 cm (25 3/8 x 13 5/8 in.)
Bauhaus-Archiv Berlin
© 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Bauhaus-Archiv Berlin. Photo by Hermann Kiessling

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El Lissitzky, Sergei Sen'kin
Katalog des Sowjet-Pavillons auf der Internationalen Presse-Ausstellung (Catalogue of the Soviet Pavilion at the International Press Exhibition), Cologne, 1928

concertina volume with photomechanical reproductions
closed: 21 x 15.2 cm (8 1/4 x 6 in.) fully extended: 21 x 231.5 cm (8 1/4 x 91 1/8 in.)
Collection Merrill C. Berman

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Spanish 20th century
L'Opinió, 1932

rotogravure
47.9 x 34.9 cm (18 7/8 x 13 3/4 in.)
Collection Merrill C. Berman

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Paul Klee
Alpha bet II, 1938

pigmented paste on newspaper
49 x 33 cm (19 1/4 x 13 in.) framed: 72 x 52 x 3.5 cm (28 3/8 x 20 1/2 x 1 3/8 in.)
Zentrum Paul Klee, Bern

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James Castle
Untitled, c.1930/1950

15 newspaper pieces with cut and re-adhered elements
approximately 3 x 7" each
James Castle Collection and Archive
© James Castle Collection and Archive

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Edward Burra
Composition Collage, 1929

collage and ink on paper
47.63 x 39.37 cm (18 3/4 x 15 1/2 in.) framed: 58.42 x 49.53 x 3.81 cm (23 x 19 1/2 x 1 1/2 in.)
Private collection

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Alfredo Ramos Martinez
Head of a Nun, 1934

tempera on newspaper
52 x 39.4 cm (20 1/2 x 15 1/2 in.)
Madeline and Bruce Ramer Collection
© The Alfredo Ramos Martinez Research Project, Reproduced by permission. Collection of Madeline and Bruce Ramer. Photography by Gerard Vuilleumier.

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Dieter Roth
Literaturwurst (Daily Mirror), 1961

newspaper, water, gelatin, and spices in sausage casing
45.7 x 12.7 cm (18 x 5 in.)
Barbara Wien, Berlin

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Gerhard Hoehme
Die Zeitung (Newspaper), 1963

etching and aquatint with hand-coloring, printed on two sheets of newspaper mounted on paper
60.1 x 85.6 cm (23 5/8 x 33 3/4 in.)
National Gallery of Art, Washington, Gift of Ruth Cole Kainen, 2012
© 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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Joseph Beuys
Kraft, 1963

ink on fat-impregnated newspaper (folded)
31.2 x 22.5 x 2.2 cm (12 5/16 x 8 7/8 x 7/8 in.) framed: 69.5 x 52.9 x 6.7 cm (27 3/8 x 20 13/16 x 2 5/8 in.)
Museum Schloss Moyland, Van der Grinten Collection
© 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

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Marcel Broodthaers
Le problème noir en Belgique (The black problem in Belgium), 1963

newspaper, manufactured eggs, paint, metal nail, and gesso on prepared backing; artist's frame
50 x 41 x 7.5 cm (19 5/8 x 16 1/8 x 3 in.)
Private collection, The Netherlands

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Jean Dubuffet
Message: La clef est sous le volet (Message: The key is under the shutter), 1944

ink on newspaper
20.6 x 17.8 cm (8 1/8 x 7 in.)
The Museum of Modern Art, New York, Gift of Mary Callery, 1974
© 2012 Artists Rights Society (ARS), New York / ADAGP, Paris

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Claes Oldenburg
C-E-L-I-N-E, Backwards, 1959

newspaper soaked in wheat paste over wire frame, painted with casein
76.2 x 101.6 x 7.6 cm (30 x 40 x 3 in.)
Glenstone
© Claes Oldenburg Photo: Tim Nighswander / Imaging4ART

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Emory Douglas
All Power to the People, 1969

offset lithograph
38.1 x 57.15 cm (15 x 22 1/2 in.)
Collection of Alden and Mary Kimbrough
© 2012 Emory Douglas / Artists Rights Society (ARS), New York

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Laurie Anderson
New York Times, Horizontal/China Times, Vertical, 1976 (first conceived 1971)

woven newspaper
57.5 x 36.8 cm (22 5/8 x 14 1/2 in.) framed: 83.82 x 60.33 x 5.4 cm (33 x 23 3/4 x 2 1/8 in.)
Los Angeles County Museum of Art, Ralph M. Parsons Fund Laurie Anderson, Digital Image © 2009 Museum Associates / LACMA / Art Resource, NY

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Paul Thek
Untitled (Diver), 1970

acrylic on newspaper
58.42 x 73.66 cm (23 x 29 in.)
Collection of Gail and Tony Ganz

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Willem de Kooning
Untitled, 1976

oil on newsprint
23 x 29 in. (58.4 x 73.6 cm)
National Gallery of Art, Washington, Gift of Ruth Cole Kainen, 2002
© 2012 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York

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Adrian Piper
Vanilla Nightmares #10, 1986

charcoal and oil crayon on newspaper
59.69 x 34.29 cm (23 1/2 x 13 1/2 in.) framed: 73.82 x 50.8 x 4.45 cm (29 1/16 x 20 x 1 3/4 in.)
Collection Walker Art Center, Minneapolis, T. B. Walker Acquisition Fund, 2004
© Adrian Piper Research Archive Foundation Berlin

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Felix Gonzalez-Torres
Untitled, 1991

offset print on paper (endless copies)
21.6 x 106.7 x 147.3 cm (8 1/2 x 42 x 58 in.)
EG Collection, Milan
© The Felix Gonzalez-Torres Foundation, Courtesy of Andrea Rosen Gallery, New York, Photo: James Franklin

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On Kawara
Oct. 26, 1971 (Today series no. 97), 1971

cardboard box, newspaper, and liquitex on canvas
painting: 25.72 x 33.02 cm (10 1/8 x 13 in.) box bottom: 26.67 x 33.97 x 4.45 cm (10 1/2 x 13 3/8 x 1 3/4 in.) box lid: 26.99 x 33.66 x 3.02 cm (10 5/8 x 13 1/4 x 1 3/16 in.)
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Hirshhorn Purchase Fund, 2007. The Panza Collection.

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Stephen Dean
Untitled (Help Wanted Full Page), 1994

watercolor on newsprint
overall: 56.6 x 35.6 cm (22 1/4 x 14 in.)
National Gallery of Art, Washington, Gift of Werner H. and Sarah-Ann Kramarsky, 2000

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Guerrilla Girls
The Token Times, 1995

offset lithograph
55.9 x 43.2 cm (22 x 17 in.)
National Gallery of Art, Washington, Gift of the Gallery Girls in support of the Guerrilla Girls, 2007

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Mario Merz
À Mallarmé, 2003

newspapers and neon
55 x 720 x 80 cm (21 5/8 x 283 1/2 x 31 1/2 in.)
Collezione Merz, Torino
© 2012 Artists Rights Society (ARS), New York / SIAE, Rome

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Marine Hugonnier
Art for Modern Architecture (Homage to Ellsworth Kelly), 2005

7 collages on newspaper
58.1 x 38.1 cm (22 7/8 x 15 in.)
National Gallery of Art, Washington, Gift of the Collectors Committee, 2009

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Kim Rugg
No More Dry-Runs, 2008

cut-and-rearranged newspaper
23 5/8 x 14 3/4 in (60 x 37.5 cm)
National Gallery of Art, Washington, Gift of the Collectors Committee, 2009