Master
printmaker Robert Blackburn (b. 1920, Summit, New Jersey; d. 2003 in New York City) changed
the course of American art through his graphic work and the Printmaking
Workshop, which he founded in New York City in 1948. His pioneering
contributions to the technical and aesthetic development of abstract
color lithography is as legendary as his generosity in encouraging
and training thousands of diverse artists to experiment in the
graphic medium.
Growing up in Harlem in the 1920s
and 1930s, Blackburn was influenced by the intellectual and artistic
legacies of the Harlem Renaissance as well as European abstraction
and the artistic ideologies and political tendencies of both American
social realism and Mexican modernism. He learned lithography as
a teenager at a community center on 125th Street sponsored by
the Depression-era Works Progress Administration (WPA). While
in his twenties, he studied at the Art Students League for three
years. Later, he did freelance artistic work for institutions
such as the Harmon Foundation and began to forge his signature
abstract style amidst the varied modernist currents he encountered.
In 1948, he opened his own studio, the Printmaking Workshop, launching
the oldest and largest non-profit print workshop in the United
States.
After a period of travel and study
in Europe, in 1957 Blackburn became the first master printer for
the prestigious Universal Limited Art Editions (ULAE). He printed
the first seventy-nine editions for the seminal workshop, setting
the standard by which ULAE exerted a powerful influence on modernist
printmaking in America. His own complicated, varicolored abstractions
prefigured or complemented more familiar ULAE works. In particular,
his experiments in color lithography during the 1950s helped fuel
the explosion of graphic art that occurred in the next decade.
In 1971, the Printmaking Workshop
became a non-profit corporation, with a mission to maintain creative
and artistic quality, support and encourage innovation, create
opportunities for Third World and minority artists, and foster
public appreciation of the fine art print. The Printmaking Workshop
was renowned for its open, informal, and accommodating atmosphere.
Through the workshop, Blackburn has been teacher and friend to
thousands of artists--as master printer, technical advisor, fund
raiser, diplomat, catalyst, and instigator.
The Library of Congress together
with the International Print Center New York and The Elizabeth
Foundation for the Arts presents the exhibition Creative Space:
Fifty Years of Robert Blackburn's Printmaking Workshop featuring
artwork from the Robert Blackburn Printmaking Workshop Archives
and Collection, now on deposit at the Library of Congress. The
exhibition includes a key selection of Blackburn's own work, and
a dazzling array of prints by collaborators and students, as well
as personal friends and colleagues since the 1940s. The outstanding
quality and breadth of these works attest to the enduring vision
of the Printmaking Workshop's founder and director, Robert Blackburn,
and the generations of artists whose lives he has touched. The
Library is working with the non-profit Elizabeth Foundation for
the Arts to acquire and preserve more than 2,000 fine prints by
1,311 artists of the Printmaking Workshop--a remarkable record
of artistic achievement created during the past fifty years.
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