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William Holman Hunt
Valentine rescuing Sylvia from Proteus -- Two Gentlemen of Verona (Act V, Scene iv), 1850-1851
oil on canvas
98.5 x 133.3 cm (38 3/4 x 52 1/2 in.) framed: 131.5 x 164.5 x 11 cm (51 3/4 x 64 3/4 x 4 5/16 in.)
Birmingham Museums and Art Gallery, Purchased 1887

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Ford Madox Brown
An English Autumn Afternoon, Hampstead – Scenery in 1853, 1854
oil on canvas
overall (oval): 71.8 x 134.6 cm (28 1/4 x 53 in.) framed: 110.5 x 173.5 x 12 cm (43 1/2 x 68 5/16 x 4 3/4 in.)
Birmingham Museums and Art Gallery, Presented by the Public Picture Gallery Fund, 1916

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Dante Gabriel Rossetti
Found, begun 1859
oil on canvas
88.9 x 76.2 cm (35 x 30 in.) framed: 128.3 x 116.8 x 7.6 cm (50 1/2 x 46 x 3 in.)
Delaware Art Museum, Wilmington, DE. Samuel and Mary R. Bancroft Memorial, 1935

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Dante Gabriel Rossetti
Lady Lilith, 1828 - 1882
oil on canvas
96.5 x 85.1 cm (38 x 33 1/2 in.) framed: 134.6 x 121.9 x 7 cm (53 x 48 x 2 3/4 in.)
Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935

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William Morris, Dante Gabriel Rossetti
The Arming of a Knight, 1856-1857
Painted deal, leather and nails
141.3 x 47.6 x 49.5 cm (55 5/8 x 18 3/4 x 19 1/2 in.)
Delaware Art Museum, Acquired through the Bequest of Doris Wright Anderson and through the F.V. duPont Acquisition Fund, 1997

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William Holman Hunt
Isabella and The Pot of Basil, 1866-1868, retouched 1886
oil on canvas
186.7 x 115.6 cm (73 1/2 x 45 1/2 in.)
Laing Art Gallery, Newcastle upon Tyne

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John Everett Millais
Ferdinand Lured by Ariel, 1849-1850
oil on panel
64.8 x 50.8 cm (25 1/2 x 20 in.) framed: 92 x 78 cm (36 1/4 x 30 11/16 in.)
The Makins Collection

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William Holman Hunt
The Light of the World, 1851-1856
oil on canvas
49.8 x 21.6 cm (19 5/8 x 8 1/2 in.)
Manchester City Galleries

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William Holman Hunt
John Everett Millais, 1853
pastel and colored chalk on paper
32.7 x 24.8 cm (12 7/8 x 9 3/4 in.)
National Portrait Gallery, London

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Sir Edward Coley Burne-Jones
Sidonia von Bork 1560, 1860
watercolor and gouache on paper
33.3 x 17.1 cm (13 1/8 x 6 3/4 in.)
Tate. Bequeathed by W. Graham Robertson 1948

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Henry Wallis
Chatterton, c. 1855-1856
oil on canvas
62.2 x 93.3 cm (24 1/2 x 36 3/4 in.) framed: 90.5 x 120.5 x 13.2 cm (35 5/8 x 47 7/16 x 5 3/16 in.)
Tate Gallery, London. Bequeathed by Charles Gent Clement 1899

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John Everett Millais
Christ in the House of His Parents (The Carpenter's Shop), 1849-1850
oil on canvas
86.4 x 139.7 cm (34 x 55 in.) framed: 159 x 187.3 x 141 cm (62 5/8 x 73 3/4 x 55 1/2 in.)
Tate. Purchased with assistance from the Art Fund and various subscribers 1921

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Dante Gabriel Rossetti
Ecce Ancilla Domini! [The Annunciation], 1849-1850
oil on canvas, mounted on panel
73.7 x 41.9 cm (29 x 16 1/2 in.) framed: 100.2 x 69.8 x 8.8 cm (39 7/16 x 27 1/2 x 3 7/16 in.)
Tate. Purchased 1886

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John Brett
Glacier at Rosenlaui, 1856
oil on canvas
44.5 x 41.9 cm (17 1/2 x 16 1/2 in.)
Tate. Purchased 1946

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John Everett Millais
Ophelia, 1851-1852
oil on canvas
76.2 x 111.8 cm (30 x 44 in.)
Tate. Presented by Sir Henry Tate 1894

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Arthur Hughes
April Love, 1855-1856
oil on canvas
88.9 x 49.5 cm (35 x 19 1/2 in.)
Tate. Purchased 1909

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William Holman Hunt
The Awakening Conscience, 1853-1854
oil on canvas
76.2 x 55.9 cm (30 x 22 in.) framed: 106 x 85.7 x 9.7 cm (41 3/4 x 33 3/4 x 3 13/16 in.)
Tate. Presented by Sir Colin and Lady Anderson through the Friends of the Tate Gallery 1976

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Dante Gabriel Rossetti
Beata Beatrix, c. 1864-1870
oil on canvas
86.4 x 66 cm (34 x 26 in.)
Tate. Presented by Georgiana, Baroness Mount-Temple in memory of her husband, Francis, Baron Mount-Temple 1889

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Dante Gabriel Rossetti
Bocca Baciata, 1859
oil on panel
32.1 x 27 cm (12 5/8 x 10 5/8 in.)
Museum of Fine Arts, Boston, Gift of James Lawrence

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William Holman Hunt
Claudio and Isabella, 1850-1853, retouched 1879
oil on mahogany
75.8 x 42.6 x 1 cm (29 13/16 x 16 3/4 x 3/8 in.) framed: 99.7 x 66.8 x 8 cm (39 1/4 x 26 5/16 x 3 1/8 in.)
Tate. Presented by the Trustees of the Chantrey Bequest 1919

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John Everett Millais
Mariana, 1850-1851
oil on mahogany
59.7 x 49.5 x 1.5 cm (23 1/2 x 19 1/2 x 9/16 in.) framed: 87.6 x 76.7 x 5.5 cm (34 1/2 x 30 3/16 x 2 3/16 in.)
Tate. Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1999

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John Everett Millais
The Order of Release, 1746, 1852-1853
oil on canvas
102.9 x 73.7 cm (40 1/2 x 29 in.) framed: 150.5 x 121 x 12.5 cm (59 1/4 x 47 5/8 x 4 15/16 in.)
Tate. Presented by Sir Henry Tate 1898

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John Roddam Spencer Stanhope
Thoughts of the Past, 1858-1859
oil on canvas
86.4 x 50.8 cm (34 x 20 in.) framed: 116.4 x 81 x 9.7 cm (45 13/16 x 31 7/8 x 3 13/16 in.)
Tate. Presented by Mrs. F. Evans 1918

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William Morris
La Belle Iseult, 1857-1858
oil on canvas
71.8 x 50.2 cm (28 1/4 x 19 3/4 in.) framed: 96 x 75.5 x 6.1 cm (37 13/16 x 29 3/4 x 2 3/8 in.)
Tate. Bequeathed by Miss May Morris 1939

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John Everett Millais
Sophie Gray, 1857
oil on paper laid on panel
30.5 x 22.9 cm (12 x 9 in.) framed: 45 x 38 x 4 cm (17 11/16 x 14 15/16 x 1 9/16 in.)
Private collection c/o Christie's

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Dante Gabriel Rossetti
The Wedding of St. George and Princess Sabra, 1857
watercolor on paper
36.5 x 36.5 cm (14 3/8 x 14 3/8 in.)
Tate. Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG, through the Art Fund 1916

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Edward Burne-Jones
The Doom Fulfilled, 1885-1888
oil on canvas
154.9 x 140.3 cm (61 x 55 1/4 in.)
Staatsgalerie Stuttgart

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Julia Margaret Cameron
The Mountain Nymph, Sweet Liberty, June 1866
albumen print from collodion negative
36.1 x 26.7 cm (14 3/16 x 10 1/2 in.)
National Gallery of Art, Washington, New Century Fund

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Edward Fitzgerald
Rubaiyat of Omar Khayyam, 16 October 1872
ink, watercolor and gilding on vellum
open: 13.5 x 23.5 cm (5 5/16 x 9 1/4 in.)
The British Library, London

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Dante Gabriel Rossetti
Ford Madox Brown, 1852
pencil on paper
17.1 x 11.4 cm (6 3/4 x 4 1/2 in.)
National Portrait Gallery, London

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Dante Gabriel Rossetti
Self-Portrait, 1847
pencil and white chalk on paper
19.7 x 17.8 cm (7 3/4 x 7 in.)
National Portrait Gallery, London

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John Everett Millais
William Holman Hunt, 1853
pencil with some wash on paper
23.5 x 18.9 cm (9 1/4 x 7 7/16 in.)
National Portrait Gallery, London

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Alexander Munro
Young Romilly, c. 1863
marble
97 x 35 x 60 cm (38 3/16 x 13 3/4 x 23 5/8 in.)
Scottish National Gallery, Edinburgh, Purchased 1993

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Ford Madox Brown
Work, 1863
oil on canvas
68.4 x 99 cm (26 15/16 x 39 in.) framed: 99.5 x 130 x 9.5 cm (39 3/16 x 51 3/16 x 3 3/4 in.)
Birmingham Museums and Art Gallery. Bequeathed by James Richardson Holliday, 1927

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Edward Burne-Jones
Laus Veneris, 1873-1878
oil on canvas
121.9 x 182.9 cm (48 x 72 in.) framed: 154 x 216 x 7 cm (60 5/8 x 85 1/16 x 2 3/4 in.)
Laing Art Gallery, Newcastle upon Tyne

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John Everett Millais
The Blind Girl, 1856
oil on canvas
80.8 x 53.4 cm (31 13/16 x 21 in.) framed: 111 x 84.5 x 10 cm (43 11/16 x 33 1/4 x 3 15/16 in.)
Birmingham Museums and Art Gallery. Presented by the Rt Hon William Kendrick, 1892

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Designed by Sir Edward Coley Burne-Jones, William Morris, and John Henry Dearle
The Arming and Departure of the Knights of the Round Table on the Quest for the Holy Grail, 1890-1894
tapestry woven in wool and silk on a cotton warp
240 x 347 cm (94 1/2 x 136 5/8 in.)
Collection of Jimmy Page, courtesy of Paul Reeves London

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Alexander Munro
Paolo and Francesca, 1852
marble
66 x 67.5 x 53 cm (26 x 26 5/8 x 20 7/8 in.)
Birmingham Museums and Art Gallery, Purchased 1960

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William Morris
Design for Tulip and Willow printed textile, 1873-1875
pencil, watercolor, and bodycolor
114.3 x 94 cm (45 x 37 in.) framed: 120.3 x 100.6 x 3.3 cm (47 3/8 x 39 5/8 x 1 5/16 in.)
Birmingham Museums and Art Gallery. Purchased from Morris & Co. through the Friends of BMAG, 1940

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William Morris
Cray textile, 1884 design, produced between 1884 and 1917
cotton
362.59 x 173.67 cm (142 3/4 x 68 3/8 in.)
The Baltimore Museum of Art: The Jane and Worth B. Daniels, Jr. Fund